For 841 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 6.6 points lower than other critics. (0-100 point scale)

Maureen Ryan's Scores

Average review score: 60
Highest review score: 100 Jane the Virgin: Season 2
Lowest review score: 0 Anchorwoman: Season 1
Score distribution:
841 tv reviews
    • 85 Metascore
    • 80 Maureen Ryan
    It's a high-class entertainment that takes its locale and its characters seriously and treats the audience to some enjoyable music along the way.
    • 73 Metascore
    • 80 Maureen Ryan
    Its sprightly first hour is one of the most solidly entertaining pilots of the fall season, and it did the most important thing that first episodes must do: It made me eager to see what comes next.
    • 79 Metascore
    • 80 Maureen Ryan
    Nip/Tuck is back to being the frothy, fun and knowing show it was in its early days.
    • 77 Metascore
    • 80 Maureen Ryan
    The pilot (which is ABC has released to the media) is a polished, entertaining and promising half-hour of comedy about a well-to-do American family.
    • 77 Metascore
    • 80 Maureen Ryan
    Mad Men is first and foremost an intelligently made character drama.
    • 87 Metascore
    • 80 Maureen Ryan
    What a bracing thrill-ride it is. .... There are so many ideas bouncing off each other and colliding in the new season that viewers may occasionally long for a quiet moment or two, but presumably things will settle down a little once the setup is out of the way.
    • 71 Metascore
    • 80 Maureen Ryan
    Anne, Emily and Charlotte come vividly to life as they decide on their pseudonyms, engage with publishers via correspondence, and diligently crank out some of the works that eventually made them famous.
    • 78 Metascore
    • 80 Maureen Ryan
    An animated comedy that is propelled by a very strong voice cast and by its own daffy comedic momentum.
    • 83 Metascore
    • 80 Maureen Ryan
    The lessons the new Roots teaches over the course of its eight hours, which air on four consecutive nights, are worth revisiting, and a number of outstanding performances enliven this retelling of the story of Kunta Kinte and his descendants.
    • 58 Metascore
    • 80 Maureen Ryan
    This is one of those comedies in which the actors’ and writers’ skills are so sharp that the whole enterprise feels effortless.
    • 65 Metascore
    • 80 Maureen Ryan
    As with "24," the whole enterprise, however action-packed, would fall flat if viewers didn't care about the characters, and "Prison Break" doesn't disappoint.
    • 78 Metascore
    • 80 Maureen Ryan
    If you’re wondering if the Bravo reality linchpin is any good in its fourth season, well, of course it is.
    • 70 Metascore
    • 80 Maureen Ryan
    It's essentially interested in the ways in which lonely, damaged characters allow themselves to find comfort in a world that has no fixed moral moorings, and the wounded tenacity of these people is every bit as intriguing as the progress of that mystery briefcase.
    • 73 Metascore
    • 80 Maureen Ryan
    The drama might have had more depth and texture if more time had been spent contextualizing their relationships instead of just showing the ladies putting up with a series of oafs. But there's only so much Bletchley can do in three installments, and it has many sustaining qualities to offset the relatively thin supporting characters.
    • 83 Metascore
    • 80 Maureen Ryan
    In episodes that alternate percolating energy with quiet ruminations on loyalty, leadership and the ways in which people lie to themselves and others, the satisfying third season builds up an admirable head of steam and gives the core cast (including the wonderful and previously under-used Toby Huss) and guest star Annabeth Gish smart material to work with.
    • 65 Metascore
    • 80 Maureen Ryan
    It's to the credit of Asylum's writers, directors and cast that the emotional pain of the characters often feels as real as their uncertainty and terror.
    • 66 Metascore
    • 80 Maureen Ryan
    A worthy and excellent new series that works as both a television drama and an interlocking array of engagements with some of the most thorny issues of our time. Shots Fired resists easy villains and simple answers, even as it knits its many pointed questions into an accessible narrative that is laudably brisk and generally efficient.
    • 75 Metascore
    • 80 Maureen Ryan
    An impressively constructed thriller and an intriguing, timely exploration of what people at the apex of society will do to hold on to their power.
    • 73 Metascore
    • 80 Maureen Ryan
    Crashing may be a bit slight, but that’s not necessarily a bad thing: It knows what it’s going for and more often than not, fulfills its modest ambitions in amusing and diverting ways.
    • 72 Metascore
    • 80 Maureen Ryan
    White Collar's return is a sprightly, enjoyable affair--stylishly shot, well acted and deftly threaded with moral ambiguity.
    • 80 Metascore
    • 80 Maureen Ryan
    The bottom line is, if you liked the what the show was dishing out in its first season--genre storytelling made with admirable restraint and economy, except for those jump-out-of-your-seat scary/gross moments--you're likely to enjoy what you see in season 2.
    • 62 Metascore
    • 80 Maureen Ryan
    As these two families question their assumptions and experiences, we not only get insights into a thorny issue but, through the families on the show, we also get fascinating glimpses into lives we'd never otherwise lead.
    • 72 Metascore
    • 80 Maureen Ryan
    In Season 2, the show, brought back by fans who vociferously protested its cancellation, has become more topical and even more intriguing.
    • 67 Metascore
    • 80 Maureen Ryan
    There's still something winning and relevant about their particular blend of cluelessness and surprisingly sharp commentary.
    • 69 Metascore
    • 80 Maureen Ryan
    Billions is shamelessly entertaining. Don’t come to it looking for an in-depth commentary on the stratification of American society or the pitfalls of late-stage capitalism. This is a generally well-crafted soap opera about rich people, one that crackles with energy and insider knowledge of its well-heeled territory and the narcissistic insiders who live there.
    • 73 Metascore
    • 80 Maureen Ryan
    Shrek the Halls may not be an instant holiday classic--nothing can really compete with the Grinch, the Peanuts Christmas special or the various Rankin-Bass offerings--but it’s enjoyable enough and likely to induce at least a few giggles.
    • 65 Metascore
    • 80 Maureen Ryan
    It combines the dark stuff with a dollop of fizzy champagne. With a fraction of the resources of most American shows but a surfeit of ideas and frisky energy, this Lifetime drama supplies one of the most impressive debuts of the year.
    • 62 Metascore
    • 80 Maureen Ryan
    The first installment of the drama does a truly impressive job of establishing a mournful atmosphere, as it sketches out an array of characters worth following on what promises to be a very challenging journey.
    • tbd Metascore
    • 80 Maureen Ryan
    Happy Endings has so many things going for it that the occasional weak story line or meh scene is not a big deal at all.
    • 68 Metascore
    • 80 Maureen Ryan
    Thanks to a top-notch cast and unusually intelligent writing, "Kidnapped" is among the more promising of many new shows that pay homage to the granddaddy of the current suspense boom, "24."

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