For 1,649 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.1 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
Average review score: 52
Highest review score: 100 Ran (re-release)
Lowest review score: 0 Freddy Got Fingered
Score distribution:
1,649 movie reviews
    • 30 Metascore
    • 0 Marc Savlov
    Most indicative of The Tuxedo's mediocrity, however, is the absence of the always entertaining action outtakes that traditionally roll under the end credits of Chan films; here it's all dialogue flubs barely fit for Dick Clark.
    • 30 Metascore
    • 30 Marc Savlov
    Home may be where the heart is, but I kept wishing this poor silly girl would up and move.
    • 30 Metascore
    • 20 Marc Savlov
    Sad, sorry remake.
    • 30 Metascore
    • 40 Marc Savlov
    It’s not a complete disaster, but even the appearance of Gabriel Byrne, as Lissa’s uncle Victor, fails to make much of a dent in the slapdash proceedings.
    • 29 Metascore
    • 30 Marc Savlov
    The Collector feels like the final, welcome nail in the bizarrely popular torture-porn coffin.
    • 29 Metascore
    • 20 Marc Savlov
    It's not quite as bad as "Cutthroat Island," I'll grant you, but it's woefully close.
    • 29 Metascore
    • 30 Marc Savlov
    Sitting through the film was an exercise in confusion.
    • 29 Metascore
    • 30 Marc Savlov
    Only good old Leatherface literally mirrors the festering cultural and political corruption of the era, and to the film's vast discredit, this hideous echo is never even noted.
    • 29 Metascore
    • 20 Marc Savlov
    Promises thrills galore but delivers only limp non-frights and predictable yawns.
    • 29 Metascore
    • 20 Marc Savlov
    This space invaders stuff is, like, so 1981.
    • 29 Metascore
    • 0 Marc Savlov
    The marketing weasels over at Disney deserve to have their beady little eyes gouged out with flaming icicles for the fast one they've pulled on audiences with Snow Dogs.
    • 28 Metascore
    • 0 Marc Savlov
    The only question audiences are likely to be asking their higher power in the wake of viewing the film is, "What the fuck?"
    • 28 Metascore
    • 20 Marc Savlov
    Meandering, sub-aquatic mess: It's so bad it's good, but only if you slide in on a freebie.
    • 28 Metascore
    • 11 Marc Savlov
    As Timeline so adequately proves, not every bestseller will render a good film.
    • 28 Metascore
    • 20 Marc Savlov
    Batman & Robin fails to engage the spirit of Batman, Robin, or decent marketing in general, and instead ends up as a limp, excruciatingly shallow knockoff that leaves viewers cringing at the unavoidable one-liners that make up the better part of the script.
    • 28 Metascore
    • 0 Marc Savlov
    Here's hoping someone breaks down and buys Brocka some more toys, if only to distract him from embarking on another flesh-and-blood production.
    • 28 Metascore
    • 20 Marc Savlov
    The cynic in me notes that the whole, dismal enterprise is just a cheap steal from Roger Corman's 1955 film "Day the World Ended." At least that single set-bound cheapie had a three-eyed mutant to enliven the otherwise stagy proceedings.
    • 28 Metascore
    • 0 Marc Savlov
    In all fairness, the sheer, overwhelming mediocrity of everything about Pandorum – Travis Milloy's hackneyed, ultra-derivative script, Alvart's plodding pacing and dull direction, even the eventual crimson tide of gore that duly arrives just in time to keep audience members over the age of 13 from dozing off – may well constitute a new breed of horror: In space, no one can hear you snore.
    • 28 Metascore
    • 0 Marc Savlov
    This biting parody of flyover-state beauty contests feels like a bad made-for-TV movie of the week.
    • 28 Metascore
    • 11 Marc Savlov
    The first film was near-mythic in its tone and treatment of its characters, while this remake barely serves as a primer in how not to generate suspense.
    • 28 Metascore
    • 0 Marc Savlov
    If you really want the kids to see a colorfully cryptic meta fairy tale, be subversive and go rent 'em some Alejandro Jodorowsky. No child deserves Happily N'Ever After.
    • 28 Metascore
    • 11 Marc Savlov
    The real shocker is how hellishly yawn-inducing this utterly pointless and forgettable Haunting turns out to be. It's enough to make you scream.
    • 28 Metascore
    • 30 Marc Savlov
    It's all a bit of overkill.
    • 28 Metascore
    • 11 Marc Savlov
    Things do not end well, least of all for the audience.
    • 27 Metascore
    • 0 Marc Savlov
    Kids will revolt, parents will snooze, and I will be downright giddy if I never encounter another Pokémon movie as long as I live. Ack!
    • 27 Metascore
    • 20 Marc Savlov
    Get out your handkerchiefs. No, scratch that -- get out a pair of windshield wipers and staple them to your brow. Perhaps they'll obscure the screen.
    • 27 Metascore
    • 0 Marc Savlov
    Even the youngest members of the audience appeared to be more interested in their dwindling soda supply than anything up on the screen. Yabba dabba doom.
    • 27 Metascore
    • 0 Marc Savlov
    Nearly as much fun as a case of scabies, Beverly Hills Ninja transports the viewer into a mystical realm where pratfall is king and mediocrity is its own reward.
    • 27 Metascore
    • 30 Marc Savlov
    Delgo is a dud.
    • 27 Metascore
    • 40 Marc Savlov
    Neither all that scary nor all that hilarious, Vampire in Brooklyn falls directly between the two, into the valley of mediocrity.
    • 27 Metascore
    • 30 Marc Savlov
    As middling comedies go, this is neither as smart as it ought to be nor as dumb as you'd expect.
    • 27 Metascore
    • 0 Marc Savlov
    Utterly devoid of merit, fantastic or otherwise, a more exasperating descent into the feline world is difficult to imagine.
    • 27 Metascore
    • 30 Marc Savlov
    Considerably less of a thrillgasm than playing "Frogger" blindfolded.
    • 27 Metascore
    • 67 Marc Savlov
    This is an unpleasant film, but Argento, whose bloodline positively seethes with unpleasantness, is, in her own right, a master cinematic stylist of the first order.
    • 27 Metascore
    • 0 Marc Savlov
    Nobody of Chan's legendary stature should ever have to play second banana to George Lopez, and certainly not in a film that was already made five years ago with Vin Diesel (see: The Pacifier).
    • 27 Metascore
    • 0 Marc Savlov
    Long distance information? Get me Hollywood, USA: I’ve got a rusty ice pick to bury in the gullet of whoever greenlighted this pointless exercise in masturbatory tedium.
    • 27 Metascore
    • 0 Marc Savlov
    Such a monumentally bad remake of such an exceptionally chilling genre favorite.
    • 27 Metascore
    • 0 Marc Savlov
    The real crime here is that Let's Go to Prison made a daring escape from direct-to-video stir into the relative freedom of your neighborhood multiplex. Consider this one disarmed and extremely pointless.
    • 27 Metascore
    • 0 Marc Savlov
    Very nearly as entertaining as watching a potato bake.
    • 27 Metascore
    • 11 Marc Savlov
    It's a curiously dull Americanization of one of the finest examples of subtle, moody J-horror out there.
    • 27 Metascore
    • 0 Marc Savlov
    Unspeakably awful.
    • 27 Metascore
    • 20 Marc Savlov
    A dark comedy caught in a white-light washout, it's neither mean enough to be funny, nor funny enough to mean much.
    • 27 Metascore
    • 20 Marc Savlov
    Eminently resistible, an unclassifiable cinematic leftover best left untasted.
    • 26 Metascore
    • 20 Marc Savlov
    Ridiculously overwrought.
    • 26 Metascore
    • 30 Marc Savlov
    It's not a great action dust-up by any means.
    • 26 Metascore
    • 50 Marc Savlov
    A middling film through and through, despite the occasional shocks it tries to earnestly to achieve.
    • 26 Metascore
    • 40 Marc Savlov
    The laugh-out-loud jokery is in short supply, and Reynolds and Reid's kicky charm only goes so far. Bluto Blutarsky, we miss you.
    • 26 Metascore
    • 0 Marc Savlov
    Stone still dazzles the eye, but this wholly unwarranted sequel is so outrageously preposterous (and so very chockablock with quotable examples of the fine art of bad dialogue) that the end result achieves a basement grandeur of near-epic proportions.
    • 26 Metascore
    • 0 Marc Savlov
    Fails to kick start anything other than the urge to giggle.
    • 26 Metascore
    • 30 Marc Savlov
    It's not a total wipeout: Czuchry embodies the Tucker Max(-ims) to a self-obsessed fault, and there are moments of rough comic brilliance scattered throughout, but really, this particular antihero is all anti- and zero hero.
    • 26 Metascore
    • 20 Marc Savlov
    Belongs in the histrionic comedy genre, packed as it is with just plain silly situations that fail to elicit grins, much less guffaws.
    • 26 Metascore
    • 30 Marc Savlov
    Director Chappelle lays on the spook factor heavy in the first 30 minutes or so, but the film quickly devolves into a simplistic slash 'n' bash shoot-'em-up which goes nowhere fast.
    • 25 Metascore
    • 20 Marc Savlov
    Neither so awful as to be enjoyable nor eerily artful enough to be anything other than a snoozy also-ran in the perpetually poor plotting machine that is the demon-child cinematic subgenre.
    • 25 Metascore
    • 20 Marc Savlov
    The story is a shambles, incoherent throughout, veined with tirelessly wearying flashbacks, hallucinations, and just plain old lousy storytelling.
    • 25 Metascore
    • 20 Marc Savlov
    Instead of true grit and gutshot black-hatters, director Les Mayfield has crafted what may well be the world's first Tommy Hilfiger Western.
    • 25 Metascore
    • 50 Marc Savlov
    If only someone had taken away that disastrous third act we'd have one of the better mainstream films dealing with the impossible societal demands put upon gay parenting yet made. No such luck, though.
    • 25 Metascore
    • 20 Marc Savlov
    Why the Pokémon fad hasn't died off yet is one of the great mysteries of the universe, right up there with the Pyramids of Gaza and the white stuff in Twinkies.
    • 25 Metascore
    • 0 Marc Savlov
    This utterly mediocre forget-me-now could've been crafted by any faceless serial director at all. The shame of it is that the man behind the camera is Wes Craven when, by all rights, it should have been Alan Smithee.
    • 25 Metascore
    • 30 Marc Savlov
    It’s really just a tortuous series of blackout sketches hung together with the flimsiest of threads.
    • 24 Metascore
    • 0 Marc Savlov
    A Sound of Thunder is positively awash in bad hairpieces, leading one to believe that global warming is going to be the least of our problems.
    • 24 Metascore
    • 11 Marc Savlov
    The movie feels mechanical all the way through, leaving Sadek's debut an inauspicious and ill-lubed affair.
    • 24 Metascore
    • 30 Marc Savlov
    I'm beginning to suspect there's some sort of ancient, or at least post-Pearl Harbor, curse in play that stops genre-oriented Asian filmmakers from creating anything of all but the most negligible merit once they hit the California shore.
    • 24 Metascore
    • 30 Marc Savlov
    An exercise in unintentional farce.
    • 24 Metascore
    • 30 Marc Savlov
    House has a few moments that ring genuinely eerie, but the cluttered, unconvincing dialogue – not to mention Moseley's ongoing penchant for crazed overacting – make it more of a genre curiousity than anything the "Fangoria" gang would likely want to sit through.
    • 24 Metascore
    • 20 Marc Savlov
    Brings absolutely nothing new to the autopsy table that wasn't previously covered.
    • 24 Metascore
    • 11 Marc Savlov
    Disappointingly, Piranha 3DD, the inevitable sequel to the remake, has none of Dante's wit, Aja's directorial skills, or Greg Nicotero's grotesqueries.
    • 24 Metascore
    • 40 Marc Savlov
    The film itself is a muddle, all rapid-fire step-edits and grainy, blue-filtered hokum. What is good is Stallone.
    • 24 Metascore
    • 11 Marc Savlov
    Do yourself a favor and go rent any Miike film other than this one.
    • 24 Metascore
    • 0 Marc Savlov
    Captivity is the kind of film that gives torture porn a bad name.
    • 24 Metascore
    • 0 Marc Savlov
    Stay Alive has none of the vicarious thrills of, say, "Konami: Silent Hill 2." It's barely even Pong unplugged.
    • 24 Metascore
    • 30 Marc Savlov
    A boisterous, gooey miscue.
    • 24 Metascore
    • 20 Marc Savlov
    Neither very scary nor very interesting, Godsend is an unresurrectable muddle.
    • 24 Metascore
    • 30 Marc Savlov
    Fans of the series, if there are any left and I'm not too certain that there are, will enjoy the usual smorgasbord of lower intestines spilling out from the screen and onto their laps (via the profoundly crappy 3-D) as well as an above-average opening slaughter involving two men, one woman, several buzz saws, and a crowd of gawking onlookers.
    • 24 Metascore
    • 11 Marc Savlov
    Isn't for everyone, obviously; it might not be for anyone, come to think of it.
    • 23 Metascore
    • 11 Marc Savlov
    I'm not sure which is more freakish: the fact that this savagely unfun and relentlessly generic Adam Sandler comedy has spawned its own (infinitely more entertaining) Internet meme or the realization that something has gone seriously awry with the decision-making process of Al Pacino's agent.
    • 23 Metascore
    • 0 Marc Savlov
    It's relentlessly bad in a way that just makes those theatre seats plain uncomfortable.
    • 23 Metascore
    • 11 Marc Savlov
    A muddled mess of bad-lad clichés, and Jackson's obvious talents only serve to point out how godawful everyone else seems to be.
    • 23 Metascore
    • 40 Marc Savlov
    You can barely tell what's going on half the time, but what you do see is effective.
    • 23 Metascore
    • 40 Marc Savlov
    Not nearly as clever at taxing the audience's knuckles as its forerunner, Speed 2 still manages to stay above board long enough to merit a look-see, if only to relish the once-in-a-lifetime pleasure of Mr. Dafoe and his pet leeches.
    • 22 Metascore
    • 40 Marc Savlov
    Beneath the Darkness has nada on Don Coscarelli's epic "Phantasm" saga or, for that matter, Norman Bates' clear-eyed if psychotic shenanigans. It's strictly a guilty pleasure.
    • 22 Metascore
    • 0 Marc Savlov
    Barely worthy of a legitimate theatrical release.
    • 22 Metascore
    • 11 Marc Savlov
    The comic, his career now apparently in total free fall, tackles the (dual) role(s) so broadly (no pun intended) that it's just plain annoying.
    • 22 Metascore
    • 0 Marc Savlov
    One of the most deadly dull "SNL" spinoffs.
    • 22 Metascore
    • 0 Marc Savlov
    Reaches toward new heights of comic laziness and succeeds beyond anyone's wildest expectations.
    • 22 Metascore
    • 0 Marc Savlov
    Do yourself and your kids a favor, parents, and head to "Spy Kids" instead.
    • 22 Metascore
    • 30 Marc Savlov
    Jawbreaker has all the heart and soul of last week's mystery loaf (a dish that made the weekly rounds at my alma mater, sadly). And like that unidentifiable bovine by-product, the film is a chilly, messy anti-treat, sweet on the outside, sickly on the in.
    • 22 Metascore
    • 50 Marc Savlov
    This film is an evocative, effective entry into the holiday blood-spray subgenre in its own right. And if it doesn't make your skin crawl ... you probably ate too much Christmas dinner.
    • 22 Metascore
    • 0 Marc Savlov
    Egregiously mediocre and flagrantly ill-conceived in every department, this is, truly, the cinematic equivalent of finding a single solitary Saltine in your stocking and a pair of old tube socks beneath the tree. Humbug!
    • 22 Metascore
    • 0 Marc Savlov
    Weaver and Willis look bored silly while essaying their paint-by-numbers roles, and this film does nothing to make me think Cavill is going to be Zack Snyder's Superman incarnate.
    • 21 Metascore
    • 20 Marc Savlov
    It's a dull, unremarkable comedy.
    • 21 Metascore
    • 0 Marc Savlov
    You want REAL terror? If this second outing proves profitable, we'll be looking at Yet Again I Recall the Summer Before the Summer Before Last. Now that's scary.
    • 21 Metascore
    • 0 Marc Savlov
    Granted, the state of the indie hipster and/or Big-Man-on-the-Quad aesthetic has probably skewed a bit since I was a frosh, but good lord, man, it can't be this pale an imitation of campus life. I implore you: Go rent "National Lampoon's Animal House" and leave this flaccid wanker alone.
    • 21 Metascore
    • 30 Marc Savlov
    Prinze, Lillard, and Biel are all pleasant enough to look at, but the film's Romeo and Juliet tropes are shopworn by now, and the movie gives us nothing else.
    • 21 Metascore
    • 40 Marc Savlov
    The end result is overkill en extremis. There is such a thing as too much. And 3KMTG is much too much.
    • 21 Metascore
    • 67 Marc Savlov
    While much of the film is taken over by enormously entertaining dogfight sequences … much of it also rests on the narrative drive, which seems clipped part and parcel from one of those old “Why We Fight” documentaries that Frank Capra doled out to keep our G.I.s in fighting mode.
    • 21 Metascore
    • 11 Marc Savlov
    Awash in the obvious and sports a patently predictable outcome. Somewhere, Stanislavsky is shrieking as well.
    • 20 Metascore
    • 20 Marc Savlov
    The film is an ingenious, deranged, bloated, and just plain batshit crazy riff on advertising and the mad men and women it creates and/or consumes. Heady stuff, but it's no "How to Get Ahead in Advertising." This film is absolutely mental, and not in a good way, either.
    • 20 Metascore
    • 30 Marc Savlov
    Truly, the greatest torture of all is boredom.
    • 20 Metascore
    • 0 Marc Savlov
    Make Ben Stein some more money (and get a good, mordant chuckle while you're at it) by checking out this loopy, factually befuddled documentary that should manage the not-inconsiderable feat of insulting Christians, Jews, Muslims, and those nutty sci-guys who go in for Darwin by way of bad teeth and Einsteinian hair styles.
    • 20 Metascore
    • 11 Marc Savlov
    But for anyone who assumed Kennedy's experiment couldn't sink any lower than "Malibu's Most Wanted," there are, it appears, ever deeper depths in the realm of comedic misfires.
    • 20 Metascore
    • 0 Marc Savlov
    Drivel of the purest ray serene.
    • 19 Metascore
    • 11 Marc Savlov
    They've taken a classic and they've battered it senseless and, boy, does it stink. It’s so bad it’s amazing it's being released, and box office-goers might soon end up fleeced. And annoyed and bewildered, perhaps even creeped-out by this cacophonous mess which is awful throughout.
    • 19 Metascore
    • 0 Marc Savlov
    Even Amtrak hasn't seen a derailment this godawful in some time.
    • 19 Metascore
    • 0 Marc Savlov
    It's dead in the water.
    • 19 Metascore
    • 40 Marc Savlov
    It's a strictly date-night-rental affair, and if you still get Ryan Reynolds and Dane Cook confused, this will do little to help sort things out.
    • 19 Metascore
    • 30 Marc Savlov
    An inoffensive, eminently forgettable bit of fluff.
    • 19 Metascore
    • 0 Marc Savlov
    Even with its scant running time, this nightmarish travesty barrels along with all the whipcord speed and nimble comedic grace of a loved one’s funeral.
    • 19 Metascore
    • 20 Marc Savlov
    To make a bad movie worse, even Ballistic's fight scenes, which ought to be the film's strong suit, are poorly edited, slice 'n' diced into incomprehensible blurs.
    • 19 Metascore
    • 0 Marc Savlov
    Forget this dreck: Where's that Michael vs. Jason grudge match we've been hearing about for the last decade?
    • 19 Metascore
    • 20 Marc Savlov
    Shoddily plotted and unimaginative, Species II is a slapdash effort at best, creepily unaffecting and minus the T&A this sort of film so desperately hinges on.
    • 19 Metascore
    • 20 Marc Savlov
    Fails chiefly because it's senseless. How it even managed to bypass the straight-to-video route boggles the mind and is a speculative fiction far more engaging than any to be found onscreen.
    • 18 Metascore
    • 0 Marc Savlov
    Valentine succeeds only in boring you to death.
    • 18 Metascore
    • 0 Marc Savlov
    Deadly dull tripe.
    • 18 Metascore
    • 20 Marc Savlov
    Darby and co-screenwriter Michael Cristofer ("Breaking Up") telegraph every available bit of plot seemingly hours before it's necessary, resulting in a tawdry, boring mish-mash of genre clichés and arched eyebrows.
    • 18 Metascore
    • 0 Marc Savlov
    The Devil Inside offers proof, if any were needed, that demons run rampant in Hollywood, possessing otherwise intelligent and creative people to make absolutely shitty "gotcha!" mockumonstrosities like this one.
    • 18 Metascore
    • 0 Marc Savlov
    You want vampiric satire with actual laughs? Try Mel Brooks' "Dracula: Dead and Loving It," "Love at First Bite," or even Roman Polanski's "The Fearless Vampire Killers." Anything is better than Friedberg and Seltzer's endless, bargain-basement, sub-Cracked magazine un-comedy.
    • 18 Metascore
    • 0 Marc Savlov
    Come to think of it, it's a lot like the departed shade of a better, longer movie, hovering in tatters before us, vanishing when we blink. When you look into this abyss, it yawns back at you.
    • 17 Metascore
    • 20 Marc Savlov
    Attica! Attica! Everyone involved in the creation of this muddled, joyless, and deadly dull serial killer-meets-forensic psychiatrist snoozefest should be forced to spend – at the very least – 88 minutes behind Attica's bars.
    • 17 Metascore
    • 0 Marc Savlov
    Unforgivably tedious tale.
    • 17 Metascore
    • 0 Marc Savlov
    Unlike former porn auteur Gregory Dark's semenal 1985 cumshot opus "New Wave Hookers", this rote exercise in slasher-film tedium holds zero surprises and is about as arousing as Tracy Lords' singing career.
    • 17 Metascore
    • 0 Marc Savlov
    It boggles the mind that The Legend of Chun-Li is as vapid and dull as it is.
    • 17 Metascore
    • 0 Marc Savlov
    A nearly bloodless slasher film with fewer surprises than a broken jack-in-the-box.
    • 17 Metascore
    • 20 Marc Savlov
    All of this is fair "can you take it?" territory, but in he end you find yourself wondering where Nineties-era German cinema-transgressor Jörg Buttgereit is, and when he might deign to make "Nekromantik 3." As for Human Centipede 2, well, frankly it kind of sucks ass. And we mean that literally.
    • 17 Metascore
    • 0 Marc Savlov
    It works not at all.
    • 17 Metascore
    • 0 Marc Savlov
    There's punishment and then there's prolonged, squirm-inducing psychological torture, which is a more accurate description of All's Faire in Love, a romantic comedy that will only be "romantic" to audience members under the age of 14 and utterly devoid of genuine yuks and the necessary rom-com spark.
    • 16 Metascore
    • 20 Marc Savlov
    This is exactly the sort of film I wasn't expecting from either Gorak or his producers. In many too-obvious ways this is just a formulaic riff on Spielberg's "War of the Worlds."
    • 16 Metascore
    • 0 Marc Savlov
    Shamelessly dull.
    • 16 Metascore
    • 20 Marc Savlov
    Simply a lousy film from start to finish.
    • 16 Metascore
    • 20 Marc Savlov
    Would have made a hell of a short -- but falls flat on its hyperstylized face as a feature.
    • 15 Metascore
    • 0 Marc Savlov
    File this one under What Were They Thinking?
    • 15 Metascore
    • 11 Marc Savlov
    Who among us can explain the enigma wrapped in a riddle surrounded by fierce, ravening, razor-toothed conundrums that is German director Uwe Boll?
    • 15 Metascore
    • 0 Marc Savlov
    Eurotrash for the new millennium.
    • 15 Metascore
    • 0 Marc Savlov
    Guaranteed to inspire many more belly laughs than it does actual shivers. Boo, scary? I think not.
    • 15 Metascore
    • 0 Marc Savlov
    Packs all the spine-tingling punch of a soggy bag of mulch.
    • 15 Metascore
    • 0 Marc Savlov
    College, a film so persistently loud and annoying that it single-handedly makes the case for drugging yourself with a roofie.
    • 15 Metascore
    • 0 Marc Savlov
    A knockoff in everything from style to story, it also suffers from 3-D effects that are dim and underwhelming, a maddeningly obtuse storyline, and performances that could have used some serious Herbert West-style reanimation.
    • 15 Metascore
    • 0 Marc Savlov
    It’s cheese of the purest stripe, bafflingly bad to the point of being oddly charming in its brain dead naïveté.
    • 14 Metascore
    • 0 Marc Savlov
    Bad and baffling from the get-go, probably the only good thing to come out of this Rollerball is the boon it gives the porn industry in terms of another ready-made title to spoof.
    • 14 Metascore
    • 0 Marc Savlov
    Where the hell are those Hollywood Ninja Assassins when you really need 'em?
    • 14 Metascore
    • 0 Marc Savlov
    This dragon, sadly, is DOA.
    • 13 Metascore
    • 0 Marc Savlov
    Green, who looks like a chinless, hollow-eyed pederast at the best of times, is simply out of his league here, and the fact that the film drags interminably when it's actually a very average 90 minutes long betrays its essential emptiness.
    • 13 Metascore
    • 0 Marc Savlov
    The confusion it mistakes for true soul-searching is about as realistic a look at the politics of youthful attraction as one of those "Did somebody say McDonald's?" commercials is a look at mainstream American family values. Did somebody say McCheese?
    • 13 Metascore
    • 0 Marc Savlov
    90 minutes of ridiculous, silly fun. Of course, it's still a very bad movie.
    • 12 Metascore
    • 30 Marc Savlov
    This new film version, sad to say, is a hollow shell of the original series.
    • 11 Metascore
    • 0 Marc Savlov
    Boasting that your film features "two of the six writers of Scary Movie," as this film's marketing campaign does, is like bragging that you came in second in the annual Bulwer-Lytton Bad Fiction Contest.
    • 11 Metascore
    • 0 Marc Savlov
    By film's end I was fantasizing that Peter Stormare would drop by with his "Fargo" wood-chipper in tow, but it was not to be. Appalling.
    • 11 Metascore
    • 11 Marc Savlov
    The film strives so much to have heart, it comes across as heartless and mean-spirited. Bah, humbug!
    • 9 Metascore
    • 0 Marc Savlov
    Simply put, Battlefield Earth is the worst film I've seen in over 10 years, and believe me, that's saying a lot.
    • 9 Metascore
    • 0 Marc Savlov
    It's just the most inept filmmaking you can catch in theatres right now, or probably all year long.