For 919 reviews, this critic has graded:
  • 50% higher than the average critic
  • 4% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.9 points lower than other critics. (0-100 point scale)

Matt Roush's Scores

Average review score: 62
Highest review score: 100 Downton Abbey: Season 3
Lowest review score: 0 Emily Owens, M.D.: Season 1
Score distribution:
919 tv reviews
    • 99 Metascore
    • 100 Matt Roush
    Brilliant. [18 Jul 1995]
    • USA Today
    • 99 Metascore
    • 100 Matt Roush
    In theory and practice, Murder One is everything that's best about TV. [19 Sept 1995, p.1D]
    • USA Today
    • 98 Metascore
    • 100 Matt Roush
    The first half of the final season gets underway for AMC's masterpiece of intensity Breaking Bad.
    • 98 Metascore
    • 100 Matt Roush
    This is TV as great modern literature, a shattering and heartbreaking urban epic about a city (Baltimore) rotting from within.
    • 96 Metascore
    • 100 Matt Roush
    From the edge of your seat, you wonder if they can possibly keep topping themselves. Based on the first two episodes, the answer is a resounding and brilliant yes.
    • 96 Metascore
    • 100 Matt Roush
    For those who prefer a more riveting, nail-biting variety of TV, one of cable's darkest masterpieces of mayhem is back after a long absence, having lost none of its sinister allure in its fourth season.
    • 96 Metascore
    • 100 Matt Roush
    Was it worth the wait? Was it ever!
    • TV Guide
    • 94 Metascore
    • 100 Matt Roush
    It's sexy, violent, witty, emotionally devastating and visually spectacular--those dragons are bigger and more unruly than ever--delivering an experience not unlike how the glorious Diana Rigg (as Lady Olenna, Queen of Thorns) responds when she first lays eyes on the Amazonian warrior Lady Brienne (Gwendoline Christie): "Aren't you just marvelous, absolutely singular!" Yes, she is, and so's the show.
    • 94 Metascore
    • 100 Matt Roush
    One of TV’s boldest and best dramas.
    • 94 Metascore
    • 100 Matt Roush
    Louie isn't exactly what you'd call a joy ride, but there's joy to be had in its pungent authenticity, the element so sorely lacking in Anger Management.
    • 93 Metascore
    • 90 Matt Roush
    Embracing with raw, unsettling honesty the random absurdities that regularly befall this urban dweller, Louie brilliantly mines the all-too-human comedy of anxiety, insecurity and disappointment--in himself and others.
    • 93 Metascore
    • 90 Matt Roush
    The only bleak aspect to this miniseries is that it doesn't last forever.
    • TV Guide
    • 93 Metascore
    • 100 Matt Roush
    A darkly hilarious look at the neurotic personalities and duplicitous machinations of late-night talk shows, it's the smartest and most ruthless show about TV ever on TV. [22 Jun 1994]
    • USA Today
    • 92 Metascore
    • 100 Matt Roush
    The return of the two-time Emmy winning best drama instantly eclipses the rest of summer TV with its dazzling wit, its posh mid-'60s style and its timelessly provocative substance.
    • 92 Metascore
    • 100 Matt Roush
    The funniest family ever. [11 Oct 1990]
    • USA Today
    • 92 Metascore
    • 90 Matt Roush
    It's hard not to be moved by Rectify's unique approach to a redemption story, with an aching tenderness cloaked in a suffocating sadness.
    • 92 Metascore
    • 100 Matt Roush
    Shows like Homeland have a way of keeping us deliciously off balance. Can't think of a place I'd rather be or a show I'd more highly recommend.
    • 92 Metascore
    • 90 Matt Roush
    [A] quietly creepy and profoundly unsettling supernatural mystery.
    • 91 Metascore
    • 90 Matt Roush
    Transparent's transcendent empathy and wry, raw realism make most of this fall season's new batch of network sitcoms seem even emptier than usual.
    • 91 Metascore
    • 100 Matt Roush
    For the next four Fridays, PBS's Great Performances lives up to its billing with a spectacular and dazzlingly acted mega-miniseries titled The Hollow Crown.
    • 91 Metascore
    • 100 Matt Roush
    [A] brilliant and acid satire of late-night TV that scores its bitter points with the zing of a Variety headline. [2 Jun 1993]
    • USA Today
    • 91 Metascore
    • 100 Matt Roush
    Buoyed by the effortless charisma of Timothy Olyphant's star turn as the laconic but lethal Deputy U.S. Marshal Raylan Givens, this series is a twisted triumph.
    • 91 Metascore
    • 100 Matt Roush
    In BBC America's shattering and brilliantly paced eight-episode Broadchurch, a high point of a summer already teeming with terrific drama, you'll get a solution in a lot less time than it took The Killing to reveal the murderer of Rosie Larsen, and with considerably more cumulative emotional impact.
    • 91 Metascore
    • 90 Matt Roush
    An endlessly fascinating seven-part foray into the most remote and unforgiving regions of the Arctic and Antarctic.
    • 91 Metascore
    • 100 Matt Roush
    Three scintillating new Sherlock brain-teasers.
    • 91 Metascore
    • 100 Matt Roush
    Laugh-out-loud and sad all at once, The Larry Sanders Show shines merciless light in the heartless dark night of TV. [14 Aug 1992]
    • USA Today
    • 91 Metascore
    • 100 Matt Roush
    So far (judging from the first four episodes), it's living up to our highest expectations.
    • 91 Metascore
    • 100 Matt Roush
    Watching Downton Abbey is like curling up with a really satisfying book, and I can't think of a better way to get through one of the crueler months of winter. This is one of those shows that after finishing it, I immediately began to envy those who had yet to experience the pleasure.
    • 90 Metascore
    • 90 Matt Roush
    A fourth season of wryly amusing but often shockingly brutal backwoods mayhem.
    • 90 Metascore
    • 100 Matt Roush
    Once you get back in the rhythm of this enthrallingly sprawling, lusty and brutal saga, flaunting enough sex and violence to make a Hobbit faint, it's impossible not to succumb to Thrones' visceral, dark magic.

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