For 1,704 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.3 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Twelve Monkeys
Lowest review score: 0 The Fog
Score distribution:
1,704 movie reviews
    • 30 Metascore
    • 20 Marc Savlov
    Sad, sorry remake.
    • 37 Metascore
    • 20 Marc Savlov
    Charmless, unfrightening, and even devoid of the requisite gratuitous nudity, Anaconda just plain bites.
    • 36 Metascore
    • 20 Marc Savlov
    A colorful mess, all style and substances and little else.
    • 34 Metascore
    • 20 Marc Savlov
    There are some moments of blessed levity to the otherwise mordant melodramatics...That's not enough to sustain interest in the Taylors and their toxic emotional foibles, however.
    • 30 Metascore
    • 20 Marc Savlov
    Calling The Unborn a dull, plodding, exposition-crammed slog through a twilight of barely maintained tedium is like calling "Valkyrie" a yawn. It's too easy.
    • 50 Metascore
    • 20 Marc Savlov
    If ever America needed Hollywood to crank out a comedic antidote to the toxic political madness that has engulfed our nation, now is the time. Unfortunately, this loopy, muddled, and ultimately insulting Campaign isn't it. It feels more like an extended Saturday Night Live-meets-FunnyOrDie.com castoff than an actual comedic commentary on American politics.
    • 39 Metascore
    • 20 Marc Savlov
    It's a helluva comic book, to be sure, but it's a godawful mess of a movie.
    • 29 Metascore
    • 20 Marc Savlov
    This space invaders stuff is, like, so 1981.
    • 32 Metascore
    • 20 Marc Savlov
    As for Legion, well, if you've seen one plague of flies and death and angels at war with each other, you've seen 'em all.
    • 42 Metascore
    • 20 Marc Savlov
    Shamlessly dumb movie.
    • 43 Metascore
    • 20 Marc Savlov
    Maybe it’s time for Woo to finally make that musical he keeps talking about.
    • 43 Metascore
    • 20 Marc Savlov
    In short, it's nothing you haven't seen countless times before and, while it's not offensively bad, it also adds zero to the same old routine. Meh.
    • 48 Metascore
    • 20 Marc Savlov
    Dull and meandering documentary.
    • 31 Metascore
    • 20 Marc Savlov
    Stupendously dull and infuriatingly obtuse.
    • 55 Metascore
    • 20 Marc Savlov
    Loud, abrasive, and featuring performances seemingly calibrated to be heard over the cacophonous roar of Travolta's mad, bad overacting.
    • 38 Metascore
    • 20 Marc Savlov
    A moribund Harrison Ford vehicle, stodgily dull, and seemingly endless in its monotony.
    • 41 Metascore
    • 20 Marc Savlov
    Quite possibly, this could have been a hit back in 1975 or so, and almost certainly for Blake Edwards, but here and now it's just a puzzling aberration.
    • 40 Metascore
    • 20 Marc Savlov
    "Here Comes the Bomb" would've been a more fitting title, but props to Henry Winkler for rising to the occasion and turning in a sweet, idealistic performance in a film that otherwise feels like a tawdry commercial for the UFC and MMA.
    • 33 Metascore
    • 20 Marc Savlov
    It's a tonally confused comedy which, for once, doesn't go far enough comedically.
    • 47 Metascore
    • 20 Marc Savlov
    There are precious few things for a Zorro fan – or a film fan, for that matter – not to loathe about The Legend of Zorro.
    • 41 Metascore
    • 20 Marc Savlov
    It's not just a bad movie it actually manages to suck the very hope out of the air, leaving behind a cinematic vacuum populated by mobsters, sadists, pedophiliac demon-people, and an overwhelming sense of futility that just makes you want to run in the other direction.
    • 27 Metascore
    • 20 Marc Savlov
    Get out your handkerchiefs. No, scratch that -- get out a pair of windshield wipers and staple them to your brow. Perhaps they'll obscure the screen.
    • 36 Metascore
    • 20 Marc Savlov
    Most unforgivably, this Eye culminates not with the mounting dread and spectacular tragedy of the original film's decidedly downbeat vision, but with the trademark LASIK laziness of Hollywood's stylistically blank remake factory.
    • 21 Metascore
    • 20 Marc Savlov
    It's a dull, unremarkable comedy.
    • 44 Metascore
    • 20 Marc Savlov
    It just signals a series that's plainly out of gas.
    • 37 Metascore
    • 20 Marc Savlov
    Amid the endless stream of catch-a-rising-star movie clichés that Honey screenwriters Alonzo Brown and Kim Watson throw up and out are a few new ones, notably "skinny girls always win out in the end" and "hootchie bad, faux hootchie good."
    • 52 Metascore
    • 20 Marc Savlov
    The overall emotion the film generates is one of moist, enervated ennui. Who cares if the apartment is haunted when the best the ghost can do is get things a bit damp and run laps on the floor above?
    • 31 Metascore
    • 20 Marc Savlov
    Genre fans and newcomers alike should skip this monstrosity and go rent "Ginger Snaps" instead.
    • 30 Metascore
    • 20 Marc Savlov
    Grown Ups is exactly, beat for beat, what the previews would have you believe: a depressingly predictable, two-chuckle deconstruction of what Sandler sees as the modern American male.
    • 36 Metascore
    • 20 Marc Savlov
    Tired and formulaic.

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