For 481 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3.5 points lower than other critics. (0-100 point scale)

Mark A. Perigard's Scores

  • TV
Average review score: 62
Highest review score: 100 Boardwalk Empire: Season 4
Lowest review score: 0 Brooklyn 11223: Season 1
Score distribution:
  1. Negative: 34 out of 481
481 tv reviews
    • 59 Metascore
    • 83 Mark A. Perigard
    Ringer at times straddles camp--Bridget stays briefly in the "Double Nickel Motel," a wink that the two women truly are flip sides of the same scarred coin --but never succumbs to it, thanks to Gellar's muted performances.
    • 88 Metascore
    • 83 Mark A. Perigard
    The womanizing, booze-guzzling, chain-smoking ad exec (played brilliantly by Jon Hamm) at the heart of AMC's Emmy Award-winning drama Mad Men has found a curvy sliver of joy in his life.
    • 75 Metascore
    • 83 Mark A. Perigard
    With Milch holding the reins, Luck seems a lock for the winner's circle.
    • 64 Metascore
    • 83 Mark A. Perigard
    On "Grey's Anatomy," particularly in the first two years, Rhimes proved herself skilled at crafting gripping love stories. She's outdone herself here.
    • 87 Metascore
    • 83 Mark A. Perigard
    Many young women, if they're being honest, will see themselves here. And many parents will see their daughters.
    • 96 Metascore
    • 83 Mark A. Perigard
    If the first two episodes are any indication, this season of Homeland will be about Carrie not only recovering her balance but finding a measure of redemption. That's a trip worth taking.
    • 57 Metascore
    • 83 Mark A. Perigard
    Aaron Sorkin can write crackling dialogue. Believable characters, not so much.
    • 84 Metascore
    • 83 Mark A. Perigard
    Nashville is the snarky showbiz drama NBC's "Smash" can only dream of becoming.
    • 62 Metascore
    • 83 Mark A. Perigard
    Cynthia Cidre's smart take on the prime-time soap (1978-1991) pays homage to the past while moving the battle to the next generation.
    • 80 Metascore
    • 83 Mark A. Perigard
    Web Therapy is far more entertaining [than Episodes], but, alas, wildly uneven, probably in part due to the need to weave new material around the Internet series of the same name that spawned it.
    • 79 Metascore
    • 83 Mark A. Perigard
    Her Patty knows how to spread the hurt. Get in on Damages' final round.
    • 64 Metascore
    • 83 Mark A. Perigard
    The pilot, directed by co--executive producer Jon Favreau ("Iron Man"), poses numerous questions, and to the credit of everyone involved, delivers some surprising payoffs that other shows would hold for weeks, if not seasons.
    • 66 Metascore
    • 83 Mark A. Perigard
    Copper spins somber stories of gold.
    • 61 Metascore
    • 83 Mark A. Perigard
    Week is about as much a serious social experiment as "Survivor" or "Kid Nation," but the production qualities are strong for a cable reality show and its subjects are fascinating as they react to the new world order
    • 73 Metascore
    • 83 Mark A. Perigard
    Arrow has so much going for it, it doesn't need to linger on the past.
    • 82 Metascore
    • 83 Mark A. Perigard
    Dead is always at its most unsettling--and poignant--when its characters have a moment to breathe and to address their dark, nightmarish world.
    • 69 Metascore
    • 83 Mark A. Perigard
    Community is still kicking, with more gas and laughs than just about any other NBC sitcom.
    • 90 Metascore
    • 83 Mark A. Perigard
    Game of Thrones plays by its own rules--and remains irresistible.
    • 66 Metascore
    • 83 Mark A. Perigard
    The Girl ensures you'll never watch "The Birds" the same way again.
    • 67 Metascore
    • 83 Mark A. Perigard
    The show's repetitive voice-overs are annoying. But you'll be sucked into this dangerous venture.
    • 65 Metascore
    • 83 Mark A. Perigard
    The series is so funny, it reeks of a setup.
    • 76 Metascore
    • 83 Mark A. Perigard
    The series gets off to a strong start as a black satire of not only D.C. but how politicians and journalists can leech off one another.
    • 58 Metascore
    • 83 Mark A. Perigard
    You think you know how this story will end, but trust DeKnight and his company of players to surprise us to the last bloody moment.
    • 86 Metascore
    • 83 Mark A. Perigard
    Rest easy: The premiere is good; next week’s episode is flat-out superb.
    • 69 Metascore
    • 83 Mark A. Perigard
    It’s a macabre dance that only promises to get more intense.
    • 56 Metascore
    • 83 Mark A. Perigard
    Suspense, surprises 
and crackling dialogue: True Blood is pumping strong again.
    • 66 Metascore
    • 83 Mark A. Perigard
    Zach Stone Is Gonna Be Famous is a clever riff on the fanaticism and cynicism inspired by the network’s own reality slate, including “Teen Mom,” “16 and Pregnant” and “Buckwild.
    • 65 Metascore
    • 83 Mark A. Perigard
    This is dark material, yet Faris balances it with a genuine winsomeness, able to wring laughs out of the most innocuous lines.
    • 82 Metascore
    • 83 Mark A. Perigard
    If the script can at times seem slight, Douglas and Damon are 
superb.
    • 77 Metascore
    • 83 Mark A. Perigard
    Cross The Bridge at your own peril. You just might get stranded in the summer’s best mystery.