Marrit Ingman
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For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 6 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 89 Daughter from Danang
Lowest review score: 0 Agent Cody Banks
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 40 Metascore
    • 30 Marrit Ingman
    A frenetic affair, busy and silly enough to make family froth like "The Princess Diaries" look like Grand Illusion.
    • 36 Metascore
    • 30 Marrit Ingman
    It's not wrong to wish these actors were working in the service of a better script or more assured direction, but it's probably also possible to simply take pleasure in their performances.
    • 29 Metascore
    • 30 Marrit Ingman
    There's not much spunk here.
    • 37 Metascore
    • 30 Marrit Ingman
    The first "Nightmare on Elm Street" was wickedly surreal, but the wacky dream sequences were offset by the sitcomlike, almost satirical flatness of ordinary suburban life; that was the really scary part. Freddy Vs. Jason is innocent of such nuances.
    • 40 Metascore
    • 30 Marrit Ingman
    Monk would probably make a nice rental on a dull evening, with some kind of salty snack and a drinking-game accompaniment. (Drink whenever Scott cries, "Oh, shit!")
    • 38 Metascore
    • 30 Marrit Ingman
    You don’t have to be a cynic to find Radio naive for suggesting that high school is a good place for emotionally fragile misfits, that racism is not a problem, that caring for someone is all it takes.
    • 48 Metascore
    • 30 Marrit Ingman
    The characters are mechanisms who move along the plot arc from Point A to Point B. They’re not particularly memorable individuals.
    • 42 Metascore
    • 30 Marrit Ingman
    The worst thing about Bounce isn't that it's bad but that it just isn't interesting.
    • 40 Metascore
    • 30 Marrit Ingman
    The real problem isn't that Anacondas is bad – it's just so bland, so unremarkable, so by-the-numbers, and so instantly forgettable that bad might be a step up.
    • 48 Metascore
    • 30 Marrit Ingman
    The whole production is simply as mediocre and half-baked as Hollywood gets.
    • 27 Metascore
    • 30 Marrit Ingman
    The Perfect Man is like Teen People come to life. It's perfectly PG, and it's probably not the worst thing a young lady could see, depending on your criteria. Cinematically, it's like watching your lawn grow.
    • 50 Metascore
    • 30 Marrit Ingman
    If you like "Maxim," you will love The Island. It is glossy. It is expensive. It has lots of slick ads for Aquafina and Cadillac.
    • 33 Metascore
    • 30 Marrit Ingman
    How can a movie narrated by Junior Brown and backed with wall-to-wall southern rock – a movie that at one point features co-stars Nelson and Carter tied together, surely a first in celluloid history – be so uneventful? Why, it's lazier than Sheriff Roscoe P. Coltrane's good-for-nothing hound dog, Flash.
    • 33 Metascore
    • 30 Marrit Ingman
    Less a movie than a longform, live-action Celebrity Death Match between its leads, this wheezing comedy may herald the death knell of the interracial buddy-cop farce.
    • 48 Metascore
    • 30 Marrit Ingman
    It is funny at times – the teams for dodgeball break down into "popular" and "unpopular" – but Chicken Little is painful to watch for all ages.
    • 34 Metascore
    • 30 Marrit Ingman
    It's the snobs versus the slobs! And this holiday's no picnic!
    • 48 Metascore
    • 30 Marrit Ingman
    This could be a pilot for the WB. Hollywood choreographer Fletcher makes the jump behind the camera but displays a greater aplomb for staging than drama, and the movie is as fleeting as the last weekend of summer.
    • 47 Metascore
    • 30 Marrit Ingman
    The filmmakers assume familiarity with the show's documentary premise and in-jokes (e.g., deputy Garant giving all his commands in French), which will make the movie even less accessible to novices.
    • 36 Metascore
    • 30 Marrit Ingman
    Pardon the pun, but audiences will reap little from this satanic backwoods juju thriller.
    • 42 Metascore
    • 30 Marrit Ingman
    This pseudo-Phildickian actioner is chum for the bigger fish to come this summer; for Moore, it's a slummer.
    • 36 Metascore
    • 20 Marrit Ingman
    It's too bad Shafer spent his budget making a fiction feature instead of just shooting a documentary about the scene. So much of the film is melodramatic kitsch, but there's still a movie in here.
    • 37 Metascore
    • 20 Marrit Ingman
    Never really sure what to say about its subject.
    • 36 Metascore
    • 20 Marrit Ingman
    There's a bright spot in the form of Amy's publicist (screen veteran Aaron), a salty, whiskey-voiced lesbian; it's a pity the movie isn't about her.
    • 38 Metascore
    • 20 Marrit Ingman
    A twist ending in search of its movie.
    • 24 Metascore
    • 20 Marrit Ingman
    The characters all feel like concoctions, like synthetic movie people forged in a crucible of Red Bull during late-night meetings at the studio compound.
    • 30 Metascore
    • 20 Marrit Ingman
    Is it funny? Not for a minute.
    • 31 Metascore
    • 20 Marrit Ingman
    It’s a shame when a movie brings together so many underutilized thespians of color – even Ajay Naidu of "Office Space" is in here someplace – and gives them absolutely nothing to do.
    • 19 Metascore
    • 20 Marrit Ingman
    Its star, who injected such life into the surprisingly unformulaic "Drumline," is adrift in a sea of cop-movie clichés, and Siega's party-to-go direction hews more closely to his music-video beginnings than to his critically noted "Pretty Persuasion."
    • 39 Metascore
    • 20 Marrit Ingman
    The real problem is that the story is just incoherent, and the faster it moves, the more frantic it seems.
    • 53 Metascore
    • 20 Marrit Ingman
    Less subversive and infinitely less intelligent than 1999’s Wahlberg-starrer "Three Kings," this movie does blow lots of s--- up real good and punish contemptible public figures otherwise left unaccountable for massacring African villagers.

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