Matthew Gilbert

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For 1,010 reviews, this critic has graded:
  • 45% higher than the average critic
  • 3% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 7.4 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 59
Highest review score: 100 Olive Kitteridge
Lowest review score: 0 The Real Wedding Crashers: Season 1
Score distribution:
1010 tv reviews
    • 51 Metascore
    • 60 Matthew Gilbert
    It's worth keeping an eye on the show, in case it finds somewhere to go that's both intricate and unusual.
    • 67 Metascore
    • 60 Matthew Gilbert
    Television dramas rarely get therapy right, and State of Mind only adds to that reputation.
    • 58 Metascore
    • 60 Matthew Gilbert
    The couples are ordinary, and so are their issues. That’s part of the goal of the show--to dissect the mundanity of love and anger. But making a developing story out of these tangles and skirmishes is extremely difficult, and Tell Me You Love Me doesn’t quite pull it off.
    • 57 Metascore
    • 60 Matthew Gilbert
    As it explores the efficacy of varying business tactics, "The Apprentice" actually has a hint of promise. [8 Jan 2004]
    • Boston Globe
    • 65 Metascore
    • 60 Matthew Gilbert
    Despite the ambitious effort to show these women as individuals, to explore the ways the men hold them back and the ways they hold themselves back, the show feels generic.
    • 67 Metascore
    • 60 Matthew Gilbert
    It's just a thoroughly conventional multi-camera sitcom rooted in familiar Felix-Oscar shtick and that tried-and-true comic standby, a cute kid. It's old school...And happy to be that way. [22 Sept 2003, p.B7]
    • Boston Globe
    • 50 Metascore
    • 60 Matthew Gilbert
    The pop allusions (to Carson Daly, Alfred Hitchcock) and the fog-machine-based production design are flat and unambitious. But “The Vampire Diaries’’ nonetheless satisfactorily opens up yet another TV world of heightened youth, where blood-sucking is a metaphor for a whole range of fears and desires.
    • 51 Metascore
    • 60 Matthew Gilbert
    The TV equivalent of a murder-mystery novel, the kind you can read in between swims and nods on the beach. You know it’s going to be predictable, illogical, and a little trashy, and you don’t mind if the book jacket gets wet or torn, and if the book got stolen you’d forget about it almost instantly, but still, you kind of want to find out who done it.
    • 72 Metascore
    • 60 Matthew Gilbert
    The VH1 series is slight, but it has a certain charm and the potential to grow into a harmless, soapy amusement.
    • 68 Metascore
    • 60 Matthew Gilbert
    The debut isn't disastrous by any means, it just doesn't crackle.
    • 77 Metascore
    • 60 Matthew Gilbert
    It’s an ambitious work that is always fascinating, if not always successful. When all is said and done, Boardwalk Empire may be TV’s best uneven series.
    • 47 Metascore
    • 60 Matthew Gilbert
    While it pales next to the original movie, it is an enjoyable Saturday-matinee-styled Western show with a charismatic cast and the potential for savvy plots reflecting the complications of race and violence in the post-Civil War West. [3 Jan 1998]
    • Boston Globe
    • 67 Metascore
    • 60 Matthew Gilbert
    The different elements hang together as a nicely faceted whole--until the final minutes, that is. Ultimately neither movie nor series, neither beginning nor end, Virtuality is a flight with no destiny.
    • 63 Metascore
    • 60 Matthew Gilbert
    The L Word will get some notice because of its frank, soft-core-tinged portrayal of lesbian sexuality. Just as gay men are neutered in the mainstream, shown only as fit, fashion-obsessed, show-tune-savvy fellas, gay women are still trying to shake the Boston marriage image.

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