For 656 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.5 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Inside Llewyn Davis
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 29 out of 656
656 movie reviews
    • 77 Metascore
    • 83 Marc Mohan
    The resulting documentary is a fascinating meditation on the different ways nature can be experienced, as well as a fatalistic take on the process of our planet's seemingly inevitable change in climate.
    • 58 Metascore
    • 83 Marc Mohan
    The actual video footage of some of the incidents recreated in the film, which play with the end credits, makes it clear that sometimes reality can be as hokey as fiction.
    • 74 Metascore
    • 83 Marc Mohan
    Wiig, following the big-screen breakthrough of "Bridesmaids," has dipped her toes into dramatic waters, but for Hader, The Skeleton Twins is a revelation.
    • 52 Metascore
    • 83 Marc Mohan
    The movie wobbles as it approaches the home stretch, but, thanks to its leading man, manages to stick the landing.
    • 77 Metascore
    • 83 Marc Mohan
    The only danger with a movie like this is the inevitably disappointing return to more humdrum reality once it ends.
    • 89 Metascore
    • 83 Marc Mohan
    It's hard to say what's more fascinating: The engaging explication of various paintings by the remarkably articulate docents, the behind-the-scenes looks at the preservation and restoration processes, or the boardroom discussions about the appropriateness of marketing efforts. Actually, that third one probably isn't the most fascinating, but I still wanted more of it.
    • 87 Metascore
    • 83 Marc Mohan
    If film's rapturous reception is due in part to the rarity of filmmaking this skillful within the horror genre, it's hard to begrudge this near-masterpiece of unease any of the praise it's gotten.
    • 78 Metascore
    • 75 Marc Mohan
    In Morvern Callar, the subject matter may be morbid and unappealing, but the director handles it with a visual poetry and an eye for hidden beauty that marks a filmmaker of the first order.
    • 71 Metascore
    • 75 Marc Mohan
    An enjoyable sojourn into the world of Dickens and could inspire a trend. Shakespeare and Austen have had their Hollywood moments during the past few years; why not the proto-Hollywood Dickens?
    • 76 Metascore
    • 75 Marc Mohan
    Moncrieff's story remains fresh despite the familiarity of its general outline. This is mostly due to the skilled performances she elicits; even when the unfolding events have been seen many times before, watching human beings react realistically never gets old.
    • 47 Metascore
    • 75 Marc Mohan
    Overall, Luther does a satisfying job of restoring humanity to a woodcut icon.
    • 68 Metascore
    • 75 Marc Mohan
    Ordinary folks working together to triumph over incredible odds, depicted in a Disney film that doesn't overdose on sentiment? That's the real miracle.
    • 55 Metascore
    • 75 Marc Mohan
    What this alteration says about societal trends of the past three decades is open to debate, but the change is a tiny hint that earnest fidelity to the source was not a top priority.
    • 69 Metascore
    • 75 Marc Mohan
    A distancing cynicism has been slathered over the story's maudlin core, with the hope perhaps that between these two conventional extremes resides a genuine emotional truth. That may be the case, but "Wilbur" doesn't quite get to it.
    • 45 Metascore
    • 75 Marc Mohan
    There's something in the obsessiveness of these characters that pushes the film just beyond the level of believability, even for a romantic fable such as this.
    • 75 Metascore
    • 75 Marc Mohan
    What really separates Zatoichi from a run-of-the-mill action pic is the sense of humor -- and even more than that, the sense of fun -- that Kitano brings to it.
    • 46 Metascore
    • 75 Marc Mohan
    An action film without a completely empty head, and these days, that's as rare as Excalibur itself.
    • 73 Metascore
    • 75 Marc Mohan
    Solid summer entertainment set in a recognizably real world.
    • 63 Metascore
    • 75 Marc Mohan
    A fascinating experiment in both filmmaking technology and narrative style, but one that can be counted a success only in limited ways.
    • 65 Metascore
    • 75 Marc Mohan
    Director Jim deSeve has done an excellent job of providing both historical and personal perspective on a topic that provokes heated emotional reactions.
    • 78 Metascore
    • 75 Marc Mohan
    Intense, well-acted love story.
    • 54 Metascore
    • 75 Marc Mohan
    Should satisfy its 8- to 12-year-old target demographic.
    • 61 Metascore
    • 75 Marc Mohan
    For his directorial debut, British actor Charles Dance tackles such familiar English themes as repressed desire and an arm's-length fascination with foreigners. Luckily for the slight story, he has recruited two of the most effortlessly brilliant grande dames of British film.
    • 65 Metascore
    • 75 Marc Mohan
    Despite the mysteries of the plot, a sitcom-style sense of expectation creeps into Saving Face, which sometimes feels comfortable but mostly serves to spotlight the shortcomings in a script that invents compelling characters but doesn't give them much out of the ordinary to do.
    • 70 Metascore
    • 75 Marc Mohan
    It's not without one or two missteps, but remains likely the most impressive juvenile acting you'll see this year.
    • 73 Metascore
    • 75 Marc Mohan
    With solid performances, competent direction and artfully drab cinematography, the film would be indistinguishable from a Hollywood thriller if not for the Flemish dialogue. It's no surprise to learn that an American remake is in the works.
    • 60 Metascore
    • 75 Marc Mohan
    The question that lies at the heart of the documentary Aristide and the Endless Revolution is whether his exile was his own idea or whether he was pressured, even kidnapped, by the United States.
    • 60 Metascore
    • 75 Marc Mohan
    For gourmands who appreciate this sort of cinematic comfort food, though, The White Countess is a fitting finale for the producer.
    • 70 Metascore
    • 75 Marc Mohan
    With a predictable and borderline manipulative plot, Tsotsi depends on strong performances for its impact, and its cast delivers.
    • 61 Metascore
    • 75 Marc Mohan
    Three potent performances readily compensate for the familiar plot.

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