For 875 reviews, this critic has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 7 points lower than other critics. (0-100 point scale)

Maureen Ryan's Scores

Average review score: 60
Highest review score: 100 Modern Family: Season 1
Lowest review score: 0 Marvel's Inhumans: Season 1
Score distribution:
875 tv reviews
    • 78 Metascore
    • 88 Maureen Ryan
    The solidly entertaining season premiere of The Office is of a piece with last season's better episodes.
    • 74 Metascore
    • 60 Maureen Ryan
    Still, despite Chuck’s zippy pace and fun dialogue, this nerd-friendly "spy-fi" show from "O.C." creator Josh Schwartz has plot holes you could drive a truck through.
    • 74 Metascore
    • 60 Maureen Ryan
    The witches are an intriguing presence, but other parts of the show aren't casting the same spell as the magnificent Shaw. If you're addicted to True Blood's brand of smoldering melodrama, well, there's a lot of it this season. And it looks as though about half of it might actually be worth watching.
    • 74 Metascore
    • 75 Maureen Ryan
    The curious thing about True Blood is that, even if you’re not that interested in their relationship, there are other things to enjoy, notably the supporting performances and the mostly efficient plotting.
    • 74 Metascore
    • 70 Maureen Ryan
    The show’s pace is brisk and efficient, and Headey (“300”) and Glau bring welcome intelligence and energy to their roles as very protective women.
    • 74 Metascore
    • 75 Maureen Ryan
    The Season 2 premiere of the genre-tinged drama Fringe is almost the polar opposite of its bombastic Season 1 premiere, and that’s a very good thing.
    • 74 Metascore
    • 70 Maureen Ryan
    It's good news that much of Season 4 will focus on Brenda's investigative team and on police department politics.
    • 74 Metascore
    • 70 Maureen Ryan
    The relationships that are sketched out in the first hour are promising.
    • 74 Metascore
    • 60 Maureen Ryan
    There are some promising moments Episodes, and as the characters move beyond stereotypes, some of the story lines begin to pay off in amusing and even touching ways.
    • 46 Metascore
    • 60 Maureen Ryan
    And therein lies the main flaw of this otherwise entertaining show. Not much time is devoted to actually teaching the novices the top-notch technique that they'd need to make it in one of Ramsay's successful London establishments, let alone the restaurant that gives the program its name.
    • 74 Metascore
    • 30 Maureen Ryan
    Westworld looks terrific; its directors have shot its Western locations to stunning effect. But its warmly saturated outdoor scenes and its surface slickness aren’t enough to mask the indecision, condescension, and hollowness at its core.
    • 79 Metascore
    • 60 Maureen Ryan
    “This American Life” really begins to show its TV potential in episode three, when the show stops trying so hard to be perfect and lets its storytelling sprawl.
    • 73 Metascore
    • 40 Maureen Ryan
    The two leads lack any kind of chemistry, platonic or otherwise, and the storytelling lacks the smarts and insight of one of TV's best Sherlockian creations, "House."
    • 73 Metascore
    • 50 Maureen Ryan
    Purely as a cop show, Life on Mars is competent but not that compelling, though O’Mara does a fine job as Tyler.
    • 73 Metascore
    • 70 Maureen Ryan
    The show, so far, doesn’t have quite the right ingredients--it could use something more combustible in the mix.
    • 73 Metascore
    • 50 Maureen Ryan
    This show should be a swampy, escapist saga with poignant overtones, but that version of the tale can only occasionally be glimpsed amid the overwritten dialogue and the stilted pacing. For the most part, there’s not much of a spark here.
    • 73 Metascore
    • 80 Maureen Ryan
    Crashing may be a bit slight, but that’s not necessarily a bad thing: It knows what it’s going for and more often than not, fulfills its modest ambitions in amusing and diverting ways.
    • 73 Metascore
    • 50 Maureen Ryan
    Everything about "Andy Barker"... is lovingly created. And there are some laughs, but the show fails to truly catch fire.
    • 73 Metascore
    • 75 Maureen Ryan
    The results may not hit the mark every time (stories about Jack, Liz and Kenneth usually work, while those concerning Tracy and Jenna are hit or miss), but there are enough pointed, smart and effective barbs to make this show a must-see comedy even as it enters its fourth season.
    • 68 Metascore
    • 60 Maureen Ryan
    For all its ferocity, and despite some excellent supporting performances, there’s a curious hole at the center of Sons of Anarchy. The character we’re supposed to be most interested in is something of a blank slate.
    • 73 Metascore
    • 80 Maureen Ryan
    Its sprightly first hour is one of the most solidly entertaining pilots of the fall season, and it did the most important thing that first episodes must do: It made me eager to see what comes next.
    • 73 Metascore
    • 80 Maureen Ryan
    The focus is never far from the very talented quartet at the show’s core: The assured second season offers the cast plenty of opportunities to demonstrate that they’ve got some of the best reaction faces in the business. There’s just enough plot to force the characters to glance at each other and alternately avoid each other’s glares and curiosity.
    • 73 Metascore
    • 40 Maureen Ryan
    Given how wonderful its first season was, the fact that Broadchurch has turned into such a muddle is the bigger disappointment. Despite the usual array of finely calibrated performances, the second season simply doesn't work, in large part because it consciously and deliberately undoes much of what was powerful about the shattering conclusion to the first season.
    • 64 Metascore
    • 40 Maureen Ryan
    "Top Chef," though it appears to have a stable of good talent in the kitchen, so far doesn't really have much else going for it in the way of personalities.
    • 73 Metascore
    • 70 Maureen Ryan
    Now in its second season, Portlandia has matured into a comedic concoction that is consistently pleasing.
    • 73 Metascore
    • 70 Maureen Ryan
    The performances are nuanced and subtle.... Bakula's presence and air of experience add weight and depth to a show that occasionally seems too slight for its ambitions.
    • 73 Metascore
    • 60 Maureen Ryan
    While Hall (who plays Tietjens' wife, Sylvia) and Cumberbatch do a fine job of portraying two mismatched people who are nevertheless stuck with each other for a bunch of social, cultural and personal reasons--some of which even they don't understand--Parade's End is often at war with itself.
    • 73 Metascore
    • 70 Maureen Ryan
    It takes a bit longer than it should for the viewer to assemble a working knowledge of the show's core mystery, and there are some tonal issues (some attempts at jokey moments are a bit jarring), but overall, Orphan Black is a quite watchable thriller that plunges its heroine into a murky world that almost seems designed to drive her mad.
    • 58 Metascore
    • 80 Maureen Ryan
    [A] deeply interesting, occasionally riveting show.
    • 58 Metascore
    • 80 Maureen Ryan
    This is one of those comedies in which the actors’ and writers’ skills are so sharp that the whole enterprise feels effortless.

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