For 964 reviews, this critic has graded:
  • 50% higher than the average critic
  • 4% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 3.2 points lower than other critics. (0-100 point scale)

Matt Roush's Scores

Average review score: 62
Highest review score: 100 Battlestar Galactica (2003): Season 3
Lowest review score: 0 Stalker: Season 1
Score distribution:
964 tv reviews
    • 84 Metascore
    • 75 Matt Roush
    It's sometimes lyrical, other times cruel, provocatively adult and often profane. The downside: a suffocating ambiguity that may smother its hopes for commercial success. [25 Oct 1996]
    • USA Today
    • 84 Metascore
    • 80 Matt Roush
    Its third macabre season magnifies every succulent image and sound to its creepiest potential. [1 Jun 2015, p.18]
    • TV Guide
    • 84 Metascore
    • 100 Matt Roush
    Will Antoine achieve his musical dream? How long can Ladonna hold onto her business when her husband and sons (and now mother) live long distance in Baton Rouge? Theirs are among the myriad stories swirling in the funky gumbo of this one-of-a-kind drama.
    • 84 Metascore
    • 100 Matt Roush
    Exasperating but fascinating.
    • 84 Metascore
    • 80 Matt Roush
    While things invariably and hilariously go wrong, Party Down’s appeal comes from the interplay of these endearingly delusional wannabes—now including Megan Mullally, replacing the irreplaceable Jane Lynch as a perky single-mom new recruit.
    • 84 Metascore
    • 70 Matt Roush
    American Crime unfolds its troubling and gripping story over a broad urban canvas of racial disharmony, class animosity and familial dysfunction. [2 Mar 2015, p.12]
    • TV Guide
    • 78 Metascore
    • 90 Matt Roush
    Dexter is real, all right. Real good.
    • 84 Metascore
    • 80 Matt Roush
    Ted is a seriously wacky show and deserves to be seen.
    • 84 Metascore
    • 90 Matt Roush
    Almost the Truth (The Lawyer’s Cut) is a serious history of sublime nonsense, packaged with classic Python-esque irreverence.
    • 84 Metascore
    • 100 Matt Roush
    The deft, resonant satire that helped make Judge's Office Space a cult hit takes on farcical new dimension in Silicon Valley.
    • 83 Metascore
    • 70 Matt Roush
    There are still pleasures to be found in Boardwalk Empire, but it's definitely time to wrap--and enjoy a good stiff drink as a reward.
    • 83 Metascore
    • 100 Matt Roush
    Easily the best and most original entertainment too few are watching, Daisies dazzles and delights with a sensory overload of perfectly surreal whimsy that juggles screwball fairy tale, romantic comedy and mystery.
    • 83 Metascore
    • 90 Matt Roush
    Excellent questions propel us back into the world of one of TV's most uncompromising dark comedies.
    • 83 Metascore
    • 80 Matt Roush
    This tribute to the pioneering comic's life and legacy, with TV clips and audio excerpts (enhanced with crude animation) from her many comedy albums hold up surprisingly well. A rich roster of admiring celebrities weighs in.
    • 83 Metascore
    • 100 Matt Roush
    Downton Abbey is like British catnip, a dazzling entertainment where saucy always trumps stuffy. It's popcorn TV with a champagne aftertaste.
    • 83 Metascore
    • 100 Matt Roush
    This bold British import is among the best TV I've seen in a mediocre (on network TV, anyway) fall season. Fast-paced, constantly surprising and darkly entertaining, Luther is about as far as you can get from a cookie-cutter procedural.
    • 83 Metascore
    • 90 Matt Roush
    Cosmos: A Spacetime Odyssey is science non-fiction at its most accessible and enjoyable.
    • 83 Metascore
    • 90 Matt Roush
    Here's a show full of delightful surprises, with something for everyone. It's hard to imagine anyone resisting its many charms. Twin Peaks too ponderous? Lawyer shows too heavy (and too many)? Sitcoms too silly? As Goldilocks said of the little bear's porridge, this one gets it just right. [8 Apr 1991, p.1D]
    • USA Today
    • 80 Metascore
    • 90 Matt Roush
    Critical without being overtly political, with stretches of boredom punctuated by the sudden chaos of firefights where it’s impossible to distinguish innocent bystanders from insurgents, Generation Kill is both timely and timeless.
    • 83 Metascore
    • 80 Matt Roush
    No one saves face in director Steven Soderbergh's ghoulishly entertaining, opulently produced Behind the Candelabra, HBO's grandest, gaudiest and most fascinating movie in quite a long while.
    • 75 Metascore
    • 80 Matt Roush
    Richly plotted and totally absorbing, one of summer TV's best surprises.
    • 78 Metascore
    • 80 Matt Roush
    This show is shocking in all the right ways. It's monstrously entertaining.
    • 82 Metascore
    • 100 Matt Roush
    What's not to love in Friday Night Lights? This is a place, and a show, I will never want to leave. It feels like family. But we're lucky to have been given this much of their story. Underdogs to the end, these are my TV heroes.
    • 82 Metascore
    • 100 Matt Roush
    This demanding and deliberately paced thriller (written and directed with ruthless intelligence by Hugo Blick) stands apart and above the glut of original programming. With its urgently compelling mysteries and shocking reveals, it's the equal of last summer's brilliant Broadchurch.
    • 52 Metascore
    • 63 Matt Roush
    At best, and most, 3rd Rock might catch on as the silliest of guilty pleasures, a Benny Hill burlesque where the leering material is enlivened by some outstanding physical comedy. ... When goofy, 3rd Rock rolls. When dirty, it's stone-cold bad. [9 Jan 1996]
    • USA Today
    • 82 Metascore
    • 100 Matt Roush
    We actually root for many of the people we find living among The Walking Dead, which packs a raw, emotional punch while delivering the creepy and queasy thrills all genre fans truly crave.
    • 82 Metascore
    • 90 Matt Roush
    Rectify is touching in so many ways, and the only drawback is that six hours is not nearly enough to tell this story, with an open-ended conclusion that's more disturbing than satisfying.
    • 82 Metascore
    • 70 Matt Roush
    Once again the veterans wipe the floor with the young whippersnappers.
    • 75 Metascore
    • 70 Matt Roush
    It may be formula, but one where all the elements reliably click. [16 Sep 1992]
    • USA Today
    • 82 Metascore
    • 90 Matt Roush
    If you can handle it, The Walking Dead is grade-A terror.

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