For 1,682 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.3 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Ran (re-release)
Lowest review score: 0 The Seeker: The Dark Is Rising
Score distribution:
1,682 movie reviews
    • 75 Metascore
    • 78 Marc Savlov
    Compelling, relentless cinema.
    • 60 Metascore
    • 78 Marc Savlov
    A disarmingly enjoyable film.
    • 74 Metascore
    • 78 Marc Savlov
    Should be required viewing for prospective parents still sitting on the spermatazoan fence; after all, you're going to need a good sense of humor, aren't you?
    • 49 Metascore
    • 78 Marc Savlov
    One glance at the cast should be enough of a recommendation for any film lover -- it's Winger's first time on the screen in seven years, and Howard deserves a nod or two if only for getting his wife back in front of the camera where she so clearly belongs.
    • 80 Metascore
    • 78 Marc Savlov
    Less a film than a lyrical, naturalistic tone poem.
    • 56 Metascore
    • 78 Marc Savlov
    CQ
    It may not be art, but it's vastly more entertaining than anything Coppola senior has done in far too long.
    • 63 Metascore
    • 78 Marc Savlov
    Remarkable debut feature by New Yorker Ben Younger.
    • 67 Metascore
    • 78 Marc Savlov
    Smith's film is a celebration of quirkiness, eccentricity, and certain individuals' tendency to let it all hang out, and damn the consequences.
    • 60 Metascore
    • 78 Marc Savlov
    This single film beats every other Hollywood action film of the past five years, hands down. It's not even close. Welcome back, Mr. Tsui.
    • 85 Metascore
    • 78 Marc Savlov
    There's no denying it's a tragic film from start to finish, but equally undeniable is the endless stoicism displayed by the women, and Panahi's crisp, meandering direction.
    • 66 Metascore
    • 78 Marc Savlov
    It's a humorous film, to be sure, but there's also a stringent vein of giddy realism to it.
    • 63 Metascore
    • 78 Marc Savlov
    Great fun to watch, thoughtful and timely, Thomas in Love is likely to generate some decidedly interesting post-film conversations as well.
    • 80 Metascore
    • 78 Marc Savlov
    Its adult themes of familial separation and societal betrayal are head and shoulders above much of the director’s previous popcorn work -– more hurt, more heart, more unassailable hope.
    • 77 Metascore
    • 78 Marc Savlov
    It's a riveting, nail-biting, two-buckets-of-popcorn return to form for Howard.
    • 70 Metascore
    • 78 Marc Savlov
    Even some third-act deus ex machina scrambling can't homogenize the film's darkly cynical punch. Tough as nails and twice as hilarious, it's a remedy for summer treacle.
    • 85 Metascore
    • 78 Marc Savlov
    Hardly a serious caper film, Out of Sight instead takes a lighter approach, effortlessly offering up as many unexpected chuckles as it does bullets.
    • 76 Metascore
    • 78 Marc Savlov
    As uncomfortable as it is to have your nose shoved in this nightmare, its unforgettable in its violent lyricism and the bloody power of its message.
    • 69 Metascore
    • 78 Marc Savlov
    Skateboarding is not a crime, but the subject of this exhaustive documentary... is very much a criminal.
    • 76 Metascore
    • 78 Marc Savlov
    The cast is uniformly excellent in their roles, and Eyre's persistent use of long, trailing shots reinforces the story's elegiac tone.
    • 65 Metascore
    • 78 Marc Savlov
    Gleefully, goofily over-the-top.
    • 70 Metascore
    • 78 Marc Savlov
    As atypical a summer film as they come -– no explosions, no car chases, no Arnold -– but immensely more pleasing than films with all three of those summertime staples.
    • 66 Metascore
    • 78 Marc Savlov
    It's 99 and 44/100% pure Mamet all the way.
    • 56 Metascore
    • 78 Marc Savlov
    Pure unadulterated animal fun.
    • 57 Metascore
    • 78 Marc Savlov
    Coixet’s film begins with the quiet patter of rain on skin and holds that somehow sweetly sorrowful tone throughout.
    • 64 Metascore
    • 78 Marc Savlov
    This film will either drive you mad or make you angry, possibly both, if you’re lucky, but it’s rarely boring.
    • 56 Metascore
    • 78 Marc Savlov
    You’ve heard of guerrilla warfare? Buffalo Soldiers is all about guerilla capitalism.
    • 73 Metascore
    • 78 Marc Savlov
    It's the best-looking film of the year, hands down, and Thornton is dazzling, a dull diamond in the gutter rough.
    • 66 Metascore
    • 78 Marc Savlov
    Reality has overtaken the movies here, which, I suppose, makes T3 all the more cathartically appealing. At least onscreen we have Arnold Schwarzenegger in our corner.
    • 81 Metascore
    • 78 Marc Savlov
    Fathers and families and the impossibility of ever fully understanding either are at the heart of My Architect, and like Nathaniel Kahn, we come away from the film with a renewed appreciation of both.
    • 72 Metascore
    • 78 Marc Savlov
    Thanks to the superior performances by all four leads (including incredibly expressive Karoline Eckertz, who appears as the teenage Regina midway through), Nowhere in Africa is a meditation on everything from race and class and cultural impermanence to the inexhaustible malleability of youth.

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