For 685 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.6 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 A Girl Walks Home Alone at Night
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 32 out of 685
685 movie reviews
    • 86 Metascore
    • 83 Marc Mohan
    Difficult to sit through, Our Daily Bread is nonetheless an important record, invaluable for those with the courage to watch it.
    • 56 Metascore
    • 83 Marc Mohan
    Whishaw's oddly charismatic performance makes the despicable Grenouille into an almost sympathetic antihero. The rather astonishing finale will likely have audiences either howling in derision or ardently dissecting afterward. And it must have given the bluenoses at the MPAA fits.
    • 72 Metascore
    • 83 Marc Mohan
    Fortunately, their story is just as compelling here, and the film's subjects display impressive adaptability, as well as a desire not to forget those they've left behind.
    • 64 Metascore
    • 83 Marc Mohan
    While this sort of thing can easily devolve into bourgeois comfort food, Thompson, a veteran of the genre, knows how to serve it up just about right.
    • 44 Metascore
    • 83 Marc Mohan
    You'll suspect, and even hope, that what's on screen is a hoax, but it seems to be at the very least one version of the truth.
    • 47 Metascore
    • 83 Marc Mohan
    Solid acting, especially from the women, and a few good Colin Farrell jokes make this familiar tale better than it probably should be.
    • 60 Metascore
    • 83 Marc Mohan
    The Belgian comedy The Iceberg might be a pale shadow of the films of the great French comedian Jacques Tati, but even that's enough to qualify it as an amusing, inventive effort.
    • 53 Metascore
    • 83 Marc Mohan
    Parents who want smart, harmless movies that don't condescend for their school-age kids -- a rare thing these days -- should be grateful for Nancy Drew.
    • 69 Metascore
    • 83 Marc Mohan
    Once Greene achieves fame, neither he nor the screenplay quite knows what to do; the first half-hour of Talk to Me is the most fun. But a vibrant feel for its era and a genuine affection for its characters make the whole thing a solid evocation of a time and a life worth remembering.
    • 89 Metascore
    • 83 Marc Mohan
    The first to take a big-picture view of just how the plans for postwar occupation went so far off track.
    • 55 Metascore
    • 83 Marc Mohan
    This is a movie that, off-putting as it can be at times, deserves to be seen and heard in a theater, if only to observe the reactions of others to the hilarious gutter talk coming out of Winslet's mouth.
    • 73 Metascore
    • 83 Marc Mohan
    In this involving if slightly unfocused documentary, director Daniel Karslake takes a two-pronged approach in examining how religion has been interpreted -- some would say twisted -- into, at its worst, monomaniacal homophobia.
    • 66 Metascore
    • 83 Marc Mohan
    If the presence of Cheadle and his handsome pal George Clooney can entice otherwise resistant viewers to learn about the ongoing travesty in western Sudan, then Darfur Now has done its job.
    • 72 Metascore
    • 83 Marc Mohan
    It's a fun and attractive ride.
    • 67 Metascore
    • 83 Marc Mohan
    XXY
    The word "hermaphrodite" is never actually uttered, for instance, and the whole topic is revealed obliquely, mostly through the puzzled eyes of Alvaro. Most impressively, a tale that could have been handled with condescending simplicity becomes a testament to the flawed but noble humanity of both parents and children.
    • 63 Metascore
    • 83 Marc Mohan
    The always thin tightrope between "laughing at" and "laughing with" is negotiated with success in the low-budget comedy The Foot Fist Way.
    • 82 Metascore
    • 83 Marc Mohan
    In the fine tradition of well-made thrillers, it's enough that it all feels solid at the moment, and the final revelations are unexpected and seemingly inevitable.
    • 63 Metascore
    • 83 Marc Mohan
    Nothing more and nothing less than a savvy and talented cast having its way with a clever, hilarious script, with absolutely no weighty issues at stake.
    • 70 Metascore
    • 83 Marc Mohan
    An informative and frightening documentary.
    • 82 Metascore
    • 83 Marc Mohan
    The longer it goes on, the more you're swept up into the jet stream of good feeling.
    • 55 Metascore
    • 83 Marc Mohan
    Turns out this is a thoughtful, well-acted film that manages to view this most inconceivable of travesties through the eyes of child without being childish itself.
    • 77 Metascore
    • 83 Marc Mohan
    The cinematic gloss serves to heighten our involvement in the tale, and to mark Fukunaga as a talent to be reckoned with.
    • 78 Metascore
    • 83 Marc Mohan
    Director Bent Hamer ("Factotum") keeps things drily amusing throughout.
    • 73 Metascore
    • 83 Marc Mohan
    It's no "Fantasia" or "Sleeping Beauty," but it's no "The Rescuers Down Under," either.
    • 70 Metascore
    • 83 Marc Mohan
    Oswalt sells Auferio's pasty indecision and makes him a more sympathetic figure than he has any right to be.
    • 66 Metascore
    • 83 Marc Mohan
    Ultimately, it's an instructive and entertaining examination of both the overlooked environmental costs of everyday life and the possibilities for change.
    • 49 Metascore
    • 83 Marc Mohan
    Flashes of dark humor and steady, grounded performances make it a welcome return for Miller, making her first film since 2005's "The Ballad of Jack and Rose."
    • 64 Metascore
    • 83 Marc Mohan
    A fresh look at the first chapters in the monarch's life, while maintaining historical fidelity.
    • 66 Metascore
    • 83 Marc Mohan
    Manages to excavate enough universal pathos from the mundane to find something truly extraordinary in the ordinary.
    • 66 Metascore
    • 83 Marc Mohan
    Director Matthew Vaughn has provided an imperfect but still wickedly hilarious take on Mark Millar's deconstruction of superhero mythos.

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