Matthew Gilbert
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For 811 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 7.3 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 57
Highest review score: 100 Downton Abbey: Season 1
Lowest review score: 0 Sons Of Hollywood: Season 1
Score distribution:
811 tv reviews
    • 80 Metascore
    • 90 Matthew Gilbert
    HBO's Generation Kill is remarkable.
    • 92 Metascore
    • 90 Matthew Gilbert
    The writing remains remarkable, as it toggles between the rhythms and cliches of 1950s movies and the timeless resonance of mid-20th-century theater. You rarely find such economical and evocative scripting on TV.
    • 79 Metascore
    • 90 Matthew Gilbert
    Beyond the formulaic outline, White Collar, is actually one of the best new shows of the season.
    • 88 Metascore
    • 90 Matthew Gilbert
    This is the kind of TV that viewers ask for but rarely get, driven by characters who are more than the sum of one or two qualities and who harbor depths that are revealed slowly, subtly, and authentically.
    • 88 Metascore
    • 90 Matthew Gilbert
    The show isn't easy to warm up to, to be honest; it's draped in--and at times stifled by--meticulous period detail and too-perfect lighting, especially in Scorsese's premiere. But in episode two, the characters and the script begin to prevail, and the drama becomes more emotionally distinct and fascinating.
    • 75 Metascore
    • 90 Matthew Gilbert
    There may be a smaller number of top-notch newbies this season, but Raising Hope, a celebration of parenthood and childhood, of small joys and big struggles, is certainly one of them.
    • 66 Metascore
    • 90 Matthew Gilbert
    [The] sentimental streak in the show is compensated by Frank's coldness and the scrappy urban realism, translated so effectively from the British original.
    • 91 Metascore
    • 90 Matthew Gilbert
    Based on the first three episodes, I'm thinking season 2 is going to be even better and certainly more consistent.
    • 84 Metascore
    • 90 Matthew Gilbert
    The Killing quickly hooks you with its steadily unfolding story line. Created by Veena Sud, based on a Danish TV hit named "Forbrydelsen," the show draws you into the tragedy of the crime, and then makes you crave its solution.
    • 84 Metascore
    • 90 Matthew Gilbert
    With none of the conventional plot techniques TV viewers are accustomed to, it is a collection of rich moments and poignant characters that loosely adds up to something quite powerful.
    • 82 Metascore
    • 90 Matthew Gilbert
    With season two, the drama has fully come to life, with moments of savagery, hypocrisy, and bittersweet loyalty that make it a must-see show.
    • 79 Metascore
    • 90 Matthew Gilbert
    The Hour is not "Breaking Bad" good, or "Mad Men" good, but it's close.
    • 73 Metascore
    • 90 Matthew Gilbert
    The unfolding of the Parade’s End narrative has been directed (by Susanna White) and written to challenge--sometimes too much so. While you always understand the connections among the characters on “Downton,” you have to piece them together yourself in Parade’s End.... It’s the kind of demanding storytelling that differentiates “The Wire” from most other crime series.
    • 91 Metascore
    • 90 Matthew Gilbert
    The first few episodes of this import promise no slack--and plenty of poignancy--as the story line moves closer to the truth of the matter.
    • 75 Metascore
    • 90 Matthew Gilbert
    It’s not as meticulous, cinematic, or original as those two shows ["Mad Men" and "Breaking Bad"], but it’s got the same kind of storytelling ambition. It’s the most vital new series of the year so far.
    • 79 Metascore
    • 90 Matthew Gilbert
    Orange Is the New Black is a funny, dramatically sound, poignant, and thoroughly addictive adventure through a bleak looking glass.
    • 85 Metascore
    • 90 Matthew Gilbert
    Unlike the majority of today's youth-market vehicles, Undeclared has been put together with a refreshing lack of cynicism (as well as a refreshing lack of laugh track). [25 Sept 2001, p.E1]
    • Boston Globe
    • 85 Metascore
    • 90 Matthew Gilbert
    The story of the plague has been told before, and it will and should continue to find new life. But The Normal Heart tells it with admirable honesty and plenty of emotion.
    • 84 Metascore
    • 90 Matthew Gilbert
    Created by Mike Judge, it does for techies, venture capitalists, and tech-biz campuses what Judge’s film “Office Space” did for cubicle dwellers, their bosses, and office parks back in 1999.
    • 85 Metascore
    • 90 Matthew Gilbert
    It’s a promising reentry. All the major themes, so subtly articulated across the first six seasons, are coming to a head.
    • 75 Metascore
    • 90 Matthew Gilbert
    The Knick is an astonishing new medical drama that has the potential to be one of the year’s best and most talked-about shows, as well as a breakthrough into TV series excellence for its star, Clive Owen, and its director and executive producer, Steven Soderbergh.
    • 91 Metascore
    • 90 Matthew Gilbert
    Right in the first episode, the relationships are well lived-in, the writing is honest and bound up with the actors, the tone effortlessly embodies drama, comedy, and life’s absurdities, the contemporary homes and locations click, and the ensemble acting is filled with little moments and jewels.
    • 85 Metascore
    • 90 Matthew Gilbert
    Starz’s The Missing is a reminder that familiar material can indeed yield extremely absorbing drama, that often the excellence of a series comes from the crispness of the script, the intelligence of the directing, and the intensity of the acting, and not necessarily the newness of the concept.
    • 64 Metascore
    • 83 Matthew Gilbert
    As a weekly series, the effects need to remain impressive and the writers need to avoid falling into "Lost" and "Walking Dead" band-of-survivors rehash.
    • 66 Metascore
    • 83 Matthew Gilbert
    This is a classic guilty pleasure, with campy twists and a fabulously diva-esque performance by Stowe.
    • 66 Metascore
    • 83 Matthew Gilbert
    After the forced opening minutes, it's the best multi-cam-com of the season.
    • 51 Metascore
    • 83 Matthew Gilbert
    The tone tips awkwardly between crude and romantic, and a little of Azaria goes a long way. But I'm game for episode 2.
    • 73 Metascore
    • 83 Matthew Gilbert
    All the potential here is in the show’s resistance to the joyless atmospherics that have become the bane of comic-book shows and movies.
    • 75 Metascore
    • 80 Matthew Gilbert
    Angel the WB's new child of "Buffy," is no ordinary spinoff, and it has the potential to become a witty hour of unearthly allegory in its own right. If it can maintain a sense of humor about itself, Angel, which stars David Boreanaz as Buffy's brooding former beau, may become one of those rare spinoffs that isn't merely a flat-out cash-in. [5 Oct 1999, p.D1]
    • Boston Globe
    • 75 Metascore
    • 80 Matthew Gilbert
    If you're looking for sexual tension amid the laugh track, or social and political point-making between the punchlines, then "Will & Grace" may not work for you. It's a sitcom that has the potential to prove to prime time that attractions between adults are not always rooted in lust. [21 Sep 1998]
    • Boston Globe

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