Mary McNamara
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For 441 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.9 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 61
Highest review score: 100 Homeland: Season 1
Lowest review score: 0 Anchorwoman: Season 1
Score distribution:
  1. Negative: 52 out of 441
441 tv reviews
    • 63 Metascore
    • 70 Mary McNamara
    Here he has both--mood galore and a premise strong enough to not only sire a great pilot but to sustain a solid series.
    • 74 Metascore
    • 70 Mary McNamara
    The overall atmosphere of the film is surprisingly kind to all, much more fatalistic than hypercritical and certainly not derisive.
    • 64 Metascore
    • 70 Mary McNamara
    It's entertaining to watch, though, distracting in a highly caffeinated way, and Washington and Cusick are especially fun together, but at no point do the characters seem like people or the venue anything but a fast-paced, occasionally clever television show.
    • 67 Metascore
    • 70 Mary McNamara
    It's an old-fashioned sort of show, working unapologetically toward wisdom rather than cleverness, attempting to depict its setting as neither romantic nor dismal, the local color rising as much from silence as words.
    • 65 Metascore
    • 70 Mary McNamara
    Though it never quite hits its stride, the show never pitches us into the abyss.
    • 52 Metascore
    • 70 Mary McNamara
    The show's episodic nature, however, limits the attachment viewers can form for the teams (and also, mercifully, the level of celebrity these folks can later attain). But there is something to be said for brevity.
    • 66 Metascore
    • 70 Mary McNamara
    The best thing about Go On is, not surprisingly, Perry.
    • 62 Metascore
    • 70 Mary McNamara
    Surely that elevator knows it's you when it decides to do its devilish little bounce. That's one of the jokes of ABC's not-so-scary-but-still-great-fun 666 Park Avenue.
    • 75 Metascore
    • 70 Mary McNamara
    The easy humor and palpable love in the ensemble scenes give this Steel Magnolias just enough buoyancy to survive the pools of syrup over which it must traverse.
    • 70 Metascore
    • 70 Mary McNamara
    [George] is not terribly believable in any of them, forcing viewers to rely on the reactions of those around her to see that she is convincing as an uber agent. Fortunately, the other performances are strong enough to carry it off for the most part, and as the plot divides and subdivides, sending tendrils up through the vaunted British intelligence agency, recalling the Cold War and evoking more current international concerns, Hunted takes on a smart and disturbing personality of its own.
    • 62 Metascore
    • 70 Mary McNamara
    It's hardly a new story... But ... 'The Following' is tricked out with enough narrative and casting bling to warrant the huge push Fox has given it.
    • 60 Metascore
    • 70 Mary McNamara
    The details of Cheney's fall from grace in the waning years of the Bush administration are fascinating and narratively satisfying.
    • 73 Metascore
    • 70 Mary McNamara
    It's just as ridiculous as it sounds, chockablock with clichés, predictable exposition (two taps of the keyboard and entire histories are revealed) and some fairly whacked-out plot twists. But it doesn't matter because Orphan Black isn't so much about plot as it is performance, and as the series continues, the performances are pretty astonishing.
    • 62 Metascore
    • 70 Mary McNamara
    It's all great fun, a feast of eye and mind candy into which a few shreds of leafy greens have been added for content.
    • 58 Metascore
    • 70 Mary McNamara
    Graceland is an entertaining addition to a strong summer lineup in which attractive people trade witty banter and engage in serious work that provides good clean episodic fun while teaching the main characters the importance of love and loyalty.
    • 57 Metascore
    • 70 Mary McNamara
    Breathlessly paced and festooned with some pretty groovy computer graphics--the chip allows Holloway to walk through scenes of past destruction in his mind--Intelligence isn't trying to be anything more than what it obviously is. The show is a panoply of familiar elements anchored by a new and attractive leading man.
    • 66 Metascore
    • 70 Mary McNamara
    There's still a lot of craziness and rants designed to resonate with a certain demographic. But an air of if not humility then self-awareness pervades, softening everything it touches, even Will.
    • 63 Metascore
    • 70 Mary McNamara
    The well-trod format of Siberia may be its biggest asset, quickly building the kind of sturdy perimeters that horror so often needs; real fear emerges when the familiar and predictable become shockingly distorted (is any ghost as scary as a child ghost?).
    • 46 Metascore
    • 70 Mary McNamara
    Everyone does their bit, performance-wise, but O'Malley, who came to everyone's attention as Kurt's father in "Glee," is the key player here. He and McCormack instantly create a dryly endearing couple, while he and Chavira may turn out to have the most fruitful antagonism since Maude met Archie Bunker.
    • 59 Metascore
    • 70 Mary McNamara
    In this case familiarity breeds more comfort than contempt. Caan and Lawson spark when they spar, Crichlow's Lulu is a delight as is Gluck's Danny. And even Dick, though burdened with far too much sexual innuendo, has a few good moments.
    • 62 Metascore
    • 70 Mary McNamara
    Despite a certain built-in B & B preciousness, Cedar Cove evokes certain splendid shows of another time and place, including the late-great "Family" and the longtime Irish hit "Ballykissangel."
    • 44 Metascore
    • 70 Mary McNamara
    Scripted? No doubt. Do the men seem to go out of their way to discuss sex, bowel movements and other "provocative" topics? They do indeed. But they also treat their children with love and respect.
    • 63 Metascore
    • 70 Mary McNamara
    Grounded in parental reality, it's funny and promises to be funnier. The characters, though presented in very broad strokes, have lots of room for shading.
    • 64 Metascore
    • 70 Mary McNamara
    For reasons known only to its creators, the pilot for Sleepy Hollow seems determined to jam into one hour what could have easily, and more enjoyably, been spun out over several.
    • 50 Metascore
    • 70 Mary McNamara
    While all the characters have boilerplate for bones--the brainy one, the pretty one, the smart aleck, the tortured hunk--crisp writing and buoyant performances keep the story from trending too trite or too "Twilight."
    • 53 Metascore
    • 70 Mary McNamara
    As long as you're not a classic mythology purist or looking for something more than a fun, occasionally hilarious sword 'n' sandal romp, Atlantis is a fine, family-friendly addition to BBC America's Supernatural Saturday.
    • 79 Metascore
    • 70 Mary McNamara
    The tone may veer a bit wildly from grim to hilarious for an American audience's taste, but once Hamm and Radcliffe settle into their roles (and Hamm into his accent), it could very well live up to its U.K. rep and provide Ovation with some skin in the game.
    • 45 Metascore
    • 70 Mary McNamara
    Here’s the best thing about the second season premiere of The Following: Kevin Bacon finally looks like he’s having a little fun.... Bacon and Hardy are in on the joke.
    • 63 Metascore
    • 70 Mary McNamara
    Taylor and Gross balance just the right amount of competence and bewilderment, while Mulroney emotes the pain of a rejected father. The pilot is all but stolen by Joshua Erenberg, who plays the kid Finley rescues.
    • 51 Metascore
    • 70 Mary McNamara
    All in all, it's a pleasant, sunny and well-played ephemeral farce; Gilbert, Grier, Hansen and Davis are all good to see again, and Graynor inhabits her character with verve and increasing grace.
    • 57 Metascore
    • 70 Mary McNamara
    The plots that spin around the two main characters unfortunately suffer by comparison.... But in all honestly, Crossbones is all about Blackbeard being John Malkovich.
    • 64 Metascore
    • 70 Mary McNamara
    At its best, it's a well-acted, surprisingly clear-eyed look at the inconsistent relationship between passion and enduring love, and the innovative ways in which people bend their own rules to accommodate their need for pleasure. At its worse, it's a morally and narratively contrived excuse to watch a very entitled Everyman navigate a world of rich but unhappy women, including his own wife and daughter.
    • 82 Metascore
    • 70 Mary McNamara
    The Honorable Woman is great, in the most traditional sense of the word, which makes its flaws all the more frustrating. The first three episodes are often overwhelmed by soundtrack and studded with near-still-life shots meant, apparently, to offset the shootouts and establish the High Art factor of the series.
    • 59 Metascore
    • 70 Mary McNamara
    The 10-episode series, based on a book by Robert Littell and premiering Wednesday, has been constructed as a wide and solid if somewhat workmanlike platform for the British actor's considerable talents.
    • 89 Metascore
    • 60 Mary McNamara
    Larry is getting a little ridiculous... and a little too mean even for Larry. [7 Sep 2007]
    • Los Angeles Times
    • 58 Metascore
    • 60 Mary McNamara
    Even just a half hour in, it's difficult not to wish everyone would just lighten the heck up. The graphic novel noir feel is becoming increasingly oppressive, and everyone is just so grim.
    • 56 Metascore
    • 60 Mary McNamara
    Much of it feels dreadfully slow, not so much moody as stretched for time....Things do pick up significantly with the arrival of Christopher Heyerdahl as John Druitt.
    • 52 Metascore
    • 60 Mary McNamara
    Much of "Drive" is unabashedly derivative.... Much of it is also unbelievable... But two episodes in, it doesn't really matter.
    • 50 Metascore
    • 60 Mary McNamara
    After watching two episodes, I was left with the thought with which I began: An iconic apartment building full of wacky characters would make a great TV show. Would, though. Not does.
    • 75 Metascore
    • 60 Mary McNamara
    The Tudors remains lush and bejeweled, so much so that at times one fears it will simply collapse under its own weight, and, you know, we still have a few wives to go.
    • 73 Metascore
    • 60 Mary McNamara
    This may not be as touching as "Every time a bell rings, an angel gets his wings," or "God bless us every one," and it may resonate much more with the parents than the kids, but for a Christmas special about an ogre who may have overstayed his 15 minutes, it's actually not too bad.
    • 70 Metascore
    • 60 Mary McNamara
    Not surprisingly, given the scope of the show, some topics are nailed brilliantly--Chanel, the airport security agent, is perhaps among the greatest TV characters in recent history, and the adoption of an American child by an African actress is equally hilarious--while others, like local newscaster Alvarez or the pregnant senior citizen, are flat and trite or flat and weird.
    • 53 Metascore
    • 60 Mary McNamara
    Zwick and Herskovitz do capture the sweet self-absorption of youth--love is never truer, dreams never dearer and life never as complicated as it is when you are 24--it's just that it all feels so familiar when we were so hoping for something new and exciting.
    • 69 Metascore
    • 60 Mary McNamara
    In theory, Southland could turn out to be a rich and textured cross between, say, "Hill Street Blues" and "Crash" with a little "Training Day" on the side, but the pilot, for all its horrific crimes and grimy street scenes, is strangely bland.
    • 50 Metascore
    • 60 Mary McNamara
    It is something less than magical, but it's pleasant and pretty and easy to watch.
    • 64 Metascore
    • 60 Mary McNamara
    Although overblown in message and action, The Bridge is well-performed and worth watching if only to see if it will stand by its thesis: that real change comes from people working together.
    • 52 Metascore
    • 60 Mary McNamara
    Pretty Little Liars is one of those shows that manages to mildly, and perhaps unintentionally, spoof its genre while fully participating in it, and that's not a bad thing at all.
    • 52 Metascore
    • 60 Mary McNamara
    The Gates, on the other hand, starts off with an even greater number of well-worn characters and storylines, but writers Richard Hatem and Grant Scharbo infuse them with a lot more life and a surprisingly high incidence of poignancy.
    • 73 Metascore
    • 60 Mary McNamara
    Creator Kyle Killen and executive producers Amy Lippman and Christopher Keyser (the latter two best known for "Party of Five") are betting that the callow charm of their leading man, shored up by tailor-made roles for Keith and Jon Voight, who plays gimlet-eyed oil tycoon Clint Thatcher, will overcome the ridiculousness of the setup.
    • 49 Metascore
    • 60 Mary McNamara
    It's the fabulous shamelessness, the awful and yet admirable brilliance of the thing. Whether Palin will ever run for office or not, Sarah Palin's Alaska sets a new standard for political ads.
    • Los Angeles Times
    • 60 Metascore
    • 60 Mary McNamara
    OK, it's not Chekhov or even "How I Met Your Mother," to which it will inevitably be compared, but it's a lot better than the I'll-do-anything-for-pizza jokes that precede it.
    • 64 Metascore
    • 60 Mary McNamara
    For fans of the canon, South Riding is "Masterpiece" comfort food, enjoyable enough in the moment, but melting away to nothing but sugar and fat by morning.
    • 69 Metascore
    • 60 Mary McNamara
    With any luck, subsequent episodes will find a sharper, cleaner stride. All the elements are there, it's just the alchemy that seems a bit off.
    • 59 Metascore
    • 60 Mary McNamara
    Skidding through twists and turns aplenty, the intentionally soapy plot generates a lot of fun froth, but Gellar has a hard time playing one troubled and complicated woman, much less two.
    • 55 Metascore
    • 60 Mary McNamara
    All of which adds up to a nice, moody, entertaining-enough hour and the troublesome question of how interesting this will be by the third episode.
    • 62 Metascore
    • 60 Mary McNamara
    American Horror Story is a big ol' brooding, baffling, ridiculous and occasionally compelling mess of a show.
    • 58 Metascore
    • 60 Mary McNamara
    A cleverly conceived, at times visually lovely, but criminally long imagining of how Peter became Pan.
    • 46 Metascore
    • 60 Mary McNamara
    This Napoleon Dynamite is all go, go, go, racing, if nothing else, to keep pace with the host of other animated prime-time shows it joins.
    • 54 Metascore
    • 60 Mary McNamara
    It is nowhere near as smart as "White Collar" or as strangely touching as "Necessary Roughness" and seems content to hit well-worn marks, though more than occasionally with welcome style.
    • 52 Metascore
    • 60 Mary McNamara
    The crimes of the first four episodes revel in plot twists and medical conditions so ludicrous that they eventually become endearing, as does, against all odds, McCormack's performance.
    • 42 Metascore
    • 60 Mary McNamara
    Despite the frantic and at times clunky initial execution, there are times when The Mob Doctor shows signs of transcending the typical doc-with-something-extra medical procedural.
    • 41 Metascore
    • 60 Mary McNamara
    Created by Dan Fogelman it is enjoyable if not impressive--not bad, and almost good.
    • 72 Metascore
    • 60 Mary McNamara
    Every pilot is burdened with establishing character, jump-starting the narrative and hooking the audience, but Under the Dome unnecessarily force-feeds us its first hour to its own detriment.... Which isn't to say Under the Dome won't wind up being fun to watch. All of the performances seem promising.
    • 76 Metascore
    • 60 Mary McNamara
    Bogged down at times by moody re-creations (often unforgivably accompanied by the strains of a muted trumpet) and endless footage of Bin Laden, Manhunt is not a definitive telling either. Indeed, its strength lies in its awareness that there is no way to completely tell this particular story.
    • 66 Metascore
    • 60 Mary McNamara
    A cynic might think Twisted is a bald attempt to capitalize on the success of "Pretty Little Liars" while possibly adding a Y chromosome to the mix. The non-cynic might see in Danny yet another metaphor for the alienation and "otherness" many teens feel.
    • 60 Metascore
    • 60 Mary McNamara
    Where "The Returned" was content to tell its story in elliptical scenes and character sketches, Resurrection keeps them tightly tied together and bound to an investigative uber-narrative--Marty and Maggie are partners in detection with the requisite possibility of romance. The result is a lot of narrative that often strays too far from the original and much more provocative conceit: Hey, we see dead people.
    • 74 Metascore
    • 60 Mary McNamara
    There are many fine moments in 'Klondike,' cinematic scenes of grandeur and dialogue that rise to poetry. But too often both then fall prey to self-conscious staginess, many repetitive scenes of dirt and endless conversations about the animal nature of man.
    • 65 Metascore
    • 60 Mary McNamara
    A very far cry from O’Brien’s lanky swagger or Leno’s self-confident poise and, to be frank, the whole "who, me? host 'The Tonight Show?'" seemed laid on a bit thick in parts.... Once Fallon moved behind the desk, and in front of a truly fabulous wooden miniature of New York, he seemed more comfortable.... After presenting Fallon with his own (red) guitar, [U2] sang an acoustic version of their Oscar-nominated “Ordinary Love,” which sounded, as so few late-night performances do, just fabulous. And that is where Fallon will make his mark on the show.
    • 62 Metascore
    • 60 Mary McNamara
    There is much to like and learn from the miniseries. Alas, executive producer Stephen David and his creative team seem intent on getting in their own way, cluttering up the inevitably fascinating narrative (offered here by Jeremy Renner) with all manner of clunky historical reenactments, hyperbolic characterizations and a soundtrack that should be shot for treason.