For 1,654 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.2 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
Average review score: 52
Highest review score: 100 Kung Fu Hustle
Lowest review score: 0 Freddy Got Fingered
Score distribution:
1,654 movie reviews
    • 41 Metascore
    • 20 Marc Savlov
    A slight, facile, and ultimately yawn worthy romantic comedy, and one of the most obvious if unexpected missteps in Hanks' career.
    • 45 Metascore
    • 20 Marc Savlov
    Colombiana is one long megayawn; I'd have garnered more titillating thrills rewatching freckle-faced Russkie sexbomb Natalya Rudakova strut her leggy, sassy stuff in Megaton and Besson's "Transporter 3."
    • 35 Metascore
    • 20 Marc Savlov
    Dream House is neither haunting (as the marketing appears to promise) nor all that original. But it does, thank goodness for small favors, have Elias Koteas.
    • 17 Metascore
    • 20 Marc Savlov
    All of this is fair "can you take it?" territory, but in he end you find yourself wondering where Nineties-era German cinema-transgressor Jörg Buttgereit is, and when he might deign to make "Nekromantik 3." As for Human Centipede 2, well, frankly it kind of sucks ass. And we mean that literally.
    • 34 Metascore
    • 20 Marc Savlov
    There are some moments of blessed levity to the otherwise mordant melodramatics...That's not enough to sustain interest in the Taylors and their toxic emotional foibles, however.
    • 16 Metascore
    • 20 Marc Savlov
    This is exactly the sort of film I wasn't expecting from either Gorak or his producers. In many too-obvious ways this is just a formulaic riff on Spielberg's "War of the Worlds."
    • 28 Metascore
    • 20 Marc Savlov
    The cynic in me notes that the whole, dismal enterprise is just a cheap steal from Roger Corman's 1955 film "Day the World Ended." At least that single set-bound cheapie had a three-eyed mutant to enliven the otherwise stagy proceedings.
    • 43 Metascore
    • 20 Marc Savlov
    In short, it's nothing you haven't seen countless times before and, while it's not offensively bad, it also adds zero to the same old routine. Meh.
    • 50 Metascore
    • 20 Marc Savlov
    If ever America needed Hollywood to crank out a comedic antidote to the toxic political madness that has engulfed our nation, now is the time. Unfortunately, this loopy, muddled, and ultimately insulting Campaign isn't it. It feels more like an extended Saturday Night Live-meets-FunnyOrDie.com castoff than an actual comedic commentary on American politics.
    • 20 Metascore
    • 20 Marc Savlov
    The film is an ingenious, deranged, bloated, and just plain batshit crazy riff on advertising and the mad men and women it creates and/or consumes. Heady stuff, but it's no "How to Get Ahead in Advertising." This film is absolutely mental, and not in a good way, either.
    • 40 Metascore
    • 20 Marc Savlov
    "Here Comes the Bomb" would've been a more fitting title, but props to Henry Winkler for rising to the occasion and turning in a sweet, idealistic performance in a film that otherwise feels like a tawdry commercial for the UFC and MMA.
    • 51 Metascore
    • 20 Marc Savlov
    Shoddily constructed out of bits and pieces of previous genre triumphs, She's All That is as dull and droning as the fluorescent lighting in your old study hall.
    • 31 Metascore
    • 11 Marc Savlov
    Dull and unfunny claptrap.
    • 23 Metascore
    • 11 Marc Savlov
    A muddled mess of bad-lad clichés, and Jackson's obvious talents only serve to point out how godawful everyone else seems to be.
    • 31 Metascore
    • 11 Marc Savlov
    The film is a mess, going all over the graveyard but never finding the grave. It's the work of a fan with too much time (and money) on his hands, eagerly awaited but best forgotten.
    • 19 Metascore
    • 11 Marc Savlov
    They've taken a classic and they've battered it senseless and, boy, does it stink. It’s so bad it’s amazing it's being released, and box office-goers might soon end up fleeced. And annoyed and bewildered, perhaps even creeped-out by this cacophonous mess which is awful throughout.
    • 28 Metascore
    • 11 Marc Savlov
    As Timeline so adequately proves, not every bestseller will render a good film.
    • 31 Metascore
    • 11 Marc Savlov
    There is a line between gallows humor and tastelessness, but Very Bad Things apparently doesn't have a clue where that might be.
    • 30 Metascore
    • 11 Marc Savlov
    Sloppy, confusing, and dull as a dented crucifix.
    • 39 Metascore
    • 11 Marc Savlov
    It is, in a word, boring, and that's the most un-Oliver Stone adjective I can think of.
    • 20 Metascore
    • 11 Marc Savlov
    But for anyone who assumed Kennedy's experiment couldn't sink any lower than "Malibu's Most Wanted," there are, it appears, ever deeper depths in the realm of comedic misfires.
    • 21 Metascore
    • 11 Marc Savlov
    Awash in the obvious and sports a patently predictable outcome. Somewhere, Stanislavsky is shrieking as well.
    • 30 Metascore
    • 11 Marc Savlov
    Bonuses all around, but a double one for Perabo, the only cast member to survive this dull-as-dirt Cave with her actorly integrity intact.
    • 35 Metascore
    • 11 Marc Savlov
    A Life Less Ordinary fails on so many levels it's nearly a textbook case of What Not to Do.
    • 31 Metascore
    • 11 Marc Savlov
    This vehicle for hip-hop star Usher is no blinged-out Beamer rough-riding it over to Jay-Z's joint to wallop some cheeba up off'n the Zeezer's haid; it's more of a Yugo, as in "You go to this wannabe straight-to-video tripe, you deserve what you get."
    • 27 Metascore
    • 11 Marc Savlov
    It's a curiously dull Americanization of one of the finest examples of subtle, moody J-horror out there.
    • 28 Metascore
    • 11 Marc Savlov
    The first film was near-mythic in its tone and treatment of its characters, while this remake barely serves as a primer in how not to generate suspense.
    • 24 Metascore
    • 11 Marc Savlov
    The movie feels mechanical all the way through, leaving Sadek's debut an inauspicious and ill-lubed affair.
    • 33 Metascore
    • 11 Marc Savlov
    Shapeshifters-lite. Fangs but no fangs.
    • 45 Metascore
    • 11 Marc Savlov
    It's the pod people's version of a great, contemporaneously resonant cinematic fable, created by apparent committee, and utterly devoid of both meaning and feeling. The tagline warns: "Do not trust anyone. Do not show emotion. Do not fall asleep." Yawn.
    • 37 Metascore
    • 11 Marc Savlov
    The Last Legion offers guilty-pleasure fun in a cheesy, very De Laurentiis way (much like 1976's Mandingo rip-off Drum), but, in the end, it's just not a very inspired or well-conceived film, despite Kingsley's strangely endearing turn as the proto-Merlin.
    • 24 Metascore
    • 11 Marc Savlov
    Do yourself a favor and go rent any Miike film other than this one.
    • 15 Metascore
    • 11 Marc Savlov
    Who among us can explain the enigma wrapped in a riddle surrounded by fierce, ravening, razor-toothed conundrums that is German director Uwe Boll?
    • 47 Metascore
    • 11 Marc Savlov
    They've become deadly dull, these two once-keen buckers of bureaucratic BS, and watching them interact on screen is akin to having your pleasure centers removed by knobby little aliens whose only knowledge of mankind comes from Jack Webb's stoically unvarying television incarnations.
    • 31 Metascore
    • 11 Marc Savlov
    Little more than a cluttered, noisy, and unsatisfying thrill ride to nowhere.
    • 28 Metascore
    • 11 Marc Savlov
    The real shocker is how hellishly yawn-inducing this utterly pointless and forgettable Haunting turns out to be. It's enough to make you scream.
    • 36 Metascore
    • 11 Marc Savlov
    I saw the original version of this same story 28 years ago. It was called "Scanners" and it blew my mind for real. Push just blows.
    • 33 Metascore
    • 11 Marc Savlov
    Koteas' overearnest performance almost makes The Haunting in Connecticut worth a look, but ultimately even the star of Cronenberg's "Crash" can't salvage what is essentially a substandard rip-off of "The Amityville Horror."
    • 46 Metascore
    • 11 Marc Savlov
    Might make a terrific double bill with the equally inane (but considerably more entertaining) "Con Air," with the French electonica duo Air chirruping in the background. But, you know, only if you're stoned out of your head.
    • 30 Metascore
    • 11 Marc Savlov
    As mesmerizing as watching bread toast. Death, be not proud, indeed.
    • 24 Metascore
    • 11 Marc Savlov
    Isn't for everyone, obviously; it might not be for anyone, come to think of it.
    • 28 Metascore
    • 11 Marc Savlov
    Things do not end well, least of all for the audience.
    • 22 Metascore
    • 11 Marc Savlov
    The comic, his career now apparently in total free fall, tackles the (dual) role(s) so broadly (no pun intended) that it's just plain annoying.
    • 23 Metascore
    • 11 Marc Savlov
    I'm not sure which is more freakish: the fact that this savagely unfun and relentlessly generic Adam Sandler comedy has spawned its own (infinitely more entertaining) Internet meme or the realization that something has gone seriously awry with the decision-making process of Al Pacino's agent.
    • 56 Metascore
    • 11 Marc Savlov
    A work of near-existential pointlessness. It's true to the anarchic, silly spirit of the original clowning, but there's very little else to it.
    • 24 Metascore
    • 11 Marc Savlov
    Disappointingly, Piranha 3DD, the inevitable sequel to the remake, has none of Dante's wit, Aja's directorial skills, or Greg Nicotero's grotesqueries.
    • 11 Metascore
    • 11 Marc Savlov
    The film strives so much to have heart, it comes across as heartless and mean-spirited. Bah, humbug!
    • 31 Metascore
    • 11 Marc Savlov
    Shue, to her credit, looks like she's trying to crawl out of her skin, but hey, anything to get away from this hell house, right? Right.
    • 47 Metascore
    • 11 Marc Savlov
    As for Hotel Transylvania,, no need to put a stake in it, it's deadly dull already.
    • 40 Metascore
    • 11 Marc Savlov
    This is one horror franchise that's burned itself out, and then some – not even the rare shock cuts to nothing much at all will startle anyone over the age of 8.
    • 40 Metascore
    • 11 Marc Savlov
    Insidious: Chapter 2 is perhaps an even more scattershot mess than its predecessor. Whannell's script is so rife with portentous backstory, third-act goofiness, and a denouement that practically screams "Insidious 3: Same Old Shit," that the film as a whole is jarring, and not in a good way.
    • 31 Metascore
    • 11 Marc Savlov
    For those who haven’t read the Mark Helprin novel on which Akiva Goldsman’s film is based, prepare to be confused, annoyed, bewildered, and yet more annoyed by the director’s inability to construct even the most basic of narrative fantasy romances.
    • 17 Metascore
    • 0 Marc Savlov
    It works not at all.
    • 29 Metascore
    • 0 Marc Savlov
    The marketing weasels over at Disney deserve to have their beady little eyes gouged out with flaming icicles for the fast one they've pulled on audiences with Snow Dogs.
    • 22 Metascore
    • 0 Marc Savlov
    One of the most deadly dull "SNL" spinoffs.
    • 13 Metascore
    • 0 Marc Savlov
    90 minutes of ridiculous, silly fun. Of course, it's still a very bad movie.
    • 27 Metascore
    • 0 Marc Savlov
    Unspeakably awful.
    • 31 Metascore
    • 0 Marc Savlov
    Painfully lame and hamstrung by a viciously unfunny sense of humor.
    • 33 Metascore
    • 0 Marc Savlov
    We're treated to such a broad panoply of godawful dialogue, righteously shoddy acting, and, worst of all for an action blockbuster of this sort, subpar effects work, that's it's all you can do not to giggle helplessly.
    • 19 Metascore
    • 0 Marc Savlov
    Even Amtrak hasn't seen a derailment this godawful in some time.
    • 27 Metascore
    • 0 Marc Savlov
    Even the youngest members of the audience appeared to be more interested in their dwindling soda supply than anything up on the screen. Yabba dabba doom.
    • 22 Metascore
    • 0 Marc Savlov
    Reaches toward new heights of comic laziness and succeeds beyond anyone's wildest expectations.
    • 43 Metascore
    • 0 Marc Savlov
    The film feels like a truly awful "Saturday Night Live" sketch padded out to such unholy lengths as to make "It's Pat" seems like a comic masterstroke.
    • 36 Metascore
    • 0 Marc Savlov
    Hopefully, someone will grab the torch and, if not run with it, at the very least track down and set fire to the highly combustible prints of this inexcusably inept yawn-a-thon - it's not so much bad as it is unfathomable.
    • 38 Metascore
    • 0 Marc Savlov
    One of the Peking Opera-trained superstar's most mediocre films, rivaling last year’s God-awful "The Tuxedo" for sheer messy filmmaking and brazen acts of tedium... Abysmal.
    • 16 Metascore
    • 0 Marc Savlov
    Shamelessly dull.
    • 14 Metascore
    • 0 Marc Savlov
    Bad and baffling from the get-go, probably the only good thing to come out of this Rollerball is the boon it gives the porn industry in terms of another ready-made title to spoof.
    • 18 Metascore
    • 0 Marc Savlov
    Deadly dull tripe.
    • 35 Metascore
    • 0 Marc Savlov
    It's pornography of the most depressing sort.
    • 19 Metascore
    • 0 Marc Savlov
    It's dead in the water.
    • 35 Metascore
    • 0 Marc Savlov
    So much is going on, and so many bizarre and seemingly random subplots collide in Dreamcatcher, that the film feels like some crazy patchwork quilt sewn by a schizophrenic seamstress. It’s not only confusing, but dull, as well.
    • 9 Metascore
    • 0 Marc Savlov
    Simply put, Battlefield Earth is the worst film I've seen in over 10 years, and believe me, that's saying a lot.
    • 48 Metascore
    • 0 Marc Savlov
    I'd rather have a testicular nail-gun mishap than sit through this migraine-inducing train wreck of a film one more time.
    • 30 Metascore
    • 0 Marc Savlov
    Dude, your movie sucks.
    • 19 Metascore
    • 0 Marc Savlov
    Even with its scant running time, this nightmarish travesty barrels along with all the whipcord speed and nimble comedic grace of a loved one’s funeral.
    • 15 Metascore
    • 0 Marc Savlov
    File this one under What Were They Thinking?
    • 30 Metascore
    • 0 Marc Savlov
    Most indicative of The Tuxedo's mediocrity, however, is the absence of the always entertaining action outtakes that traditionally roll under the end credits of Chan films; here it's all dialogue flubs barely fit for Dick Clark.
    • 32 Metascore
    • 0 Marc Savlov
    There's precious little to like about the witless and decidedly tedious Black Knight other than the fact that it's unlikely to generate a sequel.
    • 37 Metascore
    • 0 Marc Savlov
    This is either one of the best “head” films of all time or one of the worst examples of Disneyfied opportunism to come down the pike in years. I'd like to think it was the former, really I would, but somehow I suspect otherwise.
    • 18 Metascore
    • 0 Marc Savlov
    Valentine succeeds only in boring you to death.
    • 14 Metascore
    • 0 Marc Savlov
    This dragon, sadly, is DOA.
    • 23 Metascore
    • 0 Marc Savlov
    It's relentlessly bad in a way that just makes those theatre seats plain uncomfortable.
    • 19 Metascore
    • 0 Marc Savlov
    Forget this dreck: Where's that Michael vs. Jason grudge match we've been hearing about for the last decade?
    • 13 Metascore
    • 0 Marc Savlov
    The confusion it mistakes for true soul-searching is about as realistic a look at the politics of youthful attraction as one of those "Did somebody say McDonald's?" commercials is a look at mainstream American family values. Did somebody say McCheese?
    • 27 Metascore
    • 0 Marc Savlov
    Kids will revolt, parents will snooze, and I will be downright giddy if I never encounter another Pokémon movie as long as I live. Ack!
    • 33 Metascore
    • 0 Marc Savlov
    The game is great fun -- the movie ought to be taken out back and shot.
    • 28 Metascore
    • 0 Marc Savlov
    The only question audiences are likely to be asking their higher power in the wake of viewing the film is, "What the fuck?"
    • 22 Metascore
    • 0 Marc Savlov
    Do yourself and your kids a favor, parents, and head to "Spy Kids" instead.
    • 20 Metascore
    • 0 Marc Savlov
    Drivel of the purest ray serene.
    • 28 Metascore
    • 0 Marc Savlov
    This biting parody of flyover-state beauty contests feels like a bad made-for-TV movie of the week.
    • 14 Metascore
    • 0 Marc Savlov
    Where the hell are those Hollywood Ninja Assassins when you really need 'em?
    • 11 Metascore
    • 0 Marc Savlov
    By film's end I was fantasizing that Peter Stormare would drop by with his "Fargo" wood-chipper in tow, but it was not to be. Appalling.
    • 17 Metascore
    • 0 Marc Savlov
    Unforgivably tedious tale.
    • 51 Metascore
    • 0 Marc Savlov
    This is strictly dull chuckles from dull wits, and while there are a few genuine laughs to be found amidst the dross, they’re as rare as Francophiles in Crawford, Texas.
    • 13 Metascore
    • 0 Marc Savlov
    Green, who looks like a chinless, hollow-eyed pederast at the best of times, is simply out of his league here, and the fact that the film drags interminably when it's actually a very average 90 minutes long betrays its essential emptiness.
    • 55 Metascore
    • 0 Marc Savlov
    Camp has also been compared to Alan Parker’s "Fame," which operates with a similar love of behind-the-scenes melodrama and youthful idealism, but different in that it doesn’t induce brain-swelling revulsion in the viewer.
    • 37 Metascore
    • 0 Marc Savlov
    Not only is the franchise growing hoary, by now it's become downright laughable, leaving Lethal Weapon 4 feeling more like a bad Fox sitcom than anything else.
    • 15 Metascore
    • 0 Marc Savlov
    It’s cheese of the purest stripe, bafflingly bad to the point of being oddly charming in its brain dead naïveté.
    • 31 Metascore
    • 0 Marc Savlov
    For masochists only, and hardcore ones at that.
    • 15 Metascore
    • 0 Marc Savlov
    Packs all the spine-tingling punch of a soggy bag of mulch.
    • 38 Metascore
    • 0 Marc Savlov
    If Never Die Alone had even a smidgeon of comic relief (or even, say, a bunch of zombies) to offset some of its relentlessly downbeat brutality, it might have been at best tolerable. But it doesn't, and it's not.
    • 21 Metascore
    • 0 Marc Savlov
    You want REAL terror? If this second outing proves profitable, we'll be looking at Yet Again I Recall the Summer Before the Summer Before Last. Now that's scary.
    • 33 Metascore
    • 0 Marc Savlov
    The Punisher is such a bad film that it becomes inadvertently entertaining; it’s enough to make you pine for the original version of the black-clad Marvel Comics’ badass, played to awful imperfection in 1989 by Dolph Lundgren.
    • 33 Metascore
    • 0 Marc Savlov
    Excruciating in the extreme, this is the nadir of urban comedies thus far: a trashy, crass, and painfully unfunny airline disaster of a film.
    • 27 Metascore
    • 0 Marc Savlov
    Utterly devoid of merit, fantastic or otherwise, a more exasperating descent into the feline world is difficult to imagine.
    • 27 Metascore
    • 0 Marc Savlov
    Very nearly as entertaining as watching a potato bake.
    • 27 Metascore
    • 0 Marc Savlov
    Nearly as much fun as a case of scabies, Beverly Hills Ninja transports the viewer into a mystical realm where pratfall is king and mediocrity is its own reward.
    • 22 Metascore
    • 0 Marc Savlov
    Egregiously mediocre and flagrantly ill-conceived in every department, this is, truly, the cinematic equivalent of finding a single solitary Saltine in your stocking and a pair of old tube socks beneath the tree. Humbug!
    • 15 Metascore
    • 0 Marc Savlov
    Eurotrash for the new millennium.
    • 15 Metascore
    • 0 Marc Savlov
    Guaranteed to inspire many more belly laughs than it does actual shivers. Boo, scary? I think not.
    • 9 Metascore
    • 0 Marc Savlov
    It's just the most inept filmmaking you can catch in theatres right now, or probably all year long.
    • 28 Metascore
    • 0 Marc Savlov
    Here's hoping someone breaks down and buys Brocka some more toys, if only to distract him from embarking on another flesh-and-blood production.
    • 26 Metascore
    • 0 Marc Savlov
    Fails to kick start anything other than the urge to giggle.
    • 24 Metascore
    • 0 Marc Savlov
    A Sound of Thunder is positively awash in bad hairpieces, leading one to believe that global warming is going to be the least of our problems.
    • 27 Metascore
    • 0 Marc Savlov
    Such a monumentally bad remake of such an exceptionally chilling genre favorite.
    • 27 Metascore
    • 0 Marc Savlov
    Long distance information? Get me Hollywood, USA: I’ve got a rusty ice pick to bury in the gullet of whoever greenlighted this pointless exercise in masturbatory tedium.
    • 11 Metascore
    • 0 Marc Savlov
    Boasting that your film features "two of the six writers of Scary Movie," as this film's marketing campaign does, is like bragging that you came in second in the annual Bulwer-Lytton Bad Fiction Contest.
    • 24 Metascore
    • 0 Marc Savlov
    Stay Alive has none of the vicarious thrills of, say, "Konami: Silent Hill 2." It's barely even Pong unplugged.
    • 26 Metascore
    • 0 Marc Savlov
    Stone still dazzles the eye, but this wholly unwarranted sequel is so outrageously preposterous (and so very chockablock with quotable examples of the fine art of bad dialogue) that the end result achieves a basement grandeur of near-epic proportions.
    • 40 Metascore
    • 0 Marc Savlov
    So lazy it's downright boring, something not even a naked Leslie Nielson (!) can salvage.
    • 33 Metascore
    • 0 Marc Savlov
    RV
    Isn't it time to put Robin Williams out to pasture? There's precious little mirth to be had via RV after the comically nasty opening set-up.
    • 17 Metascore
    • 0 Marc Savlov
    Unlike former porn auteur Gregory Dark's semenal 1985 cumshot opus "New Wave Hookers", this rote exercise in slasher-film tedium holds zero surprises and is about as arousing as Tracy Lords' singing career.
    • 32 Metascore
    • 0 Marc Savlov
    It boggles the mind that Saddam Hussein and assorted cohorts have finally won their rightful place in the global noose while various and sundry villains associated with this third entry in the Santa Claus franchise of flaccidly feel-good, winter nostrums will no doubt be allowed to walk the Earth with nary a qualm nor backward glance.
    • 27 Metascore
    • 0 Marc Savlov
    The real crime here is that Let's Go to Prison made a daring escape from direct-to-video stir into the relative freedom of your neighborhood multiplex. Consider this one disarmed and extremely pointless.
    • 21 Metascore
    • 0 Marc Savlov
    Granted, the state of the indie hipster and/or Big-Man-on-the-Quad aesthetic has probably skewed a bit since I was a frosh, but good lord, man, it can't be this pale an imitation of campus life. I implore you: Go rent "National Lampoon's Animal House" and leave this flaccid wanker alone.
    • 28 Metascore
    • 0 Marc Savlov
    If you really want the kids to see a colorfully cryptic meta fairy tale, be subversive and go rent 'em some Alejandro Jodorowsky. No child deserves Happily N'Ever After.
    • 24 Metascore
    • 0 Marc Savlov
    Captivity is the kind of film that gives torture porn a bad name.
    • 38 Metascore
    • 0 Marc Savlov
    None of this made a lick of sense to me, nor did it appear to be all that obvious to either the cast or screenwriter Hodge, whose work here feels as though he'd given up in frustration halfway through before deciding to see how far he could push the vaguely Harry Potter-esque shenanigans before getting sacked.
    • 34 Metascore
    • 0 Marc Savlov
    The only evolution in question here is that of Emmerich's skills as a director of motion pictures.
    • 17 Metascore
    • 0 Marc Savlov
    A nearly bloodless slasher film with fewer surprises than a broken jack-in-the-box.
    • 20 Metascore
    • 0 Marc Savlov
    Make Ben Stein some more money (and get a good, mordant chuckle while you're at it) by checking out this loopy, factually befuddled documentary that should manage the not-inconsiderable feat of insulting Christians, Jews, Muslims, and those nutty sci-guys who go in for Darwin by way of bad teeth and Einsteinian hair styles.
    • 43 Metascore
    • 0 Marc Savlov
    Anderson has neutered the original film's outrageously transgressive macadam mayhem and completely stripped the story of its pointedly political social satire, making this Death Race one of the most boring drags of all time.
    • 15 Metascore
    • 0 Marc Savlov
    College, a film so persistently loud and annoying that it single-handedly makes the case for drugging yourself with a roofie.
    • 34 Metascore
    • 0 Marc Savlov
    But bad, this film's so bad! To flub the fans' most beloved butcher boy.
    • 17 Metascore
    • 0 Marc Savlov
    It boggles the mind that The Legend of Chun-Li is as vapid and dull as it is.
    • 35 Metascore
    • 0 Marc Savlov
    Bland to the point of pointlessness.
    • 45 Metascore
    • 0 Marc Savlov
    Surrogates' morality is less Asimov than asinine, although it's bizarrely reassuring, in a nihilistic sort of way, to believe that in the future, when the world is ready to play The Sims for real (so to speak), our avatars are all going to look like generic porn stars with shitty airbrush jobs.
    • 28 Metascore
    • 0 Marc Savlov
    In all fairness, the sheer, overwhelming mediocrity of everything about Pandorum – Travis Milloy's hackneyed, ultra-derivative script, Alvart's plodding pacing and dull direction, even the eventual crimson tide of gore that duly arrives just in time to keep audience members over the age of 13 from dozing off – may well constitute a new breed of horror: In space, no one can hear you snore.
    • 34 Metascore
    • 0 Marc Savlov
    It's so unreal it hurts.
    • 68 Metascore
    • 0 Marc Savlov
    Don't believe the hype: Paranormal Activity may be a lot of things, but the words "scary" and "movie" are not among them. It is instead nothing more or less than an excruciatingly tedious YouTube gag cleverly marketed to go viral in the broadest and most box office-friendly way.
    • 27 Metascore
    • 0 Marc Savlov
    Nobody of Chan's legendary stature should ever have to play second banana to George Lopez, and certainly not in a film that was already made five years ago with Vin Diesel (see: The Pacifier).
    • 33 Metascore
    • 0 Marc Savlov
    This film is unquestionably the most unromantic and downright despairing romcom since "Made of Honor" or, possibly, "Who's Afraid of Virginia Woolf?"
    • 22 Metascore
    • 0 Marc Savlov
    Barely worthy of a legitimate theatrical release.
    • 34 Metascore
    • 0 Marc Savlov
    Part unfunny sitcom, part post-"Gigli" career resurrection strategy, and all bad.
    • 18 Metascore
    • 0 Marc Savlov
    You want vampiric satire with actual laughs? Try Mel Brooks' "Dracula: Dead and Loving It," "Love at First Bite," or even Roman Polanski's "The Fearless Vampire Killers." Anything is better than Friedberg and Seltzer's endless, bargain-basement, sub-Cracked magazine un-comedy.
    • 25 Metascore
    • 0 Marc Savlov
    This utterly mediocre forget-me-now could've been crafted by any faceless serial director at all. The shame of it is that the man behind the camera is Wes Craven when, by all rights, it should have been Alan Smithee.
    • 52 Metascore
    • 0 Marc Savlov
    The only remotely entertaining aspects of Insidious come from Whannell and Sampson as a comic pair of hypercompetitive hipster ghost hunters, and even that schtick is repeated ad nauseam.
    • 17 Metascore
    • 0 Marc Savlov
    There's punishment and then there's prolonged, squirm-inducing psychological torture, which is a more accurate description of All's Faire in Love, a romantic comedy that will only be "romantic" to audience members under the age of 14 and utterly devoid of genuine yuks and the necessary rom-com spark.
    • 18 Metascore
    • 0 Marc Savlov
    The Devil Inside offers proof, if any were needed, that demons run rampant in Hollywood, possessing otherwise intelligent and creative people to make absolutely shitty "gotcha!" mockumonstrosities like this one.
    • 31 Metascore
    • 0 Marc Savlov
    The set-up, and indeed the entire film, reeks of yawn-inducing boilerplate plotting.
    • 18 Metascore
    • 0 Marc Savlov
    Come to think of it, it's a lot like the departed shade of a better, longer movie, hovering in tatters before us, vanishing when we blink. When you look into this abyss, it yawns back at you.
    • 22 Metascore
    • 0 Marc Savlov
    Weaver and Willis look bored silly while essaying their paint-by-numbers roles, and this film does nothing to make me think Cavill is going to be Zack Snyder's Superman incarnate.
    • 15 Metascore
    • 0 Marc Savlov
    A knockoff in everything from style to story, it also suffers from 3-D effects that are dim and underwhelming, a maddeningly obtuse storyline, and performances that could have used some serious Herbert West-style reanimation.
    • 35 Metascore
    • 0 Marc Savlov
    This is a strange, unfunny, and unmoving boxing riff that simultaneously apes the hoary templates of Thirties and Forties fisticuffs films, nails cliches, and telegraphs its eventual outcome at every opportunity. A remarkably uninspired movie overall, Grudge Match is pure pablum melodrama all the way down to the final count.