Mary McNamara
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For 455 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.2 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 61
Highest review score: 100 Fargo: Season 1
Lowest review score: 0 Stalker: Season 1
Score distribution:
  1. Negative: 54 out of 455
455 tv reviews
    • 66 Metascore
    • 50 Mary McNamara
    It tries very hard not to take the expected path. Too hard, unfortunately. So determined are Hunt, executive producer/showrunner Jenny Bicks and Linney that The Big C be unsentimental that they jam early episodes with so many over-blown characters and wacky antics that it's impossible to attach meaning to any of them.
    • 66 Metascore
    • 50 Mary McNamara
    Everything is presented far too briefly. For all her geographic ambition, Alexandra Pelosi winds up conducting an exit poll rather than telling a real story.
    • 66 Metascore
    • 70 Mary McNamara
    A to Z is the most promising comedy premiering on broadcast networks this fall. That's not saying much — this is not a particularly good year for new comedies — but it's saying something.
    • 66 Metascore
    • 80 Mary McNamara
    Viewers will come to see Deschanel but they'll stay for the whole package because smart writing, confident timing and characters that are both familiar yet surprisingly fresh make New Girl the most promising comedy, and one of the most promising shows, of the season.
    • 66 Metascore
    • 50 Mary McNamara
    What Swank doesn't bring is any sort of emotional connection, either to Mary, Mary's son or the audience.... Mercifully, Blethyn eventually joins her on the screen and is, as ever, simple perfection, needing to do little more than utter two words with an anguished squint to break your heart into 50 million pieces. When the two meet up, Mary and Martha begins to transcend the drumbeat of its message.
    • 66 Metascore
    • 70 Mary McNamara
    Despite some less-than-stellar story lines--Ray's feud with his rich neighbor, his constant referral to how things have changed since his parents' day--Ray comes across as a genuine Everyman. Who just happens to have a certain God-given talent that will allow him to survive.
    • 66 Metascore
    • 70 Mary McNamara
    The best thing about Go On is, not surprisingly, Perry.
    • 66 Metascore
    • 80 Mary McNamara
    Three episodes in, the story is certainly serpentine, at times self-consciously so. But there does appear to be writerly method in the madness. More important, there is Farmiga, and she, like Norma, appears up to any task.
    • 66 Metascore
    • 70 Mary McNamara
    There's still a lot of craziness and rants designed to resonate with a certain demographic. But an air of if not humility then self-awareness pervades, softening everything it touches, even Will.
    • 66 Metascore
    • 60 Mary McNamara
    A cynic might think Twisted is a bald attempt to capitalize on the success of "Pretty Little Liars" while possibly adding a Y chromosome to the mix. The non-cynic might see in Danny yet another metaphor for the alienation and "otherness" many teens feel.
    • 66 Metascore
    • 70 Mary McNamara
    Despite a diversionary opening salvo of post-feminist raunch and unfortunate racial stereotyping, 2 Broke Girls is a solid, old-fashioned sitcom about two mismatched girls taking on the big city and makin' their dreams come true.
    • 66 Metascore
    • 70 Mary McNamara
    All floppy hair and Hollywood smile, Kody's way too surferdude to take very seriously as a patriarch. It's the three wives--Meri, Janelle and Christine--who form the solid center of the family and the show.
    • 66 Metascore
    • 50 Mary McNamara
    With a shorter to-do list and more ruthless editing--far too much time is spent in close-ups on the hosts--Showville could be as good in fact as it is in theory.
    • 66 Metascore
    • 70 Mary McNamara
    Once the action leaves the overly Maxfield Parrish-ized world of magic trees and drooping pregnant princesses, things pick up considerably.
    • 66 Metascore
    • 70 Mary McNamara
    Fortunately, terrific performances all around quickly ground the tensions in character rather than theme.
    • 66 Metascore
    • 50 Mary McNamara
    It's clear that Wells has nothing but respect for the original material; if only he felt the same for American viewers. Unfortunately, [executive producer John Wells] seems to have bought into the notion that Americans need everything to be bigger, louder, messier and drawn in primary colors.
    • 62 Metascore
    • 50 Mary McNamara
    Survivors is torn between the desire to go big--it's the literal end of civilization--and small--how would an ordinary person react to the death of everyone he knows? Regrettably Survivors succeeds at neither, getting stuck instead in a blurry bog of middle ground.
    • 65 Metascore
    • 80 Mary McNamara
    O'Loughlin's by-the-book performance is buoyed by a fast-paced script and a splendid supporting cast, including and especially Scott Caan as Danno, that radiates enough hit-making energy to render even Oahu's azure waters and perfect sunsets superfluous.
    • 65 Metascore
    • 50 Mary McNamara
    There's actually no reason this couldn't be a perfectly fine legal procedural, except there's no indication that anyone is attempting to make it one. The script is strictly writing by numbers.
    • 65 Metascore
    • 90 Mary McNamara
    Surviving Jack is terrific. Funny and smart, poignant and believable, it is undoubtedly the best new comedy of the season.
    • 65 Metascore
    • 80 Mary McNamara
    The argument for overturning Ali's conviction has nothing to do with politics or personality. Instead, it had everything to do with the legal fine print, which makes the film's climax more muted than you might hope.... The cast, led by Plummer and Langella, is so fabulous you might find yourself wondering if it isn't time for a dramatic series revolving around this Supreme Court.
    • 65 Metascore
    • 80 Mary McNamara
    Psychological sleight of hand can't fill an hour every week. For that you need complicated, interesting crimes and complicated, interesting characters solving them. The Mentalist seems prepared to deliver just that.
    • 65 Metascore
    • 30 Mary McNamara
    Cash and Geere are two talented performers selling this mess as best they can, but mostly the show suffocates under its own feeling of brashness.
    • 62 Metascore
    • 70 Mary McNamara
    Lust because something's almost unforgivably cute ("Holy hottie, Batman" is an actual line) doesn't mean it can't also be very good and very funny, which The Ex List is.
    • 65 Metascore
    • 60 Mary McNamara
    A very far cry from O’Brien’s lanky swagger or Leno’s self-confident poise and, to be frank, the whole "who, me? host 'The Tonight Show?'" seemed laid on a bit thick in parts.... Once Fallon moved behind the desk, and in front of a truly fabulous wooden miniature of New York, he seemed more comfortable.... After presenting Fallon with his own (red) guitar, [U2] sang an acoustic version of their Oscar-nominated “Ordinary Love,” which sounded, as so few late-night performances do, just fabulous. And that is where Fallon will make his mark on the show.
    • 65 Metascore
    • 40 Mary McNamara
    When the only real tension is one character telling another to hurry and the most emotionally involving scene lasts 30 seconds and involves the cop who may not engage with the principals again all season, it's difficult to remain an interested person.
    • 65 Metascore
    • 70 Mary McNamara
    Though it never quite hits its stride, the show never pitches us into the abyss.
    • 64 Metascore
    • 80 Mary McNamara
    Playing it long and lugubrious but with a tantalizing twinkle, Lewis (last seen in the States as the hateful husband in "The Forsyte Saga") may well wrest the mantle of sexiest troubled American played by a Brit away from Hugh Laurie.
    • 64 Metascore
    • 50 Mary McNamara
    It is, by turns, hilarious and histrionic, illuminating and infuriating.
    • 64 Metascore
    • 60 Mary McNamara
    Although overblown in message and action, The Bridge is well-performed and worth watching if only to see if it will stand by its thesis: that real change comes from people working together.
    • 53 Metascore
    • 40 Mary McNamara
    Call Girl's greatest flaw is not that it's exploitative but that it's surprisingly dull.
    • 64 Metascore
    • 70 Mary McNamara
    Strike Back unfolds quickly and confidently with brilliantly choreographed fight sequences and the exotic locales. But nothing trumps the friendship of the two male leads.
    • 64 Metascore
    • 80 Mary McNamara
    Terra Nova manages to introduce a panoply of narrative threads and themes while telling a remarkably clean story, both in terms of plot line and tone; Terra Nova is whole-family friendly.
    • 64 Metascore
    • 70 Mary McNamara
    [Hunter] captures well the worn-to-the-bone, irritable and slightly skanky buzz of a person living on too little sleep and too many medicinally applied Cokes, while infusing her character with a gentle heart and a sudden, dazzling smile. But much of the rest of the show is tediously familiar.
    • 64 Metascore
    • 60 Mary McNamara
    For fans of the canon, South Riding is "Masterpiece" comfort food, enjoyable enough in the moment, but melting away to nothing but sugar and fat by morning.
    • 64 Metascore
    • 70 Mary McNamara
    For reasons known only to its creators, the pilot for Sleepy Hollow seems determined to jam into one hour what could have easily, and more enjoyably, been spun out over several.
    • 64 Metascore
    • 80 Mary McNamara
    Hunt Baldwin and John Coveny, who created Trust Me (and have been writers on “The Closer") are former admen themselves; they chose the milieu to explore the creative process among a group of people with a collective-neuroses score high enough to maintain a smart and breezy comedy.
    • 64 Metascore
    • 70 Mary McNamara
    It's entertaining to watch, though, distracting in a highly caffeinated way, and Washington and Cusick are especially fun together, but at no point do the characters seem like people or the venue anything but a fast-paced, occasionally clever television show.
    • 64 Metascore
    • 70 Mary McNamara
    At its best, it's a well-acted, surprisingly clear-eyed look at the inconsistent relationship between passion and enduring love, and the innovative ways in which people bend their own rules to accommodate their need for pleasure. At its worse, it's a morally and narratively contrived excuse to watch a very entitled Everyman navigate a world of rich but unhappy women, including his own wife and daughter.
    • 64 Metascore
    • 80 Mary McNamara
    Covert Affairs may not have the revenge factor of "Burn Notice" or the bromantic banter of "White Collar," but it's fast-paced, fun and every bit as charming.
    • 64 Metascore
    • 50 Mary McNamara
    Such a concept seem ripe with delicious possibility. The show, unfortunately, is not. Played out as a cop procedural, it has a predictable narrative structure that at times resembles nothing so much as a prison.
    • 63 Metascore
    • 50 Mary McNamara
    By pilot's end, the tension level is more "Parenthood" than "Homeland."
    • 63 Metascore
    • 70 Mary McNamara
    Grounded in parental reality, it's funny and promises to be funnier. The characters, though presented in very broad strokes, have lots of room for shading.
    • 63 Metascore
    • 70 Mary McNamara
    Taylor and Gross balance just the right amount of competence and bewilderment, while Mulroney emotes the pain of a rejected father. The pilot is all but stolen by Joshua Erenberg, who plays the kid Finley rescues.
    • 63 Metascore
    • 40 Mary McNamara
    Unfortunately, the show seems to be slightly less than a sum of its parts.
    • 63 Metascore
    • 40 Mary McNamara
    Too often Life's Too Short feels like two shows stuck together with a bit of chewing gum.
    • 63 Metascore
    • 30 Mary McNamara
    It would be great to report here that Devious Maids is not that bad, except that it is, despite a lot of real talent on-screen.
    • 63 Metascore
    • 80 Mary McNamara
    The writers seem so concerned with ensuring that their characters are preternaturally decent and likable that they go for sunny skies when there should be storm clouds....But Kodjoe and Mbatha-Raw are so energetic and appealing that it's hard to take your eyes off them long enough to worry about such matters, and they both seem up to just about anything.
    • 63 Metascore
    • 80 Mary McNamara
    Alphas deftly balances all the building blocks of great genre--nonhuman abilities, twisty plot, cool special effects, smart dialogue and characters you want to spend more time with. And that's the most impressive superpower of all.
    • 63 Metascore
    • 70 Mary McNamara
    Traffic Light, like that old Mustang you had in college, splutters more than a bit when you turn the key, but eventually it gets going. And once it does, the splendid refinishing of a classic makes the inevitable bumps much more easily endured.
    • 63 Metascore
    • 50 Mary McNamara
    An ambitious character-driven drama over-enamored from the get-go with its tricky structure and coy premise.
    • 63 Metascore
    • 80 Mary McNamara
    Warehouse 13 is unapologetically and delightfully derivative, happily plucking the best stuff from our favorite shows and leaving all the heaviness behind.
    • 63 Metascore
    • 70 Mary McNamara
    The well-trod format of Siberia may be its biggest asset, quickly building the kind of sturdy perimeters that horror so often needs; real fear emerges when the familiar and predictable become shockingly distorted (is any ghost as scary as a child ghost?).
    • 63 Metascore
    • 40 Mary McNamara
    Gracepoint certainly has higher [ambitions] than many broadcast crime dramas. ... [But Tennant] is nowhere near as good in Gracepoint as he is in Broadchurch. ... [And] the coastal-town milieu of Gracepoint, so vivid in and integral to Broadchurch, seems just as fake as Tennant's accent.
    • 63 Metascore
    • 70 Mary McNamara
    Here he has both--mood galore and a premise strong enough to not only sire a great pilot but to sustain a solid series.
    • 63 Metascore
    • 70 Mary McNamara
    No doubt there will be many lessons about the importance of pulling together and being true to oneself, etc., but Make It or Break It seems prepared to take on not only the obvious Life Lessons but also the crucial undercurrents that move so many lives well into adulthood. And that, as much as the graceful wonder of gymnastics, will make it worth watching.
    • 62 Metascore
    • 80 Mary McNamara
    That nonjudgmental, easygoing charm is precisely why the people in Key's life put up with him, and why viewers will be drawn to him. Rake may be the story of yet another anti-hero, but it's difficult to remember one this likable.
    • 62 Metascore
    • 60 Mary McNamara
    There is much to like and learn from the miniseries. Alas, executive producer Stephen David and his creative team seem intent on getting in their own way, cluttering up the inevitably fascinating narrative (offered here by Jeremy Renner) with all manner of clunky historical reenactments, hyperbolic characterizations and a soundtrack that should be shot for treason.
    • 62 Metascore
    • 70 Mary McNamara
    Despite a certain built-in B & B preciousness, Cedar Cove evokes certain splendid shows of another time and place, including the late-great "Family" and the longtime Irish hit "Ballykissangel."
    • 62 Metascore
    • 50 Mary McNamara
    The turn and turn again structure is definitely appealing, albeit a bit self-conscious. The cast is terrific and LaBute knows his way around dialogue.... But watching guys hand-feed their inner cavemen from the table is not nearly as much fun as LaBute seems to think it is.
    • 62 Metascore
    • 70 Mary McNamara
    It's not perfect, but it certainly is different, so why not just enjoy the ride?
    • 62 Metascore
    • 60 Mary McNamara
    American Horror Story is a big ol' brooding, baffling, ridiculous and occasionally compelling mess of a show.
    • 62 Metascore
    • 40 Mary McNamara
    The problem is not the supernatural, it's the sanctimony.
    • 62 Metascore
    • 70 Mary McNamara
    It's all great fun, a feast of eye and mind candy into which a few shreds of leafy greens have been added for content.
    • 62 Metascore
    • 70 Mary McNamara
    It's hardly a new story... But ... 'The Following' is tricked out with enough narrative and casting bling to warrant the huge push Fox has given it.
    • 62 Metascore
    • 70 Mary McNamara
    Surely that elevator knows it's you when it decides to do its devilish little bounce. That's one of the jokes of ABC's not-so-scary-but-still-great-fun 666 Park Avenue.
    • 62 Metascore
    • 50 Mary McNamara
    Almost Human isn't terrible, it's just not terribly interesting, at least in the first hour.
    • 62 Metascore
    • 50 Mary McNamara
    Between Sherri's grouchy father, adorable son and hapless ex, all the stereotypes seem to be running on full steam. It's a less-than-stellar debut, but a body set in motion will stay in motion unless acted upon by an outside force, and it's hard to imagine the outside force that's going to slow Sherri Shepherd down any time soon.
    • 61 Metascore
    • 70 Mary McNamara
    Though filled with far more tender and often tear-jerking moments than actual laughs, the first hour of Parenthood seems a solid and steady enough vehicle for such a brilliant cast.
    • 61 Metascore
    • 70 Mary McNamara
    [Christian] is in rare form here. Which is a good thing since the show's success or failure rests solely on his dramatic agility and general appeal.
    • 61 Metascore
    • 50 Mary McNamara
    Dane is fine and steady center for the drama; his Chandler can handle banter, bathos (Chandler left a wife and kids behind in the now plague-decimated States) and blather (some of the dialogue is less written than forked out of a can).... Still, The Last Ship seems determined to put concept before character, which is a much bigger problem on television than it is on film.
    • 61 Metascore
    • 50 Mary McNamara
    Banshee has has elements of "Justified," "Big Love," Ball's "True Blood" and, of course, the film "Witness." What it doesn't have, at least in the first two episodes, is anything new to say, about small towns, power, corruption, fear, crime or love.
    • 61 Metascore
    • 40 Mary McNamara
    As a Michael Fox-loving member of the demographic it targeted, I most certainly saw the 1985 film "Teen Wolf," but I don't remember much save it was a comedy and not very good. Teen Wolf, which premieres Sunday night on MTV, is also one of those two things and it is not a comedy.