For 753 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 7.7 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 A Girl Walks Home Alone at Night
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 38 out of 753
753 movie reviews
    • 58 Metascore
    • 75 Marc Mohan
    Once Wentworth Miller's screenplay starts to provide answers for Charlie's mysterious menace, though, expectations are left unfulfilled.
    • 60 Metascore
    • 75 Marc Mohan
    The question that lies at the heart of the documentary Aristide and the Endless Revolution is whether his exile was his own idea or whether he was pressured, even kidnapped, by the United States.
    • 65 Metascore
    • 75 Marc Mohan
    Paradise: Love, the first in a thematic trilogy, is a sad story about the difficulty individuals face when trying to establish relationships across vast cultural and economic gulfs.
    • 57 Metascore
    • 75 Marc Mohan
    Humor and humanity keep The Boys Are Back from being a cloying mess.
    • 62 Metascore
    • 75 Marc Mohan
    A compelling examination of a complex topic.
    • 61 Metascore
    • 75 Marc Mohan
    For his directorial debut, British actor Charles Dance tackles such familiar English themes as repressed desire and an arm's-length fascination with foreigners. Luckily for the slight story, he has recruited two of the most effortlessly brilliant grande dames of British film.
    • 45 Metascore
    • 75 Marc Mohan
    There's something in the obsessiveness of these characters that pushes the film just beyond the level of believability, even for a romantic fable such as this.
    • 56 Metascore
    • 75 Marc Mohan
    You can almost feel Depp restraining himself from saying "Tell me more about Hunter," again and again, but his enthusiasm and appreciation are real, and that's a pretty good reason for this movie to exist.
    • 49 Metascore
    • 75 Marc Mohan
    Is it a worthwhile movie? Yes, for the most part.
    • 78 Metascore
    • 75 Marc Mohan
    What's different here is the setting: Instead of modern-day misogyny, the heroine of The Last Mistress is up against its 19th-century version.
    • 69 Metascore
    • 75 Marc Mohan
    Yes, a comedy, however dark, about a parent taking advantage of a child's death is a tough sell. But with Williams more restrained and sympathetic than he's been in years (again, faint praise), and a final act that makes up for a ponderous first third, "Dad" shows that it can be done.
    • 79 Metascore
    • 75 Marc Mohan
    Pride should leave audiences smiling and inspired. But it would have been a much more groundbreaking film if it had been released 30 years ago.
    • 70 Metascore
    • 75 Marc Mohan
    It's not without one or two missteps, but remains likely the most impressive juvenile acting you'll see this year.
    • 71 Metascore
    • 75 Marc Mohan
    A decent-enough treat for fans of this particular Gallic genre.
    • 71 Metascore
    • 75 Marc Mohan
    Next Goal Wins isn't the most slickly made documentary, and its chronology can be confusing at times. But, despite a bit of salty language, it's an inspiring, never-say-die chronicle for all ages.
    • 69 Metascore
    • 75 Marc Mohan
    Nothing tops the discussions of mortality between Leary and Ram Dass, during which both of these battered but unbowed explorers of reality come off as nothing less than enlightened.
    • 69 Metascore
    • 75 Marc Mohan
    One man's befuddlement is another's awe at the ineffability of time, and from either perspective, this is a spectacle not soon forgotten, even if never understood.
    • 65 Metascore
    • 75 Marc Mohan
    Despite the mysteries of the plot, a sitcom-style sense of expectation creeps into Saving Face, which sometimes feels comfortable but mostly serves to spotlight the shortcomings in a script that invents compelling characters but doesn't give them much out of the ordinary to do.
    • 68 Metascore
    • 75 Marc Mohan
    Apart from its sociological interest, though, Nathan's film offers the pleasure of some really impressive stunt driving.
    • 64 Metascore
    • 75 Marc Mohan
    What makes Freedom Writers work is the very thing that makes it seem like a drag: predictable inspiration.
    • 64 Metascore
    • 75 Marc Mohan
    Sleeping with Other People turns out to be more entertaining than it sounds. The movie, that is.
    • 56 Metascore
    • 75 Marc Mohan
    A moderately enchanting, sometimes thought-provoking corrective to the flaws in the story that inspired it.
    • 56 Metascore
    • 75 Marc Mohan
    The movie knows enough, most of the time, to just let the funny people be funny.
    • 84 Metascore
    • 75 Marc Mohan
    It may not be the most memorable saga put on film, but as far as Miike is concerned, it doesn't have to be.
    • 79 Metascore
    • 75 Marc Mohan
    Youth may be wasted on some of the young, but the two aspiring Norwegian novelists at the center of Reprise, director Joachim Trier's debut feature, try desperately to avoid that particular cliche.
    • 70 Metascore
    • 75 Marc Mohan
    Just because others bear blame for what went on doesn't mean they bore none, and while the deal they got was raw, they never lacked the ability to say no.
    • 51 Metascore
    • 75 Marc Mohan
    It's not a five star film, but it's no Motel 6 either.
    • 57 Metascore
    • 75 Marc Mohan
    Life Partners may be a dispensable sitcom of a movie, but it's charming and cannily made.
    • 68 Metascore
    • 75 Marc Mohan
    The fascinating tale of master forger Mark Landis is especially bizarre, mostly because it doesn't involve the commission of a crime.
    • 46 Metascore
    • 75 Marc Mohan
    An action film without a completely empty head, and these days, that's as rare as Excalibur itself.

Top Trailers