Marrit Ingman
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For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 6 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 89 Late Marriage
Lowest review score: 0 The Condemned
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 70 Metascore
    • 67 Marrit Ingman
    The House of Sand is a more transparently ambitious, prestigious "woman's picture" than Waddington's previous feature, 2000's "Me You Them."
    • 70 Metascore
    • 78 Marrit Ingman
    The movie isn't perfect – Spielberg-slick, its power is sometimes dampened by melodrama that overstates its message – but it is compelling and thought-provoking and topical as hell.
    • 70 Metascore
    • 67 Marrit Ingman
    Made by teachers for teachers, this local indie – which now sports the imprimatur of executive producer Morgan Spurlock – offers no easy answers to its statistic that 50% of teachers quit within their first three years on the job.
    • 69 Metascore
    • 78 Marrit Ingman
    If Tears is indeed too weird to take America by storm – Miramax bought the film after Cannes and shelved it until it is now being released by Magnolia – it should neither be considered a cult item, approachable only to film nerds (though they will appreciate it best).
    • 69 Metascore
    • 89 Marrit Ingman
    Acted with such venomous restraint that it hurts to watch.
    • 69 Metascore
    • 67 Marrit Ingman
    This a deeply humane and affecting movie, surprisingly gentle in spite of its black-comic tinge, and without the slightest hint of schmaltz.
    • 69 Metascore
    • 78 Marrit Ingman
    The movie's quirk isn't forced; it sincerely ponders the nature of love and of human need, opening with a quote by Jacques Lacan and ending with a shrug.
    • 69 Metascore
    • 78 Marrit Ingman
    A pleasant, often beautiful, and surprisingly light-hearted film that affirms the human traits of resilience and intelligence while clearly denouncing the bellicose tendencies of nations and factions.
    • 68 Metascore
    • 50 Marrit Ingman
    A suitably rigorous sports movie. On the other hand, at no time does it break out of the "sports movie" mold.
    • 68 Metascore
    • 67 Marrit Ingman
    Ultimately the film manages a warm, offbeat appeal despite its flaws, and it has real heart.
    • 68 Metascore
    • 50 Marrit Ingman
    Depends on the two actors who all but carry it.
    • 68 Metascore
    • 67 Marrit Ingman
    If the sensitive coming-of-age love story is a well-worn tradition in gay cinema, Come Undone is at the very least a superior example of it.
    • 67 Metascore
    • 78 Marrit Ingman
    The film is set in post-WWII Scotland, but its tone and its telling are so stark, so Medieval, that it seems anachronistic when one of its characters picks up a telephone or plays a bebop jazz record.
    • 67 Metascore
    • 78 Marrit Ingman
    It's such high sports drama you'd swear this documentary is fiction.
    • Austin Chronicle
    • 67 Metascore
    • 50 Marrit Ingman
    Like a lot of animated fare, it's overly busy, lacking the comic's gentle, contemplative air.
    • 67 Metascore
    • 67 Marrit Ingman
    The very concept of such an assassination isn't so absurd as to be wacky – at least not since somebody fired a rocket at UN Secretary-General Ban Ki-moon last Thursday.
    • 67 Metascore
    • 67 Marrit Ingman
    A couple of the cinemaniacs are less defined than others, but the portrait that emerges is a detailed composite of life on the fringe.
    • 66 Metascore
    • 89 Marrit Ingman
    Every movie about the Holocaust should be this good, but few are.
    • 66 Metascore
    • 67 Marrit Ingman
    This moody Hong Kong thriller puts a stylish new spin on the old "Hands of Orlac" horror motif.
    • 66 Metascore
    • 67 Marrit Ingman
    She's funny, she's feisty, she's a flabulous, fat-positive “fag hag,” and Margaret Cho isn't apologizing for any of it.
    • 66 Metascore
    • 78 Marrit Ingman
    Eighteen short films by an international who's-who of filmmakers make up this omnibus celebrating the joys and sorrows of love and Paris, organized by neighborhood.
    • 66 Metascore
    • 78 Marrit Ingman
    This is joyful filmmaking, imbued with an infectious, giddy enthusiasm.
    • 66 Metascore
    • 40 Marrit Ingman
    Once again the title pretty much says it all.
    • 66 Metascore
    • 50 Marrit Ingman
    Wistful voiceover explains too much, and, even worse, interrupts the requisite Teen Movie Climactic Speech.
    • 65 Metascore
    • 50 Marrit Ingman
    Cute and toothless as a kitten, Seamstress doesn't inspire the same kind of fervent devotion its principals feel when confronted with art, but it does make a pleasant enough diversion.
    • 65 Metascore
    • 78 Marrit Ingman
    In casting an all-American Jersey girl and surrounding her with Manolo Blahniks and the Strokes, Coppola draws a connection between her audience (domestically, at least) and the doomed dauphine, who is likewise insulated and distracted from her country's pointless involvement in a disastrous foreign war that is bankrupting its government and starving its people – and all the while she spends, spends, spends.
    • 65 Metascore
    • 67 Marrit Ingman
    Surprisingly fresh and charming overall.
    • 65 Metascore
    • 78 Marrit Ingman
    This is one of those rare movies about children but not necessarily for them, and it treats its adolescent subjects with bravery and compassion.
    • 65 Metascore
    • 67 Marrit Ingman
    Even at its most contrived, the filmmakers believe in this project so passionately that its atmosphere seems absolutely real.
    • 65 Metascore
    • 50 Marrit Ingman
    It feels mechanical, more conceptual than realized, like a senior project by a particularly ambitious student who's recently read "West of Everything" – and who's lucked into working with a world-class actor.

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