Mary McNamara

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For 593 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.5 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Homeland: Season 1
Lowest review score: 0 Stalker: Season 1
Score distribution:
  1. Negative: 68 out of 593
593 tv reviews
    • tbd Metascore
    • 60 Mary McNamara
    The collective IQ of the cast is noticeably higher than on the "Real Housewives" while the vitriol is lower.
    • 57 Metascore
    • 60 Mary McNamara
    A fast-paced, sure-footed pilot that tells the same essential story as the film.... Carpenter and whatever chemistry the two leads have will not be enough to separate Limitless from the stack of new and returning high-concept procedurals.
    • 54 Metascore
    • 60 Mary McNamara
    The characters take forever to make narrative connections that seem immediately obvious and no one seems remotely curious about what exactly is happening to the world. Yet even as her hours-long insistence that she is nothing “special” grows tedious, Vanessa is delightfully cranky.
    • 42 Metascore
    • 60 Mary McNamara
    Despite the frantic and at times clunky initial execution, there are times when The Mob Doctor shows signs of transcending the typical doc-with-something-extra medical procedural.
    • 60 Metascore
    • 50 Mary McNamara
    The sets are terrific, as are the costumes, and the rich and saturated moodiness of the production values makes the tepidness of the story all the more disappointing.
    • 45 Metascore
    • 50 Mary McNamara
    It's a noble goal and one hopes that after viewing School Pride, volunteers spring up, committees form and checks are written. Because to merely watch the show and wallow in its many throat-tightening moments would be to remain a voyeur, and then you're just part of the problem.
    • 67 Metascore
    • 50 Mary McNamara
    What Swank doesn't bring is any sort of emotional connection, either to Mary, Mary's son or the audience.... Mercifully, Blethyn eventually joins her on the screen and is, as ever, simple perfection, needing to do little more than utter two words with an anguished squint to break your heart into 50 million pieces. When the two meet up, Mary and Martha begins to transcend the drumbeat of its message.
    • 56 Metascore
    • 50 Mary McNamara
    If you can live through the ridiculous hustle-forward, no-looking introduction to the story, what follows is entertaining enough, albeit in a mildly campy way.
    • 67 Metascore
    • 50 Mary McNamara
    Unfortunately, without a more solid platform, even the greatest performance can go only so far. Oyelowo is mesmerizing in the moment, but each moment dies behind him.
    • 61 Metascore
    • 50 Mary McNamara
    Between Sherri's grouchy father, adorable son and hapless ex, all the stereotypes seem to be running on full steam. It's a less-than-stellar debut, but a body set in motion will stay in motion unless acted upon by an outside force, and it's hard to imagine the outside force that's going to slow Sherri Shepherd down any time soon.
    • 78 Metascore
    • 50 Mary McNamara
    Unfortunately, so smitten are the creators of John Adams with historical earnestness and pedigree they seem to have forgotten how to tell a good story.
    • 66 Metascore
    • 50 Mary McNamara
    With a shorter to-do list and more ruthless editing--far too much time is spent in close-ups on the hosts--Showville could be as good in fact as it is in theory.
    • 51 Metascore
    • 50 Mary McNamara
    Crude stuff for a family newspaper, but despite the warm-and-fuzzy-celebrity cred that star Courteney Cox brings to it, some funny lines and good acting all around, Cougar Town is a crude show, built on jokes about oral sex and droopy breasts, a show in which words like "coochie" are used with regrettable abandon.
    • 56 Metascore
    • 50 Mary McNamara
    What viewers are left with, then, are some excellent fight and chase scenes, an outstanding supporting cast (who, alas, only highlight the main character's deficiencies) and a lot of truly beautiful location work. It may be enough, but it could, and should, have been so much more.
    • 70 Metascore
    • 50 Mary McNamara
    Kyle gives Outcast dimension, but Anderson makes it vital. Unfortunately, the crowded script slows them down. Too often, Outcast, like it’s demons, depends on the terrifying seductions of possession to hold our attention.
    • 66 Metascore
    • 50 Mary McNamara
    It's clear that Wells has nothing but respect for the original material; if only he felt the same for American viewers. Unfortunately, [executive producer John Wells] seems to have bought into the notion that Americans need everything to be bigger, louder, messier and drawn in primary colors.
    • 64 Metascore
    • 50 Mary McNamara
    It is, by turns, hilarious and histrionic, illuminating and infuriating.
    • 46 Metascore
    • 50 Mary McNamara
    Unfortunately, though Wilson remains gorgeously fearless in her willingness to go all in, neither the network nor Wilson (she is an executive producer) know quite what to do with that.
    • 58 Metascore
    • 50 Mary McNamara
    Lopez does a decent enough job--on top of the single-mom angle, Harlee also has a traumatic back story--but it's Liotta who will make or break Shades of Blue.
    • 64 Metascore
    • 50 Mary McNamara
    Where once Nip/Tuck crackled, it now whines and sighs; where once it shocked, it now plays nice.
    • 57 Metascore
    • 50 Mary McNamara
    Equal parts stupid and sweet, The Goodwin Games does not appear to be built for the long haul.
    • tbd Metascore
    • 50 Mary McNamara
    It's hard to tell from the premiere precisely what Latifah is going for here, besides the truly fabulous set that was, apparently, designed by Lenny Kravitz.
    • 52 Metascore
    • 50 Mary McNamara
    It's "House of Cards," with a werewolf/vampire hybrid instead of a charming but ruthless Southern senator.
    • 67 Metascore
    • 50 Mary McNamara
    It tries very hard not to take the expected path. Too hard, unfortunately. So determined are Hunt, executive producer/showrunner Jenny Bicks and Linney that The Big C be unsentimental that they jam early episodes with so many over-blown characters and wacky antics that it's impossible to attach meaning to any of them.
    • 52 Metascore
    • 50 Mary McNamara
    Certainly Olbermann is refreshing, and singular, in the clarity of his mission, which is to defend the liberal point of view with the same sort of take-no-prisoners rhetoric that conservative pundits like Bill O'Reilly have wielded so effectively. But the blatant uber-medianess of his persona seems, at times, in direct conflict with that belief that "the weakest citizen is more important than the strongest corporation."
    • 47 Metascore
    • 50 Mary McNamara
    The performances, in and of themselves, range from solid (King's) to inspired (Marshall's)....But taken together, there is both too much and too little going on.
    • 54 Metascore
    • 50 Mary McNamara
    Neither [Hirsch and Granger] offer any insight into what drove the couple, what they actually hoped to achieve, and what kept them going when it became clear that things were not going to end well. And History might have a little soul-searching to do; dramatic license should not mean Make a Huge Number of Important Plot Points Up.
    • 70 Metascore
    • 50 Mary McNamara
    There are many powerful scenes in The White Queen, moments that illustrate time and again how a woman's body was both her greatest tool and her inevitable prison; a man could control his fate by mind or sword, a woman can do it only by proxy. Unfortunately, they are surrounded by the misty, swampy lands of generic medievalness.
    • 65 Metascore
    • 50 Mary McNamara
    The fact remains that sword 'n' sheepskin is now a genre, and even if you are taking it back to its roots, you have to bring something new. Creators James Dormer, Tim Haines, and Katie Newman do not. Instead, they seem content to simply join the heroic hordes, relying on ever-improving CG and familiar modern tropes--the witty best friend, a couple of feisty women, court roiling with intrigue--to extend the narrative and cinematic limits of the original text.
    • 61 Metascore
    • 50 Mary McNamara
    Much of the first two episodes of Cristela feels dishearteningly retro.... Still, Alonzo is a pleasure to watch.

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