For 869 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.7 points lower than other critics. (0-100 point scale)

Matt Roush's Scores

Average review score: 62
Highest review score: 100 Mad Men: Season 5
Lowest review score: 0 Liz & Dick: Season 1
Score distribution:
869 tv reviews
    • 91 Metascore
    • 100 Matt Roush
    The funniest family ever. [11 Oct 1990]
    • USA Today
    • 91 Metascore
    • 100 Matt Roush
    Laugh-out-loud and sad all at once, The Larry Sanders Show shines merciless light in the heartless dark night of TV. [14 Aug 1992]
    • USA Today
    • 90 Metascore
    • 100 Matt Roush
    [A] brilliant and acid satire of late-night TV that scores its bitter points with the zing of a Variety headline. [2 Jun 1993]
    • USA Today
    • 92 Metascore
    • 100 Matt Roush
    A darkly hilarious look at the neurotic personalities and duplicitous machinations of late-night talk shows, it's the smartest and most ruthless show about TV ever on TV. [22 Jun 1994]
    • USA Today
    • 99 Metascore
    • 100 Matt Roush
    Brilliant. [18 Jul 1995]
    • USA Today
    • 71 Metascore
    • 100 Matt Roush
    As you watch the smart, sophisticated, sharply written and slickly directed Spin City strut its stuff, memories of Murphy Brown's early days may come to mind. Dominating a volatile, high-profile workplace and supported by a crackerjack cast, Fox demonstrates superb and crafty comic timing in a tailor-made role. [17 Sept 1996, p.1D]
    • USA Today
    • 96 Metascore
    • 100 Matt Roush
    Was it worth the wait? Was it ever!
    • TV Guide
    • 78 Metascore
    • 100 Matt Roush
    An oasis of becalmed eccentricity, this backwoods burg is a serene paradise of quirky humor and offbeat pathos. Here, using that old city-boy- meets-country-sages routine, is a show where intelligence, not ignorance, is bliss. [12 July 1990, p.3D]
    • USA Today
    • 88 Metascore
    • 100 Matt Roush
    Brooklyn Bridge is a show to love, not merely to watch. A sentimental knockout, it's a valentine rooted in the warm glow of a specific place and bygone time, yet oddly universal and relevant. [20 Sep 1991]
    • USA Today
    • 98 Metascore
    • 100 Matt Roush
    This is TV as great modern literature, a shattering and heartbreaking urban epic about a city (Baltimore) rotting from within.
    • 94 Metascore
    • 100 Matt Roush
    One of TV’s boldest and best dramas.
    • 75 Metascore
    • 100 Matt Roush
    Moving the story ahead five years didn't so much reinvent the show as it recharged and refreshed the scintillating mix of domestic comedy and sudsy intrigue that we've always enjoyed.
    • 81 Metascore
    • 100 Matt Roush
    Torchwood: Children of Earth is one of the TV events of the year, and anyone with a taste for serious dark fantasy is encouraged to strap in for the thrilling, chilling and unnerving ride.
    • 83 Metascore
    • 100 Matt Roush
    Easily the best and most original entertainment too few are watching, Daisies dazzles and delights with a sensory overload of perfectly surreal whimsy that juggles screwball fairy tale, romantic comedy and mystery.
    • 87 Metascore
    • 100 Matt Roush
    The Pacific is magnificent in its visual and graphically visceral scope and shattering in its emotional, deeply personal impact.
    • 92 Metascore
    • 100 Matt Roush
    The return of the two-time Emmy winning best drama instantly eclipses the rest of summer TV with its dazzling wit, its posh mid-'60s style and its timelessly provocative substance.
    • 87 Metascore
    • 100 Matt Roush
    A feast for the senses and a gritty tribute to the soul and irresistible culture of a mighty city, this series is a pungent slice of New Orleans life, set in the aftermath of Katrina. This show sings, and it cooks with all creative burners firing on high.
    • 82 Metascore
    • 100 Matt Roush
    This bold British import is among the best TV I've seen in a mediocre (on network TV, anyway) fall season. Fast-paced, constantly surprising and darkly entertaining, Luther is about as far as you can get from a cookie-cutter procedural.
    • 80 Metascore
    • 100 Matt Roush
    This is the best new series, network or cable, of the midseason. An immediately addictive brew of action, suspense and wry humor, the show is grounded in Olyphant's low-key but high-impact star-making performance, the work of a confident and cunning leading man who's always good company.
    • 88 Metascore
    • 100 Matt Roush
    This instantly captivating period piece feels thrillingly modern as it captures with remarkable detail a chaotic time of invention and re-invention, of social progress and prosperity upstaged by the gaudy corruption and jazzy debauchery of the Prohibition era.
    • 82 Metascore
    • 100 Matt Roush
    We actually root for many of the people we find living among The Walking Dead, which packs a raw, emotional punch while delivering the creepy and queasy thrills all genre fans truly crave.
    • 91 Metascore
    • 100 Matt Roush
    Watching Downton Abbey is like curling up with a really satisfying book, and I can't think of a better way to get through one of the crueler months of winter. This is one of those shows that after finishing it, I immediately began to envy those who had yet to experience the pleasure.
    • 82 Metascore
    • 100 Matt Roush
    What's not to love in Friday Night Lights? This is a place, and a show, I will never want to leave. It feels like family. But we're lucky to have been given this much of their story. Underdogs to the end, these are my TV heroes.
    • 96 Metascore
    • 100 Matt Roush
    For those who prefer a more riveting, nail-biting variety of TV, one of cable's darkest masterpieces of mayhem is back after a long absence, having lost none of its sinister allure in its fourth season.
    • 79 Metascore
    • 100 Matt Roush
    This dwarf [Tyrion Lannister (Peter Dinklage)] has game--and so does this fabulous dark fable. Dig in.
    • 91 Metascore
    • 100 Matt Roush
    Buoyed by the effortless charisma of Timothy Olyphant's star turn as the laconic but lethal Deputy U.S. Marshal Raylan Givens, this series is a twisted triumph.
    • 84 Metascore
    • 100 Matt Roush
    Will Antoine achieve his musical dream? How long can Ladonna hold onto her business when her husband and sons (and now mother) live long distance in Baton Rouge? Theirs are among the myriad stories swirling in the funky gumbo of this one-of-a-kind drama.
    • 84 Metascore
    • 100 Matt Roush
    For those of us who hungered for a year to witness these new chapters, the appetite is insatiable.
    • 88 Metascore
    • 100 Matt Roush
    Once you get back in the rhythm of this enthrallingly sprawling, lusty and brutal saga, flaunting enough sex and violence to make a Hobbit faint, it's impossible not to succumb to Thrones' visceral, dark magic.
    • 91 Metascore
    • 100 Matt Roush
    Three scintillating new Sherlock brain-teasers.
    • 91 Metascore
    • 100 Matt Roush
    Shows like Homeland have a way of keeping us deliciously off balance. Can't think of a place I'd rather be or a show I'd more highly recommend.
    • 88 Metascore
    • 100 Matt Roush
    That's Mad Men in a woozy nutshell: intoxicating, sophisticated, demanding, uncompromising and always seductively satisfying. Even after a stupefying 17-month absence that somehow hasn't dampened our ardor for this one-of-a-kind series.
    • 87 Metascore
    • 100 Matt Roush
    Lena Dunham's brilliantly raw and raunchy Girls [is] a true breakthrough series.
    • 96 Metascore
    • 100 Matt Roush
    From the edge of your seat, you wonder if they can possibly keep topping themselves. Based on the first two episodes, the answer is a resounding and brilliant yes.
    • 94 Metascore
    • 100 Matt Roush
    Louie isn't exactly what you'd call a joy ride, but there's joy to be had in its pungent authenticity, the element so sorely lacking in Anger Management.
    • 99 Metascore
    • 100 Matt Roush
    The first half of the final season gets underway for AMC's masterpiece of intensity Breaking Bad.
    • 84 Metascore
    • 100 Matt Roush
    Exasperating but fascinating.
    • 90 Metascore
    • 100 Matt Roush
    So far (judging from the first four episodes), it's living up to our highest expectations.
    • 83 Metascore
    • 100 Matt Roush
    Downton Abbey is like British catnip, a dazzling entertainment where saucy always trumps stuffy. It's popcorn TV with a champagne aftertaste.
    • 90 Metascore
    • 100 Matt Roush
    For the next four Fridays, PBS's Great Performances lives up to its billing with a spectacular and dazzlingly acted mega-miniseries titled The Hollow Crown.
    • 87 Metascore
    • 100 Matt Roush
    [Silicon Valley is] paired with the third season of the savagely hilarious Veep, this combo promises to be HBO's most robust and certainly most entertaining comedy hour in years.
    • 91 Metascore
    • 100 Matt Roush
    In BBC America's shattering and brilliantly paced eight-episode Broadchurch, a high point of a summer already teeming with terrific drama, you'll get a solution in a lot less time than it took The Killing to reveal the murderer of Rosie Larsen, and with considerably more cumulative emotional impact.
    • 99 Metascore
    • 100 Matt Roush
    In theory and practice, Murder One is everything that's best about TV. [19 Sept 1995, p.1D]
    • USA Today
    • 85 Metascore
    • 100 Matt Roush
    There is no more fascinating, or entertaining, new series this fall season.
    • 88 Metascore
    • 100 Matt Roush
    Three episodes are never enough to satisfy our appetite for the dazzling BBC/Masterpiece Mystery! version of Sherlock, which thanks to its stars' busy movie careers, made us wait two long years for the latest trilogy of 90-minute delights. Was it worth the wait? The answer is (to borrow the title of TV's other enjoyable contemporary Holmes series) elementary: Did you ever doubt it?
    • 88 Metascore
    • 100 Matt Roush
    Its intensity, intelligence and dark power are the equal of anything on cable, with riveting performances led by Mikkelsen as the dapper, sinister fiend-in-plain-sight and Hugh Dancy as his tormented patsy, FBI profiler Will Graham.
    • 85 Metascore
    • 100 Matt Roush
    Teeming with anger, sorrow, passion and purpose, this powerful and harrowing movie is part tragic love story in plague times, part agitprop manifesto and tribute to tireless activism.
    • 84 Metascore
    • 100 Matt Roush
    The deft, resonant satire that helped make Judge's Office Space a cult hit takes on farcical new dimension in Silicon Valley.
    • 94 Metascore
    • 100 Matt Roush
    It's sexy, violent, witty, emotionally devastating and visually spectacular--those dragons are bigger and more unruly than ever--delivering an experience not unlike how the glorious Diana Rigg (as Lady Olenna, Queen of Thorns) responds when she first lays eyes on the Amazonian warrior Lady Brienne (Gwendoline Christie): "Aren't you just marvelous, absolutely singular!" Yes, she is, and so's the show.
    • 85 Metascore
    • 100 Matt Roush
    Fargo's compelling, powerfully entertaining story is as strong as its great performances.
    • 89 Metascore
    • 100 Matt Roush
    Masters and Johnson's work was all about bringing sex in its infinite varieties out into the open. The psychological richness of Masters of Sex positions it to be a worthy successor to the fast-fading (except in Emmy voters' eyes) Mad Men.
    • 82 Metascore
    • 100 Matt Roush
    This demanding and deliberately paced thriller (written and directed with ruthless intelligence by Hugo Blick) stands apart and above the glut of original programming. With its urgently compelling mysteries and shocking reveals, it's the equal of last summer's brilliant Broadchurch.
    • 88 Metascore
    • 100 Matt Roush
    [Ken Burns] triumphs again with PBS's seven-night, 14-hour The Roosevelts: An Intimate History, which, as its subtitle suggests, never loses sight of the poignant human drama unfolding against a tide of national and world turmoil.
    • 72 Metascore
    • 91 Matt Roush
    As leaps of faith go, yes. And faith--in visions both magical and musical--has everything to do with Eli Stone's divine appeal.
    • 87 Metascore
    • 91 Matt Roush
    AMC's dazzling Mad Men, returning this weekend for a third season of rich and provocative drama poised at the brink of cataclysmic cultural change.
    • 80 Metascore
    • 90 Matt Roush
    The winsome Sarah Michelle Gellar is a huge improvement over bubblehead Kristy Swanson as the new Buffy, moving with her mom to the "one-Starbucks town" of Sunnydale, Calif. She's cute and pert but nobody's fool. [10 Mar 1997, p.3D]
    • USA Today
    • 79 Metascore
    • 90 Matt Roush
    A trauma-rama that opens on an adrenaline rush and pretty much stays there, with timeouts for pathos and sex and dark hilarity, ER launches a surgical strike on the emotions that could make it the medical drama for the '90s. [19 Sep 1994]
    • USA Today
    • 79 Metascore
    • 90 Matt Roush
    A hilarious holiday package. [15 Dec 1989, p.3D]
    • USA Today
    • 69 Metascore
    • 90 Matt Roush
    It operates on such a high frequency of inspired lunacy, it instantly renders this busy midseason's other hopefuls just so much sitcom static to be tuned out. [21 Mar 1995]
    • USA Today
    • 76 Metascore
    • 90 Matt Roush
    Like St. Elsewhere grafted onto L.A. Law, this is in the slick but endangered tradition of ensemble dramas showing heroes on the cutting edge of their vocation while personal lives entangle and unravel. [16 Sep 1994]
    • USA Today
    • 82 Metascore
    • 90 Matt Roush
    Here's a show full of delightful surprises, with something for everyone. It's hard to imagine anyone resisting its many charms. Twin Peaks too ponderous? Lawyer shows too heavy (and too many)? Sitcoms too silly? As Goldilocks said of the little bear's porridge, this one gets it just right. [8 Apr 1991, p.1D]
    • USA Today
    • 81 Metascore
    • 90 Matt Roush
    I can attest there’s no such thing as too much Larry. Or, more to the point, too much Curb. Weak with laughter, I couldn’t be happier to welcome it back.
    • 89 Metascore
    • 90 Matt Roush
    I didn’t know how 24 could top last season, but so far it’s working. And the edge of my seat is already frayed.
    • TV Guide
    • 79 Metascore
    • 90 Matt Roush
    It lacks the star power (Hugh Grant, Emma Thompson, Kate Winslet) of Ang Lee's 1995 Oscar winner. But Austen's characters are so enduring and endearing in their virtues, vanities and passionate follies that they don't require movie stars to bring them to life.
    • 78 Metascore
    • 90 Matt Roush
    In what may be the most enjoyable transition from hit movie to TV series since M#A#S#H, Parenthood is for all those who yearn to see thirtysomething played for laughs. [20 Aug 1990, p.3D]
    • USA Today
    • 89 Metascore
    • 90 Matt Roush
    HBO's brilliant and bleak The Wire may have saved the best for last.
    • 85 Metascore
    • 90 Matt Roush
    Simply put, the journey of Battlestar Galactica is one long, exhilarating headtrip.
    • 93 Metascore
    • 90 Matt Roush
    The only bleak aspect to this miniseries is that it doesn't last forever.
    • TV Guide
    • 71 Metascore
    • 90 Matt Roush
    The second season... crackles with high drama, suspenseful twists, unexpected humor and emotion.
    • 79 Metascore
    • 90 Matt Roush
    Finally, cable's hit design show is back, still the best and most flamboyantly entertaining of TV's skill-based competitions.
    • 72 Metascore
    • 90 Matt Roush
    Animation has rarely felt so explosively, hilariously defiant.
    • TV Guide
    • 68 Metascore
    • 90 Matt Roush
    When a new comedy shows up as fresh, original and painfully hilarious as Sons & Daughters, at first I want to cheer. And then I start to worry if it can survive. Call it Arrested Development syndrome.
    • TV Guide
    • 80 Metascore
    • 90 Matt Roush
    Surreal and harrowing.
    • 88 Metascore
    • 90 Matt Roush
    This show delivers the dramatic goods with painstaking authenticity each week, and even when it isn’t trying to make you cry, you can’t help but get emotionally involved in the lives of these instantly recognizable and compelling characters.
    • 75 Metascore
    • 90 Matt Roush
    A show and a heroine larger than life, twice as colorful and infinitely more adorable.
    • 78 Metascore
    • 90 Matt Roush
    Dexter is real, all right. Real good.
    • 67 Metascore
    • 90 Matt Roush
    Nobody said the creative process was pretty, but rarely has it made such electrifying TV.
    • 86 Metascore
    • 90 Matt Roush
    This Technicolored kaleidoscope fable of life, love and perpetual whimsy restores my faith in TV's ability to amuse, enchant and entertain with endless invention and eye-popping style.
    • 84 Metascore
    • 90 Matt Roush
    Brilliantly performed. [29 Mar 1991]
    • USA Today
    • 77 Metascore
    • 90 Matt Roush
    This sleek, sexy, smartly cynical drama about selling everything from cigarettes to Nixon also nails the era's attitudes of casual prejudice and sexual manipulation.
    • 64 Metascore
    • 90 Matt Roush
    Graphically sexy and scary, and often wildly funny, True Blood, from Six Feet Under’s Alan Ball, turns Charlaine Harris’ rollicking mystery novels into a broadly entertaining, deliciously twisted slice of modern Southern Gothic.
    • 89 Metascore
    • 90 Matt Roush
    The stakes couldn’t be higher, or the drama more compelling. Breaking Bad is back, badder and better than ever.
    • 78 Metascore
    • 90 Matt Roush
    John Adams, based on David McCullough's acclaimed biography, is as sumptuous and satisfying as TV gets: gorgeously produced, marvelously acted and written with a sense of high drama amid generous displays of wit.
    • 81 Metascore
    • 90 Matt Roush
    Critical without being overtly political, with stretches of boredom punctuated by the sudden chaos of firefights where it’s impossible to distinguish innocent bystanders from insurgents, Generation Kill is both timely and timeless.
    • 81 Metascore
    • 90 Matt Roush
    This is classic Law & Order through and through, where only the wigs worn in court and the accents are significantly different. The London environs evoke the urban New York feel, and the cast here is top-notch, refreshingly reintroducing us to the notion of a lead detective who's been around the block a few times.
    • 61 Metascore
    • 90 Matt Roush
    It’s all very rude and often tremendously grotesque, but it’s a belly laugh a minute.
    • 77 Metascore
    • 90 Matt Roush
    Vulgar and noisy, and often disgustingly hilarious, Dead Set is the perfect pop-culture poison for those of us convinced the world of Big Brother and its spawn is an endless night of the living dead, turning participants and fans alike into craven zombies.
    • 84 Metascore
    • 90 Matt Roush
    Almost the Truth (The Lawyer’s Cut) is a serious history of sublime nonsense, packaged with classic Python-esque irreverence.
    • 69 Metascore
    • 90 Matt Roush
    One of the best new comedies of the season, and an instant bright light in NBC’s much-honored lineup.
    • 87 Metascore
    • 90 Matt Roush
    Boston Med reminds us that truth is often much more compelling and affecting than recycled fiction. Nothing is heightened or cheapened with newsmag-style manipulation on this series.
    • 85 Metascore
    • 90 Matt Roush
    Sherlock is the rare reinvention that's likely to enchant purists as well as those yearning for a new look at an old favorite. Should you bookmark it now on your DVR? The answer, my dear reader and viewer, is elementary.
    • 87 Metascore
    • 90 Matt Roush
    This show earns its laughter with sharp writing, brilliant casting and characters that hit very close to home while often striking a nerve (mostly the funny bone).
    • 89 Metascore
    • 90 Matt Roush
    It raises its emotional game almost instantly, as Alicia (the enigmatic and compellingly subtle Julianna Margulies) makes a fateful choice between her disgraced husband Peter (Chris Noth) and amorous boss Will (Josh Charles), though the decision is clouded by another character's manipulative deceit.
    • 73 Metascore
    • 90 Matt Roush
    This fall's best and most original drama taps a gusher of intrigue and twisty romance, with star-is-born James Wolk the most irresistible con man since Lost's Sawyer.
    • 78 Metascore
    • 90 Matt Roush
    Trust me, Damages is worth it. And for those without access to DirecTV, worth the wait.
    • 76 Metascore
    • 90 Matt Roush
    There's always a surprise in baseball," says one of the game's biggest fans, Boston scribe Mike Barnicle. His lifelong emotional roller-coaster as a Red Sox loyalist--years of disappointment turned to rapture by the team's 2004 World Series victory--is one of the most enjoyable narrative threads in the glorious four hours of Baseball: The Tenth Inning.
    • 88 Metascore
    • 90 Matt Roush
    It's a brisk, naughty little show, among the freshest of genre parodies. Despite its vintage look, Archer feels very modern.
    • 66 Metascore
    • 90 Matt Roush
    Everything about New Girl, from her goofy costars to the distinctively quirky writing, is irresistible.
    • 81 Metascore
    • 90 Matt Roush
    This is sleek, sexy, smart, densely written and deliberately paced adult entertainment.
    • 81 Metascore
    • 90 Matt Roush
    This is a gorgeous piece of storytelling that requires and rewards patience.