For 10 reviews, this critic has graded:
  • 60% higher than the average critic
  • 10% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 10.1 points higher than other critics. (0-100 point scale)

Matt Glasby's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Boyhood
Lowest review score: 40 Salvo
Score distribution:
  1. Positive: 5 out of 10
  2. Negative: 0 out of 10
10 movie reviews
    • 100 Metascore
    • 100 Matt Glasby
    Extraordinary in form, ‘ordinary’ in content, Boyhood is ambitious, intimate and unforgettable. It might just be the apex of Linklater’s life’s work.
    • 68 Metascore
    • 80 Matt Glasby
    A heated, hysterical battle between Apatow smarts and Animal House smirks. Subtlety takes a hazing, but humour emerges with honours.
    • 65 Metascore
    • 80 Matt Glasby
    A moving morality tale set in a world rarely seen in western cinema, Metro Manila is an underdog drama that feels as authentic as it is original.
    • 76 Metascore
    • 80 Matt Glasby
    Cool as you like one second, camp as Christmas the next, this entertainingly overpumped action-horror will have genre fans (and their mums) grinning from ear to ear.
    • 79 Metascore
    • 80 Matt Glasby
    '71
    A brutal army thriller that feels like the truth, thanks to take-no-prisoners storytelling and a tell-no-lies performance from Jack O’Connell.
    • 52 Metascore
    • 60 Matt Glasby
    Despite some striking imagery and sterling FX work, Welsh writer/director Caradog W James’ expert use of limited resources doesn’t stretch as far as the subtlety-averse script.
    • 59 Metascore
    • 60 Matt Glasby
    It ebbs away at the climax, but there’s 45 minutes where it sings loud and strange.
    • 57 Metascore
    • 60 Matt Glasby
    Exciting, in places, though a stranger to subtlety, it ticks all the genre boxes, but there’s something about its knowing noirisms that feels superficial rather than soaked-in.
    • 62 Metascore
    • 60 Matt Glasby
    Though its influences (Badlands, early Coens) are writ large, and the denouement disappoints, the performances convince, the dialogue captivates and the sense of backwater boredom is overpowering.
    • 59 Metascore
    • 40 Matt Glasby
    Writer/directors Fabio Grassadonia and Antonio Piazza’s debut explores over-familiar territory and suffers from fiercely ponderous pacing.

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