Mary McNamara
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For 506 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Big Love: Season 5
Lowest review score: 0 Stalker: Season 1
Score distribution:
  1. Negative: 58 out of 506
506 tv reviews
    • 56 Metascore
    • 40 Mary McNamara
    Murphey and the writers will have to do a lot of heavy lifting for Body of Proof to transcend its immediate predictability. There's only so much Delany can do with a cardboard show.
    • 62 Metascore
    • 40 Mary McNamara
    Gracepoint certainly has higher [ambitions] than many broadcast crime dramas. ... [But Tennant] is nowhere near as good in Gracepoint as he is in Broadchurch. ... [And] the coastal-town milieu of Gracepoint, so vivid in and integral to Broadchurch, seems just as fake as Tennant's accent.
    • 37 Metascore
    • 40 Mary McNamara
    Modern guys may have all manner of hilarious, disturbing and conflicting feelings about their children and the role of caregiver, but none of them make it into the pilot. Only Gary, exhausted and overwhelmed, seems to be experiencing life with an actual child, which is why he gets all the best lines.
    • 51 Metascore
    • 40 Mary McNamara
    There is an abundance, rather over-abundance, of story lines and clichés.
    • 43 Metascore
    • 40 Mary McNamara
    A frantic, erratic pace that keeps it from really getting anywhere.
    • 49 Metascore
    • 40 Mary McNamara
    The show is very much about Thom and his "struggles," which are far too often presented in a series of high-decibel, gratuitously profane diatribes about the habits of others without benefit of anything remotely resembling personal perspective.
    • 43 Metascore
    • 40 Mary McNamara
    The cast seems no better, or worse, than any reality TV assemblage, but the clues are delivered to the group in such a way that much of the pilot is spent watching them troop, mostly en masse, from one room to the other. It's not terribly exciting.
    • 51 Metascore
    • 40 Mary McNamara
    There is really only one reason to watch ABC's Canadian-import place-holder crime drama Motive--Kristin Lehman.
    • 51 Metascore
    • 40 Mary McNamara
    Even if you could forgive its lack of creativity, it's difficult to overlook its absurdly clunky execution. Oh, and the fact that it isn't very funny.
    • 49 Metascore
    • 40 Mary McNamara
    A clunky, clichéd Texas-based crime drama that has the added bonus of being unforgivably sexist, never mind that it was created and produced by women.
    • 42 Metascore
    • 40 Mary McNamara
    Criminal Minds: Suspect Behavior has the same rapid pace of the original, a narrative tool that both amps up the action and keeps the viewer from dwelling too much on the gargantuan leaps of imagination that pass for police work. It also works against the show, preventing it from fully making the insightful points it does have.
    • 48 Metascore
    • 40 Mary McNamara
    Dragon lady, cougar and feisty redhead; dutiful son, jealous daughter and henpecked husband are all present and accounted for, with pat and predictable jokes leeching whatever hope might be had from a racially diverse cast and a promising enough setup.
    • 35 Metascore
    • 40 Mary McNamara
    Kath & Kim needs to decide if it wants to satirize American parenting or popular culture. Because if the first two episodes are any indication, it certainly cannot do both.
    • 48 Metascore
    • 40 Mary McNamara
    Although it is far from the worst King adaptation (would that be "Dreamcatcher"? "Lawnmower Man"?) it feels less like a ghost story than a dashed-together homage to the King oeuvre that's slow where it should be fast and fast where it should be slow.
    • 48 Metascore
    • 40 Mary McNamara
    [This] is why this strange, shallow puddle of comedy is so difficult to accept. With all eyes on Leno, this is the best he, and his writers, and the struggling network could come up with?
    • 49 Metascore
    • 40 Mary McNamara
    Unlike "Awake," however, Saving Hope does not have Jason Isaacs, a nifty crisscrossing police procedural at its heart, or anything interesting to say about the various forms of reality.
    • 63 Metascore
    • 40 Mary McNamara
    Benched is nowhere near as funny as it thinks it is, mainly because Watkins and Jones seem to believe that the endless humiliations of a thin, attractive, previously well-compensated blond woman are all it takes to make people laugh.
    • tbd Metascore
    • 40 Mary McNamara
    It is difficult to imagine a need for such a thing, what with YouTube and "Tosh.0" on Comedy Central.
    • 57 Metascore
    • 40 Mary McNamara
    Unfortunately, if you name a show Unforgettable you really need to deliver, and the pilot just doesn't.
    • 61 Metascore
    • 40 Mary McNamara
    As a Michael Fox-loving member of the demographic it targeted, I most certainly saw the 1985 film "Teen Wolf," but I don't remember much save it was a comedy and not very good. Teen Wolf, which premieres Sunday night on MTV, is also one of those two things and it is not a comedy.
    • 37 Metascore
    • 40 Mary McNamara
    Feldman and her writers are so obsessed with making One Big Happy socially righteous--Lizzy announces her gayness with the frequency of an undercover straight person--that they forgot to give it any heart.
    • 63 Metascore
    • 40 Mary McNamara
    Unfortunately, the show seems to be slightly less than a sum of its parts.
    • 38 Metascore
    • 40 Mary McNamara
    Something got lost between concept and execution, and instead of suspense we get silliness
    • 36 Metascore
    • 40 Mary McNamara
    Having come up with an intriguing premise, co-creators Sherry Bilsing-Graham ("The New Adventures of Old Christine," "Friends") and Ellen Kreamer ("The New Adventures of Old Christine,") are either too timid or too hamstrung by network expectations to execute it.
    • 48 Metascore
    • 40 Mary McNamara
    19 male and female losers of "The Bachelor" and "The Bachelorette" are brought together, "Big Brother" style, to do what they do best: plot and flirt and cry, manufacture drama, do a little armchair psychoanalysis and hook up. In other words, high school without, you know, the learning part.
    • 55 Metascore
    • 40 Mary McNamara
    A potentially funny setup, if the women were not such oddly antiquated sendups.
    • 49 Metascore
    • 40 Mary McNamara
    Alas, it all plays just as sappy as it sounds, even with the gorgeous and ridiculous distractions of make-do medicine.
    • 47 Metascore
    • 40 Mary McNamara
    The town is lovely, the premise solid if overfamiliar, but the script lacks both depth and tension (big problem), and McCurdy is one of the few cast members who can act. All of which makes it difficult to care very much.
    • 45 Metascore
    • 40 Mary McNamara
    Rush hits all its notes with a solidity often known as stomping--Love trumps all pain and Rush must change his ways--and while it does offer another version of USA's other freelance-doc drama "Royal Pains," this concept actually doesn't look better in black.
    • 56 Metascore
    • 40 Mary McNamara
    Killing Lincoln wears its historical accuracy like a ball and chain, clunking where it should inspire, dragging where it should pulse with dread.

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