Marrit Ingman

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For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 8.5 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 89 Quinceañera
Lowest review score: 0 Boat Trip
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 64 Metascore
    • 78 Marrit Ingman
    For older and more reflective viewers, it’s a quirky, fresh slice-of-life more inviting than a tater-tot pyramid.
    • 64 Metascore
    • 50 Marrit Ingman
    Problems arise in the film’s third act, however, with a profoundly implausible plot turn that sends the movie skidding into bogeyman horror. It cheapens the sentiment, and the film doesn’t recover.
    • 64 Metascore
    • 40 Marrit Ingman
    It’s too didactic to be a spaghetti Western but lacks the moral compass required of a more evolved philosophical statement.
    • 64 Metascore
    • 67 Marrit Ingman
    A perfectly marvelous matinee option for young children.
    • 64 Metascore
    • 40 Marrit Ingman
    Will likely test the patience of all but the most devoted fans.
    • 64 Metascore
    • 78 Marrit Ingman
    Cuddlier and more charming, this alcoholic-hitman comedy isn’t your typical Dahl noir (The Last Seduction, Red Rock West), but it is offbeat, lovably deadpan, and just tart enough.
    • 64 Metascore
    • 40 Marrit Ingman
    There's nothing terribly wrong with Surf's Up, except maybe the part where one character calls another a "dirty trash can full of poop." But the movie isn't terribly robust, either.
    • 64 Metascore
    • 40 Marrit Ingman
    The movie itself offers few real answers to the problems teachers face.
    • 64 Metascore
    • 67 Marrit Ingman
    The quest for sexual happiness is a radical notion in these repressive times, as well as a legitimate basis for storytelling, but Shortbus doesn't quite delve as deeply as it ought into its characters' emotions.
    • 63 Metascore
    • 67 Marrit Ingman
    The film’s simplest pleasure is its naturalism – the illusion it creates of observing the animals undetected.
    • 63 Metascore
    • 50 Marrit Ingman
    This is a film strictly for hardcore sentimentalists, despite its straight-ahead depiction of the harsh urban landscape in contemporary China.
    • 63 Metascore
    • 78 Marrit Ingman
    The film has no script; it goes from moment to moment unhurriedly.
    • 62 Metascore
    • 78 Marrit Ingman
    It's a call to arms, a call to pick sides in the deepening cultural, political, and spiritual schism between the two Americas of the 21st century.
    • 62 Metascore
    • 67 Marrit Ingman
    It is a sweet, simple movie with a sweet, simple message: that children see the world differently and have much to teach the people who love them.
    • 62 Metascore
    • 67 Marrit Ingman
    If it's not perfect, it still gives pleasure to the eye.
    • 61 Metascore
    • 78 Marrit Ingman
    The best surprise is Yuan, the daughter of Hong Kong actress Cheng Pei-Pei. She has great screen presence and invests Lichi with a mix of kitty-cat cuteness and hellcat ferocity.
    • 61 Metascore
    • 50 Marrit Ingman
    The film is often quietly humorous.
    • 61 Metascore
    • 50 Marrit Ingman
    Though it’s as estrogenic as dong quai, this amiable adaptation of Karen Joy Fowler’s eponymous bestseller about six friends and their book club is thoughtfully rendered with a certain universality of spirit – in that sense not unlike the books of Jane Austen herself.
    • 60 Metascore
    • 78 Marrit Ingman
    Moments of black comedy break up the melodrama – a newsreel depicts the song's "victims" and a Nazi secretary rages against her Duden grammar manual – but the overall tone is still that of a four-alarm weeper.
    • 60 Metascore
    • 67 Marrit Ingman
    It's not quite masterful enough to achieve all its goals, but Zucker is undeniably ambitious despite its relatively lowbrow and farcical approach.
    • 59 Metascore
    • 50 Marrit Ingman
    Yet as wonderful as it is to see a breezy, earnest romantic comedy that is so matter-of-factly gay-themed, Big Eden suffers somewhat, unsurprisingly, from some of the usual perils of a breezy, earnest romantic comedy.
    • 59 Metascore
    • 50 Marrit Ingman
    Before the cocaine economy, Miami was a sleepy seaside hamlet, a "virgin city" with a permeable border and largely unprotected coastline.
    • 59 Metascore
    • 67 Marrit Ingman
    It manages to be a watchable, even enjoyable movie about and for girls, and in our world of candy-coated sparkly pink c---, that's a rare and commendable thing.
    • 59 Metascore
    • 50 Marrit Ingman
    Parents might appreciate a lighter hand with the barnyard whimsy and food fights, but overall the movie doesn't condescend about heavy matters (grief, healing, and blended families) and is pleasantly diverting.
    • 58 Metascore
    • 78 Marrit Ingman
    A bright, amiable chronicle of the vivid lives of the women of Juchitán.
    • 58 Metascore
    • 50 Marrit Ingman
    The movie is kind of a mess – all over the place tonally, hastily paced, and overly reliant on the ostensible truisms of romantic comedy.
    • 57 Metascore
    • 67 Marrit Ingman
    A playground for Malkovich – enjoyable enough but not terribly deep.
    • 57 Metascore
    • 78 Marrit Ingman
    The result is a lyrical contrast of two contiguous cultures, worlds apart in their definitions of family and love but brought together by mutual awe and basic human need.
    • 57 Metascore
    • 40 Marrit Ingman
    The film lacks the emotional resonance that made "Big" such a sentimental favorite with audiences of all ages.
    • 57 Metascore
    • 40 Marrit Ingman
    This is your standard genre fare: Smart-a-- player gets schooled, finds love, and is redeemed in time for the final big game.

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