Marrit Ingman

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For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 7.3 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 89 Calle 54
Lowest review score: 0 Half Past Dead
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 75 Metascore
    • 78 Marrit Ingman
    More than worthy viewing. What it lacks at times in elegance it possesses in intensity and feeling.
    • 75 Metascore
    • 78 Marrit Ingman
    Beneath its layers of epic detail, this Zatôichi is cinematic cotton candy.
    • 75 Metascore
    • 67 Marrit Ingman
    Bluegrass fans should have few complaints about this stellar concert film.
    • 75 Metascore
    • 78 Marrit Ingman
    The movie doesn’t stand in judgment of its characters, which will probably disappoint audiences who think it ought to, but its breezy tone and ultimately affirming message should please comedy fans with an appreciation for the offbeat.
    • 74 Metascore
    • 67 Marrit Ingman
    Not in recent memory has a movie so short – 90 minutes on the nose – been so stagnant and stubbornly slow to build. And that's exactly the point.
    • 74 Metascore
    • 78 Marrit Ingman
    There's also a little something smarmy about the interactions between the lawyers and their clients, all of whom are poor.
    • 74 Metascore
    • 89 Marrit Ingman
    One need not necessarily appreciate Darger's art to enjoy Yu's sympathetic, intimate, and often breathtaking journey into the workings of his mind.
    • 74 Metascore
    • 78 Marrit Ingman
    When the special effects aren’t getting in the way, the kids’ imaginary scenes have a hazy, shimmering quality, as if the potential of a long afternoon with no homework could be measured in waves.
    • 74 Metascore
    • 78 Marrit Ingman
    It's a good bet for youth audiences (the PG-13 rating is for one instance of language) and finds plenty of thought-provoking subject matter courtside.
    • 74 Metascore
    • 50 Marrit Ingman
    The elliptical narrative also recalls Fernando Meirelles' somewhat similarly themed "The Constant Gardener," a film ultimately more heartfelt and accessible to mainstream audiences because its maker is unafraid of grief and explores it more deeply.
    • 74 Metascore
    • 78 Marrit Ingman
    Monster is, at its best, simply a chronicle of people trying to get along, which makes it compelling viewing indeed.
    • 73 Metascore
    • 78 Marrit Ingman
    This is not a conventional love story but a philosophical one.
    • 73 Metascore
    • 67 Marrit Ingman
    The combination of high animé style and old-school heart gives the film a broad enough appeal to merit a wide release. Not that it isn't quirky.
    • 73 Metascore
    • 50 Marrit Ingman
    The movie doesn't quite add up beyond its performances.
    • 73 Metascore
    • 67 Marrit Ingman
    A paradox, balancing the contradictions and ambiguities of its characters and setting with a careful hand that rarely falters, even though the film seems dramatically thin at times.
    • 73 Metascore
    • 67 Marrit Ingman
    Never really quite great, it's still a good enough diversion for the family and should please adult fans of racing.
    • 72 Metascore
    • 89 Marrit Ingman
    The film is a wonderful choice for older teens and has considerable crossover appeal for adult audiences.
    • 72 Metascore
    • 78 Marrit Ingman
    The film is sufficiently methodical and well-researched to walk the walk behind its controversial premise. More to the point, it's terribly involving, intriguing enough to hook documentary-shy viewers.
    • 72 Metascore
    • 78 Marrit Ingman
    More factual rigor wouldn't hurt, but directors Quinn and Walker delve instead into the lives of their subjects with a fly-on-the-wall candor, revealing as much about American life as they do of African life.
    • 72 Metascore
    • 78 Marrit Ingman
    It sounds high-minded, but 3-Iron is in fact simple and economical, blessedly straighforward, absorbing, and hard to forget.
    • 72 Metascore
    • 50 Marrit Ingman
    It is a rewarding tale for public educators, parents, and kids with big dreams.
    • 72 Metascore
    • 89 Marrit Ingman
    Though the story is thinly conceived, Antal throws a fantastic curveball in the second act. Kontroll is a hot ticket.
    • 71 Metascore
    • 89 Marrit Ingman
    It is wonderful for what it is: a delightful, thoroughly satisfying comedy of modern manners.
    • 71 Metascore
    • 78 Marrit Ingman
    Abundant arthouse crowd appeal.
    • 71 Metascore
    • 78 Marrit Ingman
    Ill-suited to casual viewing. But its challenges are worthwhile, and the gifted Gleize is one to watch.
    • 71 Metascore
    • 50 Marrit Ingman
    Ruffalo makes a dent as a dogged narcotics detective, and the Spanish superstar Javier Bardem appears as a crime boss. Overall, however, Mann seems content to play games with his fast cars, cool streets, and loud rock, leaving Collateral squarely within the action genre.
    • 71 Metascore
    • 67 Marrit Ingman
    A sterling example of what Hollywood can accomplish when it puts its trust into an offbeat project whose creative team has a different perspective on American life.
    • 71 Metascore
    • 50 Marrit Ingman
    The film has lovely moments – Gehry buildings can be extremely photogenic, after all – but it doesn't sink its teeth in the way it probably should.
    • 71 Metascore
    • 78 Marrit Ingman
    The action set-pieces, double crosses, and narrow escapes are handsomely mounted and suspenseful as a Saturday matinee.
    • 70 Metascore
    • 78 Marrit Ingman
    The film’s light hand, appealing style, and simple exposition make it an eminently watchable inquiry into the politics of food and public health, accessible to the documentary-shy and wildly appropriate for older kids, who may further respond to its generational emphasis.

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