Mary McNamara
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For 491 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Game of Thrones: Season 1
Lowest review score: 0 Stalker: Season 1
Score distribution:
  1. Negative: 58 out of 491
491 tv reviews
    • 51 Metascore
    • 40 Mary McNamara
    There is really only one reason to watch ABC's Canadian-import place-holder crime drama Motive--Kristin Lehman.
    • 51 Metascore
    • 40 Mary McNamara
    Swayze, his face worn craggy by age and his battle with pancreatic cancer, remains a noble figure despite the ridiculousness that surrounds him. With the bearing and the mien of a man who is fighting for the survival of his own humanity, he clearly could have done much more with less.
    • 51 Metascore
    • 40 Mary McNamara
    The cast is universally fine, but there's honestly nothing much it can do to avoid being swamped with Fellowes' arrogant attempt to capture the social dimensions of turn-of-the-century Britain, oh, and the sinking of this big boat too.
    • 51 Metascore
    • 80 Mary McNamara
    Despite this silly and derivative setup, the pilot is actually a lot of fun. The performances are uniformly good and there are moments of promising depth to balance all the peppy hair-swinging, abs-flexing dance numbers.
    • 51 Metascore
    • 50 Mary McNamara
    Rosemary's Baby is not terrible. Where the original film was shocking, this version, though bloody, is fairly mild.
    • 51 Metascore
    • 50 Mary McNamara
    Narrated by Stone with no other voices (save actors filling in for various world leaders), Untold History is a hodgepodge of terrific if often disturbing historical footage and bizarre theatrical asides (including, at one point, the dictionary definition of "empathy" spelled out on the screen) that are almost overwhelmed by its invasive soundtrack.
    • 51 Metascore
    • 50 Mary McNamara
    While there are many reasons to like Taxi Brooklyn, including and especially its two fresh and likable leads, it too often wobbles and stalls, unwilling to commit to one type of storytelling or the other.
    • 51 Metascore
    • 30 Mary McNamara
    We have a hollow, laugh-enhanced comedy in which the biggest draw is Tori Spelling proving she will do anything to remain on television.
    • 51 Metascore
    • 50 Mary McNamara
    Crude stuff for a family newspaper, but despite the warm-and-fuzzy-celebrity cred that star Courteney Cox brings to it, some funny lines and good acting all around, Cougar Town is a crude show, built on jokes about oral sex and droopy breasts, a show in which words like "coochie" are used with regrettable abandon.
    • 51 Metascore
    • 40 Mary McNamara
    There is an abundance, rather over-abundance, of story lines and clichés.
    • 50 Metascore
    • 70 Mary McNamara
    In between bouts of underage drinking, texting, girl-bonding, and the inevitable minor-key whine of a soundtrack, that is. "True Blood Lite" or "Transylvania 90210." And you know what? It is. Almost exactly. But this is not a bad thing, not a bad thing at all. Because Vampire Diaries knows precisely what it is--a Gothic romance--and doesn't try to be anything else.
    • 50 Metascore
    • 30 Mary McNamara
    Watching "Tabatha's Salon Takeover," which is unrated, you can't help but wonder if there shouldn't be a "whip it" show for "whip it" shows--in which an expert would review the tapes and offer advice on how to turn a bad situation around. They could start with this one.
    • 50 Metascore
    • 40 Mary McNamara
    Unfortunately, Chicago P.D. is just that--a reminder, a breathy echo of other, much better shows. Many of which are available in affordable DVD packages and on various streaming services.
    • 50 Metascore
    • 70 Mary McNamara
    While all the characters have boilerplate for bones--the brainy one, the pretty one, the smart aleck, the tortured hunk--crisp writing and buoyant performances keep the story from trending too trite or too "Twilight."
    • 50 Metascore
    • 50 Mary McNamara
    In attempting to be both sprawling and intimate, The Kennedys winds up in a narrative no-man's land.
    • 50 Metascore
    • 30 Mary McNamara
    Beau Bridges and Margo Martindale are the ones yelling and making sex jokes while Will Arnett looks on in (justified) horror, which may move The Millers out of "unfortunate" into "unforgivable."
    • 49 Metascore
    • 40 Mary McNamara
    Unlike "Awake," however, Saving Hope does not have Jason Isaacs, a nifty crisscrossing police procedural at its heart, or anything interesting to say about the various forms of reality.
    • 49 Metascore
    • 20 Mary McNamara
    This show's got nothing but laugh track.
    • 49 Metascore
    • 40 Mary McNamara
    It would have been much more promising if creators David Zabel and Jason Richman had chosen subtlety, which they did not. Instead, we have the disparate and desperate characters that always seem to fuel this sort of show.
    • 49 Metascore
    • 40 Mary McNamara
    Alas, it all plays just as sappy as it sounds, even with the gorgeous and ridiculous distractions of make-do medicine.
    • 49 Metascore
    • 20 Mary McNamara
    The problem is not that it's just terrible, but that it's also no fun. At all.
    • 49 Metascore
    • 60 Mary McNamara
    It's the fabulous shamelessness, the awful and yet admirable brilliance of the thing. Whether Palin will ever run for office or not, Sarah Palin's Alaska sets a new standard for political ads.
    • Los Angeles Times
    • 49 Metascore
    • 40 Mary McNamara
    A clunky, clichéd Texas-based crime drama that has the added bonus of being unforgivably sexist, never mind that it was created and produced by women.
    • 49 Metascore
    • 80 Mary McNamara
    The religious overlap--both Christian and Jewish extremists appear to be involved; the word is still out on the Muslims--lends Dig a certain resonance and depth, just as the location work in Jerusalem gives it authenticity. But in the end, it's about a man who needs to save the world to save himself. Or maybe it's the other way around. Either way, Dig promises to be a whole lot of crazy fun to watch.
    • 49 Metascore
    • 50 Mary McNamara
    Swingtown walks a fine line between being a period piece, down to the pudding cups, baseball shirts and snatches of the old "$10,000 Pyramid," and parody.
    • 49 Metascore
    • 60 Mary McNamara
    It is something less than magical, but it's pleasant and pretty and easy to watch.
    • 49 Metascore
    • 40 Mary McNamara
    The show is very much about Thom and his "struggles," which are far too often presented in a series of high-decibel, gratuitously profane diatribes about the habits of others without benefit of anything remotely resembling personal perspective.
    • 49 Metascore
    • 30 Mary McNamara
    Take "Lost," mash it up with "The Prisoner," throw in a little "Saw," over-season with badly written and poorly delivered dialogue, glaze with horror-film lighting, dream-scene camerawork and elevators like you haven't seen since "The Shining," and you've got "Persons Unknown."
    • 49 Metascore
    • 30 Mary McNamara
    Lost in all the plot and character contrivance is any sense of the city--a few gumbo and bourbon references are most certainly not enough.
    • 48 Metascore
    • 40 Mary McNamara
    Running Wilde, is another fractured fairy tale, though without the nuance or humor of its predecessor.

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