Matthew Gilbert

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For 1,009 reviews, this critic has graded:
  • 45% higher than the average critic
  • 3% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 7.5 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 59
Highest review score: 100 The Affair: Season 1
Lowest review score: 0 Sons Of Hollywood: Season 1
Score distribution:
1009 tv reviews
    • 62 Metascore
    • 70 Matthew Gilbert
    The show is just an undemanding, entertaining, and sometimes whimsical ride. Yup, it's likable.
    • 59 Metascore
    • 70 Matthew Gilbert
    I think How to Make It in America has a lot going for it, if show creator Ian Edelman can keep from indulging in New York hipster cliches.
    • 65 Metascore
    • 70 Matthew Gilbert
    Their [Michelle Dockery and Juan Diego Botto] chemistry--both between the characters and the actors--is formidable. ... [But] It’s hard to figure out how Hodge and Crouch will make the show’s central relationship work more comfortably and believably moving forward.
    • 58 Metascore
    • 70 Matthew Gilbert
    Kings does dip in and out of predictability, when familiar Spelling soap operatics and political machinations break through the show's unique surface. But it still is a fascinating effort.
    • 77 Metascore
    • 70 Matthew Gilbert
    Tyler, Lopez, and Randy Jackson showed some promise last night, for a few reasons. First of all, Idol works better with three judges than four. You could already feel a warm triangular bond developing between Jackson, Tyler, and Lopez.
    • 68 Metascore
    • 70 Matthew Gilbert
    "Flight of the Conchords" is one of the few TV comedies that truly can be called unique.
    • 55 Metascore
    • 70 Matthew Gilbert
    Naturally, the movie has hagiographic leanings. This is a portrait of an accomplished man at the end of his career, and it looks back with admiration.
    • 58 Metascore
    • 70 Matthew Gilbert
    The show has the makings of a more sincere, "Gilmore Girls"-like take on female bonding.
    • 74 Metascore
    • 70 Matthew Gilbert
    It's good, not great, and tonight's strong pilot gives way next week to a noticeably less stellar hour.
    • 63 Metascore
    • 70 Matthew Gilbert
    Coster-Waldau makes John so alien and distant as to be annoyingly inscrutable. But in Thursday's episode, we begin to learn more particulars about John's history, and how he maintains his secret. And that's when Coster-Waldau becomes more vivid and the show begins to rise above its silly murder-of-the-week plots
    • 67 Metascore
    • 70 Matthew Gilbert
    I'm on board with Tara, but so far mostly for the supporting characters, whose number expands in the coming weeks to include a self-empowered "Vita-self" saleswoman who is overly curious about Tara's disorder.
    • 83 Metascore
    • 70 Matthew Gilbert
    I admire this show--it's so original, and sequences such as the "Sound of Music" goof are right on. But I admire it more than I enjoy it.
    • 53 Metascore
    • 70 Matthew Gilbert
    Does it work? Mostly, but only if you can handle what is now commonly called "edge." [29 Jan 1999]
    • Boston Globe
    • 81 Metascore
    • 70 Matthew Gilbert
    Little Dorrit has so many virtues--indelible performances, stirring pathos, and an emotional and psychological heft unusual for Dickens--that you can forgive its one significant flaw.
    • 52 Metascore
    • 70 Matthew Gilbert
    Even as you may be tempted on occasion to roll (or close) your eyes, it’s hard not to be drawn in at least partway.
    • 55 Metascore
    • 70 Matthew Gilbert
    Then the second episode, and then the third, come along, and 1600 Penn evolves into a surprisingly likable single-camera comedy.
    • 67 Metascore
    • 70 Matthew Gilbert
    The plotting of The Bridge can be dense. That doesn’t undermine my enjoyment of the show, but there are moments in between revelations when I sometimes feel at sea.
    • 72 Metascore
    • 70 Matthew Gilbert
    It's not quite the revelation that "The Simpsons" was, but "Futurama" contains enough inventiveness and heart to make it a worthy follow-up. [26 Mar 1999]
    • Boston Globe
    • 67 Metascore
    • 70 Matthew Gilbert
    There's a lot to enjoy... But "30 Rock" is more sitcommy than most of the single-camera sitcoms on the air now, and it has none of the sharp bite of "The Larry Sanders Show."
    • 65 Metascore
    • 70 Matthew Gilbert
    The pilot is entertainingly lighthearted, but in a twist that I won't spoil here, a serialized back story begins to surface that could push the show down a more convoluted path.
    • 75 Metascore
    • 70 Matthew Gilbert
    "Brotherhood" ... may not be one of the all-time great crime shows, but it's certainly a very good one that improves with each episode.
    • 73 Metascore
    • 70 Matthew Gilbert
    It’s a coming of age comedy that’s raunchy and sophomoric, but, as is typical with Apatow products, it’s also character-based and at times kind of touching.
    • 75 Metascore
    • 70 Matthew Gilbert
    The show is sweet enough and features a likable cast. The assimilation material is a bit obvious in the two episodes provided for review, but that’s typical in new comedies trying to establish their stomping grounds.
    • 57 Metascore
    • 70 Matthew Gilbert
    Turns out Happy Endings is one of those rare TV cases of rising above, as the writing and the ensemble energy trump the stale premise.
    • 69 Metascore
    • 70 Matthew Gilbert
    11.22.63 is a satisfying and smartly developed work that marks yet another step forward for streamer Hulu, which has been featuring increasingly notable series including “Casual” and “Difficult People.”
    • 63 Metascore
    • 70 Matthew Gilbert
    It has a set of distinctive actors, a minimum of punch-line mania, and a script that is occasionally charming. The characters actually have the potential to become three-dimensional.
    • 69 Metascore
    • 70 Matthew Gilbert
    While Halt and Catch Fire captures the professional and financial excitement and mystery of those days, before we knew computers would change the world, it also takes on the complex personalities involved.
    • 66 Metascore
    • 70 Matthew Gilbert
    Canterbury has promise but her law needs a lot of work.
    • 52 Metascore
    • 70 Matthew Gilbert
    These guys come up with twisted shorts and one longer and even more twisted feature per episode, some of them actual man-on-the-street interviews, some of them scripted, and most of them funny.
    • tbd Metascore
    • 70 Matthew Gilbert
    After Lately isn't a significant addition to her little empire; it's slight and filled with dislikable characters. But for Handler fans, who love to hate everyone famous, that has never been a turnoff.

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