For 656 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.5 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 The Manchurian Candidate
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 29 out of 656
656 movie reviews
    • 69 Metascore
    • 83 Marc Mohan
    Once Greene achieves fame, neither he nor the screenplay quite knows what to do; the first half-hour of Talk to Me is the most fun. But a vibrant feel for its era and a genuine affection for its characters make the whole thing a solid evocation of a time and a life worth remembering.
    • 89 Metascore
    • 83 Marc Mohan
    The first to take a big-picture view of just how the plans for postwar occupation went so far off track.
    • 55 Metascore
    • 83 Marc Mohan
    This is a movie that, off-putting as it can be at times, deserves to be seen and heard in a theater, if only to observe the reactions of others to the hilarious gutter talk coming out of Winslet's mouth.
    • 73 Metascore
    • 83 Marc Mohan
    In this involving if slightly unfocused documentary, director Daniel Karslake takes a two-pronged approach in examining how religion has been interpreted -- some would say twisted -- into, at its worst, monomaniacal homophobia.
    • 66 Metascore
    • 83 Marc Mohan
    If the presence of Cheadle and his handsome pal George Clooney can entice otherwise resistant viewers to learn about the ongoing travesty in western Sudan, then Darfur Now has done its job.
    • 72 Metascore
    • 83 Marc Mohan
    It's a fun and attractive ride.
    • 67 Metascore
    • 83 Marc Mohan
    XXY
    The word "hermaphrodite" is never actually uttered, for instance, and the whole topic is revealed obliquely, mostly through the puzzled eyes of Alvaro. Most impressively, a tale that could have been handled with condescending simplicity becomes a testament to the flawed but noble humanity of both parents and children.
    • 63 Metascore
    • 83 Marc Mohan
    The always thin tightrope between "laughing at" and "laughing with" is negotiated with success in the low-budget comedy The Foot Fist Way.
    • 82 Metascore
    • 83 Marc Mohan
    In the fine tradition of well-made thrillers, it's enough that it all feels solid at the moment, and the final revelations are unexpected and seemingly inevitable.
    • 63 Metascore
    • 83 Marc Mohan
    Nothing more and nothing less than a savvy and talented cast having its way with a clever, hilarious script, with absolutely no weighty issues at stake.
    • 70 Metascore
    • 83 Marc Mohan
    An informative and frightening documentary.
    • 82 Metascore
    • 83 Marc Mohan
    The longer it goes on, the more you're swept up into the jet stream of good feeling.
    • 55 Metascore
    • 83 Marc Mohan
    Turns out this is a thoughtful, well-acted film that manages to view this most inconceivable of travesties through the eyes of child without being childish itself.
    • 77 Metascore
    • 83 Marc Mohan
    The cinematic gloss serves to heighten our involvement in the tale, and to mark Fukunaga as a talent to be reckoned with.
    • 78 Metascore
    • 83 Marc Mohan
    Director Bent Hamer ("Factotum") keeps things drily amusing throughout.
    • 73 Metascore
    • 83 Marc Mohan
    It's no "Fantasia" or "Sleeping Beauty," but it's no "The Rescuers Down Under," either.
    • 70 Metascore
    • 83 Marc Mohan
    Oswalt sells Auferio's pasty indecision and makes him a more sympathetic figure than he has any right to be.
    • 66 Metascore
    • 83 Marc Mohan
    Ultimately, it's an instructive and entertaining examination of both the overlooked environmental costs of everyday life and the possibilities for change.
    • 49 Metascore
    • 83 Marc Mohan
    Flashes of dark humor and steady, grounded performances make it a welcome return for Miller, making her first film since 2005's "The Ballad of Jack and Rose."
    • 64 Metascore
    • 83 Marc Mohan
    A fresh look at the first chapters in the monarch's life, while maintaining historical fidelity.
    • 66 Metascore
    • 83 Marc Mohan
    Manages to excavate enough universal pathos from the mundane to find something truly extraordinary in the ordinary.
    • 66 Metascore
    • 83 Marc Mohan
    Director Matthew Vaughn has provided an imperfect but still wickedly hilarious take on Mark Millar's deconstruction of superhero mythos.
    • 55 Metascore
    • 83 Marc Mohan
    The Joneses turns out to be a smart little comedy that tosses some sharp little darts at our consumer-driven culture.
    • 72 Metascore
    • 83 Marc Mohan
    Her film is just as effective as a portrait of two unknowable, individual souls caught up in events of global scale.
    • 76 Metascore
    • 83 Marc Mohan
    A well-acted, convincing portrait of a successful but overworked film producer.
    • 64 Metascore
    • 83 Marc Mohan
    It's the kind of story that can look pedestrian on paper, but when brought to life this skillfully, proves to be genuinely inspiring.
    • 63 Metascore
    • 83 Marc Mohan
    Fleck and Boden point out the absurd humor inherent in mental illness without trivializing its causes or consequences. This is not an easy trick, and it's largely thanks to Galifianakis' amalgam of wackiness and awkward sorrow that it works.
    • 82 Metascore
    • 83 Marc Mohan
    A mental workout of the most invigorating sort.
    • 57 Metascore
    • 83 Marc Mohan
    Thor meets the elevated expectations for superhero movies today, but doesn't exceed them. There's some sloppy plotting, which always shows a certain disregard for the audience's intelligence.
    • 65 Metascore
    • 83 Marc Mohan
    Digitally shot, the film looks great, and the performances ooze charisma. The biggest star, though, may be Kinshasa itself, a roiling, barely cohesive sea of humanity that seems as if it could serve as a backdrop for some fascinating films for years to come.

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