For 1,677 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.4 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Twelve Monkeys
Lowest review score: 0 Date Movie
Score distribution:
1,677 movie reviews
    • 74 Metascore
    • 78 Marc Savlov
    A drop-dead gorgeous period noir, rife with paranoia, femmes fatales, and good men inexorably sinking into the bloody mire and opaque texture of life (and death) during wartime.
    • 74 Metascore
    • 50 Marc Savlov
    Herzog, ever the eccentric filmmaker on a mission, may have met his match in this man of the cloth.
    • 74 Metascore
    • 67 Marc Savlov
    Utterly charming.
    • 74 Metascore
    • 40 Marc Savlov
    Feels overlong and underscripted.
    • 74 Metascore
    • 78 Marc Savlov
    Two Lovers is an intensely felt, character-driven film, and there's no stronger character onscreen – not even Leonard – than Leonard's wise, Jewish mother, Ruth, played with effortless, pure perfection by Rossellini.
    • 74 Metascore
    • 89 Marc Savlov
    It's a veritable shoo-in for an Oscar nod this year, and one of the more disturbing films to come out of a major studio in ages.
    • 74 Metascore
    • 89 Marc Savlov
    Honestly, this ultra-noir adaptation of Frank Miller's black-and-white cult comic series is a visual feast ripped straight from the original medium's blood-soaked pages.
    • 74 Metascore
    • 78 Marc Savlov
    Above all, it's a satisfying, almost restful work, as welcome in this less-than-thrilling cinematic summer as a cool soak on a hot summer's day.
    • 74 Metascore
    • 78 Marc Savlov
    It's not nearly as complex and eerily existential as the director's debut, "Moon," but in its own way it's an even more satisfying time slice of identity-scrambled sci-fi.
    • 74 Metascore
    • 89 Marc Savlov
    Narco Cultura smartly and movingly focuses on the cultural cycle of violence, beginning with a young, Los Angeles-based rapper, Edgar Quintero, whose main job is penning lyrics celebrating the orgiastically violent lifestyles of the drug thugs for his band Buknas de Culiacán.
    • 74 Metascore
    • 78 Marc Savlov
    Teacher’s Pet feels more like Ren & Stimpy's John Kricfalusi on a mild dose of Prozac, and I mean that in the very best way.
    • 74 Metascore
    • 78 Marc Savlov
    The most remarkable aspect of Lemon Tree, however, and the one that's most likely to land this film on many year-end Best Foreign Film lists, is Abbass' devastating and marvelously restrained performance.
    • 73 Metascore
    • 67 Marc Savlov
    By far the freakiest and most unnerving shocker in theatres this season.
    • 73 Metascore
    • 67 Marc Savlov
    You may have the biggest flat-screen DLP monitor in the city, but Red Cliff will never look half as spectacular as it will on the big – and I mean really big – screen.
    • 73 Metascore
    • 67 Marc Savlov
    Left me with the feeling I've seen much of this before. It's not that I'd like something better, it's just that I'd like something new.
    • 73 Metascore
    • 89 Marc Savlov
    So full of good stuff that it's impossible not to fall in love with it.
    • 73 Metascore
    • 78 Marc Savlov
    While the story may be a common one (for the action genre, at least), Rodriguez, who wrote, produced, shot and edited the entire film himself, has a uniquely straightforward wit that makes what might otherwise have been just another shoot-'em-up something more than that.
    • 73 Metascore
    • 89 Marc Savlov
    In many ways, A Field in England is a funhouse mirror of audience expectations and something of a filmic Rorschach test.
    • 73 Metascore
    • 78 Marc Savlov
    It's the best-looking film of the year, hands down, and Thornton is dazzling, a dull diamond in the gutter rough.
    • 73 Metascore
    • 78 Marc Savlov
    It's Disney's best traditionally animated outing in ages.
    • 73 Metascore
    • 67 Marc Savlov
    Achingly gorgeous in almost all respects, the film soars in its period depiction of turn-of-the-century London (and later in Venice, as well), from costuming to cinematography on down.
    • 73 Metascore
    • 89 Marc Savlov
    By far the most gorgeous slice of sunlit sadism so far this summer, I’m Not Scared also manages to be oddly sweet: a boy’s life, with treachery.
    • 73 Metascore
    • 89 Marc Savlov
    Amreeka is anything but a depressing digression on American wartime paranoia.
    • 73 Metascore
    • 89 Marc Savlov
    Zombieland is dead set against being dead serious. Its tonal pallor has more in common with a foreshortened "It's a Mad, Mad, Mad, Mad World" than with "28 Days" or "Weeks Later," and then, again, there's that jaw-dropping cameo. It'll kill ya.
    • 73 Metascore
    • 78 Marc Savlov
    With centrifugal force on his side, Spider-Man dips, weaves, and whooshes past, up, and around the camera -- it's a rush, and it plasters a grin on your face even after you've left the theatre.
    • 73 Metascore
    • 78 Marc Savlov
    Layer Cake is suffused with a stately sense of menace and a sort of doomed existential suave.
    • 73 Metascore
    • 78 Marc Savlov
    All of the major players turn in powerhouse performances, and Fishburne nails his best role yet as Furious.
    • 73 Metascore
    • 78 Marc Savlov
    Doesn't just raise the bar on sci-fi and action films, it rips that sucker off and sends it spiraling into the sun.
    • 73 Metascore
    • 89 Marc Savlov
    There's so much information and so many finely honed arguments in this ultimately joyous film that it's liable to send audiences scurrying home to their computers to download the bands they've just heard.
    • 73 Metascore
    • 78 Marc Savlov
    Certainly one of the most lovingly crafted, end-of-the-world, cinematic feasts ever made, a spectacle of destruction and survival not even C.B DeMille could have envisioned.

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