For 860 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.7 points lower than other critics. (0-100 point scale)

Matt Roush's Scores

Average review score: 62
Highest review score: 100 Luther: Season 1
Lowest review score: 0 Bob's Burgers: Season 1
Score distribution:
860 tv reviews
    • 91 Metascore
    • 100 Matt Roush
    Shows like Homeland have a way of keeping us deliciously off balance. Can't think of a place I'd rather be or a show I'd more highly recommend.
    • 88 Metascore
    • 100 Matt Roush
    That's Mad Men in a woozy nutshell: intoxicating, sophisticated, demanding, uncompromising and always seductively satisfying. Even after a stupefying 17-month absence that somehow hasn't dampened our ardor for this one-of-a-kind series.
    • 87 Metascore
    • 100 Matt Roush
    Lena Dunham's brilliantly raw and raunchy Girls [is] a true breakthrough series.
    • 96 Metascore
    • 100 Matt Roush
    From the edge of your seat, you wonder if they can possibly keep topping themselves. Based on the first two episodes, the answer is a resounding and brilliant yes.
    • 94 Metascore
    • 100 Matt Roush
    Louie isn't exactly what you'd call a joy ride, but there's joy to be had in its pungent authenticity, the element so sorely lacking in Anger Management.
    • 99 Metascore
    • 100 Matt Roush
    The first half of the final season gets underway for AMC's masterpiece of intensity Breaking Bad.
    • 84 Metascore
    • 100 Matt Roush
    Exasperating but fascinating.
    • 90 Metascore
    • 100 Matt Roush
    So far (judging from the first four episodes), it's living up to our highest expectations.
    • 83 Metascore
    • 100 Matt Roush
    Downton Abbey is like British catnip, a dazzling entertainment where saucy always trumps stuffy. It's popcorn TV with a champagne aftertaste.
    • 90 Metascore
    • 100 Matt Roush
    For the next four Fridays, PBS's Great Performances lives up to its billing with a spectacular and dazzlingly acted mega-miniseries titled The Hollow Crown.
    • 87 Metascore
    • 100 Matt Roush
    [Silicon Valley is] paired with the third season of the savagely hilarious Veep, this combo promises to be HBO's most robust and certainly most entertaining comedy hour in years.
    • 91 Metascore
    • 100 Matt Roush
    In BBC America's shattering and brilliantly paced eight-episode Broadchurch, a high point of a summer already teeming with terrific drama, you'll get a solution in a lot less time than it took The Killing to reveal the murderer of Rosie Larsen, and with considerably more cumulative emotional impact.
    • 99 Metascore
    • 100 Matt Roush
    In theory and practice, Murder One is everything that's best about TV. [19 Sept 1995, p.1D]
    • USA Today
    • 85 Metascore
    • 100 Matt Roush
    There is no more fascinating, or entertaining, new series this fall season.
    • 88 Metascore
    • 100 Matt Roush
    Three episodes are never enough to satisfy our appetite for the dazzling BBC/Masterpiece Mystery! version of Sherlock, which thanks to its stars' busy movie careers, made us wait two long years for the latest trilogy of 90-minute delights. Was it worth the wait? The answer is (to borrow the title of TV's other enjoyable contemporary Holmes series) elementary: Did you ever doubt it?
    • 88 Metascore
    • 100 Matt Roush
    Its intensity, intelligence and dark power are the equal of anything on cable, with riveting performances led by Mikkelsen as the dapper, sinister fiend-in-plain-sight and Hugh Dancy as his tormented patsy, FBI profiler Will Graham.
    • 85 Metascore
    • 100 Matt Roush
    Teeming with anger, sorrow, passion and purpose, this powerful and harrowing movie is part tragic love story in plague times, part agitprop manifesto and tribute to tireless activism.
    • 84 Metascore
    • 100 Matt Roush
    The deft, resonant satire that helped make Judge's Office Space a cult hit takes on farcical new dimension in Silicon Valley.
    • 94 Metascore
    • 100 Matt Roush
    It's sexy, violent, witty, emotionally devastating and visually spectacular--those dragons are bigger and more unruly than ever--delivering an experience not unlike how the glorious Diana Rigg (as Lady Olenna, Queen of Thorns) responds when she first lays eyes on the Amazonian warrior Lady Brienne (Gwendoline Christie): "Aren't you just marvelous, absolutely singular!" Yes, she is, and so's the show.
    • 85 Metascore
    • 100 Matt Roush
    Fargo's compelling, powerfully entertaining story is as strong as its great performances.
    • 89 Metascore
    • 100 Matt Roush
    Masters and Johnson's work was all about bringing sex in its infinite varieties out into the open. The psychological richness of Masters of Sex positions it to be a worthy successor to the fast-fading (except in Emmy voters' eyes) Mad Men.
    • 82 Metascore
    • 100 Matt Roush
    This demanding and deliberately paced thriller (written and directed with ruthless intelligence by Hugo Blick) stands apart and above the glut of original programming. With its urgently compelling mysteries and shocking reveals, it's the equal of last summer's brilliant Broadchurch.
    • 72 Metascore
    • 91 Matt Roush
    As leaps of faith go, yes. And faith--in visions both magical and musical--has everything to do with Eli Stone's divine appeal.
    • 87 Metascore
    • 91 Matt Roush
    AMC's dazzling Mad Men, returning this weekend for a third season of rich and provocative drama poised at the brink of cataclysmic cultural change.
    • 80 Metascore
    • 90 Matt Roush
    The winsome Sarah Michelle Gellar is a huge improvement over bubblehead Kristy Swanson as the new Buffy, moving with her mom to the "one-Starbucks town" of Sunnydale, Calif. She's cute and pert but nobody's fool. [10 Mar 1997, p.3D]
    • USA Today
    • 79 Metascore
    • 90 Matt Roush
    A trauma-rama that opens on an adrenaline rush and pretty much stays there, with timeouts for pathos and sex and dark hilarity, ER launches a surgical strike on the emotions that could make it the medical drama for the '90s. [19 Sep 1994]
    • USA Today
    • 79 Metascore
    • 90 Matt Roush
    A hilarious holiday package. [15 Dec 1989, p.3D]
    • USA Today
    • 69 Metascore
    • 90 Matt Roush
    It operates on such a high frequency of inspired lunacy, it instantly renders this busy midseason's other hopefuls just so much sitcom static to be tuned out. [21 Mar 1995]
    • USA Today
    • 76 Metascore
    • 90 Matt Roush
    Like St. Elsewhere grafted onto L.A. Law, this is in the slick but endangered tradition of ensemble dramas showing heroes on the cutting edge of their vocation while personal lives entangle and unravel. [16 Sep 1994]
    • USA Today
    • 82 Metascore
    • 90 Matt Roush
    Here's a show full of delightful surprises, with something for everyone. It's hard to imagine anyone resisting its many charms. Twin Peaks too ponderous? Lawyer shows too heavy (and too many)? Sitcoms too silly? As Goldilocks said of the little bear's porridge, this one gets it just right. [8 Apr 1991, p.1D]
    • USA Today