For 439 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.9 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

  • TV
Average review score: 61
Highest review score: 100 Game of Thrones: Season 4
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 52 out of 439
439 tv reviews
    • 78 Metascore
    • 50 Mary McNamara
    Unfortunately, so smitten are the creators of John Adams with historical earnestness and pedigree they seem to have forgotten how to tell a good story.
    • 53 Metascore
    • 50 Mary McNamara
    There are legitimately chilling, funny and suspenseful moments in the early episodes of "Happy Town," but the many fine performances are battered to death by a welter of plot twists and cheesy revelations that come speeding out of the sky like those murderous crows in "The Birds."
    • 53 Metascore
    • 70 Mary McNamara
    As long as you're not a classic mythology purist or looking for something more than a fun, occasionally hilarious sword 'n' sandal romp, Atlantis is a fine, family-friendly addition to BBC America's Supernatural Saturday.
    • 53 Metascore
    • 70 Mary McNamara
    It's all very tense and fun, underscored by sirens and ominous techno music, shot in that popular, over-caffeinated jumpiness that here at least makes sense.
    • 53 Metascore
    • 40 Mary McNamara
    As is so often the case with "reality television," there's nothing TV producers hate so much as actual reality (bo-ring!), and so everything is tarted up with superfluous soundtracks and staging, with breathless voice-overs, mood lighting and lots of half-baked psychology.
    • 53 Metascore
    • 40 Mary McNamara
    Even the most forgiving fan will find The Killing a shadow of its former self.
    • 52 Metascore
    • 70 Mary McNamara
    Although generating the sort of minor social revolution that the five hosts of "Queer Eye" accomplished is too tall an order for even a long and lovely British gal, Roe does manage to quickly become the stylish older sister you wish you had.
    • 52 Metascore
    • 60 Mary McNamara
    Much of "Drive" is unabashedly derivative.... Much of it is also unbelievable... But two episodes in, it doesn't really matter.
    • 52 Metascore
    • 50 Mary McNamara
    It's "House of Cards," with a werewolf/vampire hybrid instead of a charming but ruthless Southern senator.
    • 52 Metascore
    • 50 Mary McNamara
    For every ridiculous plot twist (it's hard to imagine any wife offering infidelity as a solution before, you know, "get a job" or "empty the dishwasher once in a while"), there is a lovely flash of honesty.
    • 52 Metascore
    • 60 Mary McNamara
    The Gates, on the other hand, starts off with an even greater number of well-worn characters and storylines, but writers Richard Hatem and Grant Scharbo infuse them with a lot more life and a surprisingly high incidence of poignancy.
    • 52 Metascore
    • 60 Mary McNamara
    Pretty Little Liars is one of those shows that manages to mildly, and perhaps unintentionally, spoof its genre while fully participating in it, and that's not a bad thing at all.
    • 52 Metascore
    • 60 Mary McNamara
    The crimes of the first four episodes revel in plot twists and medical conditions so ludicrous that they eventually become endearing, as does, against all odds, McCormack's performance.
    • 52 Metascore
    • 70 Mary McNamara
    The show's episodic nature, however, limits the attachment viewers can form for the teams (and also, mercifully, the level of celebrity these folks can later attain). But there is something to be said for brevity.
    • 52 Metascore
    • 40 Mary McNamara
    For all that it springs from original material--a coda to the pilot shows some of the actual home movies, which are indeed hilarious--The Goldbergs--is all style and no substance.
    • 52 Metascore
    • 50 Mary McNamara
    Certainly Olbermann is refreshing, and singular, in the clarity of his mission, which is to defend the liberal point of view with the same sort of take-no-prisoners rhetoric that conservative pundits like Bill O'Reilly have wielded so effectively. But the blatant uber-medianess of his persona seems, at times, in direct conflict with that belief that "the weakest citizen is more important than the strongest corporation."
    • 52 Metascore
    • 30 Mary McNamara
    Like so many reboots, The Firm is a waste of precious resources, especially its cast.
    • 52 Metascore
    • 40 Mary McNamara
    Swayze, his face worn craggy by age and his battle with pancreatic cancer, remains a noble figure despite the ridiculousness that surrounds him. With the bearing and the mien of a man who is fighting for the survival of his own humanity, he clearly could have done much more with less.
    • 51 Metascore
    • 80 Mary McNamara
    The show looks to be a smart, stylish crime drama that just happens to revolve around a group of women as so many have revolved around men.
    • 51 Metascore
    • 50 Mary McNamara
    Rosemary's Baby is not terrible. Where the original film was shocking, this version, though bloody, is fairly mild.
    • 51 Metascore
    • 70 Mary McNamara
    All in all, it's a pleasant, sunny and well-played ephemeral farce; Gilbert, Grier, Hansen and Davis are all good to see again, and Graynor inhabits her character with verve and increasing grace.
    • 51 Metascore
    • 40 Mary McNamara
    Even if you could forgive its lack of creativity, it's difficult to overlook its absurdly clunky execution. Oh, and the fact that it isn't very funny.
    • 51 Metascore
    • 40 Mary McNamara
    The cast is universally fine, but there's honestly nothing much it can do to avoid being swamped with Fellowes' arrogant attempt to capture the social dimensions of turn-of-the-century Britain, oh, and the sinking of this big boat too.
    • 51 Metascore
    • 80 Mary McNamara
    Despite this silly and derivative setup, the pilot is actually a lot of fun. The performances are uniformly good and there are moments of promising depth to balance all the peppy hair-swinging, abs-flexing dance numbers.
    • 51 Metascore
    • 50 Mary McNamara
    While there are many reasons to like Taxi Brooklyn, including and especially its two fresh and likable leads, it too often wobbles and stalls, unwilling to commit to one type of storytelling or the other.
    • 51 Metascore
    • 50 Mary McNamara
    Narrated by Stone with no other voices (save actors filling in for various world leaders), Untold History is a hodgepodge of terrific if often disturbing historical footage and bizarre theatrical asides (including, at one point, the dictionary definition of "empathy" spelled out on the screen) that are almost overwhelmed by its invasive soundtrack.
    • 51 Metascore
    • 50 Mary McNamara
    Crude stuff for a family newspaper, but despite the warm-and-fuzzy-celebrity cred that star Courteney Cox brings to it, some funny lines and good acting all around, Cougar Town is a crude show, built on jokes about oral sex and droopy breasts, a show in which words like "coochie" are used with regrettable abandon.
    • 50 Metascore
    • 70 Mary McNamara
    While all the characters have boilerplate for bones--the brainy one, the pretty one, the smart aleck, the tortured hunk--crisp writing and buoyant performances keep the story from trending too trite or too "Twilight."
    • 50 Metascore
    • 70 Mary McNamara
    In between bouts of underage drinking, texting, girl-bonding, and the inevitable minor-key whine of a soundtrack, that is. "True Blood Lite" or "Transylvania 90210." And you know what? It is. Almost exactly. But this is not a bad thing, not a bad thing at all. Because Vampire Diaries knows precisely what it is--a Gothic romance--and doesn't try to be anything else.
    • 50 Metascore
    • 30 Mary McNamara
    We have a hollow, laugh-enhanced comedy in which the biggest draw is Tori Spelling proving she will do anything to remain on television.