Matthew Gilbert
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For 863 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 7.5 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 58
Highest review score: 100 Rectify: Season 2
Lowest review score: 0 Sons Of Hollywood: Season 1
Score distribution:
863 tv reviews
    • 60 Metascore
    • 60 Matthew Gilbert
    "Shark" is a very conventional courtroom TV drama about a do-good lawyer, and its only distinction is the ferocious acting of Woods.
    • 54 Metascore
    • 60 Matthew Gilbert
    Defying Gravity is a perfectly decent bit of sci-fi soap - some cool “Star Trek’’ futurism, plenty of pretty “Grey’s Anatomy’’ ensemble melodrama, and a twist of eerie “Twilight Zone’’ mysteriousness when characters refer to the high-tech spaceship as if it has a will of its own.
    • 55 Metascore
    • 60 Matthew Gilbert
    So much about the Fox series is unseemly, and I don't just mean the commercial-to-show ratio and the sponsor plugs, which have been downright obscene. "American Idol," a new hybrid of reality TV and beauty pageantry, represents some of the crudest aspects of both network TV and the pop-music industry. ... And yet, and yet. "American Idol" remains addictive TV. [4 Sep 2002]
    • Boston Globe
    • 75 Metascore
    • 60 Matthew Gilbert
    Without any framing background information, this affectionate documentary and its continual monologues can feel a little too insidery and indulgent.
    • 54 Metascore
    • 60 Matthew Gilbert
    It's a contrived product, but the storytelling reveals the cases and their solutions nicely, if straightforwardly.
    • 67 Metascore
    • 60 Matthew Gilbert
    The lack of a human entry point renders the whole thing passionless. It's more of a slick contraption than a truly thrilling hour.
    • 69 Metascore
    • 60 Matthew Gilbert
    Entertaining, stylish, and, most of all, slight.
    • 70 Metascore
    • 60 Matthew Gilbert
    It's hard to know where The Middle will go after tonight's decent pilot. And that's part of the sitcom's promise, that it has the potential to blossom into a sweet if small celebration of a family of oddballs living distinctly unhip lives.
    • 75 Metascore
    • 60 Matthew Gilbert
    Ever respectful of its source, the miniseries doesn't add on sexuality so much as it seeks and finds character depth and dimensionality.
    • 61 Metascore
    • 60 Matthew Gilbert
    Parenthood is a fairly promising ensemble dramedy that shows TV expanding beyond an emphasis on nuclear families to look at broader family systems reaching from ages 5 to 75.
    • 54 Metascore
    • 60 Matthew Gilbert
    The wit of the historical re-creations, along with the excellence of the many guest actors in them (including, this season, Connie Britton, Kristen Wiig, Aubrey Plaza, Owen Wilson, and Jack McBrayer) helps to overcome the repetitiveness and slightness of the formula.
    • 69 Metascore
    • 60 Matthew Gilbert
    Ultimately, though, Amanda Knox: Murder on Trial in Italy isn't as sensational as it might have been. It unfolds without too much of the lurid caricature of so many other Lifetime movies.
    • 48 Metascore
    • 60 Matthew Gilbert
    But while it shows Heche at an advantage, the series itself is, to tap into the script's car-driving metaphors, just a rusty old vehicle.
    • 54 Metascore
    • 60 Matthew Gilbert
    It's a fun ride at first. The series is tightly plotted, and the twists create moments of satisfying intrigue ... But juicy plot turns alone cannot fuel a series for long, especially when they repeat themselves, and the limitations of "Falcone" become clearer in its second and third episodes. [4 Apr 2000]
    • Boston Globe
    • 60 Metascore
    • 60 Matthew Gilbert
    Known for asking tough questions and being the cranky "America's Got Talent" judge, Morgan was indeed surprising--surprisingly soft. He failed to press Oprah hard on any of her more touchy-feely answers. And yet his Barbara Walters-esque method worked, to some extent, since Oprah is not one to bend to pressure.
    • 64 Metascore
    • 60 Matthew Gilbert
    Revolution is just all right, no better, no worse.
    • 59 Metascore
    • 60 Matthew Gilbert
    USA's Fairly Legal is fairly good. OK, I hate myself for that. But the phrase "fairly good" just seems so right in this case.
    • 68 Metascore
    • 60 Matthew Gilbert
    The characters may be shallow, but that doesn’t keep the show from giving the easy pleasures of reading a quickie mystery novel. And a few of the actors are entertaining despite the limitations of the script.
    • 86 Metascore
    • 60 Matthew Gilbert
    Television doesn't get any more visceral than this, and you will not soon forget images of the sky exploding into a rainstorm of parachutes, planes, and fire over Normandy, or American soldiers stumbling across a German death camp tucked in the forest...But as episodic television storytelling, Band of Brothers is less successful, marred not only by loose plot threads and war cliches but also by an excess of indistinct characters. [7 Dec 2001, p.C1]
    • Boston Globe
    • 73 Metascore
    • 60 Matthew Gilbert
    You can feel creator Vince Gilligan (of "The X-Files") straining to build an emblematic American fable and forgetting to fill in his story with particularities and believable motivations.
    • 75 Metascore
    • 60 Matthew Gilbert
    Margulies and Noth--both of whom have a similarly dark appeal--are well-matched onscreen. Alas, if you feel a “but’’ or two coming, you would be correct. The problem I have with The Good Wife is something that mars too much TV: telegraphing.
    • 62 Metascore
    • 60 Matthew Gilbert
    I had hoped The Following' would be a more self-aware about its own violence... Instead, The Following simply goes for more generic thrills, using a lot of horror-story clichés including making the most virulent followers into boys and girls next door. It's a well put together show, so that the four episodes sent for preview flew by. But it doesn't invite bigger thoughts, which is what violent cable series such as "Dexter" and "Boardwalk Empire" have done at their best.
    • 53 Metascore
    • 60 Matthew Gilbert
    A neatly conceived show that borrows from sources like Joseph Conrad's "The Heart of Darkness" and George Orwell's "1984." The plot is hard to summarize thoroughly - you'd need an instruction manual for that - but it unfolds easily on screen. [8 Oct 1999, p.D12]
    • Boston Globe
    • 61 Metascore
    • 60 Matthew Gilbert
    Galavant is a musical spoof of knight-in-shining-armor stories that is slight, unoriginal, and uneven, but that can be amusing and diverting nonetheless.
    • 59 Metascore
    • 60 Matthew Gilbert
    A slick effects extravaganza whose pilot episode kept me looking instead of enjoying.
    • 66 Metascore
    • 58 Matthew Gilbert
    I love this show, because I love the wide-eyed star, who is fully engaged in her role here. If you dislike her hipster adorability, though, beware.
    • 56 Metascore
    • 58 Matthew Gilbert
    The CW built this predictable teen supernatural romance as a companion to the similar and better "Vampire Diaries.".
    • 66 Metascore
    • 58 Matthew Gilbert
    With J.J. Abrams as an executive producer, this tech-driven "Early Edition" is shockingly lifeless. Caviezel's Clint Eastwood impression is flat, and Emerson is too darkly eccentric to keep the drama afloat.
    • 41 Metascore
    • 58 Matthew Gilbert
    The cast is an embarrassment of potential, but Dillon is wearing as a Drama-like dude; the cultural-obsession-with-youth trope is old; and the learning-to-be-a-man stuff is pat. It's very meh.
    • 68 Metascore
    • 58 Matthew Gilbert
    It’s straining to be TV’s new obsession, instead of a riveting drama.

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