Mark A. Perigard

Select another critic »
For 657 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 2.8 points lower than other critics. (0-100 point scale)

Mark A. Perigard's Scores

Average review score: 63
Highest review score: 100 Friday Night Lights: Season 5
Lowest review score: 0 Brooklyn 11223: Season 1
Score distribution:
  1. Negative: 43 out of 657
657 tv reviews
    • 43 Metascore
    • 42 Mark A. Perigard
    Sean Saves the World actually left this viewer depressed about the health of network comedy.
    • 55 Metascore
    • 42 Mark A. Perigard
    From pariahs to parodies. What a quick ride. The party is almost over for Jersey Shore.
    • 50 Metascore
    • 42 Mark A. Perigard
    It’s wearying to watch actors of this caliber try to fluff laughs out of this dreariness.
    • 41 Metascore
    • 42 Mark A. Perigard
    The ladies are so desperate to be noticed, they recycle bits from other shows.
    • 59 Metascore
    • 42 Mark A. Perigard
    One problem with the show is intrinsic to its premise. Though mediation is valuable in the real world, it doesn't lead itself to interesting stories in a medium that chugs on conflict, victims and victors.
    • 44 Metascore
    • 42 Mark A. Perigard
    There’s no way to self-medicate against the relentless drear of this new medical drama.
    • 58 Metascore
    • 42 Mark A. Perigard
    As a sitcom version of herself, the onetime “American Idol” outshines Gellar, which is not a good omen for the show. Williams seems ex­hausted. So is this show.
    • 39 Metascore
    • 42 Mark A. Perigard
    Kidman works hard here, but she is sabotaged by a common script.
    • tbd Metascore
    • 42 Mark A. Perigard
    Not even a return to Sin City - the site of the most notorious, debauched entry in the franchise - can jump-start any excitement into this, the 25th season of the unscripted series.
    • 69 Metascore
    • 42 Mark A. Perigard
    It's a dull blend, a slow-moving mind-rot creeping on unsuspecting viewers.
    • 35 Metascore
    • 42 Mark A. Perigard
    The unscripted answer to "Laverne & Shirley" will now be tamer than "Anne of Green Gables."
    • 43 Metascore
    • 42 Mark A. Perigard
    My Generation is based on a Swedish series, "On God's Highway." Dramatic storytelling seems to have veered off the road and crashed into a tree.
    • 45 Metascore
    • 42 Mark A. Perigard
    The humor is crude and risque and often at the expense of Indian culture. I could have lived without the defecation jokes. To be fair, the writers don't give America a pass.
    • 37 Metascore
    • 42 Mark A. Perigard
    There are some adorable tots mugging hard on NBC's Guy with Kids. The adults muck it all up.
    • 49 Metascore
    • 42 Mark A. Perigard
    [Smallville's Erica Durance, Stargate SG-1's Michael Shanks and The Vampire Diaries' Daniel Gillies] should be a winning cast, but the writing and plodding execution are worthy of a quick DNR order.
    • 38 Metascore
    • 42 Mark A. Perigard
    From Will Ferrell, Adam McKay and Anne Heche comes this mostly numb comedy about a judge with a messy personal life.
    • 19 Metascore
    • 42 Mark A. Perigard
    The slight sitcom has all the heft of a powder puff.
    • 47 Metascore
    • 42 Mark A. Perigard
    In this eight-episode, hourlong show, instead of Lauren Conrad, we get Katie, who is about as interesting as a McDonald’s salad.
    • 52 Metascore
    • 42 Mark A. Perigard
    The Gates is ultimately just another literary mashup with the undead, like Jane Austen's "Pride & Prejudice" tweaked with zombies, only here it's a stifling John Cheever story with bloodsuckers.
    • Boston Herald
    • 42 Metascore
    • 42 Mark A. Perigard
    Let the drinking games commence.
    • 54 Metascore
    • 42 Mark A. Perigard
    It’s a little “Mad Max,” a little “Mortal Kombat,” a little “Gone with the Wind,” a lot head-scratchingly dumb.
    • 61 Metascore
    • 42 Mark A. Perigard
    Right now he’s as bland as Carson Daly.
    • 42 Metascore
    • 42 Mark A. Perigard
    Reincarnation, recycling, rip-off. On network TV, it’s all the same. Whatever you did in a past life, you don’t deserve this drivel.
    • 33 Metascore
    • 42 Mark A. Perigard
    The true horror here is the utter lack of imagination.
    • 66 Metascore
    • 42 Mark A. Perigard
    Fear resorts to the dumbest of jump scares and runs in circles. You’ll get impatient for a walker to come chomping by. You might be disappointed when one does. An action sequence that caps the extended premiere is choppy and amateurishly directed.
    • 43 Metascore
    • 42 Mark A. Perigard
    The show does not inspire confidence.
    • 75 Metascore
    • 42 Mark A. Perigard
    The premise is nonsensical, the characters little more substantial than fog and the central season long mystery is less a whodunit and more a why-bother.
    • 41 Metascore
    • 42 Mark A. Perigard
    This series won't last long enough for him to complete his education.
    • 36 Metascore
    • 42 Mark A. Perigard
    You can take the spiked head out of Jersey but you can't stop his "Shore" ways.
    • 36 Metascore
    • 42 Mark A. Perigard
    This show violates so many tenets of storytelling, it deserves to be tossed in the clink. Outlaw is about as entertaining as a legal brief on the case of Wall v. Paint Drying.

Top Trailers