Mary McNamara
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For 455 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.2 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 61
Highest review score: 100 The Normal Heart: Season 1
Lowest review score: 0 Anchorwoman: Season 1
Score distribution:
  1. Negative: 54 out of 455
455 tv reviews
    • 79 Metascore
    • 100 Mary McNamara
    If there's a better written, better acted, more originally conceived show on television, I defy you to name it.
    • 91 Metascore
    • 100 Mary McNamara
    Downton Abbey, which premieres Sunday, is this generation's "Upstairs, Downstairs," both in theme--the daily dramas of a titled British family and their many servants--and in stature.
    • 79 Metascore
    • 100 Mary McNamara
    Though some of the visual cues will be very familiar to fans of "Lord of the Rings" or even "The Tudors," Game of Thrones quickly finds that rare alchemy of action, motivation and explanation, proving, once again, that the epic mythology remains the Holy Grail of almost any medium.
    • 85 Metascore
    • 100 Mary McNamara
    In early episodes, Big Love quickly reclaims its astonishing ability to balance the insightful and the absurd, hilarity and heartbreak and the personal with the political. The hours race by and already the final season seems far too short.
    • 88 Metascore
    • 100 Mary McNamara
    Many heads bend over this adaptation, each belonging to a master of his or her craft, and what emerges is a truly new, and miraculously accurate, definition of epic television.
    • 91 Metascore
    • 100 Mary McNamara
    It's the first telling of a post-9/11 story that is all the things it should be: politically resonant, emotionally wrenching and plain old thrilling to watch.
    • 79 Metascore
    • 100 Mary McNamara
    Smash is a triumph.
    • 82 Metascore
    • 100 Mary McNamara
    It isn't just good TV, it's revelatory TV. The genre's biggest potential game changer since AMC debuted the one-two punch of "Mad Men" and "Breaking Bad."
    • 82 Metascore
    • 100 Mary McNamara
    Once your eyes adjust to the bedazzled opulence of Liberace's life in '70s and '80s Las Vegas, Behind the Candelabra becomes a darkly moving and provocative look at two lonely men who briefly found something like love before the maelstrom of fame, money and drugs, all churning within the confines of the sexual closet, blew it apart.
    • 86 Metascore
    • 100 Mary McNamara
    It's an exquisitely rendered and masterfully acted film on Lifetime.... Underwood and Williams are eloquent and fine, but this is Carrie's story. With her shining ageless eyes and effortless physical grace, Tyson is quietly but relentlessly hypnotic in all she does.
    • 85 Metascore
    • 100 Mary McNamara
    It is a moment of fury and grace and wonder that this Heart, in which a brutally specific story is deftly re-tailored for another medium and time, loses none of its original passion or pointedness.
    • 94 Metascore
    • 100 Mary McNamara
    The acting is sublime, the writing wicked sharp, the sets and camera work astonishing, and in terms of ambition, be it narrative, creative, logistical or geographic, no other series comes close.
    • 85 Metascore
    • 100 Mary McNamara
    Neither prequel, sequel or remake, this Fargo is instead a tonal accompaniment, a little more than kin, a little less than kind and a whole new breed of television.
    • 91 Metascore
    • 100 Mary McNamara
    Centered on a career-redefining performance by Jeffrey Tambor as a retired professor finally allowing himself to live his true life as a woman, the half-hour, 10-episode series is, quite simply, astonishing to watch.
    • 79 Metascore
    • 90 Mary McNamara
    This Sense and Sensibility is truer not only to Austen's narrative, it more successfully captures the quiet precision of her singular mind--she was the master of finding poetry in domestic detail, and for that, the small screen is much better suited than the large.
    • 82 Metascore
    • 90 Mary McNamara
    "Weeds" is odder, darker and more suspenseful than ever.
    • 85 Metascore
    • 90 Mary McNamara
    It is, to put it bluntly, a cast to die for. Each story line is well-drawn and compelling and each subtly represents a thread of Paul's own issues that come together in Gina's office even more effectively, if a bit more sentimentally, than they did last season.
    • 77 Metascore
    • 90 Mary McNamara
    Mad Men has found a strange and lovely space between nostalgia and political correctness and filled it with interesting people, all of them armed with great powers of seduction.
    • 81 Metascore
    • 90 Mary McNamara
    For those Americans who have fallen through some wormhole and have never seen "Law & Order," the British version is as good a place to start as any--Walsh, Bamber and Agyeman in particular deliver fine performances. And those put off by the new "Law & Order: Los Angeles" or just jonesing for the good old days, will no doubt find a trip to London positively...brilliant.
    • 78 Metascore
    • 90 Mary McNamara
    Terrific acting, crackling dialogue and geek-hip crime are not the only things that make this the most electric drama to premiere this fall.
    • 87 Metascore
    • 90 Mary McNamara
    With Treme (which refers to a New Orleans neighborhood and is pronounced treh-MAY), Simon, co-creator Eric Overmyer and their team of writers (including the late, great David Mills) have proved that television as an art form cannot only rival Dickens, it can hold its own against Wagner.
    • 83 Metascore
    • 90 Mary McNamara
    There are only three patients this time around, and their stories, written by executive producers Anya Epstein and Dan Futterman, offer a thematic cohesion that seems richer, though perhaps more familiar. More important, the show remains a rare and wonderful opportunity to watch fine actors work their way through excellent material, earning it consistent praise and HBO's commitment, despite low ratings.
    • 82 Metascore
    • 90 Mary McNamara
    The filmmakers do not beat a political drum, they do not use an impassioned script or a soundtrack comprising brass and strings; they do not attempt to incite anger or outrage, sorrow or resolve in any way. Instead, they present the facts, simply and gracefully, and the result is devastating.
    • 69 Metascore
    • 90 Mary McNamara
    Haynes has created not only a rich and nuanced vehicle for his A-list cast--among them Kate Winslet, Evan Rachel Wood and Guy Pearce--he has given us a rare and valuable gift: an American melodrama about class.
    • 78 Metascore
    • 90 Mary McNamara
    Becoming Chaz is undoubtedly one of the most thought-provoking films you will see on any screen this year, a frankly chronicled tale of Chaz's life as a transgender man that opens a more than occasionally mind-blowing conversation about the essentials of gender, and subsequently, sexuality.
    • 73 Metascore
    • 90 Mary McNamara
    Parade's End must be taken on its own terms, because it is offering something rare and provocative: a poetically precise consideration of what it means to be caught out of time, clinging to the lip of one era or reaching desperately for a foothold in the other.
    • 91 Metascore
    • 90 Mary McNamara
    A dozen characters, played by the inevitably glorious assortment of British actors, crisscross in an astonishingly fluid game of cat's cradle, bringing this small town miraculously to life but never straying too far, or too absurdly, from the narrative through line.
    • 78 Metascore
    • 90 Mary McNamara
    It is the best new show of the fall. It's a rapturous mix of absurdly fairy-tale-romance and frantic modern complications, set in the picturesque drear of Yorkshire and brought to life by masterfully shaded performances.
    • 79 Metascore
    • 90 Mary McNamara
    Marta Cunningham's documentary Valentine Road is a profoundly disturbing and extremely effective attempt to make us stop in our tracks and try to answer the questions we so patly ask.
    • 72 Metascore
    • 90 Mary McNamara
    It's a dark and astonishing gem of a show, with a bravely skillful cast juggling the petty obsessions of the workplace with Much Bigger Issues.
    • 65 Metascore
    • 90 Mary McNamara
    Surviving Jack is terrific. Funny and smart, poignant and believable, it is undoubtedly the best new comedy of the season.
    • 79 Metascore
    • 90 Mary McNamara
    Beneath the twists and turns of Orphan Black's increasingly deep and vivid story lines lie the even more basic theme of revelation: How would you react if you discovered that what you had come to know as your life was based on misinformation.... From the space between wreckage and rebuilding comes much of our great literature, music and art. And now, Orphan Black.
    • 85 Metascore
    • 90 Mary McNamara
    It's a terrific idea lyrically written and perfectly cast.
    • 72 Metascore
    • 80 Mary McNamara
    Jack is the glue that holds the show together, and Sutherland, with his pained, superhuman skill set, makes him a physical statement about the toll violence takes, even violence committed in an attempt to save the world.
    • 79 Metascore
    • 80 Mary McNamara
    Ten minutes into the season premiere of Nip/Tuck and you have to wonder what those deeply disturbed plastic surgeons were doing wasting four seasons, and all that unexplored sexual tension, in Miami when they so clearly belong in Los Angeles.
    • 77 Metascore
    • 80 Mary McNamara
    The episode has a few sentimentality issues (any plot point involving a music box walks a very fine line), but it doesn't matter much because the characters are so vivid they even outshine House at times, which can only be good for him.
    • 85 Metascore
    • 80 Mary McNamara
    But of what actually happens, I will say no more. You'll have to watch it yourself. And you should.
    • 87 Metascore
    • 80 Mary McNamara
    The show is crazy, man, now more than ever, and I mean that in the best possible way.
    • 71 Metascore
    • 80 Mary McNamara
    It's the characters, and the character development, that continually lift the show out of soap into true opera, in which things writ large resonate with pinpoint accuracy.
    • 80 Metascore
    • 80 Mary McNamara
    It's the miraculous simplicity of creating something from nothing that makes Runway endlessly watchable.
    • 73 Metascore
    • 80 Mary McNamara
    Creator Jenji Kohan has kept it all going so far, the supporting cast remains the funniest on TV, and Parker, with her carefully calculated stillness and sudden reckless displays of fearlessness, is more riveting than ever.
    • 74 Metascore
    • 80 Mary McNamara
    With all those Emmys, viewers expect a lot, and two episodes in, 30 Rock is prepared to deliver, serving up the self-conscious, fast-moving, quick-witted comedy it has all but trademarked.
    • 75 Metascore
    • 80 Mary McNamara
    Close's performance illuminates rather than outshines with its high wattage.
    • 80 Metascore
    • 80 Mary McNamara
    The first episode may be a bit rocky in the beginning, what with the reintroduction of characters and story lines, but the second season of Damages promises to be even better than the first.
    • 81 Metascore
    • 80 Mary McNamara
    This time around everyone, Byrne in particular, moves with an air of confidence that allows you to keep your eyes on the knives being juggled in the air rather than the person doing the juggling. Which is exactly where you want the audience's eyes to be when you're pulling off a con, or a show like Damages.
    • 85 Metascore
    • 80 Mary McNamara
    Dexter is a weekly marvel of writing, acting and conceit.
    • 48 Metascore
    • 80 Mary McNamara
    Because it's fun to watch the rich and mighty stumble and scheme, which novelists as diverse as William Thackeray and Judith Krantz have long known. In the first two episodes at least, the quality of the acting and the writing brings depth to what could so easily be the fetid shallows of life issues of the rich and famous
    • 51 Metascore
    • 80 Mary McNamara
    The show looks to be a smart, stylish crime drama that just happens to revolve around a group of women as so many have revolved around men.
    • 66 Metascore
    • 80 Mary McNamara
    Anchored by the sensible sensitivity of Nick, Dirty Sexy goes over the top and back again, as brightly fun and cheesy as a carnival ride.
    • 74 Metascore
    • 80 Mary McNamara
    Although The Sarah Connor Chronicles has gadgets aplenty, it has what "Bionic Woman" never quite acquired: a brain and a heart.
    • 70 Metascore
    • 80 Mary McNamara
    Cleverly conceived, it boasts a star-studded cast (Gabriel Byrne, Dianne Wiest, Blair Underwood) who achieve, at times, theatrical transcendence.
    • 64 Metascore
    • 80 Mary McNamara
    Playing it long and lugubrious but with a tantalizing twinkle, Lewis (last seen in the States as the hateful husband in "The Forsyte Saga") may well wrest the mantle of sexiest troubled American played by a Brit away from Hugh Laurie.
    • 54 Metascore
    • 80 Mary McNamara
    Gossip Girl is eye candy, and mind candy, as pretty as a perfectly prepared martini--one that some nasty, picture-perfect have-it-all may or may not have drugged.
    • 72 Metascore
    • 80 Mary McNamara
    High School Musical 2 s zippier, bouncier, prettier, more soulful and even more musical than its predecessor, and that's saying something.
    • 57 Metascore
    • 80 Mary McNamara
    It's not your mother's Bionic Woman. It's much, much better.
    • 79 Metascore
    • 80 Mary McNamara
    Gavin & Stacey is a gem of a show -- funny, touching and welcome proof that the romantic comedy can and will survive irony, Botox, Judd Apatow and all the vagaries of the modern age.
    • 85 Metascore
    • 80 Mary McNamara
    Smart but never slick, funny but never glib, dark but never (praise all saints and angels) noir, Breaking Bad is actually not another addition to the Brotherhood of the Made Guy formula, it turns out to be the formula's antidote.
    • 79 Metascore
    • 80 Mary McNamara
    Creator Toby Whithouse takes all the themes associated with the cursed and the damned very seriously, and if his exploration of them is less baroque than other franchises, it promises to be even more effective.
    • 65 Metascore
    • 80 Mary McNamara
    Psychological sleight of hand can't fill an hour every week. For that you need complicated, interesting crimes and complicated, interesting characters solving them. The Mentalist seems prepared to deliver just that.
    • 71 Metascore
    • 80 Mary McNamara
    Scenes unspool, lives unwind, wicked acts are done, but so is justice, and under the lovely and indifferent African sun, it seems there is all the time in the world. It's hard to imagine a better place to be.
    • 63 Metascore
    • 80 Mary McNamara
    Warehouse 13 is unapologetically and delightfully derivative, happily plucking the best stuff from our favorite shows and leaving all the heaviness behind.
    • 64 Metascore
    • 80 Mary McNamara
    Hunt Baldwin and John Coveny, who created Trust Me (and have been writers on “The Closer") are former admen themselves; they chose the milieu to explore the creative process among a group of people with a collective-neuroses score high enough to maintain a smart and breezy comedy.
    • 78 Metascore
    • 80 Mary McNamara
    There's something about the terrible lighting, those horrible curtain dividers, the washed-out gowns that makes every patient seem extraordinarily vulnerable. Which, of course, they are, as are we all, including the men and women who provide our last line of defense in this life. This is precisely the stuff of great drama and of great documentary, but it gets a little troublesome when combining the two.
    • 79 Metascore
    • 80 Mary McNamara
    Although Romano is the keystone of the group, it is very much an ensemble drama buoyed by writing that protects the characters from the perils of self-pity and self-indulgence with quick and gentle humor and plot points that capture the forces a middle-aged, middle-class man might actually battle.
    • 77 Metascore
    • 80 Mary McNamara
    Wyle is funny and charming and dispenses just enough fascinating arcane knowledge to keep things semi-educational, the special effects are great, Newhart and Curtin are always great to see, the ubiquitous Davison ("Knight Rider") is obviously having a blast as Lazlo, and really, who doesn't like a good vampire story?
    • 68 Metascore
    • 80 Mary McNamara
    Berman produces a deft juggling trick of heart and humor, balancing Deb's shallowness with some solid common sense and Jane's inadequate self-esteem with kindness and legal brilliance.
    • 67 Metascore
    • 80 Mary McNamara
    Easy Money (9 p.m. Sunday on the CW) is easily the most intriguing new show of the season, if only because it relies on neither the great wealth, modern science or female bonding for its narrative thrust.
    • 72 Metascore
    • 80 Mary McNamara
    A lively, thought-provoking and often humorous quasi-biopic of a real-life crusader in which there are no angels, or devils either, just a nation in the midst of change for which not everyone is prepared.
    • 72 Metascore
    • 80 Mary McNamara
    You can't really improve on the story of "Oliver Twist"; the best you can hope for is to bring it to life, which the two-part "Masterpiece Classic" version skillfully does.
    • 77 Metascore
    • 80 Mary McNamara
    Anchored by amazing performances by Jessica Lange and Drew Barrymore, the Grey Gardens that premieres tonight is, like its subjects, a brilliant, moving, hilarious and mesmerizing mess of a movie that miraculously captures what made the Beales such iconic characters.
    • 92 Metascore
    • 80 Mary McNamara
    For all its moments of poetry and insight, Mad Men too often feels less like a drama and more like the staging of a really good master's thesis.
    • 75 Metascore
    • 80 Mary McNamara
    The Alzheimer’s Project is an ambitious, disturbing, emotionally fraught and carefully optimistic four-part documentary exploring virtually every angle of Alzheimer's disease that can be explored on television
    • 71 Metascore
    • 80 Mary McNamara
    Yet despite the distraction of its media grooming, the basic story of Whale Wars is quite a yarn.
    • 76 Metascore
    • 80 Mary McNamara
    Funny, yes, but in a revelatory way. It is not unusual for a working mother to view every relationship in her life as simply a matter of fulfilling the next indicated task, but I don't think it has ever been so wonderfully, and painfully, captured on television before.
    • 67 Metascore
    • 80 Mary McNamara
    As the plot of V progresses, no doubt we will see the subtle strangulation of democracy by fascism--already the press has been corrupted--and that is a story that cannot be told often enough. Especially when it comes, like the V's, in such a fine, fun and attractive package.
    • 59 Metascore
    • 80 Mary McNamara
    Writer and executive producer Shane Brennan has worked on "NCIS" for years; he knows what he's doing and how to do it well; the casting is solid, the crimes international. What's not to like?
    • 70 Metascore
    • 80 Mary McNamara
    Writer and executive producer Jonathan E. Steinberg does an admirable job preserving the smart-mouth humor and ker-pow, splat fun while creating story lines and characters grounded in the alpha-male charm that made guys like Pierce Brosnan, Bruce Willis and Robert Conrad so popular.
    • 76 Metascore
    • 80 Mary McNamara
    With the rest of the cast hitting the same high notes as Margulies and the script, The Good Wife promises to be that Holy Grail of television: a good criminal procedural that barely disguises the insightful, multilayered human drama that lies beneath.
    • 64 Metascore
    • 80 Mary McNamara
    Covert Affairs may not have the revenge factor of "Burn Notice" or the bromantic banter of "White Collar," but it's fast-paced, fun and every bit as charming.
    • 65 Metascore
    • 80 Mary McNamara
    O'Loughlin's by-the-book performance is buoyed by a fast-paced script and a splendid supporting cast, including and especially Scott Caan as Danno, that radiates enough hit-making energy to render even Oahu's azure waters and perfect sunsets superfluous.
    • 87 Metascore
    • 80 Mary McNamara
    Modern Family is sharp, timely and fresh, complicated enough to be interesting but with a soft, sweet center because, and I'm speaking loudly so even cable channels can hear, there is nothing wrong with that.
    • 69 Metascore
    • 80 Mary McNamara
    The smart, insightful writing of Liz Tigelaar, the crisp and vibrant exteriors of Portland and the palpable chemistry between all the leads combine to make it, dare I say, lovable, an entertaining hour that might even offer a few insights into the complicated ties of desire and regret, friends and family.
    • 63 Metascore
    • 80 Mary McNamara
    The writers seem so concerned with ensuring that their characters are preternaturally decent and likable that they go for sunny skies when there should be storm clouds....But Kodjoe and Mbatha-Raw are so energetic and appealing that it's hard to take your eyes off them long enough to worry about such matters, and they both seem up to just about anything.
    • 43 Metascore
    • 80 Mary McNamara
    All the performers use the documentary setup to their best advantage, shooting the omnipresent camera knowing, comical and anguished glances, and generally treating it as if it were another character.
    • 70 Metascore
    • 80 Mary McNamara
    If it pulls off what it seems capable of doing, Blue Bloods should be both a good cop show and an evocative family drama. So something for everyone, just like a good Sunday dinner.
    • 82 Metascore
    • 80 Mary McNamara
    The Walking Dead, like any good horror tale, still believes in the importance of monsters, perfectly balancing the struggle of basic human decency with those palsied four-in-the-morning moments when we are convinced that everyone around us is trying to eat us alive
    • 51 Metascore
    • 80 Mary McNamara
    Despite this silly and derivative setup, the pilot is actually a lot of fun. The performances are uniformly good and there are moments of promising depth to balance all the peppy hair-swinging, abs-flexing dance numbers.
    • 67 Metascore
    • 80 Mary McNamara
    The Event seems prepared to make its characters as complex as its storyline, always an event worth attending.
    • 75 Metascore
    • 80 Mary McNamara
    Raising Hope is funny, sweet, occasionally provocative, and occasionally over-the-top in a regrettable way.
    • 76 Metascore
    • 80 Mary McNamara
    It is impossible to watch the gravity-defying catches, the Olympian throws, and the hits soaring into the stands and not be moved. Watching professional athletes in the moments of their glory is a wonderful thing; knowing what was at stake makes it even more moving.
    • 75 Metascore
    • 80 Mary McNamara
    Throw in Wysocki's rookie niece, some intra-force rivalry, those great Chicago locations and a Polish sausage or two, and you have a show that breaks the network code, and that alone is worth watching.
    • 82 Metascore
    • 80 Mary McNamara
    The show, and its survival, offers proof that quality can triumph in an industry driven by quantity and that even though necessity is the more fertile of the two, poetry can also be a fine mother to invention.
    • 71 Metascore
    • 80 Mary McNamara
    Serious without being grim, uplifting without being saccharine, Falling Skies dares to image what feature films will not--a world in which Will Smith or Aaron Eckhart did not bring down the mother ship in time.
    • 59 Metascore
    • 80 Mary McNamara
    The Fairly Legal writers manage to make this intellectually formidable centerpiece lively and intriguing and Shahi, whose timing is just as exceptional as her looks, makes it funny and sexy. The rest of the cast give us characters who may have started off stock but quickly become multilayered and, like the show itself, capable of all manner of surprises.
    • 64 Metascore
    • 80 Mary McNamara
    Terra Nova manages to introduce a panoply of narrative threads and themes while telling a remarkably clean story, both in terms of plot line and tone; Terra Nova is whole-family friendly.
    • 84 Metascore
    • 80 Mary McNamara
    A show that is visually poetic, normatively compelling and, most important, sustainable for a good long haul.
    • 68 Metascore
    • 80 Mary McNamara
    Moffat and his very deep bench of talented performers create characters that defy expectation and grow in complexity with each episode.
    • 63 Metascore
    • 80 Mary McNamara
    Alphas deftly balances all the building blocks of great genre--nonhuman abilities, twisty plot, cool special effects, smart dialogue and characters you want to spend more time with. And that's the most impressive superpower of all.
    • 66 Metascore
    • 80 Mary McNamara
    Viewers will come to see Deschanel but they'll stay for the whole package because smart writing, confident timing and characters that are both familiar yet surprisingly fresh make New Girl the most promising comedy, and one of the most promising shows, of the season.
    • 57 Metascore
    • 80 Mary McNamara
    Though both are actors with pasts that border on Hollywood satire, they appear more "real" than any other set of reality drama stars on TV today. No moral compasses here, no self-sabotage, no attempt to brand themselves with a phrase or a fist pump, just a very, very complicated family and fairly reasonable expectations.
    • 91 Metascore
    • 80 Mary McNamara
    The case [A Scandal in Belgravia] is much more complicated than that [photos involving a member of the British family] of course, so much more that it, as with the episodes that follow, occasionally threatens to collapse under its own writhing weight. Fortunately, the thrill of Sherlock Holmes was never so much plot as character.
    • 78 Metascore
    • 80 Mary McNamara
    It's a solid enough formula, and if the writers have overly epic ambitions, they also have a collective eye for detail.
    • 71 Metascore
    • 80 Mary McNamara
    The show mines the long-standing tension between those who believe in fate and those who believe in control while holding all strains of outrageous behavior up for both mockery and scrutiny.
    • 80 Metascore
    • 80 Mary McNamara
    You will laugh, you will cry and if it seems a bit treacly, it is.
    • 78 Metascore
    • 80 Mary McNamara
    His style of filmmaking--to obsessively explore his subject from as many points of entry as possible--is the cinematic definition of thought-provoking.
    • 77 Metascore
    • 80 Mary McNamara
    Like the wonderful documentaries of ESPN's "30 for 30" series, The Announcement not only captures a remarkable person and an unforgettable moment, it proves once again the universal appeal and importance of professional sports.
    • 87 Metascore
    • 80 Mary McNamara
    There is a cool cleverness to the show that is both attractive and off-putting; the characters are flawed and hyper-aware of their flaws, the stories so bent on covering every angle of self-examination that there is no real role for the viewer to play.
    • 81 Metascore
    • 80 Mary McNamara
    The value of the series, then, is its, well, weight, its relentless attempt to remind us of what we know, to connect many important dots and clear away the emotional and cultural fog that often blurs discussions about obesity, and to offer hope in the form of personal stories, regional projects and past success.
    • 68 Metascore
    • 80 Mary McNamara
    Hatfields & McCoys is a star-studded, gorgeously produced and astonishingly nuanced look at America's most famous family feud.
    • 73 Metascore
    • 80 Mary McNamara
    Miller is certainly competent and even compelling as this round of newly imagined Sherlock Holmes.... Liu gives her Watson the perfect blend of wariness and admiration--she is clearly brilliant in her own right and while she may be his keeper, she is not his chronicler. And her journey may turn out to be just as interesting as his.
    • 78 Metascore
    • 80 Mary McNamara
    What sets Push Girls apart [from other reality shows] is that these plots, and these women, are actually interesting.
    • 84 Metascore
    • 80 Mary McNamara
    Nashville is big, bold, wildly ambitious and great fun, with top notes of Robert Altman's "Nashville," "Cat on a Hot Tin Roof" and "All About Eve."
    • 73 Metascore
    • 80 Mary McNamara
    It's hard not to love a show with a comely apothecary, and it's impossible not to love the new season of Grimm.
    • 84 Metascore
    • 80 Mary McNamara
    NY Med is a surprisingly addictive medical docu-series, fascinating as much in form as it is in function. The third in a series of similarly-themed programs prod
    • 80 Metascore
    • 80 Mary McNamara
    Beyond the emotional pull of the individual stories, Get to Work breaks down a certain us/them barrier, showing with painful clarity the holes left by the absence of family structure and education.
    • 74 Metascore
    • 80 Mary McNamara
    Given a boatload of fine performances and an attractive milieu, it remains very much worth watching even when it feels like the writers are depending on your inattention or forcing their characters to act improbably in the service of a puzzle-plot that at times feels held together with string and tape and white glue.
    • 67 Metascore
    • 80 Mary McNamara
    Ben and Kate is a sweet, smart new show from Fox that may turn out to be the best new comedy of the fall season.
    • 73 Metascore
    • 80 Mary McNamara
    Smooth without being slick, textured but not self-indulgent, Arrow reminds us that the best stories we tell are both revelatory and a whole lot of fun to watch.
    • 82 Metascore
    • 80 Mary McNamara
    If early episodes are any indication, Season 3 will provide a glorious payoff for those EST-ian weeks down on the farm.
    • 79 Metascore
    • 80 Mary McNamara
    In Witness we are left with far more questions than answers or even observations....Fortunately, they're all good questions, important and worth asking in any format.
    • 79 Metascore
    • 80 Mary McNamara
    Bel and her staff are no longer young Turks shaking up the fusty old BBC; now they are, for better or worse, part of the mainstream news media, forced to question their own motivations as well as those of the Establishment. In the first two episodes anyway, this makes for a more sophisticated storytelling, a drama of adults who must take responsibility for decisions of the mind as well as the heart.
    • 76 Metascore
    • 80 Mary McNamara
    If the rest of the series is as good as the two episodes released early for review (the fact that Netflix made only the episodes directed by Fincher available is slightly worrisome), House of Cards will in all probability become the first nontelevised television show to receive an Emmy nomination, or four.... [However,] not everything in House of Cards lives up to the standard set by its leads; for all its cutting-edge delivery system, it is at times surprisingly pat.
    • 74 Metascore
    • 80 Mary McNamara
    In both time frames, the period is richly evoked, and the performances are universally fine.
    • 72 Metascore
    • 80 Mary McNamara
    It is well-written and certainly well-acted, with plot and psychological twists as numerous and tantalizing as the streets on which they occur.
    • 66 Metascore
    • 80 Mary McNamara
    Three episodes in, the story is certainly serpentine, at times self-consciously so. But there does appear to be writerly method in the madness. More important, there is Farmiga, and she, like Norma, appears up to any task.
    • 76 Metascore
    • 80 Mary McNamara
    It's a powerful meditation on what happens to a community once a galvanizing threat is removed but then returns, albeit in a more benign state.
    • 79 Metascore
    • 80 Mary McNamara
    "The Wire's" Snoop would definitely not fit in. But this is the most impressive group of female characters ever assembled in a series, and it's not just window-dressing; each woman has a story and that story will be told.
    • 78 Metascore
    • 80 Mary McNamara
    Thematically ambitious with a strong and nuanced cast, Being Mary Jane, which stars Gabrielle Union, combines daytime television talking points with cable-worthy character depth.
    • 74 Metascore
    • 80 Mary McNamara
    Creator Jon Bokenkamp matches up a deliciously absurd uber-story (20 years later, rogue spy turned freelance criminal comes in from the cold...) with the mother of all procedural shticks (and he's going to bring all his friends and enemies with him). But the ace in the hole is Spader.
    • 74 Metascore
    • 80 Mary McNamara
    Not only is Gregg a beloved actor playing a beloved character, Coulson is the perfect guide for Whedon's vision. He's a super-power-adjacent Everyman who may be able to make the television series just as good, in its own way, as the film franchise.
    • 59 Metascore
    • 80 Mary McNamara
    There is plenty of that--the good, the beautiful and the etc. Some of it is conjured by CG magic (the Red Queen's palace is splendid, and the White Rabbit's ears a masterwork), and some by just good storytelling and performer chemistry, which Lowe and Socha have in abundance. Add to that a smattering of witty dialogue, clever character twists and, of course, the Victo-goth steampunk look, and ABC has another shot at redefining the family hour.
    • 71 Metascore
    • 80 Mary McNamara
    There's still blood and gore all over the floor, mind you. Not to mention rape, gruesome torture and evil run riot, and that's just the first episode. But there's also a lightness of touch and tone, a backlight of sly humor and, more important, a clearly delineated narrative.
    • 62 Metascore
    • 80 Mary McNamara
    That nonjudgmental, easygoing charm is precisely why the people in Key's life put up with him, and why viewers will be drawn to him. Rake may be the story of yet another anti-hero, but it's difficult to remember one this likable.
    • 66 Metascore
    • 80 Mary McNamara
    It's precisely the lack of traditional stage-managed drama that makes early episodes of the show so fascinating.
    • 77 Metascore
    • 80 Mary McNamara
    Covering nearly five centuries, half a dozen groups and a dozen wars, with interviews from 100 subjects, Latino Americans looks to be exactly what it claims to be: the most thorough documentary on Latino American history yet made.
    • 65 Metascore
    • 80 Mary McNamara
    The argument for overturning Ali's conviction has nothing to do with politics or personality. Instead, it had everything to do with the legal fine print, which makes the film's climax more muted than you might hope.... The cast, led by Plummer and Langella, is so fabulous you might find yourself wondering if it isn't time for a dramatic series revolving around this Supreme Court.
    • 81 Metascore
    • 80 Mary McNamara
    It is less a portrait of two combustible stars, played with empathy and breathtaking control by Dominic West and Helena Bonham Carter, as it is a surprisingly thoughtful excavation of a love that is both undeniable and untenable.
    • 72 Metascore
    • 80 Mary McNamara
    When Fellowes allows his characters to show that mettle and strength are not necessarily the prettiest things in the room, Downton transcends its soap bubbles and more than earns its histrionic plot twists.
    • 88 Metascore
    • 80 Mary McNamara
    Elizabeth and Philip react with the appropriate amount of fear for and protectiveness of Paige and Henry. No doubt, this will further widen the cracks already forming in their political/professional resolve, but there is no going back: The Americans puts the kids front and center.
    • 76 Metascore
    • 80 Mary McNamara
    Along with the story line insights, there is a feeling of control overarching the early episodes, a narrative fluidity replacing the spikier, and quickly tiresome, need to shock. Oh, Hannah's still naked and body fluids anchor several conversations, but Girls seems to be maturing as a creative enterprise just as its characters are maturing as people.
    • 73 Metascore
    • 80 Mary McNamara
    Looking doesn't make the mistake of arguing that gay men are just like straight women, or straight men, or gay women, or even each other. Instead it tells the story of three guys who are friends in a strangely wonderful and difficult time and what that looks like. To them.
    • 80 Metascore
    • 80 Mary McNamara
    But it's Claire, and the Underwood marriage, that makes "House of Cards" more than just a better-than-average addition to the genre of Antihero Drama Being Used to Establish a New Fiefdom in the Television Landscape (see also "Nip/Tuck," "Dexter," "Mad Men," "Vikings" and "Klondike").
    • 88 Metascore
    • 80 Mary McNamara
    Hannibal is much better than it once was, perhaps the guiltiest pleasure on television at this time.
    • 70 Metascore
    • 80 Mary McNamara
    Viewers will sigh with relief to see this trio actually get along with one another. They listen, share in the laughs and coolly talk through decisions--it makes for a captivating panel that’s fun to watch.
    • 76 Metascore
    • 80 Mary McNamara
    It was with the Indian coverage that he both shone (commenting on one candidate's use of holographic appearances, he said, "That’s not just how you get elected. That’s how religions get started") and set himself apart. If Oliver can do for international news what Stewart and Colbert have done on the domestic scene, well, the already-crowded Sunday night DVR queue just took on an extra half-hour.
    • 70 Metascore
    • 80 Mary McNamara
    Certainly nostalgia is a factor.... But delight may be a better word. It's always good to see an old friend, and an old pro in action. Live Another Day gives us both.
    • 66 Metascore
    • 80 Mary McNamara
    Costars like Daly, Ivanek and Neuwirth promise great things, but Madam Secretary belongs, obviously, to Leoni, who conjures a gratifying mix of brains and heart, humor and flintiness without, and this is important, any sign of mental illness.
    • 69 Metascore
    • 80 Mary McNamara
    Though the pilot of Halt and Catch Fire, AMC's latest character-driven drama premiering Sunday, doesn't hit the gloriously high bar set by the opening episode of "Mad Men," it is provocative and promising nonetheless.
    • 68 Metascore
    • 80 Mary McNamara
    Murder in the First, a masterfully paced balance of tricky whodunit and character development, seems to have benefited from both Bochco's hits and the misses, as well as the cable-led experimentation with shorter seasons.
    • 69 Metascore
    • 80 Mary McNamara
    Refreshingly realistic in some ways (there is much jumping out of high windows, but the jumper is often actually injured) and soothingly romantic in others, "The Musketeers" is a captivating balance of spectacle and story, true enough to the essentials of the original, modern enough to understand the necessity of humor and self-reference.
    • 72 Metascore
    • 80 Mary McNamara
    Sweet, smart and quickly addictive, it's a classic cross-cultural romantic comedy with top notes of satire, but a brave and true heart.
    • 89 Metascore
    • 80 Mary McNamara
    In Season 2 the issues and tensions remain the same, but perfectly dialed up a notch or two.
    • 72 Metascore
    • 80 Mary McNamara
    The Strain is an old-fashioned, marks-hitting horror quest in which a band of unlikely warriors attempts to defeat a thing of unspeakable evil Before It's Too Late.
    • 72 Metascore
    • 80 Mary McNamara
    The Divide is a tense and thoughtful drama, with what promise to be complex characters and at least one breakout performance.
    • 68 Metascore
    • 80 Mary McNamara
    With admirable economy and keep-up-people pace, creator Peter Nowalk reveals both the imperial nature of his lead and quick sketches of the five students from the opening scene.
    • 73 Metascore
    • 80 Mary McNamara
    An effervescent and super-engaging addition to television's increasingly grim comic-book wars.
    • 74 Metascore
    • 80 Mary McNamara
    Early episodes are strong, if not as shattering as the inaugural season.
    • 80 Metascore
    • 80 Mary McNamara
    For a program known for its harum-scarum pace and keep-up-or-shut-up iconography, the Season 8 Saturday premiere of BBC America's Doctor Who opens slowly--even with the T. rex--and radiates a newly modern self-consciousness, albeit dressed in Victorian garb.
    • 84 Metascore
    • 70 Mary McNamara
    In recent months, star Denis Leary and his co-creator/producer Peter Tolan have repeatedly promised a different show, one less bleak and heavy-footed than Season 4, and on this they most certainly deliver.
    • 53 Metascore
    • 70 Mary McNamara
    It's all very tense and fun, underscored by sirens and ominous techno music, shot in that popular, over-caffeinated jumpiness that here at least makes sense.
    • 72 Metascore
    • 70 Mary McNamara
    Beautifully shot and marvelously acted, Caprica is infused with all manner of intriguing bits of business....After the two-hour pilot, available on DVD last year, early episodes move with an often creaky slowness that seems at odds with its spry and comely cast.
    • 63 Metascore
    • 70 Mary McNamara
    Yet silly and unsurprising as it seems, Miss Guided has something going for it that many predictable sitcoms do not: a uniformly talented cast.
    • 73 Metascore
    • 70 Mary McNamara
    Though each episode is entertaining, it's difficult to care what happens because nothing much seems to be at stake. Still, amid all the shattered and haunted leading men on TV today, Chuck is a refreshingly simple guy.
    • 64 Metascore
    • 70 Mary McNamara
    [Hunter] captures well the worn-to-the-bone, irritable and slightly skanky buzz of a person living on too little sleep and too many medicinally applied Cokes, while infusing her character with a gentle heart and a sudden, dazzling smile. But much of the rest of the show is tediously familiar.
    • 74 Metascore
    • 70 Mary McNamara
    Indeed, the fleshed-out secondary characters have better material than do Sookie and her vampire Bill (Stephen Moyer), who labor under the burden of replaying for the umpteenth time the forbidden love between the living and the dead, the light and the dark.
    • 67 Metascore
    • 70 Mary McNamara
    Of course, because this is a British production, it goes without saying that the acting across the board is terrific, adding a certain sheen to the well-thumbed plots.
    • 67 Metascore
    • 70 Mary McNamara
    if you're the type of person who needs every little thing, or indeed any little thing, to make sense in a pilot, then you should probably watch Fringe in solitude, preferably with the door closed, so the rest of us can enjoy it for what it is--an uneven but promising jumble of horror, thriller and comedy that is not afraid to reference SpongeBob and "Altered States" in practically the same scene.
    • 62 Metascore
    • 70 Mary McNamara
    Lust because something's almost unforgivably cute ("Holy hottie, Batman" is an actual line) doesn't mean it can't also be very good and very funny, which The Ex List is.
    • 73 Metascore
    • 70 Mary McNamara
    This is good summer entertainment, like a Saturday afternoon B-movie matinee transposed to Monday-night TV.
    • 62 Metascore
    • 70 Mary McNamara
    It's not perfect, but it certainly is different, so why not just enjoy the ride?
    • 61 Metascore
    • 70 Mary McNamara
    Harper's Island does not attempt to rise above the confines of its genre because it's too busy rolling around in them. It's tense enough, mysterious enough for those of us who enjoy occasionally watching the screen from behind our hands.
    • 61 Metascore
    • 70 Mary McNamara
    [Christian] is in rare form here. Which is a good thing since the show's success or failure rests solely on his dramatic agility and general appeal.
    • 66 Metascore
    • 70 Mary McNamara
    Despite some less-than-stellar story lines--Ray's feud with his rich neighbor, his constant referral to how things have changed since his parents' day--Ray comes across as a genuine Everyman. Who just happens to have a certain God-given talent that will allow him to survive.
    • 61 Metascore
    • 70 Mary McNamara
    Though filled with far more tender and often tear-jerking moments than actual laughs, the first hour of Parenthood seems a solid and steady enough vehicle for such a brilliant cast.
    • 50 Metascore
    • 70 Mary McNamara
    In between bouts of underage drinking, texting, girl-bonding, and the inevitable minor-key whine of a soundtrack, that is. "True Blood Lite" or "Transylvania 90210." And you know what? It is. Almost exactly. But this is not a bad thing, not a bad thing at all. Because Vampire Diaries knows precisely what it is--a Gothic romance--and doesn't try to be anything else.
    • 48 Metascore
    • 70 Mary McNamara
    Three Rivers seems to trust the drama of its subject matter, the appeal of its characters and the talent of its cast enough to go gently into this Sunday night.
    • 63 Metascore
    • 70 Mary McNamara
    No doubt there will be many lessons about the importance of pulling together and being true to oneself, etc., but Make It or Break It seems prepared to take on not only the obvious Life Lessons but also the crucial undercurrents that move so many lives well into adulthood. And that, as much as the graceful wonder of gymnastics, will make it worth watching.
    • 68 Metascore
    • 70 Mary McNamara
    Better Off Ted is funny, it's just not as funny as it might be, or should be, or, with any luck, will be.
    • 76 Metascore
    • 70 Mary McNamara
    Though funny and fabulous, the tone of the season premiere is as harsh as those famously flung slushies, with an emphasis on girl fights and not nearly enough of Mercedes (Amber Riley), Brittany (Heather Morris) or Kurt.
    • 61 Metascore
    • 70 Mary McNamara
    Nix has more than proved that he knows how to wed comedy, action, satire and real character development, so though the pilot flags here and droops there, "The Good Guys" will no doubt pick up speed as everyone settles more comfortably into the idea that there are no sacred cows, not even the buddy flick.
    • 70 Metascore
    • 70 Mary McNamara
    It's not a perfect show--a romance blooms too early and easily between Amber and a counselor, the soundtrack is more present than it needs to be and some moments tip from poignant to overwrought. But the richness of the characters and the story make it easy to overlook the flaws.
    • 52 Metascore
    • 70 Mary McNamara
    Although generating the sort of minor social revolution that the five hosts of "Queer Eye" accomplished is too tall an order for even a long and lovely British gal, Roe does manage to quickly become the stylish older sister you wish you had.
    • 66 Metascore
    • 70 Mary McNamara
    All floppy hair and Hollywood smile, Kody's way too surferdude to take very seriously as a patriarch. It's the three wives--Meri, Janelle and Christine--who form the solid center of the family and the show.
    • 77 Metascore
    • 70 Mary McNamara
    It's difficult to begrudge the producers their poetry--on one level, the imagery begs for similarly breathtaking language. But in this case, less might well have been more; the narration works best when it is relaying information rather than describing a "sun-spangled yearning to move."
    • 54 Metascore
    • 70 Mary McNamara
    Marked by logical elisions, word-balloon dialogue and conveniently located plot holes though it may be, this is a machine for putting its heroes in tight spaces and watching them kick their way free, and it does its work efficiently and with flair.
    • 54 Metascore
    • 70 Mary McNamara
    It is a long journey and at times a slow one, but with more than a few delightful oases.
    • 77 Metascore
    • 70 Mary McNamara
    [Steven Tyler] may be all talk, the initial good cheer may wear thin and we may be begging to be slapped around by Cowell in a few weeks, but for now it's just nice to have judges who aren't learning how to be stars themselves. Which means that this year, maybe the show can be about finding a real American idol.
    • 73 Metascore
    • 70 Mary McNamara
    Even when it's irritating, Episodes is funny. And if, at times, it intentionally or unintentionally pokes fun at itself as much as anything else well, that works too.
    • 63 Metascore
    • 70 Mary McNamara
    Traffic Light, like that old Mustang you had in college, splutters more than a bit when you turn the key, but eventually it gets going. And once it does, the splendid refinishing of a classic makes the inevitable bumps much more easily endured.
    • 67 Metascore
    • 70 Mary McNamara
    "Thought-provoking" is an overused term in criticism, and one that can camouflage many sins. But here, for better and worse, is the real deal.
    • 56 Metascore
    • 70 Mary McNamara
    Just because a show is mix 'n' match doesn't mean it isn't any good. After four years with "Prison Break," creators Matt Olmstead and Nick Santora know their way around this world, and Breakout Kings starts out with a promising blend of character and plot, action and dialogue, sweet and savory.
    • 58 Metascore
    • 70 Mary McNamara
    America's Next Great Restaurant doesn't have the drama of a Gordon Ramsay show, but it does have a behind-the-scenes factor that is fresh enough--who knew coming up with a logo was so hard?--and the subject matter has universal appeal.
    • 55 Metascore
    • 70 Mary McNamara
    Pee-wee was always a boy-man, but Reubens is pushing 60; when he is flying through the air singing "I'm the luckiest boy in the world" the words "Sunset Boulevard" do come unfortunately to mind. Still, fans of Pee-wee will no doubt delight in a return to those strange and halcyon days before the Wiggles and Blues Clues took over the world, when Barney was still Fred Flintstone's sidekick and not a purple dinosaur and Pee-wee's multi-generational appeal was subversive and unique.
    • 75 Metascore
    • 70 Mary McNamara
    If the situation of Switched at Birth often seems surreal and at times contrived (seriously, no one is going to even call a lawyer? Or a therapist? Or the hospital?), the performances keep the story grounded as yet another alternative American family blooms under the California sun.
    • 56 Metascore
    • 70 Mary McNamara
    So, it's not as intrigue-heavy as "White Collar," as satiric as "The Good Guys" or as beautifully located as "Hawaii Five-O"; Franklin & Bash is smart, it's fun and it's summer.
    • 56 Metascore
    • 70 Mary McNamara
    As it is, some of the sharpness, the performance-art humor of the Web series is lost in translation, but even in the new form, it remains something remarkable, if not revolutionary, anchored by Kudrow, who is not so much inhabiting a character but an ethos--the self-help movement by way of Merrill Lynch and YouTube, with outtakes thrown in at the end for good measure.
    • 66 Metascore
    • 70 Mary McNamara
    Once the action leaves the overly Maxfield Parrish-ized world of magic trees and drooping pregnant princesses, things pick up considerably.
    • 64 Metascore
    • 70 Mary McNamara
    Strike Back unfolds quickly and confidently with brilliantly choreographed fight sequences and the exotic locales. But nothing trumps the friendship of the two male leads.
    • 66 Metascore
    • 70 Mary McNamara
    Fortunately, terrific performances all around quickly ground the tensions in character rather than theme.
    • 79 Metascore
    • 70 Mary McNamara
    [Her] presence is what both illuminates and limits Gloria: In Her Own Words.
    • 68 Metascore
    • 70 Mary McNamara
    They're a bit too cute. Yet behind all the hipster wordplay, the characters are strangely charming.
    • 66 Metascore
    • 70 Mary McNamara
    Despite a diversionary opening salvo of post-feminist raunch and unfortunate racial stereotyping, 2 Broke Girls is a solid, old-fashioned sitcom about two mismatched girls taking on the big city and makin' their dreams come true.
    • 67 Metascore
    • 70 Mary McNamara
    It had a not-bad, pretty good, kinda funny, sort of smart debut.
    • 78 Metascore
    • 70 Mary McNamara
    While it goes out of its way to cast these soldiers as the heroic equals, if not betters, of their "Greatest Generation" counterparts, the series does not have the same impact--mainly because these images, though at times awful and upsetting, are also much more familiar.
    • 75 Metascore
    • 70 Mary McNamara
    If you make it to the end, the payoff is sweeter for the suffering. In the meanwhile, enjoy each scene on its own merits, which are not inconsiderable.
    • 68 Metascore
    • 70 Mary McNamara
    If the vagueness may irritate fans of the first book/film, it works well for the second, making this story a bit more open-ended and universal.
    • 63 Metascore
    • 70 Mary McNamara
    Here he has both--mood galore and a premise strong enough to not only sire a great pilot but to sustain a solid series.
    • 74 Metascore
    • 70 Mary McNamara
    The overall atmosphere of the film is surprisingly kind to all, much more fatalistic than hypercritical and certainly not derisive.
    • 64 Metascore
    • 70 Mary McNamara
    It's entertaining to watch, though, distracting in a highly caffeinated way, and Washington and Cusick are especially fun together, but at no point do the characters seem like people or the venue anything but a fast-paced, occasionally clever television show.
    • 67 Metascore
    • 70 Mary McNamara
    It's an old-fashioned sort of show, working unapologetically toward wisdom rather than cleverness, attempting to depict its setting as neither romantic nor dismal, the local color rising as much from silence as words.
    • 65 Metascore
    • 70 Mary McNamara
    Though it never quite hits its stride, the show never pitches us into the abyss.
    • 52 Metascore
    • 70 Mary McNamara
    The show's episodic nature, however, limits the attachment viewers can form for the teams (and also, mercifully, the level of celebrity these folks can later attain). But there is something to be said for brevity.
    • 66 Metascore
    • 70 Mary McNamara
    The best thing about Go On is, not surprisingly, Perry.
    • 62 Metascore
    • 70 Mary McNamara
    Surely that elevator knows it's you when it decides to do its devilish little bounce. That's one of the jokes of ABC's not-so-scary-but-still-great-fun 666 Park Avenue.
    • 75 Metascore
    • 70 Mary McNamara
    The easy humor and palpable love in the ensemble scenes give this Steel Magnolias just enough buoyancy to survive the pools of syrup over which it must traverse.
    • 70 Metascore
    • 70 Mary McNamara
    [George] is not terribly believable in any of them, forcing viewers to rely on the reactions of those around her to see that she is convincing as an uber agent. Fortunately, the other performances are strong enough to carry it off for the most part, and as the plot divides and subdivides, sending tendrils up through the vaunted British intelligence agency, recalling the Cold War and evoking more current international concerns, Hunted takes on a smart and disturbing personality of its own.
    • 62 Metascore
    • 70 Mary McNamara
    It's hardly a new story... But ... 'The Following' is tricked out with enough narrative and casting bling to warrant the huge push Fox has given it.
    • 60 Metascore
    • 70 Mary McNamara
    The details of Cheney's fall from grace in the waning years of the Bush administration are fascinating and narratively satisfying.
    • 73 Metascore
    • 70 Mary McNamara
    It's just as ridiculous as it sounds, chockablock with clichés, predictable exposition (two taps of the keyboard and entire histories are revealed) and some fairly whacked-out plot twists. But it doesn't matter because Orphan Black isn't so much about plot as it is performance, and as the series continues, the performances are pretty astonishing.
    • 62 Metascore
    • 70 Mary McNamara
    It's all great fun, a feast of eye and mind candy into which a few shreds of leafy greens have been added for content.
    • 58 Metascore
    • 70 Mary McNamara
    Graceland is an entertaining addition to a strong summer lineup in which attractive people trade witty banter and engage in serious work that provides good clean episodic fun while teaching the main characters the importance of love and loyalty.
    • 57 Metascore
    • 70 Mary McNamara
    Breathlessly paced and festooned with some pretty groovy computer graphics--the chip allows Holloway to walk through scenes of past destruction in his mind--Intelligence isn't trying to be anything more than what it obviously is. The show is a panoply of familiar elements anchored by a new and attractive leading man.
    • 66 Metascore
    • 70 Mary McNamara
    There's still a lot of craziness and rants designed to resonate with a certain demographic. But an air of if not humility then self-awareness pervades, softening everything it touches, even Will.
    • 63 Metascore
    • 70 Mary McNamara
    The well-trod format of Siberia may be its biggest asset, quickly building the kind of sturdy perimeters that horror so often needs; real fear emerges when the familiar and predictable become shockingly distorted (is any ghost as scary as a child ghost?).
    • 46 Metascore
    • 70 Mary McNamara
    Everyone does their bit, performance-wise, but O'Malley, who came to everyone's attention as Kurt's father in "Glee," is the key player here. He and McCormack instantly create a dryly endearing couple, while he and Chavira may turn out to have the most fruitful antagonism since Maude met Archie Bunker.
    • 59 Metascore
    • 70 Mary McNamara
    In this case familiarity breeds more comfort than contempt. Caan and Lawson spark when they spar, Crichlow's Lulu is a delight as is Gluck's Danny. And even Dick, though burdened with far too much sexual innuendo, has a few good moments.
    • 62 Metascore
    • 70 Mary McNamara
    Despite a certain built-in B & B preciousness, Cedar Cove evokes certain splendid shows of another time and place, including the late-great "Family" and the longtime Irish hit "Ballykissangel."
    • 44 Metascore
    • 70 Mary McNamara
    Scripted? No doubt. Do the men seem to go out of their way to discuss sex, bowel movements and other "provocative" topics? They do indeed. But they also treat their children with love and respect.
    • 63 Metascore
    • 70 Mary McNamara
    Grounded in parental reality, it's funny and promises to be funnier. The characters, though presented in very broad strokes, have lots of room for shading.
    • 64 Metascore
    • 70 Mary McNamara
    For reasons known only to its creators, the pilot for Sleepy Hollow seems determined to jam into one hour what could have easily, and more enjoyably, been spun out over several.
    • 50 Metascore
    • 70 Mary McNamara
    While all the characters have boilerplate for bones--the brainy one, the pretty one, the smart aleck, the tortured hunk--crisp writing and buoyant performances keep the story from trending too trite or too "Twilight."
    • 53 Metascore
    • 70 Mary McNamara
    As long as you're not a classic mythology purist or looking for something more than a fun, occasionally hilarious sword 'n' sandal romp, Atlantis is a fine, family-friendly addition to BBC America's Supernatural Saturday.
    • 79 Metascore
    • 70 Mary McNamara
    The tone may veer a bit wildly from grim to hilarious for an American audience's taste, but once Hamm and Radcliffe settle into their roles (and Hamm into his accent), it could very well live up to its U.K. rep and provide Ovation with some skin in the game.
    • 45 Metascore
    • 70 Mary McNamara
    Here’s the best thing about the second season premiere of The Following: Kevin Bacon finally looks like he’s having a little fun.... Bacon and Hardy are in on the joke.
    • 63 Metascore
    • 70 Mary McNamara
    Taylor and Gross balance just the right amount of competence and bewilderment, while Mulroney emotes the pain of a rejected father. The pilot is all but stolen by Joshua Erenberg, who plays the kid Finley rescues.
    • 51 Metascore
    • 70 Mary McNamara
    All in all, it's a pleasant, sunny and well-played ephemeral farce; Gilbert, Grier, Hansen and Davis are all good to see again, and Graynor inhabits her character with verve and increasing grace.
    • 57 Metascore
    • 70 Mary McNamara
    The plots that spin around the two main characters unfortunately suffer by comparison.... But in all honestly, Crossbones is all about Blackbeard being John Malkovich.
    • 64 Metascore
    • 70 Mary McNamara
    At its best, it's a well-acted, surprisingly clear-eyed look at the inconsistent relationship between passion and enduring love, and the innovative ways in which people bend their own rules to accommodate their need for pleasure. At its worse, it's a morally and narratively contrived excuse to watch a very entitled Everyman navigate a world of rich but unhappy women, including his own wife and daughter.
    • 82 Metascore
    • 70 Mary McNamara
    The Honorable Woman is great, in the most traditional sense of the word, which makes its flaws all the more frustrating. The first three episodes are often overwhelmed by soundtrack and studded with near-still-life shots meant, apparently, to offset the shootouts and establish the High Art factor of the series.
    • 59 Metascore
    • 70 Mary McNamara
    The 10-episode series, based on a book by Robert Littell and premiering Wednesday, has been constructed as a wide and solid if somewhat workmanlike platform for the British actor's considerable talents.
    • 77 Metascore
    • 70 Mary McNamara
    All of which adds up to a pilot that is much more admirable in its intent than its execution, a better conversation-starter than episode.
    • 66 Metascore
    • 70 Mary McNamara
    A to Z is the most promising comedy premiering on broadcast networks this fall. That's not saying much — this is not a particularly good year for new comedies — but it's saying something.
    • 89 Metascore
    • 60 Mary McNamara
    Larry is getting a little ridiculous... and a little too mean even for Larry. [7 Sep 2007]
    • Los Angeles Times
    • 58 Metascore
    • 60 Mary McNamara
    Even just a half hour in, it's difficult not to wish everyone would just lighten the heck up. The graphic novel noir feel is becoming increasingly oppressive, and everyone is just so grim.
    • 56 Metascore
    • 60 Mary McNamara
    Much of it feels dreadfully slow, not so much moody as stretched for time....Things do pick up significantly with the arrival of Christopher Heyerdahl as John Druitt.
    • 52 Metascore
    • 60 Mary McNamara
    Much of "Drive" is unabashedly derivative.... Much of it is also unbelievable... But two episodes in, it doesn't really matter.
    • 50 Metascore
    • 60 Mary McNamara
    After watching two episodes, I was left with the thought with which I began: An iconic apartment building full of wacky characters would make a great TV show. Would, though. Not does.
    • 75 Metascore
    • 60 Mary McNamara
    The Tudors remains lush and bejeweled, so much so that at times one fears it will simply collapse under its own weight, and, you know, we still have a few wives to go.
    • 73 Metascore
    • 60 Mary McNamara
    This may not be as touching as "Every time a bell rings, an angel gets his wings," or "God bless us every one," and it may resonate much more with the parents than the kids, but for a Christmas special about an ogre who may have overstayed his 15 minutes, it's actually not too bad.
    • 70 Metascore
    • 60 Mary McNamara
    Not surprisingly, given the scope of the show, some topics are nailed brilliantly--Chanel, the airport security agent, is perhaps among the greatest TV characters in recent history, and the adoption of an American child by an African actress is equally hilarious--while others, like local newscaster Alvarez or the pregnant senior citizen, are flat and trite or flat and weird.
    • 53 Metascore
    • 60 Mary McNamara
    Zwick and Herskovitz do capture the sweet self-absorption of youth--love is never truer, dreams never dearer and life never as complicated as it is when you are 24--it's just that it all feels so familiar when we were so hoping for something new and exciting.
    • 69 Metascore
    • 60 Mary McNamara
    In theory, Southland could turn out to be a rich and textured cross between, say, "Hill Street Blues" and "Crash" with a little "Training Day" on the side, but the pilot, for all its horrific crimes and grimy street scenes, is strangely bland.
    • 50 Metascore
    • 60 Mary McNamara
    It is something less than magical, but it's pleasant and pretty and easy to watch.
    • 64 Metascore
    • 60 Mary McNamara
    Although overblown in message and action, The Bridge is well-performed and worth watching if only to see if it will stand by its thesis: that real change comes from people working together.
    • 52 Metascore
    • 60 Mary McNamara
    Pretty Little Liars is one of those shows that manages to mildly, and perhaps unintentionally, spoof its genre while fully participating in it, and that's not a bad thing at all.
    • 52 Metascore
    • 60 Mary McNamara
    The Gates, on the other hand, starts off with an even greater number of well-worn characters and storylines, but writers Richard Hatem and Grant Scharbo infuse them with a lot more life and a surprisingly high incidence of poignancy.
    • 73 Metascore
    • 60 Mary McNamara
    Creator Kyle Killen and executive producers Amy Lippman and Christopher Keyser (the latter two best known for "Party of Five") are betting that the callow charm of their leading man, shored up by tailor-made roles for Keith and Jon Voight, who plays gimlet-eyed oil tycoon Clint Thatcher, will overcome the ridiculousness of the setup.
    • 49 Metascore
    • 60 Mary McNamara
    It's the fabulous shamelessness, the awful and yet admirable brilliance of the thing. Whether Palin will ever run for office or not, Sarah Palin's Alaska sets a new standard for political ads.
    • Los Angeles Times
    • 60 Metascore
    • 60 Mary McNamara
    OK, it's not Chekhov or even "How I Met Your Mother," to which it will inevitably be compared, but it's a lot better than the I'll-do-anything-for-pizza jokes that precede it.
    • 64 Metascore
    • 60 Mary McNamara
    For fans of the canon, South Riding is "Masterpiece" comfort food, enjoyable enough in the moment, but melting away to nothing but sugar and fat by morning.
    • 69 Metascore
    • 60 Mary McNamara
    With any luck, subsequent episodes will find a sharper, cleaner stride. All the elements are there, it's just the alchemy that seems a bit off.
    • 59 Metascore
    • 60 Mary McNamara
    Skidding through twists and turns aplenty, the intentionally soapy plot generates a lot of fun froth, but Gellar has a hard time playing one troubled and complicated woman, much less two.
    • 55 Metascore
    • 60 Mary McNamara
    All of which adds up to a nice, moody, entertaining-enough hour and the troublesome question of how interesting this will be by the third episode.
    • 62 Metascore
    • 60 Mary McNamara
    American Horror Story is a big ol' brooding, baffling, ridiculous and occasionally compelling mess of a show.
    • 58 Metascore
    • 60 Mary McNamara
    A cleverly conceived, at times visually lovely, but criminally long imagining of how Peter became Pan.
    • 46 Metascore
    • 60 Mary McNamara
    This Napoleon Dynamite is all go, go, go, racing, if nothing else, to keep pace with the host of other animated prime-time shows it joins.
    • 54 Metascore
    • 60 Mary McNamara
    It is nowhere near as smart as "White Collar" or as strangely touching as "Necessary Roughness" and seems content to hit well-worn marks, though more than occasionally with welcome style.
    • 52 Metascore
    • 60 Mary McNamara
    The crimes of the first four episodes revel in plot twists and medical conditions so ludicrous that they eventually become endearing, as does, against all odds, McCormack's performance.
    • 42 Metascore
    • 60 Mary McNamara
    Despite the frantic and at times clunky initial execution, there are times when The Mob Doctor shows signs of transcending the typical doc-with-something-extra medical procedural.