Marrit Ingman
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For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 6 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 89 March of the Penguins
Lowest review score: 0 Garfield
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 45 Metascore
    • 50 Marrit Ingman
    Everybody’s sleepwalking here. Vincent D'Onofrio is fantastic with Vaughn in a small part as his brother, but it's as if he’s running in during a break from "Law & Order: Criminal Intent."
    • 45 Metascore
    • 50 Marrit Ingman
    It is really gory, for the record -– though it's too silly and insufficiently twisted to slake the appetite of the hardcore gorehound, it's not something to take a kid to.
    • 51 Metascore
    • 50 Marrit Ingman
    A slick, sexy little package with fast cars, big explosions, dazzling locations in the south of France, a trip-hop score, and about as much plot to fill a thimble.
    • 65 Metascore
    • 50 Marrit Ingman
    It feels mechanical, more conceptual than realized, like a senior project by a particularly ambitious student who's recently read "West of Everything" – and who's lucked into working with a world-class actor.
    • 59 Metascore
    • 50 Marrit Ingman
    Parents might appreciate a lighter hand with the barnyard whimsy and food fights, but overall the movie doesn't condescend about heavy matters (grief, healing, and blended families) and is pleasantly diverting.
    • 56 Metascore
    • 50 Marrit Ingman
    This kindly and spirited film doesn't exactly break the mold of the heartwarming, humanistic boarding-school dramedy.
    • 37 Metascore
    • 50 Marrit Ingman
    This frothy little crime comedy isn't half bad, bubbling with caper-farce energy supplied by a game ensemble cast and a source novel by prolific pulp writer Donald E. Westlake.
    • 50 Metascore
    • 50 Marrit Ingman
    Shot in just over a week with a minuscule budget, this artsy thriller feels like a one-off from Shimizu's Ju-on films but is probably worth a look for fans.
    • 49 Metascore
    • 50 Marrit Ingman
    Wispy, cosmopolitan slice-of-life.
    • 61 Metascore
    • 50 Marrit Ingman
    Though it’s as estrogenic as dong quai, this amiable adaptation of Karen Joy Fowler’s eponymous bestseller about six friends and their book club is thoughtfully rendered with a certain universality of spirit – in that sense not unlike the books of Jane Austen herself.
    • 64 Metascore
    • 50 Marrit Ingman
    Problems arise in the film’s third act, however, with a profoundly implausible plot turn that sends the movie skidding into bogeyman horror. It cheapens the sentiment, and the film doesn’t recover.
    • 44 Metascore
    • 50 Marrit Ingman
    Final verdict: Cast is excellent; movie is OK; men and women are soooo different.
    • 68 Metascore
    • 50 Marrit Ingman
    Depends on the two actors who all but carry it.
    • 42 Metascore
    • 50 Marrit Ingman
    It points a determined finger (a middle finger, almost) at law enforcement, which cannot or will not recognize kidnapping victims in our midst, especially if they are undocumented and brown-skinned.
    • 65 Metascore
    • 50 Marrit Ingman
    Cute and toothless as a kitten, Seamstress doesn't inspire the same kind of fervent devotion its principals feel when confronted with art, but it does make a pleasant enough diversion.
    • 58 Metascore
    • 50 Marrit Ingman
    The movie is kind of a mess – all over the place tonally, hastily paced, and overly reliant on the ostensible truisms of romantic comedy.
    • 52 Metascore
    • 50 Marrit Ingman
    The film is a pleasant surprise.
    • 57 Metascore
    • 50 Marrit Ingman
    It's got a good creative pedigree and confident execution – as well as nifty design, down to its Hammond-organ Photek soundtrack and desert chic – but this ensemble piece set in a rural mobile-home park steps off the trail into melodrama from time to time.
    • 52 Metascore
    • 50 Marrit Ingman
    His (Law's) is the standout performance, probably because it's quiet and reflective and nuanced amidst the flurries of relationship talk.
    • 41 Metascore
    • 50 Marrit Ingman
    For venturesome viewers, Jailbait would make a potent late-summer palate cleanser in preparation for festival season, even if you wouldn't make a meal of it.
    • 49 Metascore
    • 50 Marrit Ingman
    Has its charms, but for a movie about loving radically, it sure plays it safe.
    • 66 Metascore
    • 50 Marrit Ingman
    Wistful voiceover explains too much, and, even worse, interrupts the requisite Teen Movie Climactic Speech.
    • 55 Metascore
    • 50 Marrit Ingman
    There's a place in life for movies like this – goofy and lowbrow but never truly icky; the good guys are lovable losers and the bad guys have frosted feathered hair and unitards with inflatable codpieces.
    • 45 Metascore
    • 50 Marrit Ingman
    Its characterizations are as bland as sand.
    • 52 Metascore
    • 50 Marrit Ingman
    The eye candy can't quite compensate for the murky mess of a plot.
    • 71 Metascore
    • 50 Marrit Ingman
    Ruffalo makes a dent as a dogged narcotics detective, and the Spanish superstar Javier Bardem appears as a crime boss. Overall, however, Mann seems content to play games with his fast cars, cool streets, and loud rock, leaving Collateral squarely within the action genre.
    • 71 Metascore
    • 50 Marrit Ingman
    The film has lovely moments – Gehry buildings can be extremely photogenic, after all – but it doesn't sink its teeth in the way it probably should.
    • 72 Metascore
    • 50 Marrit Ingman
    It is a rewarding tale for public educators, parents, and kids with big dreams.
    • 73 Metascore
    • 50 Marrit Ingman
    The movie doesn't quite add up beyond its performances.
    • 47 Metascore
    • 50 Marrit Ingman
    Deschanel, as the token oddball of the gang, runs off with the movie.

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