For 597 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1.6 points lower than other critics. (0-100 point scale)

Matt Roush's Scores

  • TV
Average review score: 62
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
  1. Negative: 98 out of 597
597 tv reviews
    • Metascore: 50
    • Matt Roush 40
    An odd tonal mix with uneven casting that never quite produces the intended magic, it feels like a misfire to me.
    • Metascore: 46
    • Matt Roush 40
    This reimagined version, which feels a bit old hat in a post-Matrix fantasy landscape, is more leaden, pretentious and solemn, a tone embodied by Caviezel’s brooding Six, who’s more dour than dashing.
    • Metascore: 54
    • Matt Roush 40
    Spartacus is derivative as entertainment and primitively pandering as a diverting spectacle of campy historical fiction.
    • Metascore: 48
    • Matt Roush 40
    The supporting cast is diverse, but uniformly bland. Three Rivers isn’t as laughably awful as NBC’s "Mercy," but it’s possibly more forgettable.
    • Metascore: 37
    • Matt Roush 40
    Hank does fill a network void where family-friendly comedy is concerned, but Grammer is just going through the paces here. And I’m not sure a void actually deserves another void.
    • Metascore: 57
    • Matt Roush 40
    The animation is primitive, and so is the straining-to-be-hip writing in this deadpan sitcom.
    • Metascore: 53
    • Matt Roush 40
    There's nothing about Haven that isn't derivative at best and dispiriting at worst.
    • Metascore: 56
    • Matt Roush 40
    The problem is that Scoundrels is never as funny as it thinks it is.
    • Metascore: 52
    • Matt Roush 40
    Unclear and, at first glance, very uneven, but it's still a lot more inviting than ABC's DOA "Happy Town."
    • Metascore: 48
    • Matt Roush 40
    The only moment anyone’s likely to remember from the colossal dud of The Jay Leno Show's opening night--which felt more like an off night of the old Tonight Show--was a moment where no joke was cracked, indeed where no word was spoken.
    • Metascore: 48
    • Matt Roush 40
    There's not much there here, as Chase engages in violent cat-and-mouse pursuits between a team of U.S. Marshals (led by Giddish's Annie "Boots" Frost) and psycho criminals on the lam.
    • Metascore: 48
    • Matt Roush 40
    When Steve and Emmy reconnect in the mansion where they grew up, sparks are meant to fly. But the chemistry is lacking, maybe because the creators are too busy loading up so many elements of the bizarre around them.
    • Metascore: 49
    • Matt Roush 40
    There's no surprise to this, just a sense of resignation that such a hokey climax is the way these shows are supposed to work. Which doesn't make V a terrible show, just a terribly ordinary one.
    • Metascore: 54
    • Matt Roush 40
    This isn't a catastrophe, mind you. It's not Knight Rider-Bionic Woman awful. It's merely forgettable. Which is just sad.
    • Metascore: 49
    • Matt Roush 40
    The conditions at the clinic and surrounding villages are unnervingly primitive, which adds to the drama and the stakes of many of these emergency triage cases. But it's the painfully earnest dialogue that could really make you ill.
    • Metascore: 54
    • Matt Roush 40
    Mr. Sunshine never really comes into focus. I'm regarding this as a work in progress, and am hoping it finds its way in weeks to come the way Cougar Town quickly did.
    • Metascore: 57
    • Matt Roush 40
    What in the original incarnation was shockingly cheeky, in its graphic and profane depiction of teens indulging in sex-and-drug debauchery, has been neutered and tamed in a remake that is unconvincing, amateurishly produced and very poorly acted.
    • Metascore: 55
    • Matt Roush 40
    This isn't a terrible show, because that might make it memorable. Instead, it falls into that category of being fairly clever without really being funny or all that amusing.
    • Metascore: 63
    • Matt Roush 40
    This is assembly line rom-com TV.
    • Metascore: 50
    • Matt Roush 40
    It's ploddingly earnest when it isn't crudely scurrilous....There is some fine acting.
    • Metascore: 67
    • Matt Roush 40
    You say potato, I say dramatic arsenic. This actors' exercise is what it's like finding yourself trapped in a pretentious, self-important off-Broadway "experience," wishing you'd chosen to go to a movie or stay home with TV instead.
    • Metascore: 49
    • Matt Roush 40
    This one pushes the zany aspects too hard, trivializing the missions while neglecting such elements as grit, wit and heart.
    • Metascore: 58
    • Matt Roush 40
    Rarely has the story been rendered so dreary and insipid.
    • Metascore: 55
    • Matt Roush 40
    To say Secret Circle isn't spellbinding is an understatement. Originality and surprise are the main ingredients missing from this tepid witches' brew.
    • Metascore: 56
    • Matt Roush 40
    Your enjoyment of Franklin & Bash may depend on your tolerance for frat-boy antics and smarmy whimsy.
    • Metascore: 45
    • Matt Roush 40
    An insipid and unconvincing attempt to position bunnies at the forefront of a social and sexual revolution.
    • Metascore: 66
    • Matt Roush 40
    Some are embracing this as a juicy guilty pleasure, a return to Dynasty times by way of The Count of Monte Cristo. I found it all a bit predictable and thick, like I was choking on Crisco.
    • Metascore: 61
    • Matt Roush 40
    Saving the least for last, Entourage feels awfully washed-out and washed-up, kind of like Vince Chase's dormant career, as the show counts down to the end.
    • Metascore: 63
    • Matt Roush 40
    AMC's sprawling but heavy-handed attempt to revive and redefine the Western (a newly hot TV-development trend) is solemn business indeed, with precious little wit or originality.
    • Metascore: 56
    • Matt Roush 40
    The voyeuristic thrill of watching the unguarded reactions of people--in this case, famous people--to outrageous situations has worked ever since Candid Camera, but I'll admit the only moment that brought me joy in the first episode is when one of Bieber's marks refuses to fall for the set-up, insisting, "Are we on Punk'd?"