Why did executive producer Jerry Bruckheimer ("Remember the Titans") populate his CBS series with such revolting characters? With the exception of Marg Helgenberger's harried but compassionate investigator, this is a crew teeming with bullies and psychos. [6 Oct 2000, p.S32]

As The Voice made loud and clear, there's not enough talent to go around.

We all know the cliche about imitation serving as the sincerest form of flattery, but this dumb show takes sucking up to levels of criminal laziness.

Here’s the kind of firm even “Boston Legal’s” Denny Crane would have the sense to close down. And I don’t think I’ve ever sat through so many penis jokes in the 8 p.m. hour.

This sad sack of a show plays like an East Coast, economically challenged version of his HBO hit “Entourage.”

A tired, messy show that reflects its star, fashion PR and marketing maven Kelly Cutrone.

The show displays all the sophistication you might expect from a social media that limits its statements to 140 characters. Here's a tweet from me: This show is a piece of (bleep).

TBS has concocted a show once considered to be unimaginable: A college comedy so badly written, acted and executed, so deficit in any jokes or diversions that even a stoner wouldn't be able to enjoy it.

Unlike "The View," there were no topical references--the show could have been filmed five years ago for all its relevance--unless you count the moment Osbourne turned a vague discussion of divorce law reform into a rant against cyberbullying.

Shameless lives up to its title. What's left for the rest of the season? Cannibalism? Macy is a good sport about being dragged around the kitchen like dead weight.

It's strange that the same network that airs these two stellar comedies [Modern Family & The Middle] would chose to regress and put this dreck on the air.

The Exes is the kind of show you can dump without a second thought.

Mitch just might be the stupidest attorney ever depicted on TV.

He sighs, "I got nothing left in me." Neither does this show.

TV this dull should be outlawed.

Nobody here is as self-obsessed as the least Kardashian, which will come as a relief to the celebrity-jaded, but we all know where the real talent lies in this family, and he's not onscreen enough to justify this series.

Director Philip Kaufman's clumsy, bloated project--clocking in at a miserable two hours and 40 minutes--stars Clive Owen and Nicole Kidman in potentially career-mangling performances.

The search for love has never seemed more like a lost cause.

It wants you to believe that Sheen is playing the most sane, vulnerable man in the world, yet he still comes off like a creep.

To be fair, Last Resort does not insult ideology--it merely knocks your intelligence.

The problem with Partners, as you'll discover if you watch the first two episodes, is that they already made that show years ago and it was called "Will & Grace."

The party may be winding down, the taps are running dry, but stupidity lasts forever.

Calling this a train wreck makes the movie sound more fascinating than it is.

Kelley is known for cre­ating wonderfully mem­orable, sometimes deliriously neurotic characters. Judging from the writing here, it’s as if he’s been medicated into a stupor. Diagnosis: Waste of time.

This is not an easy show to watch, not because of its ambition, but because it’s just so pointlessly mysterious.

First, the dreck: The best thing that can be said about the unscripted series The Show With Vinny, starring “Jersey” castoff Vinny Guadagnino, is that the half-hour bumbles along like Sunday dinner with your most annoying relatives.

No one deserves to lose their job in a mess like this--except the person who created this dreck.