Mark A. Perigard
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For 532 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.4 points lower than other critics. (0-100 point scale)

Mark A. Perigard's Scores

Average review score: 62
Highest review score: 100 Southland: Season 4
Lowest review score: 0 Brooklyn 11223: Season 1
Score distribution:
  1. Negative: 38 out of 532
532 tv reviews
    • 63 Metascore
    • 42 Mark A. Perigard
    Akerman and Whitford have zero chemistry, and it doesn’t help that she looks young enough to be his daughter.
    • 50 Metascore
    • 42 Mark A. Perigard
    The show is at least meta enough to have the department commander call out the sheer outrageousness of the appointment, but that doesn’t make it any more plausible.
    • 61 Metascore
    • 42 Mark A. Perigard
    Right now he’s as bland as Carson Daly.
    • 45 Metascore
    • 42 Mark A. Perigard
    There’s no way to self-medicate against the relentless drear of this new medical drama.
    • 58 Metascore
    • 40 Mark A. Perigard
    Why did executive producer Jerry Bruckheimer ("Remember the Titans") populate his CBS series with such revolting characters? With the exception of Marg Helgenberger's harried but compassionate investigator, this is a crew teeming with bullies and psychos. [6 Oct 2000, p.S32]
    • Boston Herald
    • 58 Metascore
    • 40 Mark A. Perigard
    As The Voice made loud and clear, there's not enough talent to go around.
    • 58 Metascore
    • 25 Mark A. Perigard
    Kudrow seems to be aiming for ``The Larry Sanders Show'' or ``Curb Your Enthusiasm'' territory but only gets as far as ``Reba'' with the f-word. [2 June 2005, p.47]
    • Boston Herald
    • 51 Metascore
    • 25 Mark A. Perigard
    We all know the cliche about imitation serving as the sincerest form of flattery, but this dumb show takes sucking up to levels of criminal laziness.
    • 40 Metascore
    • 25 Mark A. Perigard
    Here’s the kind of firm even “Boston Legal’s” Denny Crane would have the sense to close down. And I don’t think I’ve ever sat through so many penis jokes in the 8 p.m. hour.
    • 59 Metascore
    • 25 Mark A. Perigard
    This sad sack of a show plays like an East Coast, economically challenged version of his HBO hit “Entourage.”
    • 44 Metascore
    • 25 Mark A. Perigard
    A tired, messy show that reflects its star, fashion PR and marketing maven Kelly Cutrone.
    • 28 Metascore
    • 25 Mark A. Perigard
    The show displays all the sophistication you might expect from a social media that limits its statements to 140 characters. Here's a tweet from me: This show is a piece of (bleep).
    • 47 Metascore
    • 25 Mark A. Perigard
    TBS has concocted a show once considered to be unimaginable: A college comedy so badly written, acted and executed, so deficit in any jokes or diversions that even a stoner wouldn't be able to enjoy it.
    • 39 Metascore
    • 25 Mark A. Perigard
    Unlike "The View," there were no topical references--the show could have been filmed five years ago for all its relevance--unless you count the moment Osbourne turned a vague discussion of divorce law reform into a rant against cyberbullying.
    • 66 Metascore
    • 25 Mark A. Perigard
    Shameless lives up to its title. What's left for the rest of the season? Cannibalism? Macy is a good sport about being dragged around the kitchen like dead weight.
    • 33 Metascore
    • 25 Mark A. Perigard
    It's strange that the same network that airs these two stellar comedies [Modern Family & The Middle] would chose to regress and put this dreck on the air.
    • 49 Metascore
    • 25 Mark A. Perigard
    The Exes is the kind of show you can dump without a second thought.
    • 52 Metascore
    • 25 Mark A. Perigard
    Mitch just might be the stupidest attorney ever depicted on TV.
    • 53 Metascore
    • 25 Mark A. Perigard
    He sighs, "I got nothing left in me." Neither does this show.
    • 57 Metascore
    • 25 Mark A. Perigard
    TV this dull should be outlawed.
    • 42 Metascore
    • 25 Mark A. Perigard
    Nobody here is as self-obsessed as the least Kardashian, which will come as a relief to the celebrity-jaded, but we all know where the real talent lies in this family, and he's not onscreen enough to justify this series.
    • 54 Metascore
    • 25 Mark A. Perigard
    Director Philip Kaufman's clumsy, bloated project--clocking in at a miserable two hours and 40 minutes--stars Clive Owen and Nicole Kidman in potentially career-mangling performances.
    • 47 Metascore
    • 25 Mark A. Perigard
    The search for love has never seemed more like a lost cause.
    • 44 Metascore
    • 25 Mark A. Perigard
    It wants you to believe that Sheen is playing the most sane, vulnerable man in the world, yet he still comes off like a creep.
    • 74 Metascore
    • 25 Mark A. Perigard
    To be fair, Last Resort does not insult ideology--it merely knocks your intelligence.
    • 37 Metascore
    • 25 Mark A. Perigard
    The problem with Partners, as you'll discover if you watch the first two episodes, is that they already made that show years ago and it was called "Will & Grace."
    • 33 Metascore
    • 25 Mark A. Perigard
    The party may be winding down, the taps are running dry, but stupidity lasts forever.
    • 26 Metascore
    • 25 Mark A. Perigard
    Calling this a train wreck makes the movie sound more fascinating than it is.
    • 39 Metascore
    • 25 Mark A. Perigard
    The CGI stuff is cool; if only the acting were half as realistic.
    • 55 Metascore
    • 25 Mark A. Perigard
    Kelley is known for cre­ating wonderfully mem­orable, sometimes deliriously neurotic characters. Judging from the writing here, it’s as if he’s been medicated into a stupor. Diagnosis: Waste of time.