Matthew Gilbert
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For 836 reviews, this critic has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 7.5 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 58
Highest review score: 100 Rescue Me: Season 2
Lowest review score: 0 Twenty Good Years: Season 1
Score distribution:
836 tv reviews
    • 61 Metascore
    • 60 Matthew Gilbert
    Parenthood is a fairly promising ensemble dramedy that shows TV expanding beyond an emphasis on nuclear families to look at broader family systems reaching from ages 5 to 75.
    • 54 Metascore
    • 60 Matthew Gilbert
    The wit of the historical re-creations, along with the excellence of the many guest actors in them (including, this season, Connie Britton, Kristen Wiig, Aubrey Plaza, Owen Wilson, and Jack McBrayer) helps to overcome the repetitiveness and slightness of the formula.
    • 69 Metascore
    • 60 Matthew Gilbert
    Ultimately, though, Amanda Knox: Murder on Trial in Italy isn't as sensational as it might have been. It unfolds without too much of the lurid caricature of so many other Lifetime movies.
    • 48 Metascore
    • 60 Matthew Gilbert
    But while it shows Heche at an advantage, the series itself is, to tap into the script's car-driving metaphors, just a rusty old vehicle.
    • 54 Metascore
    • 60 Matthew Gilbert
    It's a fun ride at first. The series is tightly plotted, and the twists create moments of satisfying intrigue ... But juicy plot turns alone cannot fuel a series for long, especially when they repeat themselves, and the limitations of "Falcone" become clearer in its second and third episodes. [4 Apr 2000]
    • Boston Globe
    • 60 Metascore
    • 60 Matthew Gilbert
    Known for asking tough questions and being the cranky "America's Got Talent" judge, Morgan was indeed surprising--surprisingly soft. He failed to press Oprah hard on any of her more touchy-feely answers. And yet his Barbara Walters-esque method worked, to some extent, since Oprah is not one to bend to pressure.
    • 64 Metascore
    • 60 Matthew Gilbert
    Revolution is just all right, no better, no worse.
    • 59 Metascore
    • 60 Matthew Gilbert
    USA's Fairly Legal is fairly good. OK, I hate myself for that. But the phrase "fairly good" just seems so right in this case.
    • 68 Metascore
    • 60 Matthew Gilbert
    The characters may be shallow, but that doesn’t keep the show from giving the easy pleasures of reading a quickie mystery novel. And a few of the actors are entertaining despite the limitations of the script.
    • 86 Metascore
    • 60 Matthew Gilbert
    Television doesn't get any more visceral than this, and you will not soon forget images of the sky exploding into a rainstorm of parachutes, planes, and fire over Normandy, or American soldiers stumbling across a German death camp tucked in the forest...But as episodic television storytelling, Band of Brothers is less successful, marred not only by loose plot threads and war cliches but also by an excess of indistinct characters. [7 Dec 2001, p.C1]
    • Boston Globe
    • 73 Metascore
    • 60 Matthew Gilbert
    You can feel creator Vince Gilligan (of "The X-Files") straining to build an emblematic American fable and forgetting to fill in his story with particularities and believable motivations.
    • 75 Metascore
    • 60 Matthew Gilbert
    Margulies and Noth--both of whom have a similarly dark appeal--are well-matched onscreen. Alas, if you feel a “but’’ or two coming, you would be correct. The problem I have with The Good Wife is something that mars too much TV: telegraphing.
    • 62 Metascore
    • 60 Matthew Gilbert
    I had hoped The Following' would be a more self-aware about its own violence... Instead, The Following simply goes for more generic thrills, using a lot of horror-story clichés including making the most virulent followers into boys and girls next door. It's a well put together show, so that the four episodes sent for preview flew by. But it doesn't invite bigger thoughts, which is what violent cable series such as "Dexter" and "Boardwalk Empire" have done at their best.
    • 61 Metascore
    • 60 Matthew Gilbert
    Galavant is a musical spoof of knight-in-shining-armor stories that is slight, unoriginal, and uneven, but that can be amusing and diverting nonetheless.
    • 59 Metascore
    • 60 Matthew Gilbert
    A slick effects extravaganza whose pilot episode kept me looking instead of enjoying.
    • 66 Metascore
    • 58 Matthew Gilbert
    I love this show, because I love the wide-eyed star, who is fully engaged in her role here. If you dislike her hipster adorability, though, beware.
    • 56 Metascore
    • 58 Matthew Gilbert
    The CW built this predictable teen supernatural romance as a companion to the similar and better "Vampire Diaries.".
    • 66 Metascore
    • 58 Matthew Gilbert
    With J.J. Abrams as an executive producer, this tech-driven "Early Edition" is shockingly lifeless. Caviezel's Clint Eastwood impression is flat, and Emerson is too darkly eccentric to keep the drama afloat.
    • 41 Metascore
    • 58 Matthew Gilbert
    The cast is an embarrassment of potential, but Dillon is wearing as a Drama-like dude; the cultural-obsession-with-youth trope is old; and the learning-to-be-a-man stuff is pat. It's very meh.
    • 68 Metascore
    • 58 Matthew Gilbert
    It’s straining to be TV’s new obsession, instead of a riveting drama.
    • 42 Metascore
    • 58 Matthew Gilbert
    The performances are relatively charming. ... But the script is so crammed with musty gender stereotypes and familiar dating tropes that everyone onscreen gets sucked into mediocrity.
    • 38 Metascore
    • 58 Matthew Gilbert
    Strain to be the next 'Seinfeld' much? But this one has a strong cast, and punchy one-liners.
    • 61 Metascore
    • 58 Matthew Gilbert
    It’s too broad and familiar to hold attention.
    • 66 Metascore
    • 58 Matthew Gilbert
    The ambition is impressive...But Morrison is a wooden lead, and the back stories--a random collection of fairy tales--don't promise to surprise.
    • 73 Metascore
    • 50 Matthew Gilbert
    The show is mildly entertaining at best, with a few pluses--unusual story lines, particularly the one set after World War II, some gorgeous scenery, and one or two likable performances--counterbalanced by a few negatives. Least tolerable among the negatives: the occasional Harlequin Romance moments that have you waiting for the lass to shed her corset while the evening wind blows through Fabio’s hair.
    • 67 Metascore
    • 50 Matthew Gilbert
    The CW remake isn't awful, by any means. The pilot rushes ahead nicely, with a twist at the end that gestures toward many possible future plotlines. But we've seen the whole thing many times before.
    • 45 Metascore
    • 50 Matthew Gilbert
    It's made of familiar slacker material that's slightly freshened with an improvisatory feel as the actors um-and-ah their way to their punch lines. And it's blissfully missing the canned laughs that make the likes of ''That '70s Show" so obnoxious. Still, ''Free Ride" is far from essential TV viewing.
    • 50 Metascore
    • 50 Matthew Gilbert
    The stereotypes in play on Accidentally on Purpose are flat, if harmless, from the get-go.
    • 55 Metascore
    • 50 Matthew Gilbert
    The show isn't awful, just awfully mediocre. [6 Oct 2000, p.D1]
    • Boston Globe
    • 48 Metascore
    • 50 Matthew Gilbert
    The regular characters are generic, and the plots are filled with holes. But as a mindless TV distraction bent on reminding us that the justice system is not perfect, ''In Justice" will do.

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