For 685 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.6 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 A Girl Walks Home Alone at Night
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 32 out of 685
685 movie reviews
    • 65 Metascore
    • 83 Marc Mohan
    If Rod Serling had hired Robert Altman to direct a "Twilight Zone" episode, it might have turned out something like this.
    • 82 Metascore
    • 83 Marc Mohan
    In the fine tradition of well-made thrillers, it's enough that it all feels solid at the moment, and the final revelations are unexpected and seemingly inevitable.
    • 71 Metascore
    • 83 Marc Mohan
    A surprisingly in-depth and confrontational examination into the obesity epidemic among Americans, especially children, over the last 30 years.
    • 76 Metascore
    • 83 Marc Mohan
    Politics aside, Obvious Child hinges on Slate's performance, which is endearing and real.
    • 78 Metascore
    • 83 Marc Mohan
    The black-and-white cinematography and silent-film feel are haunting and nostalgic, and Aurora's story encapsulates a broader, bittersweet truth about the perils of tinted memory.
    • 62 Metascore
    • 83 Marc Mohan
    The worry regarding 2014's Godzilla was that it would seem like a retread of recent big-budget monster mashes "Cloverfield" or "Pacific Rim," or, worse yet, that it would sink to the depths of the 1998 American reboot. Happily, though, this one can stand on its own two enormous three-toed feet.
    • 69 Metascore
    • 83 Marc Mohan
    Although its three-part structure plays out more like sketch comedy than a fully-cooked story, Lavie's debut is an impressive and entertaining one.
    • 68 Metascore
    • 83 Marc Mohan
    For those under the impression that Icelandic life consists solely of fishing and the hosting of international summits, this triangle of love, lust, and misunderstanding from director Baltasar Kormakur is a welcome treat.
    • Portland Oregonian
    • 60 Metascore
    • 83 Marc Mohan
    The movie's a solid fish-out-of-water thriller that just happens to be populated by a few folks with adamantium skeletons or poison saliva on their résumés.
    • 68 Metascore
    • 83 Marc Mohan
    Cianfrance is the real deal, and anyone who can persuade talented Hollywood stars to enact nonironic, intelligent, ambitious drama should be encouraged, especially when the result is something like this.
    • 70 Metascore
    • 83 Marc Mohan
    An informative and frightening documentary.
    • 64 Metascore
    • 83 Marc Mohan
    A fresh look at the first chapters in the monarch's life, while maintaining historical fidelity.
    • 76 Metascore
    • 83 Marc Mohan
    He's an engaging, profane interview subject, and a complex guy, self-described as both a "pervert" and a "romantic," sexually omnivorous, a Goldwater Republican before being drafted and sent to Vietnam, a McCarthyite peacenik afterward.
    • 85 Metascore
    • 83 Marc Mohan
    As storytelling, it's extremely effective.
    • 54 Metascore
    • 83 Marc Mohan
    Even with nothing at stake emotionally, though, he conjures some real scares, and the finale is as much a head-scratcher as a heart-stopper -- in a good way.
    • 58 Metascore
    • 83 Marc Mohan
    The actual video footage of some of the incidents recreated in the film, which play with the end credits, makes it clear that sometimes reality can be as hokey as fiction.
    • 55 Metascore
    • 83 Marc Mohan
    The Joneses turns out to be a smart little comedy that tosses some sharp little darts at our consumer-driven culture.
    • 68 Metascore
    • 83 Marc Mohan
    It's the rest of the movie, especially a grin-inducing final third, which makes "Apes" rise above the level of a typical sci-fi rehash.
    • 79 Metascore
    • 83 Marc Mohan
    It's a treat to be diverted by a film that actually has a brain.
    • 67 Metascore
    • 83 Marc Mohan
    With barely a hint of trippy visuals, it captures the highs and lows of one mind-expanding surfside day.
    • 67 Metascore
    • 83 Marc Mohan
    In addition to a vast array of incredible autos crafted from fiberglass, Roth also created the anti-Mickey cartoon character Rat Fink, a deranged-looking, filthy rodent.
    • 82 Metascore
    • 83 Marc Mohan
    The pace of this Oscar nominee may be a bit contemplative for audiences seeking "Yojimbo"-style action, but it's surely a more realistic and moving look at life in 19th-century Japan.
    • 62 Metascore
    • 75 Marc Mohan
    For most of its running time, it's a riveting rendition of a stranger-than-fiction tale.
    • 68 Metascore
    • 75 Marc Mohan
    It's not clear that Ayoade has anything new to say about these time-worn themes, but he has fun creating the world of the film.
    • 69 Metascore
    • 75 Marc Mohan
    A watchable, even suspenseful portrait of a woman who spends most of the film smoking cigarettes, sitting at typewriters or sparring at dinner parties.
    • 65 Metascore
    • 75 Marc Mohan
    As usual, the director is a wizard at camera movement and more than willing to plunge his audience into unpleasantness.
    • 78 Metascore
    • 75 Marc Mohan
    Intense, well-acted love story.
    • 86 Metascore
    • 75 Marc Mohan
    Ultimately, the story can be seen as the collision of two equally uncompromising belief systems, each its own form of fundamentalism. That neither benefits from the encounter should come as no surprise to anyone with the slightest knowledge of human history.
    • 75 Metascore
    • 75 Marc Mohan
    What really separates Zatoichi from a run-of-the-mill action pic is the sense of humor -- and even more than that, the sense of fun -- that Kitano brings to it.
    • 66 Metascore
    • 75 Marc Mohan
    Director Martin Koolhoven doesn't take many narrative chances, but the somber, steely cinematography and convincing performances help to carry the day.

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