Mary McNamara

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For 594 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.7 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 The Normal Heart
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 68 out of 594
594 tv reviews
    • 69 Metascore
    • 80 Mary McNamara
    Berman produces a deft juggling trick of heart and humor, balancing Deb's shallowness with some solid common sense and Jane's inadequate self-esteem with kindness and legal brilliance.
    • 60 Metascore
    • 80 Mary McNamara
    The Casual Vacancy is a heartbreaking, thought-provoking if occasionally simplistic look at the tyrannical power of the picturesque.
    • 81 Metascore
    • 80 Mary McNamara
    The first episode may be a bit rocky in the beginning, what with the reintroduction of characters and story lines, but the second season of Damages promises to be even better than the first.
    • 75 Metascore
    • 80 Mary McNamara
    Fortitude's only safety net is a cat's cradle of inter-linked, understated and strangely powerful performances.
    • 89 Metascore
    • 80 Mary McNamara
    In Season 2 the issues and tensions remain the same, but perfectly dialed up a notch or two.
    • 43 Metascore
    • 80 Mary McNamara
    All the performers use the documentary setup to their best advantage, shooting the omnipresent camera knowing, comical and anguished glances, and generally treating it as if it were another character.
    • 66 Metascore
    • 80 Mary McNamara
    Viewers will come to see Deschanel but they'll stay for the whole package because smart writing, confident timing and characters that are both familiar yet surprisingly fresh make New Girl the most promising comedy, and one of the most promising shows, of the season.
    • 85 Metascore
    • 80 Mary McNamara
    Nashville is big, bold, wildly ambitious and great fun, with top notes of Robert Altman's "Nashville," "Cat on a Hot Tin Roof" and "All About Eve."
    • 51 Metascore
    • 80 Mary McNamara
    Despite this silly and derivative setup, the pilot is actually a lot of fun. The performances are uniformly good and there are moments of promising depth to balance all the peppy hair-swinging, abs-flexing dance numbers.
    • 78 Metascore
    • 80 Mary McNamara
    Don't let the exposition-heavy first episode fool you; this may be a sword 'n' longboat epic with a handsome hero at its heart, but as adapted by Stephen Butchard, it subtly grows more complex with each passing hour until that hero becomes, to a certain extent, a supporting player in the far more dramatic epic of history.
    • 76 Metascore
    • 80 Mary McNamara
    If the rest of the series is as good as the two episodes released early for review (the fact that Netflix made only the episodes directed by Fincher available is slightly worrisome), House of Cards will in all probability become the first nontelevised television show to receive an Emmy nomination, or four.... [However,] not everything in House of Cards lives up to the standard set by its leads; for all its cutting-edge delivery system, it is at times surprisingly pat.
    • 85 Metascore
    • 80 Mary McNamara
    But of what actually happens, I will say no more. You'll have to watch it yourself. And you should.
    • 53 Metascore
    • 80 Mary McNamara
    Gossip Girl is eye candy, and mind candy, as pretty as a perfectly prepared martini--one that some nasty, picture-perfect have-it-all may or may not have drugged.
    • 80 Metascore
    • 80 Mary McNamara
    For a program known for its harum-scarum pace and keep-up-or-shut-up iconography, the Season 8 Saturday premiere of BBC America's Doctor Who opens slowly--even with the T. rex--and radiates a newly modern self-consciousness, albeit dressed in Victorian garb.
    • 78 Metascore
    • 80 Mary McNamara
    You either like Odenkirk's nervy, nervous and surprisingly soulful performance or you don't--and it's pretty hard not to like.
    • 70 Metascore
    • 80 Mary McNamara
    Serious without being grim, uplifting without being saccharine, Falling Skies dares to image what feature films will not--a world in which Will Smith or Aaron Eckhart did not bring down the mother ship in time.
    • 66 Metascore
    • 80 Mary McNamara
    As the plot of V progresses, no doubt we will see the subtle strangulation of democracy by fascism--already the press has been corrupted--and that is a story that cannot be told often enough. Especially when it comes, like the V's, in such a fine, fun and attractive package.
    • 73 Metascore
    • 80 Mary McNamara
    Smooth without being slick, textured but not self-indulgent, Arrow reminds us that the best stories we tell are both revelatory and a whole lot of fun to watch.
    • 70 Metascore
    • 80 Mary McNamara
    If it pulls off what it seems capable of doing, Blue Bloods should be both a good cop show and an evocative family drama. So something for everyone, just like a good Sunday dinner.
    • 59 Metascore
    • 80 Mary McNamara
    American Odyssey is very much its own creation: clever, exciting, colorful without being self-consciously so. Most important, it is only occasionally ridiculous in the way conspiracy thrillers inevitably are.
    • 76 Metascore
    • 80 Mary McNamara
    For the most part, and in absolute defiance of the odds, Stranger Things honors its source material in the best way possible: By telling a sweet ā€™nā€™ scary story in which monsters are real but so are the transformative powers of love and fealty.
    • 72 Metascore
    • 80 Mary McNamara
    Jack is the glue that holds the show together, and Sutherland, with his pained, superhuman skill set, makes him a physical statement about the toll violence takes, even violence committed in an attempt to save the world.
    • 77 Metascore
    • 80 Mary McNamara
    Anchored by amazing performances by Jessica Lange and Drew Barrymore, the Grey Gardens that premieres tonight is, like its subjects, a brilliant, moving, hilarious and mesmerizing mess of a movie that miraculously captures what made the Beales such iconic characters.
    • 76 Metascore
    • 80 Mary McNamara
    Though the circumstances demand a higher degree of brutality than in "Downton," the coming revolution is often used simply as a backdrop for romance, and this becomes, at times, a bit silly. Fortunately, Cynthia can be found around most every corner, and it's a star turn for Walters.
    • 68 Metascore
    • 80 Mary McNamara
    Hatfields & McCoys is a star-studded, gorgeously produced and astonishingly nuanced look at America's most famous family feud.
    • 63 Metascore
    • 80 Mary McNamara
    The writers seem so concerned with ensuring that their characters are preternaturally decent and likable that they go for sunny skies when there should be storm clouds....But Kodjoe and Mbatha-Raw are so energetic and appealing that it's hard to take your eyes off them long enough to worry about such matters, and they both seem up to just about anything.
    • 84 Metascore
    • 80 Mary McNamara
    Clearly, Ricciardi and Demos are on the side of justice, attempting to shed light on the dangers of imperfect police work and the very real potential for conspiracy. But when they showcase the awful thrill with which some members of the media reacted to the "great story" of Avery's second arrest, it's tough not to see a double standard. It is a great story, which is why they and Netflix chose to tell it.
    • 71 Metascore
    • 80 Mary McNamara
    It's the characters, and the character development, that continually lift the show out of soap into true opera, in which things writ large resonate with pinpoint accuracy.
    • 79 Metascore
    • 80 Mary McNamara
    Creator Toby Whithouse takes all the themes associated with the cursed and the damned very seriously, and if his exploration of them is less baroque than other franchises, it promises to be even more effective.
    • 84 Metascore
    • 80 Mary McNamara
    Smart but never slick, funny but never glib, dark but never (praise all saints and angels) noir, Breaking Bad is actually not another addition to the Brotherhood of the Made Guy formula, it turns out to be the formula's antidote.

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