Mary McNamara
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For 486 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.5 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Transparent: Season 1
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 58 out of 486
486 tv reviews
    • 63 Metascore
    • 40 Mary McNamara
    Benched is nowhere near as funny as it thinks it is, mainly because Watkins and Jones seem to believe that the endless humiliations of a thin, attractive, previously well-compensated blond woman are all it takes to make people laugh.
    • tbd Metascore
    • 40 Mary McNamara
    It is difficult to imagine a need for such a thing, what with YouTube and "Tosh.0" on Comedy Central.
    • 57 Metascore
    • 40 Mary McNamara
    Unfortunately, if you name a show Unforgettable you really need to deliver, and the pilot just doesn't.
    • 61 Metascore
    • 40 Mary McNamara
    As a Michael Fox-loving member of the demographic it targeted, I most certainly saw the 1985 film "Teen Wolf," but I don't remember much save it was a comedy and not very good. Teen Wolf, which premieres Sunday night on MTV, is also one of those two things and it is not a comedy.
    • 37 Metascore
    • 40 Mary McNamara
    Feldman and her writers are so obsessed with making One Big Happy socially righteous--Lizzy announces her gayness with the frequency of an undercover straight person--that they forgot to give it any heart.
    • 63 Metascore
    • 40 Mary McNamara
    Unfortunately, the show seems to be slightly less than a sum of its parts.
    • 38 Metascore
    • 40 Mary McNamara
    Something got lost between concept and execution, and instead of suspense we get silliness
    • 36 Metascore
    • 40 Mary McNamara
    Having come up with an intriguing premise, co-creators Sherry Bilsing-Graham ("The New Adventures of Old Christine," "Friends") and Ellen Kreamer ("The New Adventures of Old Christine,") are either too timid or too hamstrung by network expectations to execute it.
    • 48 Metascore
    • 40 Mary McNamara
    19 male and female losers of "The Bachelor" and "The Bachelorette" are brought together, "Big Brother" style, to do what they do best: plot and flirt and cry, manufacture drama, do a little armchair psychoanalysis and hook up. In other words, high school without, you know, the learning part.
    • 55 Metascore
    • 40 Mary McNamara
    A potentially funny setup, if the women were not such oddly antiquated sendups.
    • 49 Metascore
    • 40 Mary McNamara
    Alas, it all plays just as sappy as it sounds, even with the gorgeous and ridiculous distractions of make-do medicine.
    • 45 Metascore
    • 40 Mary McNamara
    Rush hits all its notes with a solidity often known as stomping--Love trumps all pain and Rush must change his ways--and while it does offer another version of USA's other freelance-doc drama "Royal Pains," this concept actually doesn't look better in black.
    • 56 Metascore
    • 40 Mary McNamara
    Killing Lincoln wears its historical accuracy like a ball and chain, clunking where it should inspire, dragging where it should pulse with dread.
    • 56 Metascore
    • 40 Mary McNamara
    That transcendent mixture of confidence and fear, of humility and clear-eyed self-assessment, evident in so much of Sorkin's other work, is what turns a sermon into a work of art. And that is precisely what is missing here.
    • 48 Metascore
    • 40 Mary McNamara
    Running Wilde, is another fractured fairy tale, though without the nuance or humor of its predecessor.
    • 42 Metascore
    • 40 Mary McNamara
    Parrilla is a compelling presence, and it's marvelous to see Northam all modern and un-martyred after his terrific turn as Thomas More in "The Tudors." But there is a strange lack of chemistry among the cast, perhaps because they are continually forced to deliver monologues on how difficult their jobs are and say things such as: "Life, so bloody beautiful."
    • 51 Metascore
    • 40 Mary McNamara
    Swayze, his face worn craggy by age and his battle with pancreatic cancer, remains a noble figure despite the ridiculousness that surrounds him. With the bearing and the mien of a man who is fighting for the survival of his own humanity, he clearly could have done much more with less.
    • 33 Metascore
    • 40 Mary McNamara
    It is all so dreadfully familiar--the lovely, headstrong and feisty heroine, the nice guy who wants her (in this case, the medical examiner played by Max Brown) and the broken bad boy she loves instead. The only point of light is provided by Catherine's partner, Tess.
    • 62 Metascore
    • 40 Mary McNamara
    The problem is not the supernatural, it's the sanctimony.
    • 70 Metascore
    • 40 Mary McNamara
    For fans of "Silence of the Lambs" there is some pleasure in gathering the canonical Easter eggs planted throughout the series, but for the most part Hannibal suffers from the same fatal flaw as its main character: It takes itself so seriously that it's no fun at all.
    • 36 Metascore
    • 40 Mary McNamara
    From "thinking aloud" scenes in which the team tosses around a Nerf football to a most unfortunate series of conversations between Garza and his law clerk, the only thing that makes Outlaw unique in a swollen genre is its ability to trip over its own feet so early on.
    • 54 Metascore
    • 40 Mary McNamara
    Simmons is great as he always is, but between the divorce, the mid-life crisis, the coming out as blind, the mother-daughter tension and the boy discovering his true self and The Importance of Family, there is simply too much to look at and not enough to see.
    • 67 Metascore
    • 40 Mary McNamara
    This About a Boy is as subtle as a chain saw.
    • 51 Metascore
    • 40 Mary McNamara
    The cast is universally fine, but there's honestly nothing much it can do to avoid being swamped with Fellowes' arrogant attempt to capture the social dimensions of turn-of-the-century Britain, oh, and the sinking of this big boat too.
    • 36 Metascore
    • 40 Mary McNamara
    In the Motherhood worked as a Web series based on real-life stories but not, it would seem, as a television series based on overused stereotypes.
    • 53 Metascore
    • 40 Mary McNamara
    Even the most forgiving fan will find The Killing a shadow of its former self.
    • 38 Metascore
    • 40 Mary McNamara
    Much of the action arises from Reiser's inability to manage his mouth, but where David boldly owns the dark and limitless empire of his self-absorption, Reiser still wants to be the happily married Dad who may say the wrong thing once in a while but whose heart is still in the right place. A guy who's just like you, only much richer with his own show. But you can't have it both ways; just ask Larry David.
    • 59 Metascore
    • 40 Mary McNamara
    In parodying the celebrity life, Bob-Waksberg only occasionally hits the mark.
    • 39 Metascore
    • 40 Mary McNamara
    If only the actual action in The Hasselhoffs weren't so stagy, that tension between delusion and self-awareness might be interesting.
    • 54 Metascore
    • 40 Mary McNamara
    A little whitewashing is forgivable in a biopic, but to make a movie about the most influential figure in fashion history in which she spends more time moping around about her boyfriends than she does designing clothes is infuriating.

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