For 408 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.9 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

  • TV
Average review score: 62
Highest review score: 100 Downton Abbey: Season 1
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 45 out of 408
408 tv reviews
    • 72 Metascore
    • 80 Mary McNamara
    Jack is the glue that holds the show together, and Sutherland, with his pained, superhuman skill set, makes him a physical statement about the toll violence takes, even violence committed in an attempt to save the world.
    • 79 Metascore
    • 80 Mary McNamara
    Ten minutes into the season premiere of Nip/Tuck and you have to wonder what those deeply disturbed plastic surgeons were doing wasting four seasons, and all that unexplored sexual tension, in Miami when they so clearly belong in Los Angeles.
    • 77 Metascore
    • 80 Mary McNamara
    The episode has a few sentimentality issues (any plot point involving a music box walks a very fine line), but it doesn't matter much because the characters are so vivid they even outshine House at times, which can only be good for him.
    • 85 Metascore
    • 80 Mary McNamara
    But of what actually happens, I will say no more. You'll have to watch it yourself. And you should.
    • 87 Metascore
    • 80 Mary McNamara
    The show is crazy, man, now more than ever, and I mean that in the best possible way.
    • 71 Metascore
    • 80 Mary McNamara
    It's the characters, and the character development, that continually lift the show out of soap into true opera, in which things writ large resonate with pinpoint accuracy.
    • 80 Metascore
    • 80 Mary McNamara
    It's the miraculous simplicity of creating something from nothing that makes Runway endlessly watchable.
    • 73 Metascore
    • 80 Mary McNamara
    Creator Jenji Kohan has kept it all going so far, the supporting cast remains the funniest on TV, and Parker, with her carefully calculated stillness and sudden reckless displays of fearlessness, is more riveting than ever.
    • 74 Metascore
    • 80 Mary McNamara
    With all those Emmys, viewers expect a lot, and two episodes in, 30 Rock is prepared to deliver, serving up the self-conscious, fast-moving, quick-witted comedy it has all but trademarked.
    • 75 Metascore
    • 80 Mary McNamara
    Close's performance illuminates rather than outshines with its high wattage.
    • 80 Metascore
    • 80 Mary McNamara
    The first episode may be a bit rocky in the beginning, what with the reintroduction of characters and story lines, but the second season of Damages promises to be even better than the first.
    • 81 Metascore
    • 80 Mary McNamara
    This time around everyone, Byrne in particular, moves with an air of confidence that allows you to keep your eyes on the knives being juggled in the air rather than the person doing the juggling. Which is exactly where you want the audience's eyes to be when you're pulling off a con, or a show like Damages.
    • 85 Metascore
    • 80 Mary McNamara
    Dexter is a weekly marvel of writing, acting and conceit.
    • 48 Metascore
    • 80 Mary McNamara
    Because it's fun to watch the rich and mighty stumble and scheme, which novelists as diverse as William Thackeray and Judith Krantz have long known. In the first two episodes at least, the quality of the acting and the writing brings depth to what could so easily be the fetid shallows of life issues of the rich and famous
    • 51 Metascore
    • 80 Mary McNamara
    The show looks to be a smart, stylish crime drama that just happens to revolve around a group of women as so many have revolved around men.
    • 66 Metascore
    • 80 Mary McNamara
    Anchored by the sensible sensitivity of Nick, Dirty Sexy goes over the top and back again, as brightly fun and cheesy as a carnival ride.
    • 74 Metascore
    • 80 Mary McNamara
    Although The Sarah Connor Chronicles has gadgets aplenty, it has what "Bionic Woman" never quite acquired: a brain and a heart.
    • 70 Metascore
    • 80 Mary McNamara
    Cleverly conceived, it boasts a star-studded cast (Gabriel Byrne, Dianne Wiest, Blair Underwood) who achieve, at times, theatrical transcendence.
    • 64 Metascore
    • 80 Mary McNamara
    Playing it long and lugubrious but with a tantalizing twinkle, Lewis (last seen in the States as the hateful husband in "The Forsyte Saga") may well wrest the mantle of sexiest troubled American played by a Brit away from Hugh Laurie.
    • 54 Metascore
    • 80 Mary McNamara
    Gossip Girl is eye candy, and mind candy, as pretty as a perfectly prepared martini--one that some nasty, picture-perfect have-it-all may or may not have drugged.
    • 72 Metascore
    • 80 Mary McNamara
    High School Musical 2 s zippier, bouncier, prettier, more soulful and even more musical than its predecessor, and that's saying something.
    • 57 Metascore
    • 80 Mary McNamara
    It's not your mother's Bionic Woman. It's much, much better.
    • 79 Metascore
    • 80 Mary McNamara
    Gavin & Stacey is a gem of a show -- funny, touching and welcome proof that the romantic comedy can and will survive irony, Botox, Judd Apatow and all the vagaries of the modern age.
    • 85 Metascore
    • 80 Mary McNamara
    Smart but never slick, funny but never glib, dark but never (praise all saints and angels) noir, Breaking Bad is actually not another addition to the Brotherhood of the Made Guy formula, it turns out to be the formula's antidote.
    • 79 Metascore
    • 80 Mary McNamara
    Creator Toby Whithouse takes all the themes associated with the cursed and the damned very seriously, and if his exploration of them is less baroque than other franchises, it promises to be even more effective.
    • 65 Metascore
    • 80 Mary McNamara
    Psychological sleight of hand can't fill an hour every week. For that you need complicated, interesting crimes and complicated, interesting characters solving them. The Mentalist seems prepared to deliver just that.
    • 71 Metascore
    • 80 Mary McNamara
    Scenes unspool, lives unwind, wicked acts are done, but so is justice, and under the lovely and indifferent African sun, it seems there is all the time in the world. It's hard to imagine a better place to be.
    • 63 Metascore
    • 80 Mary McNamara
    Warehouse 13 is unapologetically and delightfully derivative, happily plucking the best stuff from our favorite shows and leaving all the heaviness behind.
    • 64 Metascore
    • 80 Mary McNamara
    Hunt Baldwin and John Coveny, who created Trust Me (and have been writers on “The Closer") are former admen themselves; they chose the milieu to explore the creative process among a group of people with a collective-neuroses score high enough to maintain a smart and breezy comedy.
    • 78 Metascore
    • 80 Mary McNamara
    There's something about the terrible lighting, those horrible curtain dividers, the washed-out gowns that makes every patient seem extraordinarily vulnerable. Which, of course, they are, as are we all, including the men and women who provide our last line of defense in this life. This is precisely the stuff of great drama and of great documentary, but it gets a little troublesome when combining the two.