For 1,654 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.2 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
Average review score: 52
Highest review score: 100 Control
Lowest review score: 0 Rollerball
Score distribution:
1,654 movie reviews
    • 83 Metascore
    • 78 Marc Savlov
    The dead have more fun than the living, again, in Tim Burton’s new stop-motion animated feature, a gift to gothlings everywhere and as exquisitely crafted as one of Federico’s post-mortem still lifes on "Six Feet Under," and just as melodramatically melancholic.
    • 61 Metascore
    • 78 Marc Savlov
    It's thanks to Akhtar's standout performance that The War Within is as electrifying as it is.
    • 70 Metascore
    • 78 Marc Savlov
    The Israeli comedy Ushpizin begins something like Guy Ritchie's "Snatch" and ends like the Coen brothers' "Raising Arizona" – in between it's a wholly original movie.
    • 72 Metascore
    • 78 Marc Savlov
    It's also a doozy of a comedy, matching the dark wit of Ross MacDonald's Lew Archer novels to the stylized theatrics of Matt Helm-era Dean Martin.
    • 58 Metascore
    • 78 Marc Savlov
    You don't have to be Jewish to enjoy this light romantic comedy, but it helps.
    • 66 Metascore
    • 78 Marc Savlov
    Might also be the best date movie ever, depending on your idea of a good time.
    • 72 Metascore
    • 78 Marc Savlov
    Mangold, Phoenix, and Witherspoon, all excellent in their roles.
    • 51 Metascore
    • 78 Marc Savlov
    Awesome.
    • 68 Metascore
    • 78 Marc Savlov
    Canny and somewhat overwhelming documentary.
    • 63 Metascore
    • 78 Marc Savlov
    ATL
    Despite a third-act tendency to gather a few spare genre clichés as it rolls along (Guns! Drugs! Angry siblings!), Robinson's film is a cut above the rest.
    • 69 Metascore
    • 78 Marc Savlov
    Of course, Slither isn't for everyone, but if you've a yen for gallons of grue and a smart, sassy story to boot, you couldn't do better than Gunn's hellishly fun horror show.
    • 66 Metascore
    • 78 Marc Savlov
    It's all poppycock, of course, but it's done with such vim and vigor and both narrative and visual flair that you care not a jot. Summer has arrived.
    • 61 Metascore
    • 78 Marc Savlov
    Alice Braga owns this film.
    • 85 Metascore
    • 78 Marc Savlov
    Half Nelson, with its bleakly hopeful view of humanity both damned and redeemed – simultaneously – is uncomfortably, almost exactly right.
    • 71 Metascore
    • 78 Marc Savlov
    A slow-burn stunner, where nothing much of consequence happens, except life itself.
    • 70 Metascore
    • 78 Marc Savlov
    Billed as Li's final martial arts epic (would that Jackie Chan be so thoughtful), Fearless is fittingly peripatetic, finding the Hong Kong superstar ricocheting across the screen.
    • 70 Metascore
    • 78 Marc Savlov
    I think it's a mess, but - and this is a major caveat - an endearing, beautiful, hopelessly honest mess that's supported by a pair of performances so unnaturally natural that they draw you in and clutch you, struggling, to their flipping, flopping hearts.
    • 81 Metascore
    • 78 Marc Savlov
    Schizophrenia never looked so good or so mesmerizing as it does here, and Paprika, while certainly not suitable for kids, manages to capture the childlike, helter-skelter chaos and curiosity of the human mind better than any other animated film.
    • 46 Metascore
    • 78 Marc Savlov
    Director Roth has accomplished the near impossible with Hostel: Part II: He's crafted a vastly superior sequel to a film already considered something of a classic by genre aficionados, one that supersedes its predecessor's sadistic entertainment quotient by orders of magnitude while also upstaging its own outrageous gore effects with a script that's smart, vicious, and occasionally, gleefully subversive.
    • 62 Metascore
    • 78 Marc Savlov
    It's smart; it's silly; it's – kill me now – shear terror.
    • 71 Metascore
    • 78 Marc Savlov
    Timely metaphors abound in The Order of the Phoenix, but the story (of which there is much) stands on its own magical merits, dark and darker still though they may be.
    • 63 Metascore
    • 78 Marc Savlov
    Both apocalyptic and suitably vague, The Signal's only serious weakness comes from some borderline histrionic performances; then again, it's tough to call hysteria anything other than a sane response to a world gone mad. Crazy, man.
    • 57 Metascore
    • 78 Marc Savlov
    This is frightening stuff, ably helmed (by writer/director Gorak, art director on the nerve janglers Fight Club and Fear and Loathing in Las Vegas), viciously acted, and altogether horrific in ways George A. Romero could imagine only through the lens of the darkest sort of fantasy.
    • 83 Metascore
    • 78 Marc Savlov
    Pure, goofy fun.
    • 57 Metascore
    • 78 Marc Savlov
    No other film in recent memory has featured such a terrifically retro maniac or revisited the heyday of Eighties gore films with such gleeful, moist abandon.
    • 46 Metascore
    • 78 Marc Savlov
    This is a Farrelly film for adults, if not the entire family, and its a charmer, honest both to the nature of the loves we choose in haste, and the fear that makes us so hasty so often.
    • 79 Metascore
    • 78 Marc Savlov
    Like an early Clash number, it's by turns lovely and ugly, loud as bombs and quiet as a revolution's first-thrown stone; it acknowledges the legend while uncovering the truth.
    • 82 Metascore
    • 78 Marc Savlov
    Impossible to shake off.
    • 66 Metascore
    • 78 Marc Savlov
    Diary of the Dead is meant to scare your pants off, blow your mind out the back of your skull, and then deposit you ungently back into reality, quaking a little, maybe, but still alive and, unlike the undead, thinking.
    • 72 Metascore
    • 78 Marc Savlov
    Priceless is a supremely satisfying confection – a French romantic comedy of the sort that ends with you standing outside the theatre with a dopey grin on your face.