Mary McNamara

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For 594 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.8 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Behind the Candelabra
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 68 out of 594
594 tv reviews
    • 73 Metascore
    • 80 Mary McNamara
    Though the season premiere delivers the power and pathos fans have come to expect, there is, in fact, a slight but still identifiable shift: Game of Thrones is, in more than a few moments, funny.
    • 73 Metascore
    • 80 Mary McNamara
    With all those Emmys, viewers expect a lot, and two episodes in, 30 Rock is prepared to deliver, serving up the self-conscious, fast-moving, quick-witted comedy it has all but trademarked.
    • 73 Metascore
    • 80 Mary McNamara
    An effervescent and super-engaging addition to television's increasingly grim comic-book wars.
    • 73 Metascore
    • 80 Mary McNamara
    Looking doesn't make the mistake of arguing that gay men are just like straight women, or straight men, or gay women, or even each other. Instead it tells the story of three guys who are friends in a strangely wonderful and difficult time and what that looks like. To them.
    • 73 Metascore
    • 80 Mary McNamara
    Smooth without being slick, textured but not self-indulgent, Arrow reminds us that the best stories we tell are both revelatory and a whole lot of fun to watch.
    • 73 Metascore
    • 90 Mary McNamara
    Parade's End must be taken on its own terms, because it is offering something rare and provocative: a poetically precise consideration of what it means to be caught out of time, clinging to the lip of one era or reaching desperately for a foothold in the other.
    • 73 Metascore
    • 70 Mary McNamara
    It's just as ridiculous as it sounds, chockablock with clichés, predictable exposition (two taps of the keyboard and entire histories are revealed) and some fairly whacked-out plot twists. But it doesn't matter because Orphan Black isn't so much about plot as it is performance, and as the series continues, the performances are pretty astonishing.
    • 73 Metascore
    • 80 Mary McNamara
    To say that Broadbent is heartbreaking and Rampling an enigmatic marvel is to state the obvious; when the plot and tone go wandering, as they do with exasperating regularity, London Spy rests almost entirely on the astonishing ability of its cast.
    • 73 Metascore
    • 70 Mary McNamara
    This is good summer entertainment, like a Saturday afternoon B-movie matinee transposed to Monday-night TV.
    • 73 Metascore
    • 90 Mary McNamara
    It's a dark and astonishing gem of a show, with a bravely skillful cast juggling the petty obsessions of the workplace with Much Bigger Issues.
    • 73 Metascore
    • 80 Mary McNamara
    Infused with the considerable talents of Bertie Carvel and especially Eddie Marsan in the title roles, Peter Harness' adaptation is, like the book, a deft combination of Dickensian satire, Austenian wit and Gothic anxiety.
    • 72 Metascore
    • 80 Mary McNamara
    Jack is the glue that holds the show together, and Sutherland, with his pained, superhuman skill set, makes him a physical statement about the toll violence takes, even violence committed in an attempt to save the world.
    • 72 Metascore
    • 80 Mary McNamara
    When Fellowes allows his characters to show that mettle and strength are not necessarily the prettiest things in the room, Downton transcends its soap bubbles and more than earns its histrionic plot twists.
    • 72 Metascore
    • 80 Mary McNamara
    Shows as thematically and tonally diverse as "Downton Abbey," "The Americans," "Mad Men" and "Madam Secretary" all rely heavily on the changing nature of women's roles in the 20th (and 21st) century to heighten the drama between characters and make larger points about the modern age. Being a product of Marvel and ABC, Agent Carter is, well, a lot more fun.
    • 72 Metascore
    • 80 Mary McNamara
    Sweet, smart and quickly addictive, it's a classic cross-cultural romantic comedy with top notes of satire, but a brave and true heart.
    • 72 Metascore
    • 80 Mary McNamara
    It is well-written and certainly well-acted, with plot and psychological twists as numerous and tantalizing as the streets on which they occur.
    • 72 Metascore
    • 80 Mary McNamara
    The Divide is a tense and thoughtful drama, with what promise to be complex characters and at least one breakout performance.
    • 70 Metascore
    • 80 Mary McNamara
    Cleverly conceived, it boasts a star-studded cast (Gabriel Byrne, Dianne Wiest, Blair Underwood) who achieve, at times, theatrical transcendence.
    • 72 Metascore
    • 80 Mary McNamara
    [A] small and finely wrought film.
    • 72 Metascore
    • 80 Mary McNamara
    The Strain is an old-fashioned, marks-hitting horror quest in which a band of unlikely warriors attempts to defeat a thing of unspeakable evil Before It's Too Late.
    • 72 Metascore
    • 80 Mary McNamara
    With the aid of Jacobs' standout performance and just enough humor and insight, [Love] slowly lulls you into a state of theta-wave fascination.
    • 72 Metascore
    • 80 Mary McNamara
    You can't really improve on the story of "Oliver Twist"; the best you can hope for is to bring it to life, which the two-part "Masterpiece Classic" version skillfully does.
    • 71 Metascore
    • 70 Mary McNamara
    If Bosch doesn't soar, it's solid enough, and if you like the series, you're just a click away from all the books.
    • 71 Metascore
    • 90 Mary McNamara
    The first hour’s masterful swings among moments large and small, mind-boggling and utterly familiar, make it easy to believe that Designated Survivor is just getting started as well.
    • 71 Metascore
    • 70 Mary McNamara
    Beautifully shot and marvelously acted, Caprica is infused with all manner of intriguing bits of business....After the two-hour pilot, available on DVD last year, early episodes move with an often creaky slowness that seems at odds with its spry and comely cast.
    • 71 Metascore
    • 80 Mary McNamara
    There's still blood and gore all over the floor, mind you. Not to mention rape, gruesome torture and evil run riot, and that's just the first episode. But there's also a lightness of touch and tone, a backlight of sly humor and, more important, a clearly delineated narrative.
    • 71 Metascore
    • 80 Mary McNamara
    The show mines the long-standing tension between those who believe in fate and those who believe in control while holding all strains of outrageous behavior up for both mockery and scrutiny.
    • 71 Metascore
    • 80 Mary McNamara
    Yet despite the distraction of its media grooming, the basic story of Whale Wars is quite a yarn.
    • 71 Metascore
    • 90 Mary McNamara
    Each of the main pairings could hold a lesser show aloft; that Holland attempts to juggle and then connect them, while also exploring the divine and mundane events that draw people together, is impressive. That he pulls it off with wit and wonder is simply amazing.
    • 71 Metascore
    • 80 Mary McNamara
    It's the characters, and the character development, that continually lift the show out of soap into true opera, in which things writ large resonate with pinpoint accuracy.

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