For 662 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.4 points lower than other critics. (0-100 point scale)

Maureen Ryan's Scores

Average review score: 59
Highest review score: 100 Rectify: Season 2
Lowest review score: 0 Hemingway and Gellhorn: Season 1
Score distribution:
662 tv reviews
    • 68 Metascore
    • 70 Maureen Ryan
    By the time the many story threads link up... "The State Within" has an unstoppable momentum that’s as good as the best of "24."
    • 69 Metascore
    • 70 Maureen Ryan
    The dangers for the mostly engrossing “Riches” is that it occasionally hits the “we’re stealing the American Dream” theme a little too hard, and it remains to be seen whether it will coast on the taut, engaging performances of Izzard and Driver.
    • 68 Metascore
    • 70 Maureen Ryan
    Though the show can demonstrate narrative drive within particular episodes--the second episode of Season 2, for example, is moderately suspenseful--over the long haul.
    • 61 Metascore
    • 70 Maureen Ryan
    Eli Stone is not quite there yet; the characters are pretty thinly drawn in the first few episodes, and the law cases seem heavily tilted toward the "little guy" side.
    • 63 Metascore
    • 70 Maureen Ryan
    This new comedy, which stars the wildly talented Judy Greer, is terrific.
    • 86 Metascore
    • 70 Maureen Ryan
    Despite the fine work of Pace and Friel--who convey tenderness despite the director’s efforts to stamp it out--the sheer quantity of forced whimsy and visual razzle-dazzle can be exhausting.
    • 74 Metascore
    • 70 Maureen Ryan
    The show’s pace is brisk and efficient, and Headey (“300”) and Glau bring welcome intelligence and energy to their roles as very protective women.
    • 67 Metascore
    • 70 Maureen Ryan
    Terminator: The Sarah Connor Chronicles returns with a solidly enjoyable action-oriented outing.
    • 68 Metascore
    • 70 Maureen Ryan
    The charms of this series are subtle, but only grow over the course of the first few episodes.
    • 72 Metascore
    • 70 Maureen Ryan
    I found it to be more or less the same competent procedural that it was last season.
    • 62 Metascore
    • 70 Maureen Ryan
    His repetitive fights with his ex-girlfriend, Karen (Natascha McElhone), with whom he reunited at the end of last season, are by far the most tiresome part of the show. Much more fun is the easy camaraderie Hank has with his growing entourage, all of whom share his cynical and saucy outlook on life.
    • 53 Metascore
    • 70 Maureen Ryan
    Tin Man’s heart is in the right place, even if the execution of the story evokes, from time to time, creakiness of the metal man’s limbs.
    • 76 Metascore
    • 70 Maureen Ryan
    A strange feeling came over me when I was watching the Season 2 premiere of Saving Grace. I actually wished that the episode was longer.
    • 61 Metascore
    • 70 Maureen Ryan
    The theme of the show is a metaphor for how McIntyre will start to dive into her life and listen to "wake-up calls from the universe." It's a slender concept, and the series may not stand out enough in this crowded summer season.
    • 73 Metascore
    • 70 Maureen Ryan
    The show, so far, doesn’t have quite the right ingredients--it could use something more combustible in the mix.
    • 75 Metascore
    • 70 Maureen Ryan
    Branagh directs his actors through the intricacies of Shakespeare’s language with a sure hand, though I sometimes wished during the forest scenes the camera didn’t swoop and swivel quite so much.
    • 53 Metascore
    • 70 Maureen Ryan
    Though it soon settles into the standard patterns of an above-average (if overwrought) drama, the first episode of quarterlife may make you regret the creation of the Internet.
    • 70 Metascore
    • 70 Maureen Ryan
    Some episodes feel a little padded, and the show occasionally skates nervously over the more painful aspects of these girls' lives, but High School Confidential is a mostly compelling study of the lives of 12 girls in a middle-class Kansas community.
    • 41 Metascore
    • 70 Maureen Ryan
    This version of “The Andromeda Strain” is paced well; it gives Crichton’s story a hint of blandness but it also marches through the plot with no-nonsense efficiency.
    • 64 Metascore
    • 70 Maureen Ryan
    This West Coast Law & Order works best when it gives its able cast knotty dilemmas to play.
    • 63 Metascore
    • 70 Maureen Ryan
    The whole point of the show is to display super sexy spies having cool adventures and getting to know each other again as they try to put the spark back into their marriage. There's nothing necessarily objectionable about that, but forgive me if I expect more from a series that J.J. Abrams is involved in. Having said all that, Undercovers is not a chore to watch.
    • 73 Metascore
    • 70 Maureen Ryan
    Lone Star doesn't have quite the same sense of place as 'FNL,' and it's far more of a traditional soap than the NBC/DirecTV drama. Still, Voight and especially Keith, who projects palpable charisma, give terrific performances as the strong, stubborn men trying to bend Bob to their wills. This is no 'Dallas' but a sincere look at one man's attempt to go straight without alienating everyone he loves.
    • 51 Metascore
    • 70 Maureen Ryan
    For all its formulaic predictability, though, this show has an acerbic self-awareness that may defuse the cynicism you may bring to it.
    • 54 Metascore
    • 70 Maureen Ryan
    It's a self-aware superhero drama that manages to have some fun amid the righteous butt-kicking, and if it can develop its characters intelligently and keep up the sprightly pace, I'll stick around.
    • 75 Metascore
    • 70 Maureen Ryan
    The new cop drama The Chicago Code resembles its lead characters: It's focused, determined and ambitious--and sometimes it tries to do too much. Still, the handsome Code succeeds far more often than it strikes out.
    • 66 Metascore
    • 70 Maureen Ryan
    The promising Shameless is a terrific showcase for Macy, Emmy Rossum, who plays Frank's daughter Fiona, and Joan Cusack, who plays the Gallaghers' neighbor. The show's younger cast members are also impressive; they have a low-key, realistic style that melds perfectly with the unforced truthfulness that Macy brings to his role
    • 77 Metascore
    • 70 Maureen Ryan
    Sewell looks good in the Italian suits and shades, the supporting cast is generally good and the atmosphere is effective even when the pacing has problems.
    • 80 Metascore
    • 70 Maureen Ryan
    While the first episode is a solid and visually rich scene-setter for the tale to come, there's a lot of dry, sometimes clunky exposition to get through before the story really gets going in the fifth episode, which is far and away the best hour of Game of Thrones I've seen.
    • 66 Metascore
    • 70 Maureen Ryan
    By casting Feore, Arnaud, Harris and the magnetic Irons in this Gothic soap opera about randy popes and their enemies, and by taking the world of 15th Century Rome moderately seriously, Jordan ensured that this drama would be more than just a mildly cheesy guilty pleasure. It's not much more than that, mind you, but you won't have to go to confession after you've partaken of this Showtime costume drama.
    • 49 Metascore
    • 70 Maureen Ryan
    I found little to object to in the pilot for Chaos, a mostly male action-adventure hour that is energetic and mildly amusing from time to time.
    • 81 Metascore
    • 70 Maureen Ryan
    SOA is at its most compelling when it delves into the emotional bonds between these men and their women, and there's a rich dramatic potential in the double-dealing that begins in these first hours.
    • 56 Metascore
    • 70 Maureen Ryan
    The Secret Circle does exactly what you expect it to do, yet that efficiency ends up being refreshing rather than maddening.
    • 85 Metascore
    • 70 Maureen Ryan
    Your investment in the many stories spun out by creator Julian Fellowes may take longer to develop this year, because the costume drama's pace is off in the early going and it's far more contrived and inconsistent than it was in its first season.
    • 63 Metascore
    • 70 Maureen Ryan
    As an origin story, Alphas hits some notes too hard and lacks a certain subtlety, yet there's potential in this tale, especially if it delves into the psychological cost of being extraordinary.
    • 62 Metascore
    • 70 Maureen Ryan
    The Necessary Roughness pilot was enjoyable enough, but half the fun may have come from seeing Dani's adjustment to the big money, high-stakes world of professional sports. Can this show go the distance? It isn't clear yet, but at this admittedly early stage, the latest addition to the USA roster appears to be a promising rookie.
    • 78 Metascore
    • 70 Maureen Ryan
    Luther may veer off course at times, but it just about works because Elba never oversells Luther's charisma.
    • 67 Metascore
    • 70 Maureen Ryan
    Wilfred is still a work in progress; in the early stages, the relationship between the dog and the man feels a little claustrophobic, but as the episodes progress, Ryan's world begins to expand a bit, which is a good thing.
    • 66 Metascore
    • 70 Maureen Ryan
    The odd-couple pairing is one of the oldest ones in the TV playbook, and the two mismatched waitresses in 2 Broke are good company, at least in the show's initial outing.
    • 64 Metascore
    • 70 Maureen Ryan
    Applegate and Will Arnett, who plays her husband, Chris, are very good, which is no surprise. It's nice to see Arnett playing something other than an emotionally stunted man-child, and if the pilot for Up All Night didn't make me guffaw all that much, it passed by pleasantly and it was good to see that creator Emily Spivey was able to wring comedy from the new-parent situation without using the same dozen baby jokes we've all seen 200 times before.
    • 51 Metascore
    • 70 Maureen Ryan
    I found Free Agents more than tolerable, and there's potential in the office ensemble that surrounds these two characters (though I wouldn't mind if the super-sass of Natasha Leggero's assistant character was toned down a bit).
    • 72 Metascore
    • 70 Maureen Ryan
    This small gem of a film manages to be a finely drawn character piece and a searching exploration of what powerful people will (and won't) do to keep their countries safe, and it provides some great actors with meaty roles along the way.
    • 75 Metascore
    • 70 Maureen Ryan
    The parts that do work possess the doom-laden yet strangely optimistic romanticism of Milch's best work.
    • 73 Metascore
    • 70 Maureen Ryan
    Now in its second season, Portlandia has matured into a comedic concoction that is consistently pleasing.
    • 58 Metascore
    • 70 Maureen Ryan
    With its mildly irascible lead and its extremely sturdy central premise, it evokes USA's better shows, right down to its blue skies and palm trees.
    • 71 Metascore
    • 70 Maureen Ryan
    I'm happy to report that not being a fan of James Van Der Beek from the "Creek" didn't prevent me from enjoying the actor in the moderately amusing ABC sitcom.
    • 74 Metascore
    • 70 Maureen Ryan
    The good news is that the unusually ambitious Awake succeeds at several of the things it's attempting, and star Jason Isaacs grounds the drama with a charismatic yet subtle performance.
    • 81 Metascore
    • 70 Maureen Ryan
    If you can accept Midwife for what it is--and at its core, it's a pleasant, even romantic period piece about divergent people who learn to take care of their own--there are quite a few pleasures to be found here.
    • 49 Metascore
    • 70 Maureen Ryan
    The show takes the time to give a few realistic dimensions to the characters' emotional lives, and each actor in the core trio has sharp comic timing.
    • 68 Metascore
    • 70 Maureen Ryan
    It would be a mistake to count this scruffy little comedy out. It's really charming.
    • 64 Metascore
    • 70 Maureen Ryan
    Even if Scandal isn't quite as instantly addictive as "Grey's Anatomy" was back in the day, this is a well-paced, generally well-acted show with some promising elements (though there is also an occasional tendency to offer contrived redemptions that don't make a ton of sense).
    • 64 Metascore
    • 70 Maureen Ryan
    All in all, the new season of Falling Skies gets the basics right.
    • 72 Metascore
    • 70 Maureen Ryan
    The first two hours of Hit and Miss come across as a finely observed, well-acted independent film, and I wasn't really sure whether there was a lot more story left to tell as Episode 2 came to a close, but I'm willing to let Mia prove me wrong.
    • 68 Metascore
    • 70 Maureen Ryan
    I'll keep watching, given the caliber of the cast and the solidly made pilot, and I'll hope that Vegas gives these actors more to do than standing over bodies and leveling shotguns at city slickers.
    • 63 Metascore
    • 70 Maureen Ryan
    All things considered, though, this is a show that is pretty firmly fixed on what it does best--serving up soapy, Texas-sized shenanigans and trying to mix in a little seasoning of real emotion along the way.
    • 74 Metascore
    • 70 Maureen Ryan
    The relationships that are sketched out in the first hour are promising.
    • 52 Metascore
    • 70 Maureen Ryan
    While it's no "Closer," the Eric McCormack vehicle Perception is perfectly adequate "Eccentric Consulting Genius" fare.
    • 71 Metascore
    • 70 Maureen Ryan
    It's got a smart pace, good performances and it's a relief not to have to commit to something long-term.
    • 66 Metascore
    • 70 Maureen Ryan
    The truth of the matter is, the pilot is well-paced and the first half is especially fun.
    • 84 Metascore
    • 70 Maureen Ryan
    Season 2 has some nuanced writing and some cleverly observed moments. But there are also a number of grating elements on display as the season gets underway.
    • 67 Metascore
    • 70 Maureen Ryan
    It's the kind of show that could well settle into a nice groove once it gets a few episodes in, especially given that all the performances are top notch, including those from Lucy Punch and Echo Kellum as friends of the title duo.
    • 69 Metascore
    • 70 Maureen Ryan
    In the two episodes NBC sent for review, Port and Guarascio are respectful to what came before--possibly too respectful, but the desire to not rock the boat is understandable.
    • 83 Metascore
    • 70 Maureen Ryan
    It tends to work a lot better as the season progresses--like a 19th Century train, this polished piece of machinery starts slow and needs to work up a head of steam in order to be enjoyed in all its Victorian glory.
    • 62 Metascore
    • 70 Maureen Ryan
    It does what it sets out to do reasonably well without breaking my brain in the process.
    • 65 Metascore
    • 70 Maureen Ryan
    This Cougar Town vintage may be a bit brasher and brighter, but never fear: It's still quite potent and drinkable.
    • 73 Metascore
    • 70 Maureen Ryan
    It takes a bit longer than it should for the viewer to assemble a working knowledge of the show's core mystery, and there are some tonal issues (some attempts at jokey moments are a bit jarring), but overall, Orphan Black is a quite watchable thriller that plunges its heroine into a murky world that almost seems designed to drive her mad.
    • 82 Metascore
    • 70 Maureen Ryan
    It's admirable that the production wanted to be so truthful to the experiences of the damaged men who emerge from long prison stints, but there are a few too many languid shots of Daniel staring at things that mystify him. But it's worth sticking with Rectify, which often achieves a tone of conflicted, bittersweet sincerity.
    • 76 Metascore
    • 70 Maureen Ryan
    As was the case with the second season, Season 3 of Luther is only four hours long, and the drama would probably be more satisfying if it didn't try to cover so many bases in that limited running time.
    • 70 Metascore
    • 70 Maureen Ryan
    Brooklyn Nine-Nine has a genial, pleasing loopiness and very solid work from an intelligently assembled cast.
    • 74 Metascore
    • 70 Maureen Ryan
    The Blacklist is never going to be anyone's idea of great art, but at least it has a pulpy kind of momentum that may well be worth watching for a while; I will stick around to see whether Spader's performance really is the only dish on the menu.
    • 64 Metascore
    • 70 Maureen Ryan
    In its pilot, it achieved its modest goals without leaning too far into pompousness (as is the case with "Almost Human") or slicing off too much ham (hello "The Blacklist").
    • 63 Metascore
    • 70 Maureen Ryan
    The good news is this modest show already has a number of things in its favor: Its pace is bracing, the choices are difficult and the danger the characters face is real.
    • 67 Metascore
    • 70 Maureen Ryan
    Helix doesn't reinvent the virus thriller, but it's a solid slice of genre entertainment that offers some creepy visuals and believable scares.
    • 73 Metascore
    • 70 Maureen Ryan
    The performances are nuanced and subtle.... Bakula's presence and air of experience add weight and depth to a show that occasionally seems too slight for its ambitions.
    • 67 Metascore
    • 70 Maureen Ryan
    The cast is very good and if the central relationships are beefed up, it could be a keeper.
    • 79 Metascore
    • 70 Maureen Ryan
    The weight of expectations on this new season were great, and if this plucky show staggers a little under that weight, that's understandable. I'm fully on board for Season 2, and I have every reason to believe Orphan Black will keep evolving in the direction of perfection. Science demands it.
    • 49 Metascore
    • 70 Maureen Ryan
    Undateable, a show that does not set out to reinvent the multi-camera hangout comedy but execute that format reasonably well, turned out to be a generally pleasant surprise.
    • 69 Metascore
    • 70 Maureen Ryan
    There's a tentativeness to Halt's first hour--it doesn't end especially strongly--but overall, the drama has a mostly credible pilot and lead actors who will probably be able take the show in compelling directions.
    • 65 Metascore
    • 70 Maureen Ryan
    The Leftovers is interesting television, even if, in the early going, it's not quite sure of what it wants to be or where it wants to go.
    • 66 Metascore
    • 70 Maureen Ryan
    A pleasingly executed diversion featuring capable and textured performances from actors in key roles.
    • 61 Metascore
    • 70 Maureen Ryan
    [A] solid and confident show.
    • 85 Metascore
    • 70 Maureen Ryan
    Its somewhat opaque characters never quite moved me on that level [of "Broadchurch," "Happy Valley" or "Top of the Lake"]. Though it's well made and respectful of its subject matter, something about this show keeps it not at the surface but more or less reliably near it.
    • 62 Metascore
    • 63 Maureen Ryan
    The rest of the new or new-ish faces are occasionally funny one-note characters....Still, the old crew made me laugh on more than one occasion as I watched the first two episodes of Season 9 (the Todd made me giggle every time he turned up).
    • 84 Metascore
    • 63 Maureen Ryan
    The rest of Breaking Bad doesn’t consistently reach the level of Cranston’s performance. But for some, his depiction of Walt’s earnest desperation may be enough.
    • 52 Metascore
    • 63 Maureen Ryan
    The problem is, though this good-natured show doesn't lack for energy, Cupid is a little bland and formulaic.
    • 54 Metascore
    • 63 Maureen Ryan
    Eleventh Hour does what it sets out to do: It puts a talented actor (Rufus Sewell) through his crime-solving paces on rain-slicked streets, in dark warehouses and in spooky labs that look almost identical to the rain-slicked streets, dark warehouses and spooky labs on almost every other CBS drama.
    • 63 Metascore
    • 63 Maureen Ryan
    As guilty pleasures go, Harper's Island may hit the spot. Though perhaps it would have worked best as a summer series?
    • 61 Metascore
    • 63 Maureen Ryan
    The first episode of Enemy ended up being a relatively compelling hour of television. As competent as it is, though, it’s hard not to think that the premise contains some holes.
    • 51 Metascore
    • 63 Maureen Ryan
    Swayze’s performance is almost reason enough to tune in--if you don’t mind the show’s more derivative elements--the actor’s co-star, Fimmel, is often the least interesting thing about The Beast.
    • 65 Metascore
    • 63 Maureen Ryan
    As it is, Trust Me, which perks along energetically but lacks emotional heft, may be one of those shows that stacks up on my TiVo, along with other shows I don’t get around to viewing.
    • 61 Metascore
    • 63 Maureen Ryan
    The Unusuals doesn’t have the balance between the comedy and the serious stuff right yet, but Terry Kinney lends a welcome acerbic note as the station’s seen-it-all leader, Sgt. Harvey Brown.
    • 54 Metascore
    • 63 Maureen Ryan
    Given that the love-hate scenario between Beckett and Castle is fairly predictable, Castle’s success may ride on the quality of its murder mysteries, and it’s encouraging that the show’s second episode is better than the first.
    • 76 Metascore
    • 63 Maureen Ryan
    I tend not to watch it after the first few episodes of each season, because it tends to travel somewhat repetitive storytelling roads (i.e., every week, science goes awry, then science is used to fix what went awry)....I like the implications of that bigger arc, which promises more depth, which Eureka needs.
    • 61 Metascore
    • 63 Maureen Ryan
    Even when the show gets a bit melodramatic or overwrought, however, Parenthood's good intentions radiate throughout its many story lines. But do good intentions make for reliably compelling family drama? That depends on your tolerance for its frequent tonal shifts and occasional manic intervals.
    • 70 Metascore
    • 63 Maureen Ryan
    The Middle hits its comedic targets often enough, but its main problems is that it overdoes the quirkiness a bit.
    • 52 Metascore
    • 63 Maureen Ryan
    The Gates actually moves along at a brisk enough clip, and though it's bland around the edges, it introduces enough mysteries to keep things more or less interesting (there are allusions to a "code" residents must live by, and presumably that doesn't refer to local regulations on lawn care).
    • 69 Metascore
    • 63 Maureen Ryan
    This pleasantly low-key drama has little trouble creating an atmosphere, but the pace is sometimes slack in the first four episodes.
    • 56 Metascore
    • 60 Maureen Ryan
    Sanctuary’s pace is a little on the stately side, and the show is competent if not particularly innovative sci-fi.
    • 77 Metascore
    • 60 Maureen Ryan
    House seems a little off when it returns for its fifth season. My diagnosis: A chemistry imbalance.
    • 68 Metascore
    • 60 Maureen Ryan
    You expect the Big Moment on Grey's Anatomy, and the usual array of melodramatic developments in Thursday's two-hour season premiere. On the plus side, at least this episode isn't as padded and maddening as past two-hour Grey's episodes have been.
    • 72 Metascore
    • 60 Maureen Ryan
    By the end of the five episodes HBO sent for review, one's interest in the tangled future of this offbeat clan may be piqued, but be forewarned, it takes a while -- and there are a lot of petty spats and crying kids -- before one gets to that point.

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