Mary McNamara

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For 594 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.7 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 The Trip to Bountiful
Lowest review score: 0 Anchorwoman: Season 1
Score distribution:
  1. Negative: 68 out of 594
594 tv reviews
    • 67 Metascore
    • 50 Mary McNamara
    Unfortunately, without a more solid platform, even the greatest performance can go only so far. Oyelowo is mesmerizing in the moment, but each moment dies behind him.
    • 67 Metascore
    • 40 Mary McNamara
    This About a Boy is as subtle as a chain saw.
    • 67 Metascore
    • 50 Mary McNamara
    What Swank doesn't bring is any sort of emotional connection, either to Mary, Mary's son or the audience.... Mercifully, Blethyn eventually joins her on the screen and is, as ever, simple perfection, needing to do little more than utter two words with an anguished squint to break your heart into 50 million pieces. When the two meet up, Mary and Martha begins to transcend the drumbeat of its message.
    • 67 Metascore
    • 50 Mary McNamara
    It tries very hard not to take the expected path. Too hard, unfortunately. So determined are Hunt, executive producer/showrunner Jenny Bicks and Linney that The Big C be unsentimental that they jam early episodes with so many over-blown characters and wacky antics that it's impossible to attach meaning to any of them.
    • 67 Metascore
    • 50 Mary McNamara
    If this seems a hodgepodge of ideas, well, that is the general feel of Mankind--a scattershot catalog of man's greatest hits, lovingly enacted by a cast of grim and grimy thousands and propelled ever forward by a relentless soundtrack and urgent narration by Josh Brolin.
    • 51 Metascore
    • 40 Mary McNamara
    Swayze, his face worn craggy by age and his battle with pancreatic cancer, remains a noble figure despite the ridiculousness that surrounds him. With the bearing and the mien of a man who is fighting for the survival of his own humanity, he clearly could have done much more with less.
    • 66 Metascore
    • 50 Mary McNamara
    Everything is presented far too briefly. For all her geographic ambition, Alexandra Pelosi winds up conducting an exit poll rather than telling a real story.
    • 66 Metascore
    • 50 Mary McNamara
    It's clear that Wells has nothing but respect for the original material; if only he felt the same for American viewers. Unfortunately, [executive producer John Wells] seems to have bought into the notion that Americans need everything to be bigger, louder, messier and drawn in primary colors.
    • 66 Metascore
    • 50 Mary McNamara
    Fear the Walking Dead takes Los Angeles, and itself, very seriously. So seriously that in the first two episodes it is sometimes difficult not to laugh. At the general cluelessness of the characters, at the intensity of the local "realism," at the heavy-handedness of the Cinematic Symbols of Foreboding (Beware the Bounce House) and the sight of so many fine actors trying to keep their feet in a promising but initially borderline-absurd narrative.
    • 66 Metascore
    • 60 Mary McNamara
    A cynic might think Twisted is a bald attempt to capitalize on the success of "Pretty Little Liars" while possibly adding a Y chromosome to the mix. The non-cynic might see in Danny yet another metaphor for the alienation and "otherness" many teens feel.
    • 66 Metascore
    • 40 Mary McNamara
    When the only real tension is one character telling another to hurry and the most emotionally involving scene lasts 30 seconds and involves the cop who may not engage with the principals again all season, it's difficult to remain an interested person.
    • 66 Metascore
    • 50 Mary McNamara
    With a shorter to-do list and more ruthless editing--far too much time is spent in close-ups on the hosts--Showville could be as good in fact as it is in theory.
    • 63 Metascore
    • 50 Mary McNamara
    Survivors is torn between the desire to go big--it's the literal end of civilization--and small--how would an ordinary person react to the death of everyone he knows? Regrettably Survivors succeeds at neither, getting stuck instead in a blurry bog of middle ground.
    • 65 Metascore
    • 50 Mary McNamara
    At its best, The Sons of Liberty captures in admirable detail the cleverness of the rebels, in their smuggling efforts and ability to amass and hide guns and ammunition, their personal bravery and astonishing commitment to a long-odds pursuit. If only their intelligence and ideology had been given the same, or indeed any, attention.
    • 65 Metascore
    • 50 Mary McNamara
    There's actually no reason this couldn't be a perfectly fine legal procedural, except there's no indication that anyone is attempting to make it one. The script is strictly writing by numbers.
    • 65 Metascore
    • 60 Mary McNamara
    Although overblown in message and action, The Bridge is well-performed and worth watching if only to see if it will stand by its thesis: that real change comes from people working together.
    • 65 Metascore
    • 50 Mary McNamara
    The fact remains that sword 'n' sheepskin is now a genre, and even if you are taking it back to its roots, you have to bring something new. Creators James Dormer, Tim Haines, and Katie Newman do not. Instead, they seem content to simply join the heroic hordes, relying on ever-improving CG and familiar modern tropes--the witty best friend, a couple of feisty women, court roiling with intrigue--to extend the narrative and cinematic limits of the original text.
    • 65 Metascore
    • 60 Mary McNamara
    A very far cry from O’Brien’s lanky swagger or Leno’s self-confident poise and, to be frank, the whole "who, me? host 'The Tonight Show?'" seemed laid on a bit thick in parts.... Once Fallon moved behind the desk, and in front of a truly fabulous wooden miniature of New York, he seemed more comfortable.... After presenting Fallon with his own (red) guitar, [U2] sang an acoustic version of their Oscar-nominated “Ordinary Love,” which sounded, as so few late-night performances do, just fabulous. And that is where Fallon will make his mark on the show.
    • 64 Metascore
    • 50 Mary McNamara
    It is, by turns, hilarious and histrionic, illuminating and infuriating.
    • 53 Metascore
    • 40 Mary McNamara
    Call Girl's greatest flaw is not that it's exploitative but that it's surprisingly dull.
    • 64 Metascore
    • 40 Mary McNamara
    Too often Life's Too Short feels like two shows stuck together with a bit of chewing gum.
    • 64 Metascore
    • 50 Mary McNamara
    By pilot's end, the tension level is more "Parenthood" than "Homeland."
    • 64 Metascore
    • 50 Mary McNamara
    The turn and turn again structure is definitely appealing, albeit a bit self-conscious. The cast is terrific and LaBute knows his way around dialogue.... But watching guys hand-feed their inner cavemen from the table is not nearly as much fun as LaBute seems to think it is.
    • 63 Metascore
    • 40 Mary McNamara
    Benched is nowhere near as funny as it thinks it is, mainly because Watkins and Jones seem to believe that the endless humiliations of a thin, attractive, previously well-compensated blond woman are all it takes to make people laugh.
    • 63 Metascore
    • 50 Mary McNamara
    An ambitious character-driven drama over-enamored from the get-go with its tricky structure and coy premise.
    • 63 Metascore
    • 40 Mary McNamara
    Unfortunately, the show seems to be slightly less than a sum of its parts.
    • 63 Metascore
    • 50 Mary McNamara
    Such a concept seem ripe with delicious possibility. The show, unfortunately, is not. Played out as a cop procedural, it has a predictable narrative structure that at times resembles nothing so much as a prison.
    • 63 Metascore
    • 50 Mary McNamara
    Random wackiness is only as funny as the story that anchors it, and Kevin relies too much on our Skinnerian tendency to root for the underdog.
    • 62 Metascore
    • 40 Mary McNamara
    Gracepoint certainly has higher [ambitions] than many broadcast crime dramas. ... [But Tennant] is nowhere near as good in Gracepoint as he is in Broadchurch. ... [And] the coastal-town milieu of Gracepoint, so vivid in and integral to Broadchurch, seems just as fake as Tennant's accent.
    • 62 Metascore
    • 60 Mary McNamara
    American Horror Story is a big ol' brooding, baffling, ridiculous and occasionally compelling mess of a show.

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