Mary McNamara

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For 577 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Big Love: Season 3
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 65 out of 577
577 tv reviews
    • 62 Metascore
    • 60 Mary McNamara
    There is much to like and learn from the miniseries. Alas, executive producer Stephen David and his creative team seem intent on getting in their own way, cluttering up the inevitably fascinating narrative (offered here by Jeremy Renner) with all manner of clunky historical reenactments, hyperbolic characterizations and a soundtrack that should be shot for treason.
    • 62 Metascore
    • 60 Mary McNamara
    For fans of the canon, South Riding is "Masterpiece" comfort food, enjoyable enough in the moment, but melting away to nothing but sugar and fat by morning.
    • 62 Metascore
    • 50 Mary McNamara
    Almost Human isn't terrible, it's just not terribly interesting, at least in the first hour.
    • 62 Metascore
    • 50 Mary McNamara
    Banshee has has elements of "Justified," "Big Love," Ball's "True Blood" and, of course, the film "Witness." What it doesn't have, at least in the first two episodes, is anything new to say, about small towns, power, corruption, fear, crime or love.
    • 62 Metascore
    • 50 Mary McNamara
    It's quite a cast and a good thing too, considering the almost uniformly absurd character types they miraculously manage to animate.
    • 62 Metascore
    • 40 Mary McNamara
    The problem is not the supernatural, it's the sanctimony.
    • 61 Metascore
    • 50 Mary McNamara
    Between Sherri's grouchy father, adorable son and hapless ex, all the stereotypes seem to be running on full steam. It's a less-than-stellar debut, but a body set in motion will stay in motion unless acted upon by an outside force, and it's hard to imagine the outside force that's going to slow Sherri Shepherd down any time soon.
    • 61 Metascore
    • 40 Mary McNamara
    As a Michael Fox-loving member of the demographic it targeted, I most certainly saw the 1985 film "Teen Wolf," but I don't remember much save it was a comedy and not very good. Teen Wolf, which premieres Sunday night on MTV, is also one of those two things and it is not a comedy.
    • 61 Metascore
    • 50 Mary McNamara
    Much of the first two episodes of Cristela feels dishearteningly retro.... Still, Alonzo is a pleasure to watch.
    • 61 Metascore
    • 50 Mary McNamara
    Unfailingly exquisite, Danner gives a performance in the last half-hour that offers a glimpse of what Madoff could have been if the script had been less infatuated with the romance of the con and more interested in its human cost.
    • 60 Metascore
    • 50 Mary McNamara
    Dane is fine and steady center for the drama; his Chandler can handle banter, bathos (Chandler left a wife and kids behind in the now plague-decimated States) and blather (some of the dialogue is less written than forked out of a can).... Still, The Last Ship seems determined to put concept before character, which is a much bigger problem on television than it is on film.
    • 60 Metascore
    • 60 Mary McNamara
    OK, it's not Chekhov or even "How I Met Your Mother," to which it will inevitably be compared, but it's a lot better than the I'll-do-anything-for-pizza jokes that precede it.
    • 60 Metascore
    • 50 Mary McNamara
    If you are a fan of, say, "Little Britain" in Season 3, you will probably like "Little Britain USA." As for the uninitiated, well, I suppose it all comes down to a person's fondness for penis jokes.
    • 60 Metascore
    • 50 Mary McNamara
    The sets are terrific, as are the costumes, and the rich and saturated moodiness of the production values makes the tepidness of the story all the more disappointing.
    • 54 Metascore
    • 40 Mary McNamara
    A little whitewashing is forgivable in a biopic, but to make a movie about the most influential figure in fashion history in which she spends more time moping around about her boyfriends than she does designing clothes is infuriating.
    • 60 Metascore
    • 40 Mary McNamara
    The two things Finding Sarah has going for it--Ferguson's undeniable personal appeal and the value of watching a Very British Person attempt to do a Very American Thing--is buried under sanctimony and the absurd vocabulary of self-help.
    • 60 Metascore
    • 60 Mary McNamara
    Where "The Returned" was content to tell its story in elliptical scenes and character sketches, Resurrection keeps them tightly tied together and bound to an investigative uber-narrative--Marty and Maggie are partners in detection with the requisite possibility of romance. The result is a lot of narrative that often strays too far from the original and much more provocative conceit: Hey, we see dead people.
    • 38 Metascore
    • 40 Mary McNamara
    Something got lost between concept and execution, and instead of suspense we get silliness
    • 59 Metascore
    • 40 Mary McNamara
    In a way, "Scream Queens" is a combination of all [Murphy's previous] shows. Just not in a good way.
    • 59 Metascore
    • 60 Mary McNamara
    A cleverly conceived, at times visually lovely, but criminally long imagining of how Peter became Pan.
    • 59 Metascore
    • 60 Mary McNamara
    When it's not being completely ridiculous, Chasing Life is very good.
    • 59 Metascore
    • 40 Mary McNamara
    In parodying the celebrity life, Bob-Waksberg only occasionally hits the mark.
    • 59 Metascore
    • 60 Mary McNamara
    Skidding through twists and turns aplenty, the intentionally soapy plot generates a lot of fun froth, but Gellar has a hard time playing one troubled and complicated woman, much less two.
    • 58 Metascore
    • 50 Mary McNamara
    Even the best performers need time to pause and room to spread out. For The Family to become the deep and nuanced character drama it clearly wants to be, everyone needs to take a breath, perhaps join a support group, and slow the heck down.
    • 50 Metascore
    • 60 Mary McNamara
    After watching two episodes, I was left with the thought with which I began: An iconic apartment building full of wacky characters would make a great TV show. Would, though. Not does.
    • 58 Metascore
    • 40 Mary McNamara
    Despite the interesting twist of overt sibling rivalry, Chibnall seems to be making a blood and gore version of "The Princess Diaries."
    • 58 Metascore
    • 50 Mary McNamara
    There is a family-hour charm among the many wooden performances and something to be said for the show's unapologetic comic book overtones. DC's Legends of Tomorrow wears its intentions, like its future tech, on its sleeve--you're either in for the ride or you're not, no character deconstruction or cinematic analysis required.
    • 58 Metascore
    • 50 Mary McNamara
    Lopez does a decent enough job--on top of the single-mom angle, Harlee also has a traumatic back story--but it's Liotta who will make or break Shades of Blue.
    • 58 Metascore
    • 50 Mary McNamara
    Despite the strength of its parts, the whole feels very nascent and shaky.
    • 57 Metascore
    • 60 Mary McNamara
    A fast-paced, sure-footed pilot that tells the same essential story as the film.... Carpenter and whatever chemistry the two leads have will not be enough to separate Limitless from the stack of new and returning high-concept procedurals.

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