Matthew Gilbert
Select another critic »
For 801 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 7.3 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 57
Highest review score: 100 Homeland: Season 1
Lowest review score: 0 Unan1mous: Season 1
Score distribution:
801 tv reviews
    • 65 Metascore
    • 50 Matthew Gilbert
    Alas, the seductive, interesting surface of "Carnivale" can't mask its facile pretensions. [12 Sep 2003]
    • Boston Globe
    • 70 Metascore
    • 50 Matthew Gilbert
    The show digs into the issues too quickly, and with too much intensity, and the drama suffers. [22 July 2003, p.E1]
    • Boston Globe
    • 69 Metascore
    • 50 Matthew Gilbert
    The scripts pander too much to the sensibility they should be mocking - that Hollywood is a playland for big boys with an eye for scrawny women. Entourage doesn't need to become moralistic or politically correct, just self-aware. If the writers took another step back from their immature characters, the show's satirical edge might be sharper. [16 July 2004, p.C1]
    • Boston Globe
    • 70 Metascore
    • 50 Matthew Gilbert
    Despite its unique premise, the show delivers little more than network sitcom material tarted up with cable raciness. [5 Aug 2005]
    • Boston Globe
    • 45 Metascore
    • 50 Matthew Gilbert
    The show moves along briskly, and it benefits from the lack of a laugh track. But you have to accept the relentless repetition of some flagrantly juvenile jokes to enjoy yourself.
    • 52 Metascore
    • 50 Matthew Gilbert
    The miniseries is an ordinary but not awful piece of science fiction, one you won't hate watching and yet one you shouldn't hate missing.
    • 48 Metascore
    • 50 Matthew Gilbert
    The regular characters are generic, and the plots are filled with holes. But as a mindless TV distraction bent on reminding us that the justice system is not perfect, ''In Justice" will do.
    • 48 Metascore
    • 50 Matthew Gilbert
    It's not half bad, but then it's not even a quarter original.
    • 53 Metascore
    • 50 Matthew Gilbert
    If someone turns down the volume, ''Out of Practice" has the potential to become a likable, if conventional, sitcom.
    • 66 Metascore
    • 50 Matthew Gilbert
    "Casanova" is a giddily unconventional tale of an adventurous youth, but then it's also a stock and inflated portrait of old age.
    • 45 Metascore
    • 50 Matthew Gilbert
    It's made of familiar slacker material that's slightly freshened with an improvisatory feel as the actors um-and-ah their way to their punch lines. And it's blissfully missing the canned laughs that make the likes of ''That '70s Show" so obnoxious. Still, ''Free Ride" is far from essential TV viewing.
    • 29 Metascore
    • 50 Matthew Gilbert
    Despite all its contrived reality melodrama, ''American Inventor" features a steady stream of entertainingly kooky and cool creations.
    • 51 Metascore
    • 50 Matthew Gilbert
    The premiere... doesn't inspire an instant commitment the way the premieres of "Prison Break" and "24" did.
    • 53 Metascore
    • 50 Matthew Gilbert
    We've seen this on-the-lam material many times before, and it offers very familiar family tensions.
    • 51 Metascore
    • 50 Matthew Gilbert
    The show isn't a debacle, but it's a disappointing comedy that doesn't live up to an interesting premise.
    • 58 Metascore
    • 50 Matthew Gilbert
    It feels more like a programming move than a creative endeavor.
    • 65 Metascore
    • 50 Matthew Gilbert
    Sordid Lives: The Series has a decidedly amateurish tone, with shoddy production values and acting that shows some seams. But the tone works in the show's favor.
    • 72 Metascore
    • 50 Matthew Gilbert
    The series as a whole has a much better sense of itself, and a more confident tone, since Eli, his colleagues, and the viewers all understand that the guy is in fact a visionary. The coyness of season one is gone. The show, cocreated by Greg Berlanti, nonetheless falls short of being destination television.
    • 37 Metascore
    • 50 Matthew Gilbert
    The show doesn't aim very high. It's only a little bit more than just another network sitcom about marital conflict and about how men will be men.
    • 49 Metascore
    • 50 Matthew Gilbert
    Kelley's fascinating concept--the personal and sexual politics of an open marriage--is stifled by CBS prime-time superficiality and an inability to intimately explore intimate subject matter.
    • 64 Metascore
    • 50 Matthew Gilbert
    Written by Michael Hirst , who also wrote about Henry's daughter in Cate Blanchett's "Elizabeth," the series goes only rock-opera deep, moving full-steam ahead without much accounting for character motivation.
    • 74 Metascore
    • 50 Matthew Gilbert
    The material isn't nearly strong enough to support a full half-hour of TV.
    • 67 Metascore
    • 50 Matthew Gilbert
    After the electrifying start, Fringe unfolds as an uneven, unwieldy piece of work that provides very few chills and thrills.
    • 51 Metascore
    • 50 Matthew Gilbert
    It goes through the motions quite competently and respectably. But it is nonetheless merely re-creating crime-series moves we've all seen many times before, with only the faintest afterimage of originality.
    • 57 Metascore
    • 50 Matthew Gilbert
    Ultimately, you'll want to think about Dollhouse more than you'll want to think about watching Dollhouse.
    • 53 Metascore
    • 50 Matthew Gilbert
    Instead of breaking new ground, Crusoe falls back on hokey Saturday matinee swashbuckling, a treasure map, explosions, and jungle sets with fake torches that invite you to look for "Survivor" host Jeff Probst around the next boulder.
    • 61 Metascore
    • 50 Matthew Gilbert
    It’s hard to fault a drama that celebrates altruism and tries to glamorize social conscience. But I found myself cringing at the condescending scenes of our rich white savior wandering among the Africans with their colorful outfits and drum music, his checkbook at the ready in case he needs to bribe a local.
    • 43 Metascore
    • 50 Matthew Gilbert
    The show is an extremely mixed bag, but he's an extremely likable extreme interventionist.
    • 63 Metascore
    • 50 Matthew Gilbert
    The show is neither here nor there, neither amusing nor affecting. It doesn't really call out for further viewing, which is not so unusual at all.
    • 62 Metascore
    • 50 Matthew Gilbert
    The style of the telling--heavy and, ultimately, hollow--perfectly matches the substance of the story. But of course that lugubrious style makes House of Saddam a slog, even while it is precisely paced and seamlessly directed.