Matt Zoller Seitz
Select another critic »
For 264 reviews, this critic has graded:
  • 45% higher than the average critic
  • 4% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 0.3 points higher than other critics. (0-100 point scale)

Matt Zoller Seitz's Scores

Average review score: 65
Highest review score: 100 Episodes (US): Season 1
Lowest review score: 0 Dads: Season 1
Score distribution:
  1. Negative: 24 out of 264
264 tv reviews
    • 63 Metascore
    • 80 Matt Zoller Seitz
    Smash got the memo from viewers. I don’t think they read all of it, necessarily, but at least they got it, and they’ve changed just enough to raise the series from a C+ to a B. So: progress.
    • 85 Metascore
    • 80 Matt Zoller Seitz
    It feels lived-in, confident. That's a good sign.
    • 84 Metascore
    • 80 Matt Zoller Seitz
    NY Med is filled with warm, honest moments--some poignant, others comic--and characters who would be plenty compelling even if they didn't keep revealing surprising new sides.
    • 74 Metascore
    • 80 Matt Zoller Seitz
    This is one hell of a debut, and the last seven minutes are brilliant, hitting emotional notes that you might not expect.
    • 83 Metascore
    • 80 Matt Zoller Seitz
    The melodrama is deliciously engrossing and occasionally wrenching--two episodes in the middle of season three may empty local Rite-Aids of Kleenex--but in the end, it's a light series: "light" as in the opposite of dark, not insubstantial; warm, hopeful, inspiring.
    • 79 Metascore
    • 80 Matt Zoller Seitz
    The Hour has never pretended to be anything other than a very classy potboiler filled with attractive people, one that puts its heroes into predicaments that wouldn't be out of place in a silent film while sneaking social and historical commentary into the margins.
    • 78 Metascore
    • 80 Matt Zoller Seitz
    The Americans might take a while to find its footing--most shows do; but it already has a personality, a pulse of life.
    • 95 Metascore
    • 80 Matt Zoller Seitz
    Contemporary TV is suddenly filled with shows starring charismatic yet ostentatiously flawed heroines: Homeland, The Mindy Project, Girls, Don't Trust the B---- in Apartment 23. Enlightened stands out because its vision is so much wider.
    • 86 Metascore
    • 80 Matt Zoller Seitz
    For the most part, though, what we see and hear is all we’re allowed to know, and it’s enough, just as the accumulation of moments in a fly-on-the-wall documentary are enough to make us feel for the subjects.
    • 88 Metascore
    • 80 Matt Zoller Seitz
    [A] clever, at times tricky season opener. In Lost-like style, it strategically withholds key information that would help us make immediate sense of Don’s behavior, which by turns suggests a prisoner, a sleepwalker, and a ghost.
    • 82 Metascore
    • 80 Matt Zoller Seitz
    It’s not rushing us to the next plot point. It’s content to be present. It breathes.
    • 58 Metascore
    • 80 Matt Zoller Seitz
    It's the kind of work that I like to classify as "deep shallow," in that it deals in familiar tropes and simple themes but articulates them in a clever, stylish way.
    • 74 Metascore
    • 80 Matt Zoller Seitz
    Family Tree is less belly-laugh funny than wry and occasionally poignant.
    • 65 Metascore
    • 80 Matt Zoller Seitz
    Mom is about shtick, and it has hired a core group of actors who know how to do it.... The whole cast is just about perfect.
    • 76 Metascore
    • 80 Matt Zoller Seitz
    Thanks partly to the writing, but mostly to Elba's performance, Luther rarely comes off as one of those swaggering CBS crime-show smarty-pantses, dumping wisdom on subordinates--and that's good, because even at its sharpest, Luther feels a bit too CBS for my taste.
    • 79 Metascore
    • 80 Matt Zoller Seitz
    For all its comedy, this is a serious show, one that’s keenly attuned to the damage that women do to other women, and that men and women do to one another, and that the state does to its people before, during and after they go to prison.
    • 92 Metascore
    • 80 Matt Zoller Seitz
    Some of the encounters evoke the returned abductees in Close Encounters of the Third Kind, while others have the nasty, bone-deep chill you associate with John Carpenter’s stalk-and-kill classics. Beneath it all is an air of existential dread. The universe is out of order. Life itself has gone haywire.
    • 74 Metascore
    • 80 Matt Zoller Seitz
    It's probably a mite too ridiculous for the dire tone it sometimes affects, but it's confident, verging on brazen, and one tends to respect that quality in entertainment.
    • 64 Metascore
    • 80 Matt Zoller Seitz
    The show’s chilled-out confidence (as if it were starting its second season rather than its first) is appealing, and the cast’s Swiss-watch timing makes even lackluster exchanges crackle, but The Michael J. Fox Show’s selling point is its multivalent comic richness.
    • 55 Metascore
    • 80 Matt Zoller Seitz
    The show has a knack for Godfather-style plots and counter­plots, as well as for sixties Hammer-horror violence that doles out gore and suffering strategically: a dollop of blood here, a severed head there. There’s a bracing wantonness to the writers’ inventions here.
    • 86 Metascore
    • 80 Matt Zoller Seitz
    Masters of Sex is an intelligent, assured drama that gets better and better as it goes along.
    • 65 Metascore
    • 80 Matt Zoller Seitz
    For the most part, this is a light, bouncy service comedy in the spirit of The Phil Silvers Show, Gomer Pyle, USMC, and Stripes, It's a high jinks–heavy but psychology-driven show that wants to please a general audience while also seeming halfway credible to viewers who've served in the armed forces or know somebody who has.
    • 80 Metascore
    • 80 Matt Zoller Seitz
    It's still the sort of show that makes you reach out to it, rather than reaching out to you--a characteristic that Treme shares with a good many of its characters, a mostly obsessive and intractable bunch who are inclined to monologues about art, work, family, mortality, and the characteristics of the perfect po-boy.
    • 75 Metascore
    • 80 Matt Zoller Seitz
    Far From Finished isn’t an instant classic on the order of Bill Cosby: Himself or his stand-up albums Revenge, Why Is There Air?, and Wonderfulness. It’s more like a pencil sketch by a master painter or a late film by Woody Allen or Clint Eastwood.
    • 80 Metascore
    • 80 Matt Zoller Seitz
    Throughout, there’s a sense that ­Community is building, or rebuilding, toward something big and bold--that what you’re seeing is not so much a revamp as a restoration. Few live-action sitcoms are so aware of their artificiality and yet so ­singularly alive.
    • 76 Metascore
    • 80 Matt Zoller Seitz
    Girls is well aware of the conundrum Hannah and Adam and other characters are trapped in--we're all trapped in it, to some degree--and it has sense enough to let us figure this, and a lot of other things, out for ourselves.
    • 73 Metascore
    • 80 Matt Zoller Seitz
    There's nothing formally or dramatically groundbreaking about it, except for its "no big deal" attitude. But that in itself is striking. It should be counted as progress. That Looking doesn't seem to be terribly concerned with words like progress should count as progress, too.
    • 71 Metascore
    • 80 Matt Zoller Seitz
    Review is more of an experience than a statement; if you ask yourself, "What's the point?" you'll probably never get an answer, and you'll miss out on the agonizing pleasure of this most unusual series, which imports a style of TV comedy that was perfected in the United Kingdom and its far-flung colonies, and somehow Americanizes it without snuffing its daft spark.
    • 85 Metascore
    • 80 Matt Zoller Seitz
    The pilot can be alienating, and not in a good way. It's often too schematic, too obvious.... The next three episodes get incrementally weirder, stronger, and more original, to the point that you forget to measure this Fargo against its namesake, or against any of the Coens' masterworks, and simply enjoy the odd, sour, frightening, occasionally splendid thing in front of you.
    • 76 Metascore
    • 80 Matt Zoller Seitz
    There were several very strong bits, but the best was Oliver's rant about the U.S. media's disinterest in the Indian elections.... At this point, my main complaint about the show is that it's not an hour.

Top Trailers