Mark A. Perigard

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For 843 reviews, this critic has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 3.9 points lower than other critics. (0-100 point scale)

Mark A. Perigard's Scores

Average review score: 63
Highest review score: 100 Fargo: Season 2
Lowest review score: 0 Man With a Plan: Season 1
Score distribution:
  1. Negative: 57 out of 843
843 tv reviews
    • 64 Metascore
    • 60 Mark A. Perigard
    He seemed to suffer from “Jimmy Fallon-itis”--he laughed too much at his own jokes.... The show pretty much stayed on point, with almost every joke leading back to Noah. He got to make the show all about him, and that’s OK--for one night, anyway.
    • 78 Metascore
    • 58 Mark A. Perigard
    After watching the first four episodes of the sixth season back-to-back--an endurance test I don’t recommend--it’s apparent Rescue Me is recycling plots.
    • tbd Metascore
    • 58 Mark A. Perigard
    Reality TV has gotten rich off ethnic stereotypes--"Jersey Shore," anyone?--and now comes the generically titled Family Restaurant, about the Quon family, who run a thriving Chinese restaurant.
    • 62 Metascore
    • 58 Mark A. Perigard
    There are elements of the "Friday the 13th: The Series" and any J-horror film here, but the frights are few.
    • 68 Metascore
    • 58 Mark A. Perigard
    This is one overstuffed show.
    • 54 Metascore
    • 58 Mark A. Perigard
    If you’re doing the math at home, add shocking violence to a side of soap opera and you’re left with Six. At the end of the night, that may not be enough for you.
    • 58 Metascore
    • 58 Mark A. Perigard
    While the cast is competent, Cox seems to have difficulty with her lines in some scenes. With time, she may relax into her role, but I have misgivings Doubt will be around long enough for anyone to get comfortable. Imitation Shonda Rhimes just isn’t as good as the real thing.
    • 66 Metascore
    • 58 Mark A. Perigard
    Sister Wives practically twists and breaks its back assuring viewers how gosh-darn normal everything is. Still, there are some cracks in the crackpots.
    • 44 Metascore
    • 58 Mark A. Perigard
    Germann plays Sam’s husband, who at first seems distant but then reveals touching devotion to his family. If only the main cast had such material to shine.
    • 45 Metascore
    • 58 Mark A. Perigard
    The Night Shift gets the X-ray right for a series. Now it just needs to find a way to pump some new blood.
    • 59 Metascore
    • 58 Mark A. Perigard
    The outlook for his head and neck here is much better; Legends, though, is on wobbly legs.
    • 53 Metascore
    • 58 Mark A. Perigard
    Although the show is reminiscent of the kid-friendly TGIF lineup, some of the jokes are for the PG-13 crowd.
    • 53 Metascore
    • 58 Mark A. Perigard
    Tonight's mystery ultimately doesn't hang together, but it does establish the show's light mythos in an easy-to-digest way.
    • 59 Metascore
    • 58 Mark A. Perigard
    Like all time-travel shows, paradoxes can emerge like sinkholes. Still, the cast works so much charm, they must be exhausted by the end of the day.
    • 68 Metascore
    • 58 Mark A. Perigard
    All The Young Pope proves is that absolute power is absolutely boring.
    • 54 Metascore
    • 58 Mark A. Perigard
    NBC's The Cape aspires to be "The Dark Knight" but unfurls more like the campy 1960s "Batman" TV series.
    • 56 Metascore
    • 58 Mark A. Perigard
    Everyone seems to be down to their last nerve here. No Activity might have that same effect on you.
    • 63 Metascore
    • 58 Mark A. Perigard
    Hell's greatest sin? It's often laugh-out-loud funny.
    • 74 Metascore
    • 58 Mark A. Perigard
    NBC's newest drama Awake adds a drop of fantasy to its crime procedural formula and then practically buries it in musings about the mysteries of the subconscious.
    • 84 Metascore
    • 58 Mark A. Perigard
    It's wonderful HBO is willing to subsidize so many artists, but Treme feels more like a tax write-off than an actual series.
    • 58 Metascore
    • 58 Mark A. Perigard
    There's not much new to see in this neighborhood, but the producers have done a superb job of scoring the series with fresh music.
    • 45 Metascore
    • 58 Mark A. Perigard
    NBC, together with Academy Award-winning producer Brian Grazer ("A Beautiful Mind"), tries to duplicate the success of AMC's "Mad Men" but cribs the wrong details with a woefully untalented cast, mixed feminist messages and a melodrama that is at times laugh-out-loud funny.
    • 69 Metascore
    • 58 Mark A. Perigard
    Despite their [Mindy Kaling and B.J. Novak's] experience, the show plays like a blind date gone bad.
    • 51 Metascore
    • 58 Mark A. Perigard
    Griffiths does her best to hold the show together as a scattered woman coming into her own.
    • 47 Metascore
    • 58 Mark A. Perigard
    Chase reminds me of "Trauma," NBC's attempt at a Monday drama last year, although the shows couldn't be more dissimilar (the latter was about first responders). They both seem to be placeholders in the prime-time schedule until the network can scrounge up something better.
    • 57 Metascore
    • 58 Mark A. Perigard
    ABC deserves credit for its diverse casting, but Selfie looks to have the longevity of the average Snapchat pic.
    • 42 Metascore
    • 58 Mark A. Perigard
    [The] clunky scenes work thanks to the exceptional cast. These actors can sell anything. Almost.
    • 42 Metascore
    • 58 Mark A. Perigard
    Manhattan Love Story suggests some thoughts are better left unsaid.
    • 64 Metascore
    • 58 Mark A. Perigard
    This is dumb, not-so-much fun shoot'em-ups.
    • 64 Metascore
    • 58 Mark A. Perigard
    For a fleeting moment, the show hints it might venture into some saucy territory. Then it gets all “Family Ties” saccharine and goes in for the squishy hug.

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