For 1,658 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.5 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Control
Lowest review score: 0 Never Die Alone
Score distribution:
1,658 movie reviews
    • 71 Metascore
    • 89 Marc Savlov
    At once emotionally charged and genuinely, disconcertingly surreal...a marvel of subdued, genuine filmmaking.
    • 66 Metascore
    • 89 Marc Savlov
    A crazed, lovestruck, wholly original (and yet amazingly referential) beast, part pop-culture wasteland, part glowing tribute, and part wild-eyed roller coaster (of love).
    • 87 Metascore
    • 89 Marc Savlov
    Feels brief and dreamlike. Waking from its spell, you touch your face, and it's wet, but you're smiling anyway.
    • 76 Metascore
    • 89 Marc Savlov
    Everything about this swift and gorgeous and tremendously enjoyable film is played out in a rush of staccato edits, crisp performances, and charmingly giddy subplots that coalesce into Spielberg's most purely entertaining movie in years.
    • 79 Metascore
    • 89 Marc Savlov
    Riveting, and frankly it's great fun to see Leth best the smirky von Trier five times running.
    • 74 Metascore
    • 89 Marc Savlov
    Absolutely harrowing, shocking in its sudden revelatory immediacy, and very, very well done, Black Hawk Down is one of the best depictions of the outright lunacy inherent to battle I have ever seen.
    • 64 Metascore
    • 89 Marc Savlov
    Niccol's futuristic fable is a gorgeous construct, from its cast on down to the brilliant, clinical nature of the set design that reflects a future in which even a particle of saliva can be one's undoing.
    • 90 Metascore
    • 89 Marc Savlov
    Wildly entertaining, "Shakespeare in Love" minus the Bard and the babe, but with substantive style to burn.
    • 82 Metascore
    • 89 Marc Savlov
    This is nobody's idea of a happy family story, but it is a pristinely chilling depiction of familial meltdown in a post-Stalinist, Twilight Zone anti-place, the dark heart of heartlessness and mysterious parenting techniques.
    • 86 Metascore
    • 89 Marc Savlov
    One of the most suspenseful films of all time, its wartime action setting makes it easy to forget it's also one of the most spiritually righteous. [Director's Cut]
    • 90 Metascore
    • 89 Marc Savlov
    A bitter, bloody masterpiece with adrenalized emotions and hyper-realized images, this is perhaps as close to battle as any sane human being should ever hope to tread.
    • 85 Metascore
    • 89 Marc Savlov
    An immersion into the characters' world in toto, from the "Oh geezes" and the "Oh, yaahs" to the dark and flinty core beneath.
    • 86 Metascore
    • 89 Marc Savlov
    A brilliant, exhilarating piece of filmmaking. It may even be the best mainstream film of the year thus far.
    • 71 Metascore
    • 89 Marc Savlov
    More emotionally complex than even I had thought possible, Chasing Amy is the sound of burgeoning genius on the fast track to maturity.
    • 70 Metascore
    • 89 Marc Savlov
    Fresh and raw like a blown-out vein, Narc takes a walking-dead, cop-flick subgenre and beats new life into it.
    • 85 Metascore
    • 89 Marc Savlov
    Clearly the single best, the single coolest (to borrow from Harry Knowles) animated film in a great while.
    • 64 Metascore
    • 89 Marc Savlov
    Everything here from costuming and production design to the note-perfect score from Edward Shearmur works in tandem to create not so much a film as a singular and joyous tribute to a vanished age when wonder only cost a nickel and played three time daily at the Bijou.
    • 73 Metascore
    • 89 Marc Savlov
    By far the most gorgeous slice of sunlit sadism so far this summer, I’m Not Scared also manages to be oddly sweet: a boy’s life, with treachery.
    • 70 Metascore
    • 89 Marc Savlov
    Wisely, a lot like the real event. No answers are given, barely any questions are asked, and the film unfolds at a leisurely, inexorable pace that stymies the traditional filmmaking tropes of tension and release.
    • 78 Metascore
    • 89 Marc Savlov
    As concert films go, this is heady stuff.
    • 55 Metascore
    • 89 Marc Savlov
    Snatch is nothing if not watchable: It has the insane, popcorn rhythms of a Road Runner cartoon, and for that reason alone it's a minor masterpiece.
    • 73 Metascore
    • 89 Marc Savlov
    So full of good stuff that it's impossible not to fall in love with it.
    • 64 Metascore
    • 89 Marc Savlov
    Casting is everything, and the casting of Stallone -- playing way against type -- as the powerless hayseed sheriff in Cop Land is nothing short of inspired.
    • 66 Metascore
    • 89 Marc Savlov
    With such a frenetic, brain-melting load of images to ponder, it's easy to forget that there are also some terrific actors at work here, not the least of whom is the amazing Vinnie Jones.
    • 59 Metascore
    • 89 Marc Savlov
    Nearly a perfect film, from its bold and epic man-vs.-nature conflict to the breathless scripting, editing, acting, and direction.
    • 86 Metascore
    • 89 Marc Savlov
    Filled with brilliant, stand-out performances.
    • 66 Metascore
    • 89 Marc Savlov
    Fight Club's dirty little secret is it's one of the best comedies of the decade.
    • 85 Metascore
    • 89 Marc Savlov
    Szpilman takes to performing sonatas in thin air, eyes closed, those jittery fingers stroking nothing but air. It's a wonderful moment in a wonderful, ghastly film, and one of the most moving arguments for the redemptive powers of art ever made.
    • 94 Metascore
    • 89 Marc Savlov
    Fiercely original in every respect.
    • 57 Metascore
    • 89 Marc Savlov
    A wholly original creation, crossed with shadows and light and the everyday madness of Savannah and its remarkable citizens.