Matt Zoller Seitz
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For 246 reviews, this critic has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 0.6 points higher than other critics. (0-100 point scale)

Matt Zoller Seitz's Scores

Average review score: 65
Highest review score: 100 Homeland: Season 1
Lowest review score: 0 Dads: Season 1
Score distribution:
  1. Negative: 22 out of 246
246 tv reviews
    • 86 Metascore
    • 90 Matt Zoller Seitz
    The phrase "stream-of- consciousness" doesn't do it justice. Geyser-of-consciousness is more like it. What holds it together is the program's unique comic voice. [12 Sep 1997]
    • Newark Star-Ledger
    • 87 Metascore
    • 90 Matt Zoller Seitz
    The first four episodes sent out for review become stranger and less “realistic” by the hour, not to mention more stereotypically HBO-like (artfully arranged corpses; drug-thug posturing and handgun-waving; gratuitous T&A) and less concerned with the case that Cohle and Hart are allegedly trying to solve. But the show’s time-shifting structure is so painstaking that even when True Detective spirals into lurid madness there still seems to be purpose behind it.
    • 88 Metascore
    • 90 Matt Zoller Seitz
    It's these deeper questions [Deciding to live the day-to-day performance of an ideal, a belief, an emotion, a set of principles, a faith?] that give the action and melodrama a bit of existential heft, and redirect our vicarious enjoyment away from fantasy and back towards reality.
    • 85 Metascore
    • 90 Matt Zoller Seitz
    Rick and Morty won't get us any closer to a workable definition of Harmon's genius, but at least it clarifies that the unhinged quality that Community once had wasn't accidental.
    • 84 Metascore
    • 90 Matt Zoller Seitz
    The show’s version of machismo is hilarious, and feels new. Silicon Valley captures the pack-wolf preening of guys whose muscles are located mostly above their necklines.
    • 85 Metascore
    • 90 Matt Zoller Seitz
    To watch any engrossing drama is to feel for fictional people the way we feel for real-life friends. Even when they piss us off, we wish them the best.
    • 75 Metascore
    • 90 Matt Zoller Seitz
    Not since Deadwood has a period-drama production designed to a fare-thee-well and steeped in nasty atmosphere been so politically astute about who has power over whom and why--although the subtler brand of gallows humor and Soderbergh’s fondness for intricately choreographed long takes aligns The Knick with a different TV classic that Deadwood creator David Milch worked on, Hill Street Blues.
    • 87 Metascore
    • 80 Matt Zoller Seitz
    NBC's half-hour slice of small-town life isn't perfect right out of the gate; few shows are. But it's so sure-footed and engaging that it would be a pleasure to see how it turns out. [7 Oct 2000, p.43]
    • Newark Star-Ledger
    • 88 Metascore
    • 80 Matt Zoller Seitz
    It's an absurdist comedy about criminal behavior and suburban life that gently mocks its targets while taking its characters and their emotions seriously. [9 Jan 1999, p.23]
    • Newark Star-Ledger
    • 80 Metascore
    • 80 Matt Zoller Seitz
    The most stylistically innovative comedy to hit American television since HBO's great, barely seen "The Larry Sanders Show" ... It's also the most squirm-inducing look at everyday deceit that I've seen outside of an Albert Brooks or Woody Allen movie. [14 Oct 2000]
    • Newark Star-Ledger
    • 46 Metascore
    • 80 Matt Zoller Seitz
    A welcome surprise - an unabashed melodrama that doesn't wink at the audience but doesn't take itself too seriously, either. Every choice it makes, from pacing to photography to music, seems just about right, and the casting is inspired. (I appreciate that it filled its lead roles with two young men who are somewhat credible on the court.) [23 Sept 2003, p.43]
    • Newark Star-Ledger
    • 80 Metascore
    • 80 Matt Zoller Seitz
    The series tells hard, funny truths about marriage and parenting that often escape notice in other stories - truths which suggest that writer-creator-producer Marc Cherry and his collaborators have actually taken the time to understand the people they're satirizing. [2 Oct 2004]
    • Newark Star-Ledger
    • 68 Metascore
    • 80 Matt Zoller Seitz
    It's grindhouse and art house, and it carries itself as if it doesn't give a damn what you think of it. And its infuriating push-pull quality is still fascinating.
    • 71 Metascore
    • 80 Matt Zoller Seitz
    Armisen and Browstein's masterstroke is showing how certain flavors of modern leftist sensitivity/engagement can seem (to outsiders) like passive-aggressive self-absorption laced with contempt for the unenlightened.
    • 79 Metascore
    • 80 Matt Zoller Seitz
    You can't just watch this series. You have to commit to it, the way you had to commit to "The Wire" or "Deadwood" to appreciate them as something other than impenetrable fetish objects. Bear in mind I'm not saying that Game of Thrones is a creative achievement on the same level as those other masterful HBO series, which looked, moved and felt like nothing that had come before.
    • 84 Metascore
    • 80 Matt Zoller Seitz
    As adapted, produced and written for the screen by Veena Sud (creator of "Cold Case"), it's a subtle piece of work.
    • 78 Metascore
    • 80 Matt Zoller Seitz
    Students of Marshall's life and times won't find any new information here, but the personal shadings are crucial because they humanize what might otherwise have been dry textbook details. Stevens and Fishburne find a strong emotional through-line for Marshall's greatest triumphs: the desire to right injustices visited upon Marshall, his family and his people.
    • 70 Metascore
    • 80 Matt Zoller Seitz
    The process of self-discovery is right upfront in Taking on Tyson, and it's fascinating.
    • 66 Metascore
    • 80 Matt Zoller Seitz
    I expected it to be yet another R-rated historical soap with an overqualified cast. It's that. (The series is co-executive produced by ... wait a second ... Michael Hirst? Not him again!) But it's also good. And addictive--not just because of the blood-and-boobs aspects, but because it takes you inside an unfamiliar world and shows you how it works.
    • 73 Metascore
    • 80 Matt Zoller Seitz
    These three new episodes, which premiered in Britain last year, are engaging, tasteful and very well-made.
    • 84 Metascore
    • 80 Matt Zoller Seitz
    From scene to scene, Treme is novelistic in the best sense--a long, complex, involving story that takes a while to settle into, but that you can't put down and don't want to end.
    • 67 Metascore
    • 80 Matt Zoller Seitz
    Pan Am is nostalgic bonbons for the mind, made with the finest ingredients.
    • 87 Metascore
    • 80 Matt Zoller Seitz
    It's the most engrossing cop series since season one of NBC's Homicide, and maybe the most raggedy and real.
    • 89 Metascore
    • 80 Matt Zoller Seitz
    Raylan Givens is off his game, but Justified is as sharp as ever.
    • 75 Metascore
    • 80 Matt Zoller Seitz
    The cop stuff feels like it could be happening in any other NBC cop show; I kept expecting Prime Suspect's Maria Bello to show up in that cute hat. But given the originality on display, and the venue, those are minor complaints.
    • 75 Metascore
    • 80 Matt Zoller Seitz
    Boss' mix of deft footwork and bull-in-a-china shop clumsiness can be off-putting, but it's always anchored by Grammer's alternately scary and mournful lead performance, and you're never in doubt that there's a fully formed sensibility behind it.
    • 62 Metascore
    • 80 Matt Zoller Seitz
    Smash got the memo from viewers. I don’t think they read all of it, necessarily, but at least they got it, and they’ve changed just enough to raise the series from a C+ to a B. So: progress.
    • 84 Metascore
    • 80 Matt Zoller Seitz
    It feels lived-in, confident. That's a good sign.
    • 84 Metascore
    • 80 Matt Zoller Seitz
    NY Med is filled with warm, honest moments--some poignant, others comic--and characters who would be plenty compelling even if they didn't keep revealing surprising new sides.
    • 74 Metascore
    • 80 Matt Zoller Seitz
    This is one hell of a debut, and the last seven minutes are brilliant, hitting emotional notes that you might not expect.