For 743 reviews, this critic has graded:
  • 42% higher than the average critic
  • 4% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 5.9 points lower than other critics. (0-100 point scale)

Maureen Ryan's Scores

Average review score: 60
Highest review score: 100 Breaking Bad: Season 5
Lowest review score: 0 Anger Management: Season 1
Score distribution:
743 tv reviews
    • 51 Metascore
    • 70 Maureen Ryan
    Meeting the Walker clan and getting a glimpse at their personal lives... is like being led to a table of tantalizing appetizers. Even as you take a sample of these introductory delights, you’re wondering whether the main course will live up to your expectations.
    • 51 Metascore
    • 70 Maureen Ryan
    For all its formulaic predictability, though, this show has an acerbic self-awareness that may defuse the cynicism you may bring to it.
    • 74 Metascore
    • 70 Maureen Ryan
    The relationships that are sketched out in the first hour are promising.
    • 86 Metascore
    • 70 Maureen Ryan
    Despite the fine work of Pace and Friel--who convey tenderness despite the director’s efforts to stamp it out--the sheer quantity of forced whimsy and visual razzle-dazzle can be exhausting.
    • 73 Metascore
    • 70 Maureen Ryan
    The show, so far, doesn’t have quite the right ingredients--it could use something more combustible in the mix.
    • 79 Metascore
    • 70 Maureen Ryan
    The weight of expectations on this new season were great, and if this plucky show staggers a little under that weight, that's understandable. I'm fully on board for Season 2, and I have every reason to believe Orphan Black will keep evolving in the direction of perfection. Science demands it.
    • 49 Metascore
    • 70 Maureen Ryan
    I found little to object to in the pilot for Chaos, a mostly male action-adventure hour that is energetic and mildly amusing from time to time.
    • 71 Metascore
    • 70 Maureen Ryan
    It's got a smart pace, good performances and it's a relief not to have to commit to something long-term.
    • 80 Metascore
    • 70 Maureen Ryan
    While the first episode is a solid and visually rich scene-setter for the tale to come, there's a lot of dry, sometimes clunky exposition to get through before the story really gets going in the fifth episode, which is far and away the best hour of Game of Thrones I've seen.
    • 70 Metascore
    • 70 Maureen Ryan
    This show knows what it wants to do and it churns through its story with efficiency and the gloss that comes from executing the ABC house style with energy and a bit of flair.
    • 81 Metascore
    • 70 Maureen Ryan
    SOA is at its most compelling when it delves into the emotional bonds between these men and their women, and there's a rich dramatic potential in the double-dealing that begins in these first hours.
    • 67 Metascore
    • 70 Maureen Ryan
    Helix doesn't reinvent the virus thriller, but it's a solid slice of genre entertainment that offers some creepy visuals and believable scares.
    • 64 Metascore
    • 70 Maureen Ryan
    In its pilot, it achieved its modest goals without leaning too far into pompousness (as is the case with "Almost Human") or slicing off too much ham (hello "The Blacklist").
    • 64 Metascore
    • 70 Maureen Ryan
    This West Coast Law & Order works best when it gives its able cast knotty dilemmas to play.
    • tbd Metascore
    • 70 Maureen Ryan
    White steals scenes and mugs for the camera, which is obviously what the producers want her to do. But even though the loud laugh track can be annoying at times, there's no denying that the cast of this endearingly retro sitcom makes the most of what they've been given.
    • 67 Metascore
    • 70 Maureen Ryan
    The cast is very good and if the central relationships are beefed up, it could be a keeper.
    • 74 Metascore
    • 70 Maureen Ryan
    The Blacklist is never going to be anyone's idea of great art, but at least it has a pulpy kind of momentum that may well be worth watching for a while; I will stick around to see whether Spader's performance really is the only dish on the menu.
    • 70 Metascore
    • 70 Maureen Ryan
    Some episodes feel a little padded, and the show occasionally skates nervously over the more painful aspects of these girls' lives, but High School Confidential is a mostly compelling study of the lives of 12 girls in a middle-class Kansas community.
    • 67 Metascore
    • 70 Maureen Ryan
    Wilfred is still a work in progress; in the early stages, the relationship between the dog and the man feels a little claustrophobic, but as the episodes progress, Ryan's world begins to expand a bit, which is a good thing.
    • 63 Metascore
    • 70 Maureen Ryan
    Has enough chuckles to make it worth your while, providing you have an irreverent sense of humor. [29 Apr 2005]
    • Chicago Tribune
    • 75 Metascore
    • 70 Maureen Ryan
    Branagh directs his actors through the intricacies of Shakespeare’s language with a sure hand, though I sometimes wished during the forest scenes the camera didn’t swoop and swivel quite so much.
    • 65 Metascore
    • 63 Maureen Ryan
    As it is, Trust Me, which perks along energetically but lacks emotional heft, may be one of those shows that stacks up on my TiVo, along with other shows I don’t get around to viewing.
    • 52 Metascore
    • 63 Maureen Ryan
    The problem is, though this good-natured show doesn't lack for energy, Cupid is a little bland and formulaic.
    • 76 Metascore
    • 63 Maureen Ryan
    I tend not to watch it after the first few episodes of each season, because it tends to travel somewhat repetitive storytelling roads (i.e., every week, science goes awry, then science is used to fix what went awry)....I like the implications of that bigger arc, which promises more depth, which Eureka needs.
    • 69 Metascore
    • 63 Maureen Ryan
    This pleasantly low-key drama has little trouble creating an atmosphere, but the pace is sometimes slack in the first four episodes.
    • 61 Metascore
    • 63 Maureen Ryan
    The Unusuals doesn’t have the balance between the comedy and the serious stuff right yet, but Terry Kinney lends a welcome acerbic note as the station’s seen-it-all leader, Sgt. Harvey Brown.
    • 54 Metascore
    • 63 Maureen Ryan
    Eleventh Hour does what it sets out to do: It puts a talented actor (Rufus Sewell) through his crime-solving paces on rain-slicked streets, in dark warehouses and in spooky labs that look almost identical to the rain-slicked streets, dark warehouses and spooky labs on almost every other CBS drama.
    • 62 Metascore
    • 63 Maureen Ryan
    The rest of the new or new-ish faces are occasionally funny one-note characters....Still, the old crew made me laugh on more than one occasion as I watched the first two episodes of Season 9 (the Todd made me giggle every time he turned up).
    • 63 Metascore
    • 63 Maureen Ryan
    As guilty pleasures go, Harper's Island may hit the spot. Though perhaps it would have worked best as a summer series?
    • 52 Metascore
    • 63 Maureen Ryan
    The Gates actually moves along at a brisk enough clip, and though it's bland around the edges, it introduces enough mysteries to keep things more or less interesting (there are allusions to a "code" residents must live by, and presumably that doesn't refer to local regulations on lawn care).
    • 61 Metascore
    • 63 Maureen Ryan
    The first episode of Enemy ended up being a relatively compelling hour of television. As competent as it is, though, it’s hard not to think that the premise contains some holes.
    • 84 Metascore
    • 63 Maureen Ryan
    The rest of Breaking Bad doesn’t consistently reach the level of Cranston’s performance. But for some, his depiction of Walt’s earnest desperation may be enough.
    • 51 Metascore
    • 63 Maureen Ryan
    Swayze’s performance is almost reason enough to tune in--if you don’t mind the show’s more derivative elements--the actor’s co-star, Fimmel, is often the least interesting thing about The Beast.
    • 54 Metascore
    • 63 Maureen Ryan
    Given that the love-hate scenario between Beckett and Castle is fairly predictable, Castle’s success may ride on the quality of its murder mysteries, and it’s encouraging that the show’s second episode is better than the first.
    • 61 Metascore
    • 63 Maureen Ryan
    Even when the show gets a bit melodramatic or overwrought, however, Parenthood's good intentions radiate throughout its many story lines. But do good intentions make for reliably compelling family drama? That depends on your tolerance for its frequent tonal shifts and occasional manic intervals.
    • 70 Metascore
    • 63 Maureen Ryan
    The Middle hits its comedic targets often enough, but its main problems is that it overdoes the quirkiness a bit.
    • 66 Metascore
    • 60 Maureen Ryan
    There are times when the enterprise lacks a certain heft and when the fantasy realm seems a little generic. Also, some characters, especially Lana Parrilla's Evil Queen (who is also the mayor of Storybrooke), are one-dimensional in kind of maddening ways, though Robert Carlyle makes up for that with his charismatic turn as both Rumplestiltskin and a Storybrooke resident named Mr. Gold.
    • 56 Metascore
    • 60 Maureen Ryan
    Sanctuary’s pace is a little on the stately side, and the show is competent if not particularly innovative sci-fi.
    • 54 Metascore
    • 60 Maureen Ryan
    It’s by no means must-see TV, but this is one game show you don’t have to be ashamed of getting sucked in to.
    • 46 Metascore
    • 60 Maureen Ryan
    This hybrid, which is competent but not terribly distinctive, may not be unique enough to thrill reality fans or familiar enough to satisfy devotees of “Deadliest Catch.”
    • 43 Metascore
    • 60 Maureen Ryan
    The show has some ponderous moments and its characters are sometimes guilty of not asking and answering direct questions that would give them valuable information. But eight episodes isn't too much of a commitment, and Outcasts at least has thematic and character-driven ambitions, as well as a gorgeously weird setting.
    • 76 Metascore
    • 60 Maureen Ryan
    House of Cards is a strange mixture of freedom--Fincher and his cohorts clearly did what they wanted to do--and limitation: These powerful, venal characters and the well-tended hothouse they live in feel quite familiar (and not just because this is based on a UK miniseries of the same name).
    • 57 Metascore
    • 60 Maureen Ryan
    12 Monkeys hums along at a reasonable pace; its pilot is pleasingly energetic and efficient.... The problem is, 12 Monkeys tends to prioritize a series of MacGuffins over attempts to deepen its characters and their relationships.
    • 74 Metascore
    • 60 Maureen Ryan
    The action sequences and fights are briskly shot and edited, the supporting cast is acerbically great.... The worst element of Strike Back’s final go-round looms pretty large in the first half of the season. It’s a contrived story line involving Scott’s son, who turns up in Bangkok wanting to get to know his dad.
    • 74 Metascore
    • 60 Maureen Ryan
    The witches are an intriguing presence, but other parts of the show aren't casting the same spell as the magnificent Shaw. If you're addicted to True Blood's brand of smoldering melodrama, well, there's a lot of it this season. And it looks as though about half of it might actually be worth watching.
    • 71 Metascore
    • 60 Maureen Ryan
    The unsettled, rule-breaking personality of the central character, his affair with an underdeveloped female character, a murderer who's too clever by half--these things aren't hard to find on TV. And though Bosch is credible, the episodes I saw weren't at such a fantastic level of execution that I have to see more of it and feel the need to shout from the rooftops about it.
    • 77 Metascore
    • 60 Maureen Ryan
    This new season of Homeland.... comes across at times like a newborn foal on wobbly legs.
    • tbd Metascore
    • 60 Maureen Ryan
    Though "Sunny" is admirably energetic, the comedy can seem repetitive after a while. [13 Sep 2007]
    • Chicago Tribune
    • 85 Metascore
    • 60 Maureen Ryan
    The film just about rises above its many flaws, thanks to a some committed and affecting performances from seasoned actors like Mark Ruffalo, Joe Mantello and a surprisingly effective Julia Roberts.
    • 51 Metascore
    • 60 Maureen Ryan
    Nothing that happens next is particularly surprising, though the plot rolls forward with workmanlike efficiency.
    • 49 Metascore
    • 60 Maureen Ryan
    K-Ville is a solidly crafted drama with admirable focus and energy.
    • 53 Metascore
    • 60 Maureen Ryan
    Another workmanlike, reasonably decent thriller.
    • 60 Metascore
    • 60 Maureen Ryan
    It may not be blessed with the most felicitous dialogue of all time, but “Day Break” is a solidly constructed and fast-paced drama.
    • 50 Metascore
    • 60 Maureen Ryan
    Welcome to the Captain attempts a similarly shaggy, loose sitcom vibe, but isn't quite successful, though it's at least watchable.
    • 62 Metascore
    • 60 Maureen Ryan
    Cooper does a solid job with the title role, and the early installments have an engaging briskness. However, Fleming drags a bit in its second half; given its slender budget, it might have worked better as a three-episode miniseries.
    • tbd Metascore
    • 60 Maureen Ryan
    A few notches below that "must-see" category are those "laundry-folders," if you will--programs that occupy some your attention but don't distract you unduly from household chores.
    • 74 Metascore
    • 60 Maureen Ryan
    There are some promising moments Episodes, and as the characters move beyond stereotypes, some of the story lines begin to pay off in amusing and even touching ways.
    • 64 Metascore
    • 60 Maureen Ryan
    The idea that in the long-ago past there were differing versions of how to reinvent humanity's future could make for compelling drama, and those kind of story lines are more likely to be more intriguing than what will transpire among the Shannons, unless this bland family's character development takes a great leap forward very quickly.
    • 66 Metascore
    • 60 Maureen Ryan
    "Hex" takes a while to cast its spell, but it may yet prove itself worthy of viewers' attention.
    • 73 Metascore
    • 60 Maureen Ryan
    There are times when Outlander shows glimmerings of that vitality and emotional depth, and if we're lucky, this earnest drama will keep heading in that direction.
    • 55 Metascore
    • 60 Maureen Ryan
    If you don’t like hints of Harry Potter mixed in with fairly straightforward procedural elements, this may not be the show for you.
    • 67 Metascore
    • 60 Maureen Ryan
    Though Babylon is pleasant and reasonably well executed, there's not too much to grab on to at the center of the drama; it makes moves toward engagement of knotty issues, only to ultimately skate along their surface. But Nesbitt is typically excellent and the show's depiction of London, its cops and its cynical politics can be diverting.
    • 46 Metascore
    • 60 Maureen Ryan
    And therein lies the main flaw of this otherwise entertaining show. Not much time is devoted to actually teaching the novices the top-notch technique that they'd need to make it in one of Ramsay's successful London establishments, let alone the restaurant that gives the program its name.
    • 65 Metascore
    • 60 Maureen Ryan
    For fans of fantasy, this might be worth a try; there’s just enough of interest to make one wonder if Beowulf’s future alliances and aspirations will place it within striking distance of “Vikings,” on par with the enjoyable “Shannara Chronicles” and maybe ahead of BBC America’s very similar drama, “The Last Kingdom.”
    • 68 Metascore
    • 60 Maureen Ryan
    For all its ferocity, and despite some excellent supporting performances, there’s a curious hole at the center of Sons of Anarchy. The character we’re supposed to be most interested in is something of a blank slate.
    • 64 Metascore
    • 60 Maureen Ryan
    The biggest problem with Fox's "Kitchen Confidential" is that star Bradley Cooper... is far too appealing to play a bad-boy chef.
    • 64 Metascore
    • 60 Maureen Ryan
    Mildly satisfying, but pretty formulaic.
    • 57 Metascore
    • 60 Maureen Ryan
    Despite its jittery camerawork and souped-up graphics, "Justice" is just a reasonably well-made, meat-and-potatoes lawyer show.
    • 65 Metascore
    • 60 Maureen Ryan
    “Army Wives” is by no means a perfect show, but there’s a lot of potential material in the lives of these women.
    • 68 Metascore
    • 60 Maureen Ryan
    You expect the Big Moment on Grey's Anatomy, and the usual array of melodramatic developments in Thursday's two-hour season premiere. On the plus side, at least this episode isn't as padded and maddening as past two-hour Grey's episodes have been.
    • 50 Metascore
    • 60 Maureen Ryan
    Even as you laugh at the clunky dialogue, cringe at the large hair, get annoyed by wardrobe stylists who think that the "Miami Vice" look was still hip in 1986, you will get sucked in to "Reunion's" murder mystery.
    • 78 Metascore
    • 60 Maureen Ryan
    I'll keep watching, of course. But there are times, truth be told, when Saul seems a little too much like its lead character: Slick, smart, desperate, driven to please and a little bit afflicted by flop sweat.
    • 48 Metascore
    • 60 Maureen Ryan
    Animal Practice might devolve into a lot of jokes about mammalian reproduction and/or defecation, or it might evolve into a goofy workplace drama with reasonably sparky leads and occasionally frisky pythons. Given the quality of the core cast and the mildly pleasing (if broad) nature of the pilot, I've got my paws crossed and I'm hoping for the latter.
    • 81 Metascore
    • 60 Maureen Ryan
    Millman... is kind of an irritating guy, and the conceit of the show wears thin pretty quickly.
    • 43 Metascore
    • 60 Maureen Ryan
    A mildly amusing way to spend a half an hour.
    • 70 Metascore
    • 60 Maureen Ryan
    Blue Bloods sounds good on paper. Yet despite its good cast and competent execution, this drama about a family of New York cops feels a bit perfunctory. There's nothing necessarily wrong with the drama, which is ably headed by Tom Selleck, but there's every chance that Blue Bloods will turn out to be just another cop show.
    • 64 Metascore
    • 60 Maureen Ryan
    Sure, there were some good bits in there. It wasn't that Conan put on a bad or unprofessional show, just a very conventional one.
    • 53 Metascore
    • 60 Maureen Ryan
    There was one brief shoving match on the program, in which a 15 year old "got in the face" of an 11 year old, but most of the program was pretty sedate, if not a bit bland.
    • 56 Metascore
    • 60 Maureen Ryan
    Everything around Malkovich is workmanlike and rather predictable, if competent.
    • 72 Metascore
    • 60 Maureen Ryan
    By the end of the five episodes HBO sent for review, one's interest in the tangled future of this offbeat clan may be piqued, but be forewarned, it takes a while -- and there are a lot of petty spats and crying kids -- before one gets to that point.
    • 58 Metascore
    • 60 Maureen Ryan
    The main thing Camelot has going for it is a lively, unpretentious desire to entertain. It doesn't take itself overly seriously--Merlin has a wry sense of humor--and there are some capable action sequences amid scenes of rustic splendor.
    • 79 Metascore
    • 60 Maureen Ryan
    “This American Life” really begins to show its TV potential in episode three, when the show stops trying so hard to be perfect and lets its storytelling sprawl.
    • 55 Metascore
    • 60 Maureen Ryan
    All in all, Skip, an unkempt ball of puppyish energy to whom the writers feed a wealth of good material, is by far the best thing about this show. Jenna Elfman is all right as first lady and the rest of the cast hovers around the edges not making much of an impression.
    • 64 Metascore
    • 60 Maureen Ryan
    The clash between the callow and the compelling set off an ongoing debate between the hopeful part of my brain, which wants to like a sci-fi-ish show dreamed up by executive producers J.J. Abrams and Eric Kripke, and the scarred part of my brain, which has been burned dozens of times by genre-flavoroed shows that had interesting elements or cast members but also disappointing executions and annoying younger characters.
    • 66 Metascore
    • 60 Maureen Ryan
    Yet despite the dude-tastic charisma that Caan brings to Danno, I can't quite see a reason to watch Hawaii Five-0 again, given that each week, the stories will probably feel like something we've already seen on 'NCIS,' 'NCIS Los Angeles' or any number of the 'CSIs.' Bad guys will be caught, the team shall be triumphant. Rinse and repeat.
    • 68 Metascore
    • 60 Maureen Ryan
    It's all a little pell-mell, but it just about holds together and Viola Davis is ferocious in the lead role.
    • 61 Metascore
    • 60 Maureen Ryan
    An intermittently interesting summer potboiler with a creepy "Twin Peaks"-meets-"American Beauty" vibe, with a little of "The Riches" thrown in for good measure.
    • 67 Metascore
    • 60 Maureen Ryan
    The last half-hour of the pilot is by far the best part of Fringe; it’s full of twists, turns, action and suspense. And the first 20 minutes or so, in which a team of federal agents investigate a mysterious occurrence on a commercial airliner, is brisk and efficient, if (like much of Fringe) a little bombastic and overdirected. Aside from a cinematic dream sequence, the middle hour of Fringe is much more problematic.
    • 70 Metascore
    • 60 Maureen Ryan
    The way to keep both casual and hardcore sci-fi fans in the fold is to tell stories that revolve around memorable characters, to take on compelling questions and to give the tales intellectual and emotional plausibility. Torchwood: Miracle Day doesn't quite have all those elements nailed down all the time, but it gets reasonable chunks of those things right--enough to keep me tuning in and hoping that the story gains coherence (and not just speed) over the course of the season.
    • 65 Metascore
    • 60 Maureen Ryan
    The River isn't terrible, and it actually has some effective elements, but it's fairly indicative of ABC's post-"Lost" flailing.
    • 66 Metascore
    • 60 Maureen Ryan
    Ben Feldman and Cristin Milioti are good actors and undeniably adorable together in this competent pilot.... The charm of its cast and, ideally, sharp writing from the NBC show could keep it afloat.
    • 56 Metascore
    • 60 Maureen Ryan
    Breakout Kings is better than "The Glades," another A&E scripted drama set in the world of law enforcement, but that's not saying a whole lot. Still, if future episodes are as good as the second episode (and better than the clunky pilot), it'll give fans of "White Collar" or "Leverage" something to watch until those shows come back.
    • 74 Metascore
    • 60 Maureen Ryan
    Still, despite Chuck’s zippy pace and fun dialogue, this nerd-friendly "spy-fi" show from "O.C." creator Josh Schwartz has plot holes you could drive a truck through.
    • 63 Metascore
    • 60 Maureen Ryan
    The pilot is high-strung but basically acceptable, and I'll keep watching in the well-founded hopes that it will find consistently entertaining groove and use its fine cast (which includes Tim Meadows and Dan Bucatinsky as Annie's dads) as well as "Happy Endings" used its fab ensemble.
    • 67 Metascore
    • 60 Maureen Ryan
    As it is, the decent but unspectacular Copper comes off as "Deadwood Cop," minus the Milch.
    • 44 Metascore
    • 60 Maureen Ryan
    It may not have the subtlety or sophisticated wit of "Arrested Development," but it's not supposed to. It's more a combination of "The Office" and "Four Kings" -- with really good music and a distinctive, energetic visual style.
    • 70 Metascore
    • 60 Maureen Ryan
    After going through its share of growing pains, it now operates with clockwork efficiency. But the characters seem even more one-dimensional than they were last year.
    • 42 Metascore
    • 60 Maureen Ryan
    Feresten... is engaging in a slightly weird, self-mocking, Letterman-esque way, with only occasional forays into dippy post-frat humor.
    • 54 Metascore
    • 60 Maureen Ryan
    More work needs to be done on all the characters; so far they're just types, and the first episode, perhaps because of its manic tone, didn't make me laugh much. But I can see Breaking In growing into a pleasant, mildly goofy comedy that offers the light-adventure qualities of a USA or TNT show and the silly diversions of a half-decent 'Chuck' episode.
    • 65 Metascore
    • 60 Maureen Ryan
    Alexander and Stapleton, both appealing enough in their own right, to execute some basic action-adventure moves, though their characters have no discernible chemistry as yet. The Blindspot pilot is more or less efficient enough, even though few aspects of the premise make any real sense.

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