Mark A. Perigard

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For 702 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Mark A. Perigard's Scores

Average review score: 63
Highest review score: 100 American Crime: Season 1
Lowest review score: 0 Brooklyn 11223: Season 1
Score distribution:
  1. Negative: 47 out of 702
702 tv reviews
    • 75 Metascore
    • 91 Mark A. Perigard
    Benoist is just so winning in this role.... As he did with CW’s “Arrow” and “Flash,” executive producer Greg Berlanti has managed to take a familiar superhero story and spin it into a TV show readers and new­comers can love.
    • 80 Metascore
    • 91 Mark A. Perigard
    The three-week, six-hour miniseries introduces a colorful, international cast of characters who live and breathe to create one moment of perfection under the limelight.
    • 72 Metascore
    • 91 Mark A. Perigard
    Louis-Dreyfus won Emmys for both "Seinfeld" and "The New Adventures of Old Chrstine," and seems the best candidate to win another for her work here.
    • 84 Metascore
    • 91 Mark A. Perigard
    This is no CBS crime procedural, and viewers deserve the chance to delve into this smart mystery for themselves.
    • 66 Metascore
    • 91 Mark A. Perigard
    There’s such a richness of story and character here, and the visual and sound people do some great work cranking up the creep factor.
    • 94 Metascore
    • 91 Mark A. Perigard
    Game remains one of the more challenging shows to follow, but one of the most rewarding.
    • 71 Metascore
    • 91 Mark A. Perigard
    Gamble and Hoggart are credited as “per­formers” on the show and are also writers­ for the series, and their ability to ad-lib and play with anyone and every­one they come in contact with is a joy to watch, proof you can say almost anything to anyone, no matter how outrageous, so long as you maintain an air of innocence. Or stu­pidity.
    • 81 Metascore
    • 91 Mark A. Perigard
    This is the best ensemble of any show anywhere, and watching these gifted actors bounce off each other is a joy. Damages proves capable hands can craft a thriller for TV.
    • 84 Metascore
    • 91 Mark A. Perigard
    The most endearing, functional dysfunctional family in all of TV gets off to multiple good starts in the new season of Showtime's The United States of Tara.
    • 88 Metascore
    • 91 Mark A. Perigard
    Mad Men is back with another ridiculously addictive season.
    • 72 Metascore
    • 88 Mark A. Perigard
    Believe the hype: In its third season, Nip/Tuc' finds new ways to be shocking, brazen and gross-out wrenching. [20 Sept 2005, p.37]
    • Boston Herald
    • 49 Metascore
    • 88 Mark A. Perigard
    Just be grateful to be back in the neighborhood. [26 Sep 2005]
    • Boston Herald
    • 67 Metascore
    • 83 Mark A. Perigard
    Nikita is a breakthrough for teen-happy CW, its riskiest show yet--one aimed at adults. It's one they might enjoy.
    • 91 Metascore
    • 83 Mark A. Perigard
    With that ticking clock in mind, Benioff and Weiss are improvising with confidence and a keen eye on character. You can see stories being streamlined.
    • 76 Metascore
    • 83 Mark A. Perigard
    There are some genuine scares in here but some heartfelt beats, too, along the way to the bloody climax.
    • 61 Metascore
    • 83 Mark A. Perigard
    Rabe is terrific, balancing drive and a mounting dread, and it’s a pleasure to see the actress commanding a lead role. The first three episodes build the mystery at a respectable clip.
    • 72 Metascore
    • 83 Mark A. Perigard
    "In this job, there’s no such thing as no such thing," Pete says. Exactly. Warehouse 13 is truly the show where anything can happen.
    • 66 Metascore
    • 83 Mark A. Perigard
    The Girl ensures you'll never watch "The Birds" the same way again.
    • 62 Metascore
    • 83 Mark A. Perigard
    The Real O’Neals is funny, offbeat and sweet in its depiction of a loving family whose members are sometimes their own worst enemies.
    • 91 Metascore
    • 83 Mark A. Perigard
    Tambor gives a nuanced, career-defining performance here.
    • 78 Metascore
    • 83 Mark A. Perigard
    The triangle--quadrangle?--becomes more twisted by episode's end. It leads to shocking violence against outsiders that deepens the tragedy and the mythology at the core of the show. "Game on" just might be the two most chilling words uttered this season.
    • 66 Metascore
    • 83 Mark A. Perigard
    Zach Stone Is Gonna Be Famous is a clever riff on the fanaticism and cynicism inspired by the network’s own reality slate, including “Teen Mom,” “16 and Pregnant” and “Buckwild.
    • 48 Metascore
    • 83 Mark A. Perigard
    The Royals wouldn’t be watchable at all except for Queen Helena, played to the hilt by Elizabeth Hurley.
    • 91 Metascore
    • 83 Mark A. Perigard
    Game of Thrones plays by its own rules--and remains irresistible.
    • 74 Metascore
    • 83 Mark A. Perigard
    Additional time would have made Verite more convincing. At 90 minutes, it runs short, especially as the family copes with its newfound notoriety
    • 76 Metascore
    • 83 Mark A. Perigard
    While each night delivers some terrifically tense scenes, series creator Neil Cross’ scripts for nights three and four suffer from some flimsy foreshadowing and serve up slight characterizations of Luther’s antagonists.
    • 77 Metascore
    • 83 Mark A. Perigard
    Cross The Bridge at your own peril. You just might get stranded in the summer’s best mystery.
    • 58 Metascore
    • 83 Mark A. Perigard
    A dramedy poised to be the breakout show of fall — if it can only overcome the trying symptoms of treacle.
    • 75 Metascore
    • 83 Mark A. Perigard
    Fresh Off the Boat is the funniest, most charming show of the season.
    • 66 Metascore
    • 83 Mark A. Perigard
    The best new sitcom of fall, CBS' 2 Broke Girls is rich in laughs and snappy performances.

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