Marrit Ingman

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For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 6.7 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 89 Calle 54
Lowest review score: 0 Half Past Dead
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 57 Metascore
    • 40 Marrit Ingman
    Too bloodless to satisfy except as a political exercise.
    • 57 Metascore
    • 50 Marrit Ingman
    It's got a good creative pedigree and confident execution – as well as nifty design, down to its Hammond-organ Photek soundtrack and desert chic – but this ensemble piece set in a rural mobile-home park steps off the trail into melodrama from time to time.
    • 57 Metascore
    • 78 Marrit Ingman
    A charming surprise, the kind of neat little low-budget movie that seems more like a collaboration among friends than it does a corporate investment.
    • 57 Metascore
    • 40 Marrit Ingman
    The script is really the heart of the problem.
    • 57 Metascore
    • 67 Marrit Ingman
    The film veers toward sheer silliness at times, losing the sweetness that defines its strongest moments.
    • 57 Metascore
    • 50 Marrit Ingman
    On the plus side, Costanzo is an appealing and likable young actor who carries the film easily; he gives the impression that he is thinking deeply and mildly amused.
    • 57 Metascore
    • 50 Marrit Ingman
    This first dramatic feature by documentarian Evans is an important film but not necessarily a successful one.
    • 57 Metascore
    • 67 Marrit Ingman
    Hallström's latest is fine but unambitious, content with what it is – an arthouse trifle for the masses.
    • 56 Metascore
    • 40 Marrit Ingman
    The film is more of an old-school wartime yarn, crackling with the expected camaraderie among the hardscrabble volunteers.
    • 56 Metascore
    • 50 Marrit Ingman
    This kindly and spirited film doesn't exactly break the mold of the heartwarming, humanistic boarding-school dramedy.
    • 56 Metascore
    • 89 Marrit Ingman
    The movie gets goofy from time to time -- as when payola arrives in a vintage "Clash of the Titans lunchbox -- but the filmmakers and cast have the style and the swagger to back it up.
    • 56 Metascore
    • 67 Marrit Ingman
    Yaar has enough heart to redeem its cruder moments, and it turns out to be quite a little charmer.
    • 56 Metascore
    • 67 Marrit Ingman
    Garçon Stupide is interesting enough to merit an audience broader than its intended niche, though it isn't perfect.
    • 56 Metascore
    • 40 Marrit Ingman
    If you like the character – his tooty yellow Mini, his busily working beetlebrows, his tendency to point and grunt and eat shellfish whole – then you will be rewarded with 90 minutes of such.
    • 55 Metascore
    • 40 Marrit Ingman
    Never mind the fact that romantic comedies about gay African-American and Latino men aren't exactly plentiful, let alone ones this good-natured.
    • 55 Metascore
    • 40 Marrit Ingman
    The real shame in the storytelling is that the people in this film are interesting and inspiring enough to warrant a real film about them.
    • 55 Metascore
    • 40 Marrit Ingman
    Pretty to look at, tamely racy, and fairly fluffy, despite its two-hour running time.
    • 55 Metascore
    • 67 Marrit Ingman
    The film’s resolution is more implied than complete.
    • 55 Metascore
    • 78 Marrit Ingman
    With its wonderful veteran cast, its heart on its sleeve, and a love for the landscape that suffuses its technique, Don't Come Knocking is a peculiar but rewarding escape.
    • 55 Metascore
    • 67 Marrit Ingman
    It's got practically everything you could stuff in front of a camera, with the possible exception of Rip Taylor throwing confetti. Dancing transvestites? Check. Elephants? Check.
    • 55 Metascore
    • 40 Marrit Ingman
    Stuck somewhere between melodrama and the flat tone of an "issues"-oriented television miniseries.
    • 55 Metascore
    • 50 Marrit Ingman
    There's a place in life for movies like this – goofy and lowbrow but never truly icky; the good guys are lovable losers and the bad guys have frosted feathered hair and unitards with inflatable codpieces.
    • 54 Metascore
    • 67 Marrit Ingman
    When it's on, it's really, really on. But when it's not, it feels like it's struggling to find its style, just as Jerome is.
    • 53 Metascore
    • 40 Marrit Ingman
    Can someone dial down Cuba Gooding Jr. a few notches? He's so hyperactive during this MTV Films production - which is comedically indistinguishable from "Sister Act," but with more marketable music - that his Vegas-showgirl drag act in the dreadful "Boat Trip" looks like Bressonian minimalism by contrast.
    • 53 Metascore
    • 40 Marrit Ingman
    It's a soggy drama said to be inspired by actual events – too serious to be trashy, too trashy to be serious.
    • 53 Metascore
    • 20 Marrit Ingman
    Less subversive and infinitely less intelligent than 1999’s Wahlberg-starrer "Three Kings," this movie does blow lots of s--- up real good and punish contemptible public figures otherwise left unaccountable for massacring African villagers.
    • 53 Metascore
    • 40 Marrit Ingman
    You could call this film repugnant and abrasive, and Solondz would probably agree.
    • 53 Metascore
    • 40 Marrit Ingman
    There are football movies, and then there's this 800-pound gorilla of a gridiron weepie, which should be penalized for roughing the viewer.
    • 53 Metascore
    • 40 Marrit Ingman
    With its jellyfish direction, A Good Woman throws its actors overboard to see if they can swim.
    • 52 Metascore
    • 50 Marrit Ingman
    His (Law's) is the standout performance, probably because it's quiet and reflective and nuanced amidst the flurries of relationship talk.

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